Decorative Arts & Ephemera
Trade+Aid Enamel Teapot, No.292.UK, 1990s
Price: £25
This is an intriguing enamel teapot, the rectangular body curving in towards the lid and with a loop handle and spout. It is brightly decorated in coloured enamels on a yellow ground with a large sheaf of sunflowers on each side. The base is marked ‘Trade+Aid’ ‘No.292.UK’ with three Chinese characters below. It comes from a range of teapots produced for ‘Charlotte di Vita Collections’ under the trading name ‘Trade+Aid’. These were hand crafted items using traditional techniques whose sale benefited charitable projects and initiatives worldwide. The various designs were usually limited editions and some are quite collectible today. The decoration on this piece is inspired by the famous painting ‘Sunflowers’ by Gustav Klimt making it one of the more interesting models produced.
Reproduction Limoges Porcelain Box with Scent Bottles, Modern
Price: £25
Presenting itself as production of the celebrated ceramics factories in Limoges, France, this elaborately decorated porcelain box containing four glass scent bottles is, in fact, a contemporary reproduction and most likely made in China. While it looks hand painted, close examination shows the microdots of laser printing (see image 7) a technique commonly used by the Chinese now to create high quality looking but machine made ceramic items. The mark, employing a single ‘L’ in a style sometimes found beginning the word ‘Limoges’ inscribed on genuine pieces, is found nowhere else on true Limoges items and seems to have been a flight of fancy on the manufacturer’s behalf. But this particular box certainly looks the part and could perhaps find its place as a purely decorative item for the dressing table!
Desktop Model of a Typhoon Bomber Plane, Modern
Price: £25
This is a scale model of the celebrated Typoon Bomber plane, a single pilot aircraft used to great effect by the British during the Second World War. It is made from polished aluminium with an integral stand and is produced by the firm Widdop and Co under the brand name Harvey Makin. Definitely one for the man cave!
Two Avon Perfume Bottles, Lady and a Girl, 1970s
Price: £20
These are two from the series of perfume bottles in the form of ladies or young girls issued by Avon in the 1970s. The first represents a figure in 1920s dress and is sometimes found with a label (missing here) which reads ‘Roaring Twenties’ followed by the name of a perfume. The second is a country girl complete with its label which reads ‘Avon’ ‘Nearness’ but the same model is found with other labels, indicating that both these containers were used for more than one brand of perfume. These bottles were an amusing marketing ploy which doubtless contributed to many successful sales.
Pair of Brass Wall Plaques of Jousting Knights, Peerage Brass, mid C20th
Price: £45
This is a decorative pair of wall plaques with two brass jousting knights on horseback in mirror image on a black background with a simulated wood grain effect. The decoration is in cast metal and the square metal sheet continues to the back where it is folded over at the edges on top of the hardboard backing. While there are no markings beyond ‘Made in England’ on the hanging loops, these pieces were, in fact manufactured by ‘Peerage Brass’ who produced many quality brass decorative items from 1946 onwards. There is one group where they are joined by a larger rectangular plaque with similar mediaeval inspired decoration and which has a label reading “Peerage” ‘Brassware at its Best’ ‘Regd’ ‘Needs no Cleaning’ ‘England’ (see image 7). Peerage Brass was the successor to ‘Pearson-Page’, manufacturers of high quality brass and copper reproductions who enjoyed considerable commercial success before the Second World War. The trade name ‘Peerage’ was first adopted in 1946 and this pair of plaques would have been produced in the years thereafter.
Mintons Coronation Plate, King George VI and Queen Elizabeth 1937, boxed
Price: £25
This was a rather deluxe souvenir amongst the many produced to commemorate the coronation of King George VI and Queen Elizabeth on May 12th 1937. It was made by the famous porcelain manufacturers Mintons, who specialised in high quality pieces, particularly dinner services. The plate shows many distinctive features of their work with fine quality enamelling and gilding (see images 5 and 4). Marked with an inscription on the reverse beneath the Mintons trademark, this plate was number ‘89’ of a limited edition of 1000. It comes complete with its original presentation box which unusually has the coat of arms of Oman (see image 10) stamped in gilt on the underside of the lid implying that it might have been a gift to the Omani royal family at the time.
