Daum pate de verre bowl, Gingko
Price: £750
This is a beautiful large bowl in pate de verre glass formed as leaves or petals. The design is Gingko. Comes in original fitted box. Model 03570 Coupe Grand Modele
Shelley Harmony Ware Drip Glaze Watercress Bowl and Stand, 1930s
Price: £35
A ceramic shallow bowl, pierced with holes to the centre and with three short feet and a matching dish or underplate, both decorated with various shades of green, brown, grey and light blue with ‘drip glaze’ effects, the bases glazed and the bowl with a transfer mark ‘Shelley England’, the mark on the plate blurred and indistinct. Shelley Potteries, situated in Staffordshire, was originally known as Wileman & Co. which had also traded under the name ‘The Foley Potteries’. The first Shelley to join the company was Joseph Ball Shelley in 1862, and it remained a Shelley family business until 1966, when it was taken over by Allied English Potteries. Josph’s son Percy employed first the designer Frederick Rhead then Walter Slater who had worked with Doulton. It was Walter Slater’s son, Eric, who initiated the ‘Harmony’ range in 1932, at first with a series of banded designs, and then with ‘drip ware’ patterns, an effect which he discovered by accident, which became enormously popular such that around twenty five painters were employed in their decoration. Besides vases, various items of tableware were produced in this style and these two pieces comprise a drainer bowl and stand, most likely for watercress or salad, following earlier English and Chinese designs, but possibly for fruit or berries. This ensemble is less commonly found but remains both decorative and practical.
Shelley Harmony Ware Vase glazed in shades of orange, yellow and grey, 1930s
Price: £55
A ceramic vase the broad slightly conical body narrowing towards the wide bulbous neck, the surface slightly ribbed and painted with various shades of ‘spun’ decoration in shades of orange, yellow and grey, the base glazed yellow and with a transfer mark ‘Shelley England’ and the impressed numbers ‘990’ presumably denoting the model number. Shelley Potteries, situated in Staffordshire, was originally known as Wileman & Co. which had also traded under the name ‘The Foley Potteries’. The first Shelley to join the company was Joseph Ball Shelley in 1862, and it remained a Shelley family business until 1966, when it was taken over by Allied English Potteries. Josph’s son Percy employed first the designer Frederick Rhead then Walter Slater who had worked with Doulton. It was Walter Slater’s son, Eric, who initiated the ‘Harmony’ range in 1932, at first with a series of banded designs as here and then with drip ware patterns which became enormously popular. Harmony ware was produced in a wide variety of colours and this auction includes three vases examples which well reflect the range.
Shelley Harmony Ware Drip Glaze Vase, 1930s
Price: £45
A ceramic vase of plain ovoid form, the body slightly ribbed and painted with various shades of green, brown and light blue with ‘drip glaze’ effects, the base glazed and with a transfer mark ‘Shelley England’ and the impressed numbers ‘985’ presumably denoting the model number. Shelley Potteries, situated in Staffordshire, was originally known as Wileman & Co. which had also traded under the name ‘The Foley Potteries’. The first Shelley to join the company was Joseph Ball Shelley in 1862, and it remained a Shelley family business until 1966, when it was taken over by Allied English Potteries. Josph’s son Percy employed first the designer Frederick Rhead then Walter Slater who had worked with Doulton. It was Walter Slater’s son, Eric, who initiated the ‘Harmony’ range in 1932, at first with a series of banded designs, and then with ‘drip ware’ patterns, an effect which he discovered by accident, which became enormously popular such that around twenty five painters were employed in their decoration. Harmony ware was produced in a wide variety of colours and this auction includes three vases which well reflect the range.
Shelley Harmony Ware Vase glazed in blue, 1930s
Price: £45
A ceramic vase of plain ovoid form, the body slightly ribbed and painted with various shades of ‘spun’ decoration in blue, the base glazed and with a transfer mark ‘Shelley England’ and the impressed numbers ‘979’ presumably denoting the model number. Shelley Potteries, situated in Staffordshire, was originally known as Wileman & Co. which had also traded under the name ‘The Foley Potteries’. The first Shelley to join the company was Joseph Ball Shelley in 1862, and it remained a Shelley family business until 1966, when it was taken over by Allied English Potteries. Josph’s son Percy employed first the designer Frederick Rhead then Walter Slater who had worked with Doulton. It was Walter Slater’s son, Eric, who initiated the ‘Harmony’ range in 1932, at first with a series of banded designs as here and then with drip ware patterns which became enormously popular. Harmony ware was produced in a wide variety of colours and this auction includes three vases which well reflect the range.
Cylindrical Vase, Herman Kähler, HAK, blue glazed stoneware, 1950s
Price: £250
A stoneware vase glazed in blue of upright cylindrical form, the base and neck concave with two ribbed bands, the foot unglazed and showing traces of the potting rings with incised marks ‘HAK’ and 22-118. Herman August Kähler was a Danish ceramic designer and manufacturer who ran the Kähler ceramic factory (Kählers Keramiske Værksted) in Næstved, Denmark which he took over from his Father with his brother in 1872, then running it himself from 1875 when he built a new factory on the town’s outskirts. Kähler was responsible for the introduction of a ruby red glaze which soon became extremely popular and the factory began to produce many well formed decorative pieces which enjoyed a wide reception and were exhibited at the Great Nordic Exhibition held in Copenhagen in 1888 and at the Exposition Universelle held the following year in Paris. Kähler died in 1917 but the firm continued, at first under the direction of his son Herman Hans Christian Kähler.
This vase was designed by Herman Kähler’s grandson Nils Kähler who took over the business with his brother in 1940. Nils Kähler had a special talent for following the design trends of the time. Even though he was enthusiastic himself about traditional wares, the new production was characterized by much simpler designs. He made designer objects such as ashtrays, vases, jugs and lamp bases for Le Klint lamps. Made of stoneware, these bases were fired in his preferred salt glaze or with the strong turquoise or warm golden colors. This vase, then, is a typical example of his work and probably dates to the 1950s.
LOT 17
Small Herend Porcelain Tureen and Cover, Rothschild Bird Pattern, C20th
Estimate: £100 – 150
1d 5h 14m
£70.00
Pair of Royal Dux Secessionist Style Vases, 1930s
Price: £250
A pair of ceramic vases of semi organic form, the body tapering towards the long slightly flaring neck and the sides with four applied loop handles, decorated with stylized floral designs on a grey/beige mottled ground, the base glazed and with a transfer mark of an acorn in a triangle with the letters ‘D’ ‘P’ ‘M’ and impressed numbers ‘11330’.
These vases form part of a group of ceramic items manufactured by a wide number of factories in the early C20th, including Mintons of England, and heavily influenced by the ‘Secessionist’ movement, in which contemporary artists deliberately broke away from traditional styles, which began in Austria in the late nineteenth century and soon spread to Germany and France. The organic forms of the Art Nouveau movement were a strong influence and can be seen here.
Duxer Porzellanmanufaktur, or the Dux Porcelain Manufactory, was started in 1860 by Eduard Eichler in what was then Duchov, Bohemia, later to become part of Czechoslovakia. Production continued until the beginning of the second world war and beyond. The factory started to imitate designs by Copenhagen, Worcester and Sevrés and their pieces achieved great popularity culminating in the company being rewarded with the Grand Prix prize at the world exhibition in St. Louis in 1904. Their output is now now generally referred to by the abbreviated name, ‘Royal Dux’. Some of their pieces were made in the ‘Secessionist’ style, with emphasis on organic forms, as here. There is a wide variety of Royal Dux marks and the one on these vases, an acorn in a triangle (the letters ‘D’, ‘P’, ‘M’ standing for “Duxer Porzellan-Manufaktur”) , indicates a dating after 1918 suggesting that they were made in the 1920s or 1930s but almost certainly before the beginning of the second world war.
Clarice Cliff Celtic Harvest Centrepiece Bowl, marked, 1930s
Price: £35
A ceramic bowl with a bulbous, squat body and three ball like feet, the body with moulded decoration of wheat sheaves and fruit in brightly coloured enamels on a beige raffia style background, the rim with a chrome metal band, the base with transfer marks ‘Celtic Harvest’, ‘Clarice Cliff’ ‘Newport Pottery Co’ ‘England’.
Born in 1899, Clarice Cliff began with a varied career in apprentice roles in the North Staffordshire Potteries, at that time the major employers in the area of women. At the age of 17, she was working with the firm A.J.Wilkinson, owned by the Shorter family, and some of her designs began to appear in their pattern books soon after. In the late 1920s, she experimented with novel and bold designs termed ‘Bizarre Ware’ which met with unexpected success, much to the surprise of Wilkinson’s salesmen. A wide range of pieces in the style was then produced and named ‘Handpainted Bizarre’ by the managing director of Wilkinson’s, Colley Shorter. The ‘Crocus’ and ‘Conical’ ranges then followed and in 1930 Cliff was made Art Director of the firm, soon to be supervising a workforce of up to 1000 at the Newport Pottery. In 1940, she married Colley Shorter, after the death of his first wife, and her career came to an end, decorated pottery being prohibited during the second world war. Shorter died in 1963 and the following year Cliff sold the business to Midwinter Pottery. A recluse for many years, she died in 1972.
