Beautiful long jade necklace with lapis lazuli and large carved jade pendant
Price: £950
This is a stunning constructed necklace with a large carved jade pendant with alternating stations of jade and lapis lazuli beads. The jade beads and carving are 1920s/30s, the lapis is 1960s.
Chinese Embroidered Silk Table Screen 1960s
Price: £30
This is a very delicate table screen made of four panels all with a section of embroidered silk that creates a natural setting with birds and branches, in fitted box
Long Art Deco necklace with spinach jade 1930s
Price: £100
This is a lovely necklace with a large carved piece of spinach jade with beads of jade, carnelian, amber and silver, ending in a Buddha figure. This necklace has been restrung using vintage elements.
Chinese carved hardwood frame, 1920s
Price: £55
This is a striking Chinese wood frame densely and deeply carved with a mixture of symbols, stylised flowers and dragons. The ground is finely incised with closely packed micro dots and on it we see two roundels resembling ‘shou’ medallions, various abstract geometric patterned shapes, scrolling flowers, mainly lotus, and two dragons at the top left and bottom right corners. The style of carving suggests early C20th work and the wood is possibly boxwood as indicated by the traces of yellow which can be seen (images 3,4,5) and are a hallmark of the type. Perhaps originally intended to hold a mirror (the composition is really too distracting for presenting a porcelain or fabric panel) this piece can be used today as its new owner wishes and will considerably enhance whatever it displays.
Translucent celadon jade recumbent horse
Price: £25
This is a lovely piece of celadon jade that is translucent carved as a recumbent horse. There are some inclusions as shown in photographs
Chinese mother of pearl inlay soapstone herb casket
Price: £30
This is a very usual box made of soapstone with very fine mother of pearl inlay depicting a deity on the cover with dragons and fruit on the sides, with mark
Pair of Chinese Hand Painted Eggs in Case, 1970s
Price: £25
This is an excellent example of a type of souvenir model made in China, probably in the 1970s. The pair of eggs are delicately painted with ladies in a garden scene to the front which continues to the reverse. They are displayed on small stands set on a crushed fabric base and set within a purpose built case made from wood and glass. Underneath is a label reading ‘Made in China’ with four Chinese characters ‘Zhong Guo Zhi Zao’ which translate as the same. This type of mark seems to have been used on porcelains from the 1970s allowing an approximate dating here.
Japanese Seto Ware Blue and White Vase, late C19th
Price: £450
Famous for over a thousand years, the ceramics produced at Seto in the Aichi prefecture, Japan, became synonymous in the late nineteenth century for high quality blue and white porcelains finely painted and produced in a wide variety of forms, some of near demonstration quality. The vase presented here is an outstanding example of their work, immaculate in both its craftsmanship and condition.
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A fine quality Japanese porcelain vase, the ovoid body with a curved flaring foot and rising to a tall concave neck with a well defined shoulder, applied elephant and ring handles to the sides and a galleried rim, decorated in bright underglaze blue with two bands of stylised flowering chrysanthemum at the top and bottom between a continuous scene of flowering peony and chrysanthemum, the top rim with repeating whorl design on the exterior and stylised leaf design inside, the stepped base glazed white.
The kilns at Seto in the Aichi prefecture of Japan and situated close to Nagoya form one of the traditional ‘Nihon Rokkoyo’, the six old kilns of medieval Japan. The location of Seto was ideal for the production of ceramics with an abundance nearby of both porcelain clay and forests to provide firewood for the kilns. Production began as early as the Heian period (794-1185) and continued without a break thereafter, the earlier pieces being more pottery forms copying Chinese wares. It was in the early nineteenth century that the kilns turned to producing porcelains decorated in underglaze blue and white, a development initiated by the potter Tamikichi Kato who went to Arita to learn the techniques of its production there, returning to Seto in 1807. Production grew and developed and was directed towards the export market in the Meiji period (1868-1912) with Seto wares being displayed at the European and North American exhibitions and fairs. Their delicately painted designs of birds and flowers proved to be immensely popular and were, in their time, to influence Art Nouveau and Art Deco designs. Some of the forms produced were truly virtuoso creations including, besides vases, screens, jardinieres and even ceramic tables.
