Taxco suite of necklace and earrings, malachite and onyx stations, 1990s
Price: £250
Taxco silver bangle with onyx and sodalite mosaic decoration, 1990s
Price: £75
Zuni suite of necklace and earrings, New Mexico, 1990s
Price: £95
Modernist Taxco brooch 1980s
Price: £45
Navajo suite of Necklace and Earrings set with sleeping beauty turquoise, 1990s
Price: £250The Navajo are a Native American people of the Southwestern United States with the largest reservation in the country, mainly concentrated in Arizona and New Mexico. Their silverwork, which they began to produce in the late C19th, came to enjoy great popularity and often employed the use of turquoise. This matching suite is an excellent example of their work. The necklace is marked ‘Sterling’ for 925 silver and the same material would have been used throughout, providing a perfect backdrop to the ‘sleeping beauties’.
Outstanding Egyptian Revival necklace c1960
Price: £125
Large faux coral Bakelite brooch, British c1940
Price: £45
Five Murano glass fish pendants
Price: £25
Czech glass faux turquoise brooch c1930
Price: £65
Czech glass faux turquoise brooch c1930
Price: £65
Bead necklace with jade carnelian and silver beads c1990
Price: £50
Two watch fobs 1912 and 1923
Price: £35
Gentlemans waistcoat pin set with four watch fobs 1930s
Price: £150
Very fine Moroccan engraved silver bracelet c1930
Price: £95
Deaking & Francis silver bangle, Birmingham 1955
Price: £125
Art Deco Catalin Bakelite necklace, American c1930
Price: £125
Art Deco Catalin Bakelite necklace, American c1930
Price: £125
Monumental Mille Fiore glass bead necklace c1970
Price: £175
Blue Millefiore beads c1950
Price: £65
Art Deco opaline glass necklace 1930s
Price: £125
Faceted Opalite statement necklace c1970
Price: £95Opalite is a type of synthetic glass often mistaken for a gemstone due to its alluring translucence and the play of colors similar to those seen in opals. Unlike natural gemstones, opalite is man-made, primarily from dolomite and metal to create its distinctive shimmering and milky appearance. It typically exhibits a soft, opalescent sheen with a blue or orange glow when light passes through it, making it popular in jewelry and decorative objects.(geologyscience.com)
Fun celluloid elephant motif earrings 1960s
Price: £25
Cornucopia design suite of necklace and earrings 1990s
Price: £45
Cold painted brass necklace 1920s
Price: £50
Nine strand authentic seed pearl necklace 1980s
Price: £45
Czech Egyptian Revival bracelet 1930s
Price: £30
Fun 1970s button bangle
Price: £25
Taxco Noahs Ark Earrings c1980
Price: £45
Native American turquoise bead necklace with original clasp c1960
Price: £350
Navajo turquoise ring c1960
Price: £125
North American turquoise ring c1990
Price: £75
Taxco torque statement necklace and bracelet, Daniela, 1980s
Price: £250
Art Deco Bakelite beads c1930
Price: £150
Victorian pinchbeck brooch with paste stone c1900
Price: £45
Opera length mille fiore station necklace and earrings c1950 and later
Price: £45
Perfume Bottle Brooch, probably French mid C20th
Price: £55
Tibetan amulet necklace featuring Buddhist deity c1900
Price: £25
Silver and marcasite statement brooch, 1956
Price: £125
Edwardian silver and turquoise brooch c1910
Price: £55
Scottish amethyst specimen necklace c1950
Price: £35
Stunning Art Deco Indian silver neck ring and bracelet c1920
Price: £650
Hertfordshire puddingstone Brooch c1940
Price: £35
Scottish agate specimen bracelet c1970
Price: £95
Long strand of butterscotch amber coloured beads c1960
Price: £25
Victorian carved bovine bone necklace, Indian c1900
Price: £175
Early Neiger Brothers book chain necklace c1910
Price: £325
Neiger Brothers necklace with Egyptian Revival glass plaques c1930
Price: £225
Art Deco convertible brooch dress clips c1930
Price: £95
Art Deco concave cut agate ring c1930
Price: £55
Etruscan style garnet cross earrings c1910
Price: £65
Art Deco emerald cut paste stone ring c1920
Price: £55
Art Nouveau style Lily bouquet brooch c1950
Price: £65
Etruscan style rock crystal and turquoise round brooch c1900
Price: £65
Art Deco style earrings with onyx and amethyst c1970
Price: £85
Art Deco brooch with Shibayama style mother of pearl plaque c1920
Price: £225
Pietra Dura jasper moth brooch c1920
Price: £175
Art Nouveau William Comyns silver buckle, 1901
Price: £250William Comyns founded the company in 1858. He initially operated from the former premises of silversmith Robert Tagg at 2 Carlisle Street, Soho, London, where he registered his first maker’s mark (W.C in a four-tipped oval) in 1859. Comyns’ silverware was retailed by some of the world’s most prestigious firms, including Tiffany & Co., The Goldsmiths & Silversmiths Company, and leading London retailers such as Henry Lewis and Howell & James.