The ’Celtic Harvest’ range was typical of her work and comprised a wide variety of serving pieces all decorated in the same style. This Centrepiece bowl was probably intended for fruit and like all the other examples is fitted with a chrome metal rim. Dating is most likely to the 1930s.
Italian decorative duck marble and alabaster
Price: £30
This is a beautiful decorative duck made from highly polished green and brown marble joined with fine alabaster, eyes are also stonef
Victorian Chinoiserie chatelaine note pad
Price: £125
This is a gorgeous piece of ephemera - a writing pad meant to hang from a lady's chatelaine, comprising two Chinoiserie silver incised panels that open to expose 4 celluloid pages
Chinese Embroidered Silk Table Screen 1960s
Price: £30
This is a very delicate table screen made of four panels all with a section of embroidered silk that creates a natural setting with birds and branches, in fitted box
Chinese carved hardwood frame, 1920s
Price: £55
This is a striking Chinese wood frame densely and deeply carved with a mixture of symbols, stylised flowers and dragons. The ground is finely incised with closely packed micro dots and on it we see two roundels resembling ‘shou’ medallions, various abstract geometric patterned shapes, scrolling flowers, mainly lotus, and two dragons at the top left and bottom right corners. The style of carving suggests early C20th work and the wood is possibly boxwood as indicated by the traces of yellow which can be seen (images 3,4,5) and are a hallmark of the type. Perhaps originally intended to hold a mirror (the composition is really too distracting for presenting a porcelain or fabric panel) this piece can be used today as its new owner wishes and will considerably enhance whatever it displays.
Pair of Japanese Imari Plates, Meiji Period circa 1880
Price: £150
Pair of fine quality Japanese Imari Plates, Meiji Period (1868-1912) circa 1880, decorated in underglaze blue, iron red and gold with a typical fabric derived 'brocade' style design, the central three leaf clover shape roundel surrounded by three shaped panels with fans all on a ground of stylised scrolling foliage, the reverses plain with two concentric circles in underglaze blue next to the foot rim. The form of these plates is unusual, copying the standard design of a Chinese eighteenth century dinner plate.
Mods at Clacton 1964, Photograph by Terry Disney for the Daily Express
Price: £45
Easter 1964 saw a gathering of two wheeler transport fanatics in the sea town of Clacton, Essex. These were the ‘mods’ and ‘rockers’ famous at the time, the ‘mods’ with their sharp suits and scooters and the ‘rockers’ with leather jackets and motorcycles. Relationships between the two groups were less than friendly and the inevitable resulted. But if the two rival ‘gangs’ disliked one another, they disliked the police even more and when officialdom stepped in, the chaos increased. Exactly what happened has been debated ever since. The press called it anarchy (see image 6) but the local council was not so sure.
It was, though, a newsworthy confrontation and press photographers were sent in to record events. The most notable of these was Terry Disney who worked for the Daily Express newspaper. Disney was a distinguished and prolific photographer from the 1960s onwards and many of his striking images survive, not least those capturing the major personalities of the entertainment world at the time, including the Beatles themselves. His images of the ‘mods’ (he seemed less interested in the ‘rockers’) capture the atmosphere of the scenes vividly and this photograph is an excellent example of his work on that Easter weekend (for another see image 5). Often only obtainable under licence, this print is an ideal opportunity for a collector to acquire a near iconic image. It is offered with a very basic frame which might well be replaced with something which would enhance the photograph more sympathetically.
Pair of bisque relief plaques by artist Bertel Thorvaldsen. Royal Copenhagen 1969 - 74
Price: £40
This is a stunning pair of bisque porcelain plaques depicting two well known images of Bertel Thorvaldsen's Four Seasons series. Here are Autumn and Winter. This series was produced by Royal Copenhagen Porcelain between 1969 - 74. They are drilled for hanging.
Bertel Thorvaldsen (born Nov. 19, 1770, or Nov. 13, 1768, Copenhagen, Den.—died March 24, 1844, Copenhagen), sculptor, prominent in the Neoclassical period, who was the first internationally acclaimed Danish artist. Prominent in Roman intellectual and artistic circles, he influenced many emerging artists from Europe and the United States. Most of Thorvaldsen’s most characteristic sculptures are reinterpretations of the figures or themes of classical antiquity. The Alexander frieze of 1812 in the Palazzo del Quirinale, Rome, modeled in only three months in anticipation of a visit by Napoleon, is an example of the feverish energy with which he could at times work. Religious sculptures include the colossal series of statues of Christ and the Twelve Apostles (1821–27) in the Vor Frue Kirke in Copenhagen. He also made numerous portrait busts of distinguished contemporaries.
Pair of Art Deco chrome wall sconces
Price: £50
This is a stunning pair of Art Deco sconces in polished chrome. These hold candles and are in a very unusual Art Deco design. A not to be missed lot for Art Deco collectors!
Art Nouveau Bronze Plaque c.1900
Price: £75
This is a beautiful bronze hanging plaque depicting an Art Nouveau woman in natural setting, with integrated ring to hang
LOT 1
Set of 5 matching 18ct gold sewing tools in fitted case, August Boileau, French c.1850
Estimate: £100 – 200Auction Begins
01/01/70 UTC
£0.00
A pair of Mughal style carved wood miniature screen picture frames, C20th
Price: £55
A pair of wood picture frames, probably from a four leaf miniature folding screen, of rectangular form with short legs and crown style finials, richly decorated in the typical Mughal style with carved stylised floral tendrils and lattice work panels. These are productions from the British Raj occupation of India which lasted between 1858 and 1947. The craftsmen were probably catering for British officials posted to India and aimed to design something suitable for a group of family photo portraits. The photos here appear to be original with an officer and two young children represented. More family members, and perhaps the officer’s wife, would, no doubt, have been depicted in the missing two frames. East very much meets West here and the original screen no doubt graced the interior of an official residence. Dating is probably to the early C20th.
Art Deco mother of pearl card case
Price: £50
This is a beautiful card case comprising mother of pearl in a diamond pattern. With wood lining
A Large Islamic Pewter Ewer, C20th
Price: £45
A pewter ewer with a globular shape body above a flaring foot, rising to a slender neck with a collar and slightly flaring out at the top, the conical lid hinged and with a knop finial, an ‘S’ curved handle to the reverse and a slender tapering spout with a zoomorphic terminal, the whole decorated with bands of impressed stylised foliage. The form of this ewer is typical of middle eastern designs and occurs in a multitude of variants adopting the same basic format. Provenance and dating are uncertain but a Turkish origin seems likely, perhaps from the mid C20th. The use of pewter rather than brass gives a slightly rustic feel and enhances the middle eastern origins of the piece.
Pair of Art Deco style Wall Pocket Vases, Poole Pottery, mid C20th
Price: £55
A pair of wall pocket vases of urn form with scrolling handles, a crimped base and a scalloped top, the backs flat with one pierced hole for hanging, kiln spur marks and impressed marks ‘POOLE ENGLAND’ ‘879’ and a stamped mark ‘C 54’, both glazed in shades of cream and brown. Poole Pottery began production in 1873 and continued into and throughout the twentieth century, suffering vicissitudes and even periods of liquidation in more recent years but still continuing production to this day. The design of these wall pockets has an Art Deco feel and may have been originally created in the 1930s but was still being made into the 1950s. The two colour or ‘twintone’ decoration was also first produced in the 1930s and the form of the marks here, where the just the factory name appears without the ubiquitous dolphin, may well indicate a pre war rather than post war dating. The impressed numbers indicate the model number and the stamped mark the colour scheme. Pairs of these wall pockets in good condition are not often found and the particular colour range here, which is rather pleasing, is unusual. Desirable items, then for collectors of Poole Pottery but also with a general decorative appeal.
Bisque Scottish boy character doll c. 1900
Price: £60
This is a very sweet souvenir doll comprising a young Scottish boy in tradition dress with a bisque head, hands and feet and a fabric body. With traditional Scottish garb. Made in Germany.
Victorian marquetry miniature table top games table
Price: £75
This is a very unusual miniature table top games table comprising a beautiful marquetry design ready for chess or any game. It is an octagon shape with eight legs. Could be a cabinet maker's example of a large table.
Pair of alabaster bookends, 20th century
Price: £85
This is a very beautiful set of bookends that are worked into shapes of books. What sets them apart is the different colours of alabaster used.