Wedgwood Calendar Plate, 80th Birthday of Queen Elizabeth II, 2006
Price: £10
From the 1970s to the early 2000s the Daily Mail newspaper commissioned a series of ‘Calendar Plates’ from the celebrated manufacturers Wedgwood to be offered for sale to their readers. The themes chosen were varied, but in 2006 the Queen’s Eightieth Birthday was the subject and this blue and white decorative plaque produced. The central image of the smiling Queen is surrounded by the twelve calendar months and there is a brief description on the reverse. These plates were issued in boxes coloured in the distinctive ‘Wedgwood Blue’ and this example retains its original packaging.
Queen Victoria Golden Jubilee Jug, 1887
Price: £10
1887 marked fifty years of Queen Victoria’s reign and her Golden Jubilee was commemorated by a wide variety of gift items including this jug form with transfer decoration in ‘grisaille’ colourings. The manufacturer is not known but was presumably one of the Stafforshire potteries. The form chosen, a flat circular body with a ridged face, the handle and spout with crisp modelling and a short spreading foot below, is quite unusual and does not seem to have parallels with other commemorative wares. The Queen’s head is shown in semi profile, with her titles above and an ivy wreath, symbolising everlasting life, below. On the reverse is the imperial crown.
Prince Edward and Princess Alexandra, Silver Wedding Jug, 1888
Price: £25
1888, the year after Queen Victoria's Golden Jubilee, marked the Silver Wedding Anniversary of her first son, Edward, later to become King Edward VII. This was commemorated by a transfer printed jug in exactly the same form as one produced for his Mother in 1887 (see Lot 3). This shape, a flat circular body with a ridged face, the handle and spout with crisp modelling and a short spreading foot below, is unusual and the manufacturer was clearly the same. Other examples of the 1888 model are marked ‘Made in Germany’, which is not the case with this one, but is a clear pointer to the country of origin. Perhaps the manufacturers had some blanks left over and found an ingenious way to reuse them. The Prince and Princess are shown in portrait form and on the reverse is the distinctive feathered coat of arms of Edward as Prince of Wales. These jugs are much rarer than the Golden Jubilee examples and this example is in excellent condition for its age.
VE Day, 50th Anniversary Commemorative Mug, 1995
Price: £10
On Tuesday 8th May 1945, the Allies of World War II accepted the unconditional surrender of Germany’s armed forces. Celebrations broke out everywhere, particularly in London where the Prime Minister Winston Churchill joined the royal family in an appearance on the balcony of Buckingham Palace before cheering crowds. The day was known as ‘Victory in Europe Day’ or ‘VE Day’ and has been celebrated on its anniversary in the years thereafter. Special commemorations took place 50 years later and this mug is one of the souvenirs produced at the time. Depicted are the US President Franklin D Roosevelt, who died shortly before on April 12th, Winston Churchill and General Montgomery who accepted the surrender of the Germans in 1945, all prime movers in the victory that was achieved. The form of the mug loosely recalls Georgian tankard shapes which is not inappropriate for a souvenir commemorating British endeavour.
Two Beakers : Wedding of the Prince Charles and Lady Diana Spencer, 1981
Price: £15
The wedding of ‘Charles and Diana’ in 1981 was the occasion for a flood of commemorative items celebrating what seemed at the time to be such a happy and auspicious event. Chinacraft Ltd are retailers of decorative chinaware with shops in London, at one time occupying prestigious premises in Regent Street. These beakers were a commission by them from the pottery manufacturers Caversall China, based in Stoke on Trent. The polychrome transfer decoration has oval framed portraits of the couple on the face with floral wreaths and an inscribed scroll and a depiction of Highgrove on the reverse, the private home of Prince Charles. 5000 were produced and these are numbered ‘86’ and ‘228’. For some reason, the portraits chosen of the couple seem less than cheerful which unfortunately, if accidentally, was to be prophetic of events to follow.