Art Deco brooch with large zircon stone c1930
Price: £175
Egyptian Revival souvenir bracelet c1900
Price: £95
French enamel egyptian revival bracelet c1900
Price: £125
Unique Butler & Wilson Neoclassical Tiara 1980s
Price: £195As most people who love costume jewellery know, Butler & Wilson have been and are a powerhouse British brand that have been designing costume jewellery since the 1970s. Pieces like this one are quite collectable due to their age and design. There are many collectors around the world that collect both vintage and new pieces. This one is for you!
Art Deco citrine and pink sapphire brooch c1920
Price: £175
Butterfly brooch by Marius Hammer (1847-1927), Bergen, Norway
Price: £450MARIUS HAMMER BIO:
Marius Hammer built up and managed Norway's largest goldsmith's workshop in the decades around 1900. By investing heavily in marketing and international launch, he helped make Norwegian enamelwork an important export item. In a golden age for Norwegian handicrafts, Hammer's company also delivered many works that are among the main works of Norwegian goldsmithing.
Hammer was a third-generation goldsmith in the traditional craft town of Bergen. In his father's workshop, he received training in an ancient guild craft, but his ambitions were greater than running a small workshop, as his father and grandfather had done. During his studies in Hamburg and Berlin around 1870, he gained insight into new techniques and production methods, and from 1871 he built up his workshop to become the largest in Bergen in a few years. He had modern aids such as gas and electricity installed early on.
The workshop made all types of goldsmith's wares: centerpieces, jugs, coffee sets, cutlery, jewelry and much more. However, from the 1880s, Hammer focused on the tourist market and became a major producer of souvenirs and other luxury items in filigree and enamel. He built up a network of branches in the well-known tourist destinations in Western Norway, and he also supplied large quantities of goods to businesses abroad, including London. From 1885, Hammer's company was court supplier to the Prince of Wales, and somewhat later the German Emperor Wilhelm II became an avid customer. The main product was filigree work with window enamel – glass mosaics in all the colors of the rainbow built up on a fragile network of thin, gilded threads. Small and large Viking ships in various price ranges for tourists, boots, teaspoons, jewelry and much more were produced in a wide variety and in large quantities. Around 1914, the company reached its peak with about 130 employees.
The key to Hammer's success in the tourist market was very active marketing, including through participation in the major world exhibitions. Together with the Kristiania firms Tostrup and David-Andersen, Hammer made enamelware one of the most important Norwegian exports.
In addition to souvenir production, Hammer also had an important production of corpus works, i.e. objects such as bowls, jugs and mugs. He invested heavily in prestige works for exhibition purposes and for the upper bourgeoisie, and a number of essays and other large corpus works are of greater artistic interest than souvenir production. Hammer engaged outstanding designers, and over the prosperous years from about 1900 to about 1920 the firm produced works that are now considered masterpieces in the goldsmith's art of the period.
Marius Hammer became Bergen's richest craftsman; he lived at the elegant country estate Christinegård in Sandviken and had himself driven in a two-horse carriage to his shop in Strandgaten. He built up a large collection of antiques and also traded in these in his shop.
With the outbreak of World War I, the tourists disappeared, and after the war, times became tougher for the luxury production that Hammer had focused on. The company was converted into a limited liability company in 1915, with his eldest son Torolf as director. However, he died in 1920, and from then on the company went into decline. Neither the old Marius Hammer nor his youngest son Max, who took over as manager, were able to carry out the radical restructuring that was necessary to adapt to the changing times. Shortly after Marius Hammer died in 1927, the company's properties and most of the machinery were sold, and the remnants of the company went into bankruptcy in 1930. (REF: https://nbl.snl.no/Marius_Hammer)