Victorian ships inkwell with original fitted ink pots c1900
Price: £75
This is an unusual inkwell that originally would have sat on an officer's desk on a ship. It is made from oak wood with brass fittings and decoration, to include a carrying handle and four feet. Two square recesses contain the original inkpots which have remarkably survived intact. There is also a long narrow channel to hold a pen. Both were intended to ensure stability if the waters grew choppy! Decorative in itself, this piece perhaps provides the ultimate gift for the office even if it is unlikely to find itself in daily use.
Beautiful trinket box in the shape of a bound book, onyx and brass, Austria 1950s
Price: £55
This is a very unusual trinket box comprising two heavy onyx slabs, fitted with brass which has been cast in the form of a book's spine, pages and clasps. The brass has been patinated to give a more 'olde world' look. There are four small ball form feet to the base and a stamped mark 'AUSTRIA'. The style suggests a dating in the 1950s.
Massive Victorian Carnelian Cameo Shell
Price: £55
This is a very large example of a carnelian shell, such pieces often being used for the creation of cameos in the nineteenth century and before. This example has been polished in certain areas to give the shell a more elegant and finely worked decoration suitable for use as a table ornament. Carved carnelian cameo shells were favoured souvenirs from the Grand Tour and were found mainly in the North and West African waters. This piece is of an exceptionally large size, which is both desirable in itself and occurs much less frequently.
Victorian leather bound photo album made by Mechi and Bazin c.1870
Price: £110
This is an incredible photo album comprising a finely tooled green leather cover and gilt edged pages that have inserts for the photos. It is made by Mechi and Bazin, a well respected manufacturer based on Regent Street in central London and mainly known for their campaign fitted toiletry boxes and writing slopes. This album is quite petite so it was most likely also meant for travel. It holds 23 beautiful Victorian photographs : mainly portraits with a few outdoor views.The album Is marked 'Mechi & Bazin Makers London' on front cover.
Victorian book chain with locket c1900
Price: £350
This is an outstanding example of a book chain with its locket. These types of necklaces were very popular during the Victorian period and each one has different ornate links ending in a central drop, as you see here. The link is a star link with silver balls attached. The locket has engraving and small silver balls around the edge to mirror the chain. The chain is very sturdy and is held together by two silver ring clasps.
Victorian Bronze Chamber Candlestick in the form of a Griffin, late C19th
Price: £40
This is a very striking bronze chamber stick in the form of a griffin with fine detail to the casting of the face and feathers. The griffin is a well known legendary creature with the body, tail, and back legs of a lion and the head and wings of an eagle. Griffins were known as the guardians of treasures and priceless possessions even in Classical antiquity and were to become familiar elements of heraldry. The choice of this creature as the suppport for a candlestick (the form suggests a chamvber candlestick) cannot be easily explained. Does the griffin here protect its owner in some way? Whatever the answer the result is a striking decorative ensemble which could enhance many a domestic interior.
Two Sets of Serving Cutlery made by Haddad Jezzin Cutlery, Beirut, Lebanon 1960s
Price: £45
Two Sets of Serving Cutlery comprising a carving knife and fork and a pair of salad servers made by the firm Haddad Jezzin Cutlery based in Beirut, Lebanon. The Haddad family began manufacturing metal items, principally army rifles, knives and steel blade swords, after settling in Jezzin, Lebanon in 1770. By the 1930s they had branched out into cutlery and became known for pieces with birds heads made of bone and buffalo horn, inlaid with coloured bone & brass as here. Each of the two sets have near identical decoration with gilt wings, patterned backs and a red bone crest. The carving fork marked ‘S & A Haddad’, the carving knife ‘S & A Haddad Jezzin Stainless Lebanon’. The salad spoon marked ‘S & A Haddad Made in Lebanon’, the salad fork ‘S & A Haddad Stainless Steel’. Each set is contained in its original box with the original label and both sets were given to the vendor’s parents in the 1960s and were clearly made new then.
Two Albums of Travel Photographs ‘Album Artistique Paris’ and ‘Roma 132 Tavole’ 1930s
Price: £10
Two Albums of Travel Photographs. (1) ‘Album Artistique Paris’. 40 black and white photographs of Paris and its famous buildings and monuments published by ‘Establissements Papeghin’ in the 1930s. (2) ‘Roma 132 Tavole’. 132 black and white and sepia pictures of Rome, its buildings, pictures and sculptures published by ‘Cecami’ in the 1930s, raised lettering to the cover and an original yellow cord tassel binding.
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Swedish Kosta Glass Vase designed by Vicke Lindstrand circa 1960
Price: £95
A Swedish Glass Vase of flattened ovoid form very thickly blown with a hollow interior and an interior bubble, the flat base with a slightly concave roundel to the centre etched 'Kosta LH 1616'. The Kosta Glass factory was founded in 1742 and while subject to various amalgamations and takeovers continues to make glass to this very day. Vicke Lindstrand was one of the many designers who have worked with the firm and other pieces by him with the same pattern mark 'L H 1616' are known. This piece was designed in the early 1960s and reflects the general style of pieces at that time.
Pair of Dorset Fossil limestone goblets in presentation box
Price: £35
This is a very unusual pair of goblets or wine cups made from worked Dorset limestone that is known for its fossils. These goblets are dense with different types of fossilised shells and other marine life. It comes in a velvet fitted presentation box.
Art Deco onyx Chess Set with board and fitted box, 1930s
Price: £110
This is a very elegant chess set comprising finely carved onyx pieces which are stored in their own fitted case. The top of the case has been inlaid with onyx and agate pieces to make up a chess board. The pieces are smaller than a standard chess set which makes the fine carving even more beautiful and all have survived in excellent condition which is unusual. The perfect gift for devotees of the game!
A silver filigree decorative Spoon with an openwork shell shape bowl, probably Scottish circa 1900
Price: £65
This is a delicately worked filigree spoon with an openwork bowl in the form of a shell with stylised leaves, the slender handle of rope twist design with thistle leaf terminals at either end and finished with a thistle flower. Of a decorative rather than practical design, the use of thistles suggests that this piece is Scottish; dating is probably around 1900 or the the early Edwardian period.
Lustreware Vanity Box, Lady in Crinoline, probably continental early/mid C20th
Price: £35
A ceramic figure of a lady dressed in a crinoline formed in two parts, the upper section comprising the body and head of the figure of a lady dressed in a full multicoloured crinoline, which she draws to one side with her right hand while her left holds a fan, the lower section with a flat base on top of which is a deep vessel, presumably for storage, the underneath glazed and with a small impressed mark. While other examples are generally described as English Staffordshire ware, this piece has more of a continental look to it, very possibly German which would be consistent with the paste of the foot rim. Dating is probably to the 1920s or 1930s but if the provenance is slightly uncertain the function is clear and we have here an amusing storage item, perhaps intended for the dressing table. Truly a boudoir item!
A gilt metal and onyx figure of a Cherub holding a Globe 1960s
Price: £45
This is an amusing figure of a cherub holding a globe, perhaps intended as a desk ornament or paperweight or possibly as part of a two piece clock set. The cherub is modelled in gilt metal with a smiling face, standing on one leg with the right arm upraised and supporting a globe which is held in place by a screw attachment. The globe and base are formed from onyx with typical striations. Similar pieces are usually dated to the 1960s which would seem to be the case here. Mounted onyx globes do appear, but the addition of the cherub figure is more unusual.
Large brass portrait bust of Ramses II
Price: £25
This is an amusing portrait bust cast in brass with slender profile form depicting Ramses II, (Ramesses/Rameses II) the third pharaoh of the Nineteenth Dynasty of Egypt c1303BC - 1213BC and one of the most famous rulers of the country of whom the statues and images surviving have become iconic. He is depicted here wearing a typical bird beak helmet and a heavy metal shawl collar. The composition reflects 'Egyptian Revival ' pieces of the early twentieth century but the dating here is rather later.
Spanish red tooled leather Gentlemans trinket dish with coat of arms
Price: £20
This is a very striking square dish with a deep central well made from finely worked red leather and decorated with scrolls and Fleur-de-lis. There is very likely a royal connection here as the embossed decoration includes lions and heraldic shields and the coat of arms presents as those for the house of Castile and León.,
Three 1970s photo cubes
Price: £15
Three 1970s photo cubes. Typical of the era, these cubes were designed to display photographs in the square format produced by the basic cameras of the time including the 'brownie' and 'instamatic' ranges.
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Kenton Clock Radio Hong Kong 1970s
Price: £35
This is an early example of the clock radio format made by the Kenton factory, Hong Kong. The casing is in red leather and the format resembles that of the standard travelling clock, where the mechanism is hinged to the lid and then clips in to the base. There are six transistors and the loudspeaker is of Permanent Magnet Dynamic (PDyn) type (moving coil). The clock is of the standard wind up type and the radio, which still works but can only receive a limited range of frequencies, is powered by two AA batteries. The front face with the makers name and the interior marked 'Genuine Leather Case Hand Made in Hong Kong'.