Two Wood Boxes : Marriage of Charles and Diana, Birth of Prince William, late C20th
Price: £15
These two wooden round boxes, doubtless intended for trinkets, announce their purpose on the respective covers, to commemorate (i) The Marriage of the Prince of Wales and Lady Diana Spencer on 29th July 1981 (ii) The Birth of Prince William on 21st June 1982. Both have the initials of the subjects inset on the covers and the first has an incised mark underneath (see image 6). If these were produced commercially, no other examples seem to exist, which just possibly suggests that they were the work of a skilled amateur or trial pieces for a range which was never produced.
Cup : Marriage and Coronation of King George V and Queen Mary, 1911
Price: £10
A china cup with flaring sides and a simple loop handle, transfer decorated with portraits of King George V and Queen Mary in beaded frames with flowers, the union jack and royal standard flags, the royal coat of arms and inscribed scrolls commemorating the royal marriage in 1893 and coronation in 1911, the reverse marked ‘In Commemoration’ below the royal crown. The base has an indistinct mark which appears more clearly on other pieces and can be read as ‘England’ ‘The Paragon China’ below a crown and a cipher with interlinked letters which read ‘S C Co’ for ‘The Star China Company’, China manufacturers at the Atlas Works, Longton, Stoke-on-Trent, England from 1899 to 1919 who introduced the trade name ‘Paragon China’ in 1903.
Production of this piece was presumably contemporary with the coronation in 1911 and many similar pieces were made by other factories at the time, more often in a straight sided mug shape. The form here suggests that there might have been an original saucer but none seem to have survived.
Porcelain Mug : Buckingham Palace 1997
Price: £10
A bone china mug, slightly flaring at the rim and base and with a modelled loop handle, richly decorated in gilt with swags and floral wreaths, the front marked ‘Buckingham Palace’ and the reverse ‘1997’, the base with a circular floral wreath surrounding a crown and the wording ‘Buckingham Palace’ ‘1997’. This mug is one of a series produced from 1993 to 2010 for sale in the Royal Collection souvenir shops. Each year was given a different design and all were dated. The manufacturer is unkown. The design and decoration of the ‘1997’ model seems particularly pleasing.
Teapot and Cover : Golden Jubilee Queen Elizabeth II, 2002
Price: £10
A ceramic teapot and cover transfer decorated and with gilt detail, the front with a single and the reverse with a double portrait of Queen Elizabeth II, both sides inscribed ‘Golden Jubilee’ ‘1952-2002’. While crowned in 1953, Queen Elizabeth II acceded to the throne on the death of her Father, King George VI, in 1952. 2002, therefore, marked fifty years of her reign and various souvenirs were produced in commemoration her Golden Jubilee of which this piece is one. This teapot was sold either as an individual item in a matching box or as part of a set of four items, packed in polystyrene and fitted also into a box (see image 5). In both cases the boxes were marked ‘Limited Edition Collectable’ but the numbers produced might have been rather greater than the wording implies.
Queen Elizabeth II Silver Jubilee China Mug, 1977
Price: £10
A china mug, the white glazed concave body flaring towards the top and bottom, each edged with moulded decoration and the base of a wavy design forming eight feet, a simple loop handle to the side. The front with transfer decoration depicting the Queen in a roundel with flags and wording commemorating her Silver Jubilee in 1977, the reverse with similar decoration displaying ‘EIIR’ within an oval frame, a crown and the wording ‘1952 1977’ ‘Jubilee’, the base with a crown and a printed mark, slightly indistinct, ‘English’ ‘Bone China’. These mugs were originally sold with deep red colour fitted boxes but few of these survive. Most are marked as here but some carry a different mark ‘St George Fine Bone China Made in England’ below an image of the knight holding a sword and this may be the manufacturer here.