Signed pieces are known and besides Tamikichi Kato the distinguished potters included the Kichiemon brothers, Kato Chuji and Kawamoto Jihyoe, and Kawamoto Hansuke. But not all the best pieces carried an artist’s signature as this vase well demonstrates. Formed from fine quality clay, as can be seen from the foot rim (image 10), the complex shape with its spreading base, angled shoulder and galleried rim would have been difficult to create. The handles show remarkable skill with the rings somehow formed so as to hang loose (presumably some form of kiln waster technique was used). The detail and artistry of the painting speaks for itself. Note in particular the shading effects on the peony flowers. While not perhaps an exhibition piece, this vase is definitely of exhibition quality and would be a worthy addition to a collection of nineteenth century Japanese ceramic art.
Necklace with soapstone pendant and amber beads
Price: £65
This is a wonderful necklace comprising amber beads with a brown soapstone pendant. Finished with amber, bone and silver beads and a tassel. This is a constructed necklace from the 1990s although the elements are from various periods.
Large Chinese eglomise scent bottle 1950s
Price: £75
This is a very unusual large scent bottle with loose glass rings and a foo dog stopper. There are two eglomise scenes on either side depicting children playing
Pair of Japanese red lacquered low stands, Taisho period
Price: £150
Pair of Japanese red lacquered low stands, Taisho period (1912-1926). The stands have a square insert on the stand with bowed supports and plain stretcher base. The upper rims are inset with abalone shell, the inset vase stands are round. With original fitted softwood carrying box with character marks on lid
Pair of Japanese Prints, C20th
Price: £25
Pair of Japanese Prints depicting geisha ladies in an interior and a garden setting with elaborate panel inscriptions.
PLEASE NOTE THAT THERE IS FREE UK SHIPPING ON THIS ITEM. For international buyers the shipping cost will be reduced by the UK shipping cost, so don't worry if you are outside the UK, you still receive this benefit!
Pair of Japanese Imari Plates, Meiji Period circa 1880
Price: £150
Pair of fine quality Japanese Imari Plates, Meiji Period (1868-1912) circa 1880, decorated in underglaze blue, iron red and gold with a typical fabric derived 'brocade' style design, the central three leaf clover shape roundel surrounded by three shaped panels with fans all on a ground of stylised scrolling foliage, the reverses plain with two concentric circles in underglaze blue next to the foot rim. The form of these plates is unusual, copying the standard design of a Chinese eighteenth century dinner plate.
Set of two vintage Chinese painted eggs in glass display boxes
Price: £25
This is a beautiful set of very detailed painted eggs mounted in glass display boxes. The eggs are decorated with butterflies and flowers and both are set in red tufted silk. Not sure what kind of bird the eggs are from. The seem small for Chicken eggs.
LOT 14
Set of Three Celluloid Figures of Monks, Japanese, first half C20th
Estimate: £20 – 30
12d 1h 32m
£0.00
Chinese Calligraphy Scroll, Qing Dynasty (1636-1912)
Price: £25
This is a short scroll painting entirely composed of calligraphy. Nine lines of vertical text in flowing black ink script are flanked by two red seal marks and a black ink signature to the left and an iron red seal mark to the top right. The text is written on very thin mustard coloured silk (the colour may have darkened with time) which is mounted on a silk fabric ground with a brocade design. Below is mounted a similarly sized light aubergine panel, plain. The silk is backed by very thin light brown paper and fitted to a black lacquered wood scroll handle. From appearance this scroll, which is in rather poor condition, seems to date from at least the end of the nineteenth century but is perhaps earlier. It requires the assistance of an expert in Chinese calligraphy for further identification but may possibly reveal some hidden secrets of some interest.
Lot of 3 vintage Chinese miniature cork groups
Price: £25
These are very delicate cork groups that also have colour added. They depict cranes and well as birds in an cherry blossom tree.