Victorian Brass Paperweight in the form of a Fireplace, English circa 1900
Price: £20
This is a rather charming paperweight or table ornament in the form of a fireplace with a dog seated at the front. It is hollow cast in brass with a solid back and shows a raised basket grate with blazing coals within an elaborate, almost neo classical, fireplace with columns at the left and right and a small figure scene frieze at the top. The mantelpiece is decorated with two vases and a clock and the hearth below is fitted with a poker and a sleeping dog.
The design of the fireplace suggests manufacture in England in the Victorian period and the weight and quality of the brass used conforms with this. The composition is appealing, so much so that modern reproductions exist which can be clearly distinguished from the original by the brass work used and a hollowed out construction at the back where our example is solid (see image 2).
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Noritake Vase in the Form of a Pomegranate, marked, Japanese, early 20th Century
Price: £25
A Japanese Porcelain Vase manufactured by the Noritake Company, the spherical body with three short feet and two handles and finished with a short flaring neck and a crimped rim, intended to resemble the form of a pomegranate. The decoration comprises a continous panorama landscape scene with two central circular panels, depicting trees, mountains and a lake, set on a dark blue glaze ground with raised bead work decoration in gilt and blue enamel, the base marked 'Noritake' 'Made in Japan' with a geometric design enclosed by a circle.
The Noritake compnay was set up by the Morimura family at Noritake near Nagoya in the early twentieth century. Called at first 'Nippon Toki Kaisha Ltd' on its founding in 1904, the business soon changed its name to 'Noritake' and began the manufacture of porcelains for the domestic and export markets. The mark seen here is interesting. It comprises a 'Komaru' symbol, crowned with "Noritake" and with the mark 'Made In Japan'. The centre symbol said to be taken from the Japanese character "Komaru", meaning "overcoming difficulties". According to the Noritake company tradition this mark was designed when contact with the different culture of the west early in the 20th century caused problems of adaptation. It is also known as the 'tree crest mark' which is the clan crest of the Morimura family. This mark is said to have been registered in London for the UK market by 1908. The curled up ends of the Komaru symbol seen here distinguish this mark from later versions and allow a dating of this piece to the early twentieth century.
Noritake porcelain became synonymous with finely potted tea and breakfast services made in great quantities for export. This vase is a rather more unusual production and shows the factory capable of producing high quality pieces.
Framed Chinese Embroidery Silk Textile, signed, second half C20th
Price: £25
A Chinese silk textile with an embroidered design of a peacock and a peahen (the male and female peafowl) standing on a grass embankment with a flowering peony bush behind them. There is a four character signature to the top left, probably denoting the artist. The style of the embroidery and the calligraphy of the signature suggest mid to late C20th work, perhaps dating to the 1960s or 1970s. Other embroidery panels with a similar design can be found which are much later. As with the previous lot the composition and the detail and colourings of the embroidery work are pleasing, combining to produce another excellent example of the genre. The frame is European and perhaps contemporary with the date of manufacture (see Lot 24).
French Regency style Bevelled Amber Glass & Filigree Ormolu Casket, mid twentieth century
Price: £55
A Regency style bevelled amber glass & gilt filigree ormolu Casket, the pentagonal body with five ovoid amber glass panels with bevelled edges, the borders with an arrow form repeating geometric design, all set between gilt filigree work of stylised foliage, the three spreading feet also with floral gilt filigree work, the hinged lid with a similar circular amber glass panel surrounded by a repeating design of stylised gilt leaves, the interior lined in gold velvet studded with tiny gilt nails.
Various pieces in this style where amber glass panels are combined with elaborate gilt metal work can be found. Most were intended as dressing table ornaments, as here. Sometimes termed 'Hollywood' these items were designed to add a touch of luxury to the bedroom. They are usually regarded as French and thought to have been made between the 1920s and 1940s. This is a particularly nice example with no damage either to the glass or the metalwork.
Daum Crystal Glass Swallowtail Bowl, signed Daum-France circa 1960
Price: £150
A fine quality crystal glass bowl manufactured by Daum in the 'Swallowtail' form with a typical elongated design rising at each end from a narrow hollowed out base and terminating in a stylised beak at one end and a stylised double edged tail at the other, the abstract form intending to represent the bird.
Vases in this form were produced by the well known French maker Daum in the 1950s and the 1960s. The sizes and designs can vary with some examples measuring up to two feet and intended as table ornaments. This piece is rather smaller and perhaps more elegant. The crystal glass is of extremely high quality and reflects the light in a very attractive way. The weight is good and the glass itself is thickly blown and expertly formed, The flat base shows signs of bevelled edging at the exterior and one of the sides bears the typical etched Daum mark with 'Daum' and 'France' separated by a device comprising an upright line with two crosses.
The more petite size and the quality of the manufacture and design make this a most appealing example of Daum's work at its best. Dating can be assumed to be around 1960 if not slightly before. A desirable piece indeed for collectors of twentieth century art glass.
Fairing Figurine - The last in bed to put out the light, German, early Twentieth Century
Price: £25
Fairing Figurine "The last in bed to put out the light". 'Fairings', as they are known, were ceramic figures made to be given out, sold or won as prizes at fairs, hence the name. They were a product of the late Victorian era but continued to be made until the beginning of the First World War when they fell out of fashion. Manufacture was in Germany principally by the firm Conta and Boehme who developed a mass production method that no other company could match, thereby achieving a market advantage. They exported large quantities to Britain and the United States, but their pieces have even been found in Australia along with other destinations.
The various figures were made in white glazed porcelain with coloured decoration. The compositions were sculptural and often accompanied by an inscription, as here. Many models are known. Two typical examples are 'Returning from the Ball' and 'Twelve Months after Marriage' but the most common example is represented here 'The last in bed to put out the light'. A couple are seen climbing into a covered bed at the foot of which stands a candle in a holder. These candles are usually broken off, most likely because of simple damage over the years but it has been suggested that this was done deliberately for good luck.
Some of the fairing figurines are marked, as here. In comparison with the previous Lot 4, this example has a glazed circular mark which reads 'Made in Germany'. These marks appear on the later productions of the Conta factory and indicate a dating here to shortly before the First World War. This is consistent with the rather 'brassy' looking gilding used which is typical of ceramic production generally post 1900.
It is interesting to compare Lots 4 and 5 and to see how consistent the manufacture was throughout the period. Only the glazed base with its circular mark and the type of gilt decoration separate this example from its earlier companion.
Fairings have been collectors' items for many years now and still hold a naif charm which makes them appealing display items, with a history of their own.
Fairing Figurine - The last in bed to put out the light, German, late Nineteenth Century
Price: £25
Fairing Figurine "The last in bed to put out the light". 'Fairings', as they are known, were ceramic figures made to be given out, sold or won as prizes at fairs, hence the name. They were a product of the late Victorian era but continued to be made until the beginning of the First World War when they fell out of fashion. Manufacture was in Germany principally by the firm Conta and Boehme who developed a mass production method that no other company could match, thereby achieving a market advantage. They exported large quantities to Britain and the United States, but their pieces have even been found in Australia along with other destinations.
The various figures were made in white glazed porcelain with coloured decoration. The compositions were sculptural and often accompanied by an inscription, as here. Many models are known. Two typical examples are 'Returning from the Ball' and 'Twelve Months after Marriage' but the most common example is represented here 'The last in bed to put out the light'. A couple are seen climbing into a covered bed at the foot of which stands a candle in a holder. These candles are usually broken off, most likely because of simple damage over the years but it has been suggested that this was done deliberately for good luck.
Some of the fairing figurines are marked, as here. The impressed number '2851' comes from the first series of figures produced by the Conta factory with numbers ranging from 2850 to 2899. The earlier examples do not have the shield mark found on most of the pieces which indicates an earlier dating here, more towards the middle of the nineteenth century.
Fairings have been collectors' items for many years now and still hold a naif charm which makes them appealing display items, with a history of their own.
Framed Stumpwork Panel depicting a Bowl of Flowers, English, 1930s
Price: £45
An attractive oval embroidered panel depicting a bowl of flowers on a beige silk ground. The technique employed here is known as stumpwork where stitched figures are raised from the surface of the work to form a 3-dimensional effect. Its popularity began in England in the mid seventeenth century but has been continued by embroiderers until modern times. The appeal of the design here speaks for itself. A date of production in the 1930s seems likely. The gilt frame may be contemporary or later.