Cup : the Silver Wedding Anniversary of Queen Elizabeth II and Prince Philip in 1972
Price: £25
A bone china loving cup with two silver decorated lion handles made by the Paragon China works to commemorate the Silver Wedding (1947–1972) of Queen Elizabeth II and Prince Philip, Duke of Edinburgh, in 1972. The front has the royal coat of arms between a lion and a unicorn and the reverse a cipher, intertwined ‘E’ ‘P’, within a wreath below a crown and sceptres, the blue scroll work reading ‘Love and Unanimity in Married Life’. Lettering in puce at the top and sides celebrates the Royal Wedding in Westminster Abbey in 1947.
The Paragon China Company, formerly the Star China Company (see Lot XX), produced high quality gift items from 1920 to 1971, at first independently and then in alliance with other companies, finally being absorbed by Royal Doulton in 1972 who kept the ‘Paragon’ name until 1991. Commemorative wares were a speciality and this cup is a fine and typical example.
Mug Commemorating the Coronation of Edward VIII in 1937
Price: £25
This bone china mug, with straight flaring sides and a moulded handle, was made to commemorate an event which never took place. Due to be crowned on the 12 May 1937, Edward, the eldest son of King George V, who died in January 1936, abdicated in December of the same year in order to pursue his plan to marry the American divorcee, Wallis Simpson, and was succeeded by his brother, known as ‘Bertie’, who became King George VI. Plans for the coronation were well advanced and the same date was kept. But the makers of commemorative wares had already started production and accordingly ‘coronation’ souvenirs for the never to be crowned King Edward are found today. This piece was made by the firm Roslyn China whose mark appears underneath and was decorated in typical style with transfers depicting the King and the Union Jack on the front and a lion beneath the royal crown on the reverse. The wording ‘Long Live our King’ seems poignant now although Edward did outlive his brother, dying twenty years after him in May 1972.
Cup Commemorating the Silver Jubilee of King George V and Queen Mary in 1935
Price: £55
A bone china loving cup with two handles decorated with modelled roses and thistles made by the Paragon China works to commemorate the Silver Jubilee of King George V and Queen Mary in 1935. George V acceded to the throne in 1910 and was crowned the following year. He was to see the Silver Jubilee of his reign but died early the following year. The twenty five years of his reign were commemorated in various ways and this cup is an example. Portraits of the King and Queen are on the front and the royal coat of arms on the reverse. Above are the words ‘To Commemorate The Silver Jubilee Of Their Reign’. As the celebrations continued during that year, few could have anticipated the turbulent events that were to follow, leading to the start of the second world war four years later.
The Paragon China Company, formerly the Star China Company (see Lot XX), produced high quality gift items from 1920 to 1971, at first independently and then in alliance with other companies, finally being absorbed by Royal Doulton in 1972 who kept the ‘Paragon’ name until 1991. Commemorative wares were a speciality and this cup is a fine example.
Ceramic Tankard celebrating the Marriage of Prince Andrew and Sarah Ferguson in 1986
Price: £10
A ceramic tankard of bell form and with a shaped loop handle glazed in blue inside and out, the front with titled silhouette portraits of Prince Andrew and Sarah Ferguson between the royal coat of arms and the reverse with an image of Westminster Abbey and wording marking the event of their marriage in 1986. The base has the mark for Prinknash Pottery in gold. The Prinknash Abbey Pottery was started in 1942 by the Benedictine monks there when they found a seam of clay during some building work. Situated in the abbey at Granham in Gloucestershire their pottery continued production until 1997 when it was sold to the Welsh Porcelain Co. Their blue glaze commemorative wares stand apart somewhat with something of a ‘regal’ feel.