Biomorphic Form Purple glass Bowl, European possibly Czech Chribska, 1970s
Price: £40
A fine quality art glass glass bowl or vase with two raised sides and a third curling downwards, all in a semi naturalistic or biomorphic form, the purple body edged with a border of clear glass and darkening slightly towards the base which is flat with a faintly bevelled edge. The general design of this piece suggests a mid 20th century date of manufacture. It is not marked but resembles pieces made by the Chribska glassworks in Czechoslovakia quite closely. The Chribska glassworks was founded in 1414 and was known as the oldest glassworks in Europe, until its closure in 2007. One of its best known designers was Josef Hospodka who produced many organic, sculptural blown glass designs, which proved very popular in the 1960s and remained in production until the factory closed in 2007.
Brass and Enamel Campaign Serving Set, Made in British India mark, 1920s
Price: £45
This is an attractive set of three small serving dishes, presumably for sweetmeats or cakes, hinged to fold flat and be used as a travelling or 'campaign' item. The central dish rotates around a pivot which can be tightened to hold it in position when open and the side dishes drop down in alignment. The brass body is decorated in relief modelled enamels with stylised floral designs in red, blue, turquoise and cream typical of Anglo British work in the early 20th century. Each of the dishes and the hinges are marked '2.6' and the two outer dishes are stamped 'Made in British India' in addition.
Framed Chinese Embroidery Silk Textile, signed, second half C20th
Price: £25
A Chinese silk textile with an embroidered design of a peacock and a peahen (the male and female peafowl) sitting on the branch of a pine tree with peony growing below in a stylised garden scene. There is a four character signature to the top left, probably denoting the artist. The style of the embroidery and the calligraphy of the signature suggest mid to late C20th work, perhaps dating to the 1960s or 1970s. The composition and the detail and colourings of the embroidery work are pleasing, combining to produce an excellent example of the genre. The frame is European and perhaps contemporary with the date of manufacture (see Lot 24).
Victorian Silver Buckle set with Paste Stones, German circa 1900
Price: £85
This is a striking silver buckle of rectangular form with two bands of brilliant paste stones surrounding four stylised flower head paste stone clusters, the reverse plain and marked 900 which implies manufacture in Germany where the standard for silver was a minimum of 800 parts to 1000 with 900 parts to 1000 as one of the alternatives (as opposed to the more usually found 925). There is in addition a double mark with a star and a wheel which may well be the maker's mark, but this is hard to identify.
The sparkling stones and high quality mounting (there is a considerable weight of silver in this piece) would have made this buckle a notable addition to the Victorian ladies' wardrobe and it could equally well catch the eye today.
Ring Tail Lizard Skin Minaudiere with a strap handle marked JD, 1930s
Price: £95
The Minaudière is a women's fashion accessory intended to substitute for an evening bag. A case with compartments, it allows storage for several items in a small space, such as a makeup compact, lipstick, watch, reading glasses, or keys.Minaudières appeared during the 1930s and their invention is attributed to Charles Arpels, of Van Cleef & Arpels, but many jewellers and haute couture designers have created their own models.
This example opens out on one side (the clasp is rather stiff) to reveal a mirror and two lidded powder compacts (complete with the guaze liners) and a holder for a comb (now missing) and on the other where there is a cigarette holder and a compartment presumably for matches. On the lid of this is a pouch doubtless intended as a purse. At the end is a pull out lipstick holder with a small strap and the piece hangs from a strap handle marked with the initials JD.
The piece is in remarkable condition for its age and recalls an era of elegance which a contemporary user might emulate on some special occasion.
A Set of Six Blue and White Willow Pattern Coasters English Ironstone 1980s
Price: £25
A set of six Ironstone china coasters, decorated in the traditional 'Willow Pattern' with a typical Chinese landscape scene. Ironstone china is a type of vitreous pottery first made in the United Kingdom in the 19th century by potters in Staffordshire, England, as a cheaper, mass-produced alternative for porcelain. It is often associated with the firm founded by Mason in 1813 following his registration of a patent for the ware. Subsequently others manufactured it as well including William Turner and Josiah Spode. Essentially a product of the nineteenth and early twentieth centuries there was a revival of interest in these traditional wares from the 1970s onwards and one of the manufacturers was the 'English Ironstone Tableware Ltd' which traded from 1973 to 1994 when it went into receivership. Their impressed mark can be seen on the back.
These coasters formed part of their range. The decoration employs the transfer pattern technique developed in England in the mid eighteenth century and a staple of nineteenth century productions. Printed designs were 'transferred' to the ceramic surface allowing the production of extensive services in a matching pattern. The Chinese derived 'Willow Pattern' design seems to have been first used around 1790 and was probably designed by Thomas Minton for Spode. All the versions contain similar elements besides the pagodas and landscape scenes most notably the three figures on a bridge and a pair of flying swallows. In order to promote sales, various stories were invented based on elements of the design. These coasters are an amusing recollection of times past and highly practical in addition.
A set of three Brass Lizards, Peerage Brass, England 1930s
Price: £55
A set of three brass lizards, naturalistically modelled with crouching feet and sinuous tails, the largest with its head slightly raised and turned to the left and all with carefully punched decoration representing the skin. One of them bears a mark in which the letters 'p' 'e' 'e' and a further 'e' at the end can be made out above 'ENGLAND'. This indicates the English manufacturer 'Peerage Brass' which is known to have commenced in business before 1900' and made original copper & brass ware, with the height of production between 1910-1940's. Their aim was quality period reproductions which were occasionally marked. Peerage Brass became the brand name after World War II until the trademark lapsed in 1991. The format of the mark here, then, indicates a date before the second world war probably in the 1930s. The weight of the brass and the quality of the casting and modelling indicate that the factory certainly attained its goal here. While obviously decorative these animals may well have been intended as desk items, the two smallest perhaps as paperweights. Even larger examples are known and these probably acted as doorstops.
An Arts and Crafts small Brass Tray, English early twentieth century
Price: £40
A small Brass circular tray with a wide flat rim edged with repeating bead work and a round concave centre decorated in repousse work with a procession of parrots on a boldly chased punch work ground. Repoussé work is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing or embossing is a similar technique in which the piece is hammered on the front side, often with a punch, sinking the metal. The two techniques are often used in conjunction as here, although the effect is slightly bolder than in the previous lot (35). Metalware items with 'hammered' decoration were a common feature of 'Arts and Crafts' work with their reminiscences of earlier metal working techniques and the effect of the slightly rustic. As in the previous lot, the bold metalworking techniques used complement the medium of burnished brass. A dating to the early twentieth century seems reasonable
An Arts and Crafts small Brass serving Tray, English early twentieth century
Price: £40
A Brass circular tray with a shaped raised pie crust edge decorated in repousse work with overlapping geese on a chased punch work ground. Repoussé work is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing or embossing is a similar technique in which the piece is hammered on the front side, often with a punch, sinking the metal. The two techniques are often used in conjunction as here. Metalware items with 'hammered' decoration were a common feature of 'Arts and Crafts' work with their reminiscences of earlier metal working techniques and the effect of the slightly rustic. The design here is unusual and attractive and the bold metalworking techniques used complement the medium of burnished brass. A dating to the early twentieth century seems reasonable
Ceramic Model of a Fish, Jema Holland, signed, 1950s/1960s
Price: £30
A ceramic model of a fish strikingly modelled with outstretched fins and rising out of flowing waves, lustre glazed in tones of green and blue, the base with an incised script mark reading 'Jema' 'Holl.' '132'.
The Jema factory in Holland was started by two brothers, Jelis Mager ( born 1912 in Rotterdam, Netherlands) and his brother Johan Willem Mager (born 1919 also in Rotterdam) both living in Maastricht who took over an existing ceramics factory, founded originally by J.Meussen, in 1942 and traded together in a partnership which was dissolved in 1955 when the firm JEMA KERAMISCH ATELIER N.V. (jema ceramic studio; the first JE standing for Jelis and MA standing for Mager) was created under a new agreement between them. Ceramic products of many types were produced with figurines a speciality and the business continued until 1984 when it became insolvent and closed its doors.
Most of the pieces seem to have been marked, usually with an impressed script as here indicating the factory itself and the model number of the piece. For modest decorative items the quality of the manufacture is of a high standard as can be seen in both the modelling and the glazing of this piece. Their animal figurines were immediately approachable and provided modest but amusing items of decoration.
English Silver pin cushion in the form of a boot, London 1991
Price: £75
This is a charming small pin cushion in the form of a worn out boot. It has a typical blue velvet interior and is very lifelike with a hole in the sole. It has full English hallmarks for London 1991 and a makers' mark 'DB'.