Pair of Ceramic Goblets : the Wedding of Prince Charles and Lady Diana Spencer in 1981
Price: £20
A pair of ceramic goblets blue glazed with a bulbous body above a spreading foot, the front with silhouette portraits of the Prince of Wales and Lady Diana Spencer within a circle of wording commemorating their marriage below the Prince of Wales feathers, the reverse plain and the interior gilt. Inside the foot is the mark for Prinknash Pottery in gold. The Prinknash Abbey Pottery was started in 1942 by the Benedictine monks there when they found a seam of clay during some building work. Situated in the abbey Granham in Gloucestershire their pottery continued production until 1997 when it was sold to the Welsh Porcelain Co. Their blue glaze commemorative wares stand apart somewhat with something of a ‘regal’ feel.
Pair of African Wood Figures of a Man and a Woman, probably mid C20th
Price: £25
A pair of wood figures of a man and a woman carved in an abstract style with slender proportions, the man holding a long staff and the woman balancing a vessel (presumably for water or wine) on her head, the clothing of both with etched patterned decoration and their complementary bases with contrasting geometric designs. The patina and colour of the wood suggests ebony and the style is African. As with the previous lot there is a label indicating manufacture in Nigeria and Kaduna is the capital city of Kaduna State, and the former political capital of Northern Nigeria. It was a trade centre and a likely source of artefacts made for tourists of which these are most likely an example. Dating is probably as the label indicates and many other similar pieces were produced at that time.
Past Times Art Nouveau Style Vase, Veronese Collection, 2004
Price: £45
This deceptively attractive vase which reflects Art Nouveau design in both its form and decoration is, in fact a recent reproduction sold by the once popular UK firm ‘Past Times’. The organically shaped slender ovoid body with a flaring base and a wide, open top is decorated with applied decoration of lotus, water lilies, reeds and a dragonfly, both the ground and its ornamentation intended to imitate bronze metal whereas the material is, in fact, bronze effect resin. The base has an attached felt pad with the repeating words ‘Veronese’, the name of the collection or range to which it belonged. There is also a small signature on the body and a copyright mark for the date of manufacture, 2004.
‘Past Times’ was founded in 1986 by John Beale, at first as a mail order company but then trading from physical stores and developing into a business which enjoyed enormous popularity with over one hundred shops in the early 2000s. The stock was focused on retro and vintage style items also including a wide range of licensed products, such as Harry Potter and Beatrix Potter merchandise. Badly impacted by the recession in 2008 it went into administration in 2012 and was bought by W.H.Smith a year later leading to the disappearance of its products from the marketplace.
This ‘Art Nouveau’ vase can be seen as an example of their range at its best. Manufactured with care it presents an appealing souvenir of the era it aims to recreate at a rather more affordable price than the authentic originals.
Leaded Slag Glass Bowl, C20th
Price: £45
‘Slag’ glass takes its name from a by product of steel production. When iron ore is smelted there is a residue of a glass-like, often glossy material that takes on different colours depending on the minerals and elements present in the iron. Termed ‘slag’ its visual marbling is reminiscent of slag glass which employs a wide variety of colours and tonal variation. The technique of producing it was developed in England in the late nineteenth century, one of the first patents being taken out by Sowerby in the 1870s, but the method soon spread to the United States culminating in its use by Tiffany for their famous series of lamps with their leaded glass shades. These are reproduced today, but later leaded slag glass pieces appear in a wide variety of forms including irregularly shaped bowls such as we have here. There is an Art Deco look to this piece but there are no obvious predecessors from the period so that we seem to have an inventive pastiche. Not a true ‘fake’ then but probably not as old as it might appear, even dating, perhaps, to the late twentieth century, but with considerable decorative appeal, nevertheless.