Four Art Deco style small Glass Vases with silver decoration, possibly Murano 1930s
Price: £55
Four Art Deco style small Glass Vases with silver overlay decoration, possibly Murano 1930s
This is a set of four complementary small coloured glass vases (green, blue, amethyst, turquoise) each with applied silver decoration now slightly tarnished. The clean lines of the shapes, two of baluster form and two with conical bodies suggest the Art Deco era and the decoration, which features gondolas and palaces, suggests Venetian origin and therefore manufacture at the Murano glassworks there. This has to remain slightly speculative and the pieces might be slightly later but the group provides a highly decorative ensemble for collectors or decorators alike.
Art Deco Davidson purple cloud glass bowl, stand and frog, 1930s
Price: £75
This is a sunning flower display set, comprising a bowl, stand and ‘frog’ (or flower holder) made by George Davidson & Co in purple 'Cloud Glass'. This type of glass work was unique to the firm which was founded by George Davidson as the Teams Flint Glass Works in 1867, later becoming known as George Davidson & Co. In the 1880s the company began producing pressed glass tableware in a variety of shapes and by the 1920s their designs began to reflect the new Art Deco trends. From 1923, Davidson began producing their hugely successful ‘Cloud Glass’ range, created by applying streaks of dark coloured glass to paler glass, creating a random swirled, ‘clouded’ pattern of which this piece is an excellent example. The firm continued production until the 1980s, closing in 1987.
This model can be seen in the firm's catalogue for 1931 where the bowl and stand are combined with a separate pierced flower holder in the same style. No doubt the size of the ‘frog’ was up to the purchaser who could choose from a range of dimensions which probably explains the slightly different proportions here to the catalogue image which otherwise illustrates our example extremely well, even down to the milled edging to the rim of the bowl. With its archetypal shape and colouring this piece would be an excellent addition to any Art Deco collection as well as providing a striking and decorative item for a contemporary interior.
A Pair of African Carved Wood Figure Head Plaques, C20th
Price: £45
A pair of carved wood plaques depicting the heads of a man and a woman and carved in a semi abstract style with black coloured detailing to the hair and facial features and marked ‘O’ ‘B’ to the reverse. The style of these and other similar pieces suggests African work but the provenance is uncertain. Both Senegal and Ghana are sometimes mentioned. These are certainly striking examples and probably date to the late C20th.
Very fine German silver scent bottle, c1900
Price: £225
This is an extremely fine silver scent bottle with the decoration comprising delicately formed flowers and scroll work. It has the Crescent and Crown for Germany and the makers mark 'W' for Christoph Windman. It is also marked '835' which was a typical silver purity in Germany at this time. .
Art Deco Shagreen Picture Frame, 1930s
Price: £110
A rectangular picture frame, the broad border inset with strips of beige and dark grey shagreen skin laid on a wooden surround the edges with short narrow strips stained beige to match the border with graining in imitation of bone, the back stained dark brown with patterning effects designed to imitate animal skin, the central insert hinged and held with fastening clasps to reveal the glass underneath and also fitted with a hinged support.
Shagreen is a natural hide, typically from shark, stingray or dogfish, worked through special processes to produce a granular surface effect. Known in China and Japan from the earliest times and popular in Europe in the eighteenth century Shagreen enjoyed its greatest popularity in the Art Deco period where it was used as a covering for writing desks and well-dressed cabinetry and smaller items such as the picture frame we have here. The clean lines of this piece and the palette of colours employed fit exactly with the ethos of the Art Deco period and a dating to the 1930s is extremely likely. A luxury item at the time it could be used now to provide enhanced presentation of a favourite image adding to it a hint of true elegance.
Continental Figure of a Cellist, Conta and Bohme, Germany late C19th
Price: £55
This is an amusing ceramic figure of a cellist, seated with his instrument between his legs and a bow in his right hand. He wears a floral decorated tailcoat with brown knee breeches and a purple cap on his head. Below is a rectangular base with gilt decoration to the front. The composition is carefully modelled and finely painted, especially the detail to the face. The underneath has impressed marks, a shield device and the numbers ‘5313’ and ‘154’. The shield device, a small arm holding a dagger (see image 10), was used by the makers Conta and Bohme best known for the manufacture of ‘fairings', which were exported in large quantities to Britain and the USA in the late nineteenth century which is most likely the date of production of this figure. Sometimes this composition is found with a companion figure of a violinist, bearing the same shield mark but different numbers and it is most likely one of an original pair. But it can clearly stand on its own a good example of the decorative porcelains produced in Germany before the first World War.
Framed Ceramic Plaque depicting St John’s Church, Old Coulsdon, late C20th
Price: £25
A small ceramic plaque of octagonal shape painted in tones of sepia and depicting St John’s Church, Old Coulsdon, signed by the artist, ‘B.West’, and dated 1991. It is set in an oak frame with a border of stylised foliage on a ‘fishscale’ ground, the reverse backed with hardboard. St John’s Church, Old Coulsdon dates back to the late thirteenth century although some form of church on this site seems to have existed from the seventh century onwards. The view is taken from the south west and shows the old church nave and chancel (C13th) with the new church nave to the right (C20th). The artist was presumably local, perhaps a member of the congregation, and produced a pleasing, slightly impressionistic view of a familiar building. The frame looks earlier than the 1991 date inscribed on the plaque and may have been made from older pieces of wood adapted to fit. The combination produces an attractive decorative item, even to those not familiar with the location themselves.
Two Decorative Vintage Fans, 1950s
Price: £10
This is a group of two fans. One is in brown lace with hand painting on faux tortoiseshell pins and the other is blue plastic with pieced geometric designs and marked 'Made in Hong Kong'.
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Ceramic and Bronze figure of a Blue Tit, Albany Worcester, late C20th
Price: £35
A superbly modelled polychrome ceramic figure of a Blue Tit hanging from a gnarled twig well worked in bronze, the base stamped 'Albany England'. Albany Worcester was launched in 1973 by David Palmer, Bill Nichols & David Lovegrove, who all previously worked at the Royal Worcester Porcelain factory. Their pieces, distinguished for their quality and detail, rapidly became popular and Harrods and the Queen's jeweller Asprey became customers. Sales grew to be global and some of their china and bronze pieces were even reputed to have been bought as wedding presents for the Prince and Princess of Wales. But the firm, which had just two full-time employees at the end, started to decline in the late 1980s and sales figures fell even further when the factory, which was then based in Lowesmoor, suffered a serious fire in 1995. There was something of a revival after this but fashions had changed and it proved to be short lived with the company closing in 2005. This piece is truly a sculpture in miniature and well deserves the protective dome in which it now stands. A reminiscence of a past era, perhaps, but surely deserving of a place in a contemporary interior.
Vintage Brass Pocket Case with a lid, probably a Vesta case for Matches, circa 1900
Price: £55
A small brass case with a hinged lid of irregular rectangular form decorated in high relief repoussé tecnique with a devil’s head encircled by a snake whose scaly tail continues onto the lid. Repoussé work is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Other examples of these cases are known with a similar shape and technique and even the devil and snake motif. It is more than likely that this case was designed for matches, the so called 'Vesta Case' of which there is another example in this auction. Like that piece it is fitted with a ring, presumably to allow it to be attached to a watch chain. But other uses could have been intended, possibly for business or visiting cards (the Victorian calling card was much smaller) or perhaps for pills. The style of decoration very much recalls 'Arts and Crafts' pieces made around 1900 and a similar dating seems likely here.
Vintage Brass Vesta Case in the form of a Violin, circa 1900
Price: £55
A Brass Vesta, or Match, case in the form of a Violin with an opening cover to the bottom and a fabric covered bar inside. Vesta was the Roman Goddess of the hearth, home and family and
altars and temples dedicated to her commonly employed a live flame, which caused some manufacturers of matches in the nineteenth century to name their products 'Vestas', the most famous being the Swan Vesta match produced from around 1900. Early matches were highly combustible and cases to keep them safe were produced from around 1830 onwards. The peak of popularity of the 'Vesta Case' was around 1900 and their use declined in the 1920s when the first cigarette lighters were produced. The cases were made in a variety of forms and materials, even gold and silver. This example is brass and probably from around 1900. The surface of the cover is ribbed in order for a match to be struck against it but he function of the interior covered bar is less clear. The case is fitted with a ring, presumably to allow it to be attached to a watch chain. Practical in their time, Vesta Cases are collectible now and the rarer shapes much sought after.
Kitsch Style Conch Shell with painted landscape decoration, C20th
Price: £45
This is a conch form shell which has elaborate painted landscape decoration to the exterior and interior, the design flowing on almost continuously and extending deep into the inside of the piece. Whether necessarily in good taste or not, the skill of the artist is evident and the detailed and colourful riverside scene is continued right inside the interior of the shell. While painted shells are known, there are no immediate comparisons to what we have here and provenance and dating are rather a matter of guesswork. There seems to be a 1950s feel though and the work looks more English than European. A conversation piece perhaps!
Chinese style Vase and Cover decorated with ladies and courtiers in a garden scene, C20th
Price: £55
A Chinese style vase of ovoid form with a short neck and foot fitted with a matching dome shape cover with a plain finial, decorated with a polychrome design of two ladies in a garden scene being watched through a stylised window by two courtiers, flowering trees to the front and reverse, probably plum blossom or prunus, and typical verandah fencing, the foot, shoulder and cover with pattern designs loosely imitating those of the eighteenth century, including lotus panels, ju'i form lappets and floral borders with scrolling peony. This piece is a pastiche of Chinese work and probably dates to the 1960s. While it looks back in some respects it has a contemporary feel, particularly in respect of the shape which is simpler and more Western than that of its sources. The mark is pseudo Chinese and the manufacturer was clearly European, most probably an Italian pottery since some pieces exist with a label stating 'made in Italy'.
LOT 9
Transfer decorated small footed bowl, probably French C19th
Estimate: £30 – 40
1d 4h 58m
£26.00
Framed Picture of Two Elephants signed Mary Beth Zeitz and dated 2003
Price: £25
This attractive composition was, in fact, drawn on a serviette as the label at the back indicates and can easily be seen from the material itself. Depicted are a pair of confronting elephants with colourful saddle hangings and open top howdahs. The painting is skilful and there is much detail in the representation of the fabric hangings and the sides of the howdahs. But then, this is the work of an accomplished and known artist, Mary Beth Zeitz, whose signature appears at the bottom right hand corner (see another example of her work [image 7] for comparison). Born in the C20th in Louisville, Kentucky, she was raised in Wilmington, Delaware from the age of 3 and then went on to study French at the University there following this with a spell the Universite de Montpellier while she was living in the South of France. Her work is distinguished by detailed subjects and antique-style textures which are often to be seen in her watercolours. Her paintings have found their way into several galleries and have been purchased by private and corporate collectors. The recipient of this gift was lucky then and received a decorative object of great charm and skill.
Pair of Gilt Metal and Onyx Scales, probably French, C20th
Price: £55
A decorative pair of scales with an elaborately cast fluted central column from which branch out two rococo like arms. From each arm is suspended an onyx vessel which sits on a gilt metal pan hanging by three linked chains. The column is fitted to a spreading onyx base which is supported by three gilt metal feet attached to a circular gilt metal rim. The casting of the metal work and general style of the piece suggests France and dating is most likely to the mid C20th.
Fine Quality engraved French Glass Dish with naturalistic Ormolu Mounts, early C20th
Price: £25
A small glass circular dish with deep sides and engraved to the centre with flowering lotus, mounted to the rim in gilt meatal or 'ormolu' with a circular band cast with a repeating loop design,
astride which are a well modelled frog and a lily pad. Perhaps intended as a bonbonniere or a trinket dish, this charming piece clearly reflects the Art Nouveau style with its emphasis on
naturalistic design. Similar pieces are held to be French and this is most likely the provenance here with a dating to the early C20th.
A pair of Art Deco style Onyx Bookends, C20th
Price: £35
A pair of Art Deco style bookends made from onyx and formed in two sections with a stylised figure of a horse's head set on a rectangular base with a rounded end. Onyx is named from the Greek 'ónux', meaning “nail,” or “claw,” and is a variety of the mineral chalcedony, a kind of quartz. Onyx with flesh-colored and white bands can sometimes resemble a fingernail and a similar effect is seen here. Its use is known since ancient Egyptian times and it has also been commonly employed during the twentieth century. The origin and dating of these bookends is uncertain. Similar examples with a stylised horse's head are ascribed to Mexico in the 1940s but there can be no sure proof that this is the case here. The design is striking with clear reflections of the Art Deco period and the veining of the stone here enhances the decorative effect.
Obsidian Mayan Statuette inlaid with semi precious stones, C20th
Price: £35
An attractive Obsidian statuette of a Maya chief, modelled in an abstract style, his headdress decorated with mother-of-pearl ornament complemented by semi-precious stones which are also used for the collar and foot, including calcite, abalone and sandstone. Obsidian is held to be a purifying stone that encourages personal development and is said to offer protection and solve problems of the past. It is a naturally occurring volcanic glass formed when lava extruded from a volcano cools rapidly with minimal crystal growth and is therefore found wherever volcanoes occur and particularly in South America. Since the figure is a Mexican image, a Mexican provenance is likely but dating is less certain. The stylised design and combination of stone and inlay combine, though, to produce a striking ornamental item.
Vintage Ceramic Table Brush marked Germany, 1930s
Price: £15
A Vintage Ceramic table brush in the form of an Art Deco style lady wearing a blue hat, her brown blouse with a red bow and a woven material belt below, her 'skirt' forming the brush itself. Table brushes in a similar form were made in various countries but ours is clearly marked 'Germany' so its origin is certain. The composition of the figure, the style of decoration and the form of the mark itself all point to a pre-war dating, probably in the 1930s. This piece is highly decorative but also extremely practical, even today!
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Pink Glass Centrepiece Set, Arabella, Walter and Sohne, 1930s
Price: £55
A centrepiece set formed from frosted and clear pink glass comprising a figure of a lady, semi nude, her flowing drapery exposed to reveal her body, a dolphin at her rear and a pierced circular base below to act as a ‘frog’ or flower holder together with a scalloped edge dish with pointed corners and a turnover rim with pressed decoration of fish and waves.
The influence of Art Deco style of this piece is clear and it does indeed date to the 1930s. The model, termed ‘Arabella’ can apparently be seen in the 1934 catalogue of the German glass manufacturers Walther and Sohne, founded by August Walther in 1888 at Ottendorf-Akrilla near Dresden. In the 1930s the firm was famous for its Art Deco designs and also produced a version of ‘cloud glass’ which at one time was held to be exclusive to the English manufacturer Davidson. But some of the English glass makers also drew on their German rival’s work such that Walther and Sohne patented some of their designs in the UK in 1937, presumably to protect their work. This centrepiece set is a classic example of Walther and Sohne’s pre war productions and a distinctive example of Art Deco glassware.
Compagnie des Indes style reticulated edge Armorial Plate, Chinese C20th
Price: £45
The general appearance here is that of a piece of Chinese Export porcelain dinner ware (the so called ‘Compagnie des Indes’ or ‘East India Company’ style) made around 1800. This plate essentially follows the late eighteenth century form, even in its openwork or reticulated edge which was not uncommon at the time although the lightly scalloped edge is anachronistic and the piece is far heavier than an original would be.. The centre is painted with an armorial crest but not, on this piece, one that can be identified indicating a ‘pseudo’ composition. The border has a repeating grape vine pattern and a band of blue enamel with stars, both typical of late C18th Chinese work but if the front seems reasonably authentic, the reverse betrays the date of manufacture with the printed wording in iron red which reads ‘For decorative purposes only’ ‘Not for food use’ [and as if that was not enough] ‘Article may poison food’. Similar wording is found on other C20th Chinese pieces and is probably indicative of a post war dating to the 1950s or 1960s. There was clearly no attempt to deceive here and the producers presumably sensed a demand for such pastiche pieces which do seem to be collectible, even today.
Metropolitan Museum of Art Egyptian Hieroglyphic wall plaque c2000
Price: £20
This is a very detailed plaque that depicts an Egyptian owl. It is a replica from Tutenkhamun's tomb that was issued by the Metropolitan Museum of Art.
Blackpool souvenir teapot c1920
Price: £35
This is a wonderful souvenir teapot from Blackpool with a pewter cover. Blackpool was a very popular holiday destination for brits back one hundred years or so. Blackpool is a seaside resort on the Irish Sea coast of England. It's known for Blackpool Pleasure Beach, an old-school amusement park with vintage wooden roller coasters. Built in 1894, the landmark Blackpool Tower houses a circus, a glass viewing platform and the Tower Ballroom, where dancers twirl to the music of a Wurlitzer organ.
Pair of Chelsea style Figures of a Country Couple, probably Samson late C19th
Price: £55
This is an attractive pair of small porcelain figures depicting a Country Couple, both in bright day clothes, the young man with a dog and playing the flute and the young lady holding a goat. Each stand on oval bases, gilt rimmed and with a raised geometric pattern and each is marked with a gold anchor to the reverse. Students of ceramics will immediately recognise the Gold Anchor mark as that found on Chelsea porcelain made during the period 1756 to 1769 but these figures are a hundred years later or more and probably made by the well known ‘Samson’ factory of France (Samson, Edmé et Cie) which produced skilful reproductions and recreations of English, European and Oriental porcelains during the nineteenth century and beyond. Samson pieces tend to have a much harder paste than that of their originals, their glazes are more glossy and the colours often more vivid. All these characteristics can be seen here but there were other manufacturers in France making these derivative copies as well and in the absence of a Samson mark, which was not always applied to their work, certainty is impossible. But this should not detract from quality and charm of thi pair of figures which can appael to amateurs and professional collectors alike.