A group of twenty assorted artists Stamps in H&R Johnson sample Box, C20th
Price: £75
This is a most interesting group of stamps, possibly intended for tiles, nearly all with naturalistic designs of trees or stylised floral emblems. Twelve are mounted on thick clear plastic or perspex blocks while the remainder are mounted on wood. Examples of the pressed designs can be seen in images 1 and 2 and their appeal is obvious. The stamps are contained in a wooden box with the name of the well known tile manufacturers H&R Johnson Ltd printed on the front with the words ‘ceramic glazed tiles’ below. H&R Johnson began trading in 1901 and are still producing tiles in imaginative and innovative designs today. The box was clearly for tile samples rather than stamps and was presumably adapted by the owner of these stamps to hold his small collection. Perhaps this is why the three central dividers are missing (the grooves for them can be clearly seen in image 3); their presence would not have allowed all the stamps to fit inside! This assembled collection with its impromptu container was clearly used by an enthusiastic amateur artist. Both the box and the stamps look to have been made in the 1950s or 1960s and were clearly well used. Printing block stamps can be much in demand today and there is a family firm, Stamped in Tradition, based in London and Devon who produce a truly vast selection of handmade pieces in bronze, some of which are similar in design to some of the stamps in this box (see images 9,10). The tradition truly lives on then, and this collection allows the opportunity for experimentation today in an age old craft.
Novelty ceramic Wall Vase in the form of a Gretsch Guitar, English, 1950s
Price: £25
This is a fun ceramic wall vase in the shape of a guitar with an opening at the top for flowers or perhaps pens or stationery items and a string cord, which may well be original, for suspension. The shape is taken from one of the designs produced by the famous American guitar manufacturers Gretsch who began the manufacture of electric guitars in the 1950s, eventually reaching tremendous popularity in the 1960s after the Beatle, George Harrison, used one of their models during the band’s first appearance on the Ed Sullivan Show. This piece predates that and was most likely made in the 1950s. There is no mark for the manufacturer beyond ‘Made in England’ but it is possible that this is an example of Brentleigh ware, a firm which produced ceramic novelty pieces such as the pair of shoes to be seen elsewhere in this sale.
Pewter and brass box and cover in the form of a Mallard Duck, Gatco, Hong Kong, 1960s
Price: £25
This is a novelty box and cover, possibly for pills or more likely trinkets made from pewter and brass in the form of a mallard duck. The details are simply but amusingly modelled with an effective contrast of the two metals used. The base, in common with other examples of this model, has an engraved mark comprising a reversed ‘3’ below an ‘8’. Other examples carry a gold ground paper label which reads ‘Made in Hong Kong’ and this is sometimes found elsewhere on brass items which also have a label for the firm ‘Gatco’, implying that this was the manufacturer here (see image 11). These amusing boxes were made in Hong Kong in the 1960s and retain their charm today.
A pair of stamp collage Postcards, Alsace and Nice, framed, early C20th
Price: £45
These are a fine example of collage pictures where the image is made up or mainly made up from fragments of stamps. The technique was used in various parts of the world including America and China but we obviously have French work here. The artist, whose signature appears on both pieces, has chosen to represent two ladies dressed in local costume, that of Alsace and Nice. The first is seen holding flowers which fits with a rural location and the second standing on a rock looking out to sea which suits a maritime one. The heads and hands are painted and the costumes made from stamp fragments. Eagle eyed philatelists might be able to date these pieces form the stamps used but the amateur has to rely on the style and ‘feel’ of the representations and we are probably looking at the 1920s or 1930s. The frames and mounts, though, are likely to be slightly later. The appeal is obvious and while there may be other parts of France represented in the same way, this pair of pictures are most likely ‘one off’ and would be an individual addition to the decoration of an interior.
Cruet set in the form of three Friar Tuck Monks on a Tray, Hummel, West Germany, 1960s
Price: £55
The portly figures of ‘Friar Tuck’ Monks seen here are perhaps rather appropriate for a set intended for the serving of condiments : salt, pepper and mustard. The three similar figures are amusingly modelled with benign expressions, the smaller ones pierced at the top for salt and pepper with plastic stoppers underneath and the larger in two parts, here complete with the original spoon. This set comes from the ‘Hummel’ range produced by the German ceramic manufacturers Goebel. Founded in 1871, the company began to enjoy enormous popularity in the 1930s when Franz Goebel, grandson of the founder, began an association with a Benedictine nun Berta Hummel who later took the name sister Maria Innocentia Hummel. Hummel had produced a range of postcard drawings of figures which Franz Goebel realised he could turn into porcelain figurines. Production started in 1935 and was immediately successful. Sister Hummel died in 1947 but the association with her covent continued and figures in her distinctive style were produced for many years thereafter. Dating is established by the format of the mark, which went through many variations. Here we see a ‘V’ with a bee within at the top and the wording W.Germany. The German word ‘hummel’ means ‘bee’ and the ‘V’ stands for ‘Verkaufsgesellschat’ or ‘Distribution Company’. This bee has sharp angular wings set parallel to the tips of the ‘V’ which was the format used between 1960 and 1972. In addition all ‘Hummel’ pieces were marked with the model number which can be seen clearly here on the base of the mustard pot, ‘S 183’. For some, the Hummel figurine might be an acquired taste but few can fail to admire the whimsy here and this set would add spice, so to speak, any dinner table conversation.
Set of five small landscape paintings attributed to Charles Boyland Turner, C20th
Price: £110
While ‘antique’ in appearance, both in respect of the frames and the style of the paintings themselves, this set of small landscape compositions most likely date to the mid to late years of the twentieth century. As the inscriptions on the backs indicate, all five display Norfolk scenes and are attributed to the artist Charles Boyland Turner. Charles Turner seems to have painted many Norfolk landscape scenes and his pictures sometimes appear at auction. The style is always similar, traditional and with a nineteenth century ‘feel’, but Charles Turner worked in acrylic rather than oil paint, a much more modern medium, and was the author of a book on the subject, ‘Painting Miniatures in Acrylics’, published in 1990 whose cover displays an image very similar to these. Accordingly, while little is known about him, his work is relatively recent which is not to say that it is without its attraction. The five scenes depicted here are extremely pleasing. Many, but not all, of his pieces are signed but these are not, perhaps because of the size, and we have to take the labelling on trust. The close similarity with signed works, though, gives little reason to doubt the attribution.
Egyptian table decoration depicting a Pharoah and Attendant, c1940
Price: £45
This is a Egyptian souvenir table decoration depicting aPharoah and attendant. The sun is radiating down to indicate his divine rule. It is made from bovine buffalo bone, a material commonly used for Egyptian decorative objects.
Pair of Silver Filigree Bonbonnieres, probably continental circa 1900
Price: £110
A pair of bowls formed from minute and delicate silver filigree work, the shallow incurving sides with a deeply scalloped rim above an openwork foot with plain sides, the decoration in the from of leaves, perhaps those of a cabbage plant, with elaborate silver thread detail. The workmanship here is obvious but the provenance of these pieces less so. Silver filigree pieces were made in both Russia and China but there is little resemblance to those here. A much closer parallel lies in Portuguese work and there is one very similar bowl known to have belonged to one Charles William de la Poer Beresford, an Admiral and Member of Parliament who died in 1919. If there is a connection here, then this pair of bowls most likely date to the early years of the twentieth century.
French Souvenir Verre Eglomise Box and Cover, Sacre Coeur de Montmatre, circa 1900
Price: £55
This box, and others like it, was probably made in France as a tourist souvenir in the late nineteenth or early twentieth century. Formed as a small casket, the base is of pressed brass with relief decoration and four small pad feet. The lid has a ‘verre eglomise’, or reverse painted glass, bevel edged panel set in a brass mount and the box is lined inside. Some of the decoration of the lid is probably transfer with other elements hand painted on the back of the glass in true ‘verre eglomise’ style. The scene depicted is the well known Basilica of Sacre Coeur situated on the top of Montmatre, one of the most frequently visited sites in Paris and therefore eminently suitable as the subject for a memento of the ‘great city’. This is the ‘Grand Tour’ style rather towards its end with cheaper materials and a more mechanical method of production but an authentic example of a period souvenir to tempt the traveller.