Edwardian large text magnifying glass with horn handle c1910
Price: £25
This is a very usual large magnifying glass that has a buffalo horn as a handle. It would have been used to read the newspaper, as the text was so small. It is brass.
Mint Coronet Rapid camera with case 1950s
Price: £45
Coronet Rapide is a folding 120 film camera model of Coronet Co., Birmingham, England. It was also manufactured under license by Tiranty Company, Paris, France and produced in late 1940s and early 1950s. This one is particularly interesting because of its condition and the condition of the case. They appear to be unused or very well cared for. It has a Meniscu lenz. This camera has not been tested so we cannot guarantee it works although the condition would indicate that it does work.
An unusual pair of Art Deco style Japonaiserie ceramic vases, probably French 1920s/1930s
Price: £55
The fashion if not mania for ‘things Japanese’ in the late C19th and early C20th is well known and well documented. Sometimes pieces were produced with the aim of being more affordable and this seems to be what we have here. This earthenware pair of vases are of hexagonal form, flaring at the neck and base with a rounded foot, and covered in a crackleware glaze which graduates from black at the foot, through dark brown to mustard yellow at the top with the addition of reds and greens. On this is applied stencil decoration in black of two contrasting but complimentary scenes, on the one two geisha planting small bonsai trees and on the other a single geisha standing in a garden scene with a covered bird’s house in the distance. The reverses are plain and the foot glazed in cream, each with the numbers 1593. Modest pastiches of the Oriental style were produced in England in the 1930s (elsewhere on the site can be seen a Pair of Orientalist Staffordshire ‘Foley Ware’ vases) but this pair were more probably made in France at around the same time, where there was an equal if not an even greater enthusiasm for the ‘Land of the Rising Sun’. The clean lines of the shape very much recall the Art Deco era but no parallels seem to exist, making this pair a rather ‘one off’ addition to a collection of Japanese influenced decorative arts.
French Souvenir Verre Eglomise Box and Cover, Sacre Coeur de Montmatre, circa 1900
Price: £55
This box, and others like it, was probably made in France as a tourist souvenir in the late nineteenth or early twentieth century. Formed as a small casket, the base is of pressed brass with relief decoration and four small pad feet. The lid has a ‘verre eglomise’, or reverse painted glass, bevel edged panel set in a brass mount and the box is lined inside. Some of the decoration of the lid is probably transfer with other elements hand painted on the back of the glass in true ‘verre eglomise’ style. The scene depicted is the well known Basilica of Sacre Coeur situated on the top of Montmatre, one of the most frequently visited sites in Paris and therefore eminently suitable as the subject for a memento of the ‘great city’. This is the ‘Grand Tour’ style rather towards its end with cheaper materials and a more mechanical method of production but an authentic example of a period souvenir to tempt the traveller.
Indian wooden toy model of a Horse with metal fitments, early C20th
Price: £25
This is an amusing wood model of a horse, its right leg raised and the head looking expectantly forwards, the finely grained wood with metal fitments in brass and copper representing the ears, muzzle, saddle, saddle bags and tail, all with fine detailing and small nail fastenings. Many examples exist of these wood and metal horse figures which are usually held to have been made in India at Jodphur, Rajastan, in the early C20th. Presumably more intended for the local colonial audience these pieces have an obvious and wider appeal. The smaller sizes were probably intended as toys and perhaps the original owner of this piece played with it a little too vigorously which might explain the damage to the right front leg!
Pair of Beige Opaline Glass Vases, enamelled decoration, probably French late C19th
Price: £75
An elegant pair of beige glass vases of bottle form with a stepped foot, modelled collar and a tall slightly flaring neck, decorated in coloured enamels with flowering holly, the reverses plain and the top rims gilt. Opaline glass is produced by adding materials such as bone ash or lead-crystal to produce a semi opaque effect, the colour varying according to the minerals added and ranging from white through yellows, greens and blues to black. First made in Murano in the sixteenth century it was to enjoy an enormous vogue in France during the nineteenth but had also been produced in England at Bristol in the eighteenth. The delicate style of the decoration here clearly points to French work and a dating towards the end of the nineteenth century seems reasonable indeed the beginnings of the Art Nouveau can perhaps be seen here. Form, colour and decoration combine to produce a highly attractive pair of ornaments which can be enjoyed in a contemporary setting as much as they were when they were made.
Fine quality pair of Brass Cobra Candlesticks, Indian first half C20th
Price: £95
A pair of brass candlesticks cast as two Cobra snakes with twisting tails acting as the feet with the bodies rising up erect from them, the stylised heads supporting the candle sconces and serrated edge drip pans. There are many examples of Indian made candlesticks cast in a similar form where the brass metal is combined with enamel decoration. This pair, lacking even incised detail to the metal surface as can occur, are much more unusual and striking in their simplicity. The brass itself is high quality and the pieces have a good weight. It is as if the Indian workmen have tried to adapt themselves to the angular simplicity of the Art Deco style. Unlike their more heavily decorated contemporaries, this pair of snakes would not have looked out of place in an Art Deco themed European interior. Dating is therefore quite reasonably to the 1920s or 1930s. Arresting in their time, these two Cobra snakes would deservedly attract attention today.
Fairing Figurine – A Mouse A Mouse, German, late C19th
Price: £25
Fairing Figurine "A Mouse A Mouse". 'Fairings', as they are known, were ceramic figures made to be given out, sold or won as prizes at fairs, hence the name. They were a product of the late Victorian era but continued to be made until the beginning of the First World War when they fell out of fashion. Manufacture was in Germany principally by the firm Conta and Boehme who developed a mass production method that no other company could match, thereby achieving a market advantage. They exported large quantities to Britain and the United States, but their pieces have even been found in Australia along with other destinations.
The various figures were made in white glazed porcelain with coloured decoration. The compositions were sculptural and often accompanied by an inscription, as here. Many models are known. Two typical examples are 'Returning from the Ball' and 'Twelve Months after Marriage'. Here we have a composition entitled “A Mouse A Mouse!”, which shows a couple, the wife raising herself from the bedclothes while her husband crawls on the floor, having knocked over a chamber pot in the process. Notably absent is the mouse itself…
Some of the fairing figurines are marked, as here. The impressed number '1886', which would be a series number, is combined with the impressed shield mark found on Conta and Boehme pieces from the late C19th. The paste of the foot is consistent with this and the slightly ‘brassy’ look to the gilding (compare Lot 5) complements this as well. It has been suggested that this particular model type is, in fact, a modern reproduction and there are other versions of the design which do indeed look contemporary but this is unlikely to be the case here and we most likely have an amusing and period example of the genre.
Pair of Ceramic Wall Hanging Plaques, Butterflies, probably continental 1960s
Price: £40
A pair of ceramic wall hanging plaques modelled in the form of butterflies with outspread wings, brightly decorated in green, red, orange and black enamels with beaded detail, the reverses plain and with a central cavity, pierced at the top for the wire wall hanger which also forms the proboscis. The fairly coarse paste of the foot rim at the back and general style of decoration suggests continental work, most likely Portugal or Spain and these pieces have a mid century look to them suggesting a a dating in the 1960s when brightly coloured ornaments (and carpets!) enjoyed something of a vogue. Highly decorative then, this pair of lepidoptera would certainly enliven a contemporary interior.
Framed poster for Victor Bicycles, Overman Wheel Company, C20th
Price: £55
This is an iconic poster image, the original of which was created in 1896 by the famed artist Will H. Bradley for the Overman Wheel Company, famous for their innovative and high quality bicycles in the last years of the nineteenth century. The ‘Victor’ bicycle was the most famous model in their range and enjoyed enormous success after its introduction in 1883. By 1893 it was known as ‘the highest grade bicycle’ and it went on to be sold in a wide variety of models and sizes. But competition and changing economic circumstances saw the company’s business decline sharply and after a devastating fire in 1899 the business was sold in 1900.
Will H. Bradley (1868-1962) was an American artist and illustrator whose work enjoyed enormous popularity in the late nineteenth and early twentieth centuries, indeed he became America’s highest paid artist. Some of his most elaborate and original poster and advertisement designs were produced in the last years of the nineteenth century and he was an apt choice for Albert Overman’s then thriving business. His style was quintessentially Art Nouveau and is often compared to that of the English artist, Aubrey Beardsley, indeed he was sometimes dubbed as the ‘American Beardsley'. This poster design for Overman has been much copied and reproduced over the years with original examples residing in museum collections. The dating of this particular printing is not wholly certain; the reproduction is certainly way superior to that of more modern versions and the accompanying frame also indicates some age, perhaps to the 1960s or through to the 1980s. We have, then, both an elegant decorative item and an excellent addition to a collection important poster art.