Japanese Fukagawa Imari Vase of Sake Bottle Form circa 1880
Price: £180
A fine quality Japanese Imari Vase of Sake bottle form with a bulbous body narrowing towards a broad neck with a faintly everted rim, decorated in iron red, underglaze blue and gold with the addition of green enamel. The main body with two shaped panels of flowering chrysanthemum within underglaze blue borders on a ground of stylised flowering chrysanthemum, the shoulder with panels of lotus and stylised flower heads on an underglaze blue band, the neck with further stylised foliage below plantain leaves in iron red and underglaze blue, the rim gilt. The base with a four character mark reading Koransha Fukagawa Sei ('made by the Koransha Fukagawa [factory]'. The Fukagawa kilns produced the best quality Imari items made in Japan in the late nineteenth century for export to the West. Dating here is within the Meiji period (1868 - 1912) probably around 1880. The form is unusual and reflects Sake bottle shapes produced in a variety of mediums.
A Chinese Carved Wood Figure of Budai, signed, C 19th
Price: £75
A Chinese carved wood figure of Budai shown lying on a lotus leaf. He is depicted in a typically corpulent pose as a stout, smiling man in robes with a largely bare belly, which represents happiness, good luck, and plenty. In his left hand he holds a stylised object which is probably intended to represent the 'sack of plenty' which he is seen with so often and in his right hand is a round ball either representing a pearl (symbolising health and beauty) or a gold nugget (symbolising financial happiness). There is detailed carving to his robes and the lotus leaf is lightly incised with foliage underneath. In addition there is a small signature plaque with indistinct characters. The size and form suggests that this is a 'handling' figure intended for devotional purposes and the style of decoration indicates a circa date in the late nineteenth century.
Chinese Red Lacquer Box and Cover circa 1880
Price: £75
A Chinese Lacquer Box and Cover, the base and lid decorated with a design of massed peony and chrysanthemum heads in red lacquer and the lid inset with an irregularly shaped plaque depicting a garden scene with peony, butterflies and rocks within a diaper design border all in polychrome lacquers. The interior with a contemporary paper lining. Style and technique suggest a circa date to the end of the nineteenth century.
Chinese Rice Grain Plate decorated in underglaze blue, iron red and gold, circa 1900
Price: £45
Chinese Plate of typical form with a straight flaring edge, decorated in underglaze blue with a central panel of chrysanthemum within a border of bats and a repeating geometric design, the edge with a band of diaper design and between a border of stylised scrolling floral blooms in iron red and gold with turquoise enamel highlighting. The reverse with concentric circles in underglaze blue and a 'shop mark' to the centre, the rim of the plate also with 'rice grain' decoration where the porcelain is pierced and the glaze allowed to cover the openings made. Paste and style of decoration suggest a circa date towards the end of the Qing Dynasty (1644 - 1912) probably circa 1900.
Chinese Famille Rose Bowl decorated with ladies, Qianlong mark, Republican period
Price: £45
Chinese Famille Rose Bowl of typical deep form with a short foot decorated to the exterior with two panels of ladies seated in a stylised garden scene, the lobed borders in iron red, on a ground of densely packed floral blooms in the 'mille feur' pattern, the interior similarly decorated with peony and lotus, the exterior decoration continuing over the foot rim which is unusual. The base with an apocryphal Qianlong period mark (1736 - 1795) in iron red. The style of decoration and paste of the foot rim suggests a dating in the Republican period (1912 - 1949), perhaps around 1930 and this piece, which very loosely follows Imperial designs from the eighteenth century, was probably intended for the local market, in common with the 'Straits Chinese Porcelain' pieces also produced for the local market in the late nineteenth and early twentieth centuries.
PLEASE NOTE THAT THERE IS FREE UK SHIPPING ON THIS ITEM. For international buyers the shipping cost will be reduced by the UK shipping cost, so don't worry if you are outside the UK, you still receive this benefit!
Chinese Republican Style small Famille Rose Ginger Jar and Cover, late c20th
Price: £20
A small ginger jar and cover of typical near globular form with a matching domed cover decorated in ‘Famille Rose’ enamels with two ladies in a garden scene, the base with a band of repeating stylised lotus leaves and the shoulder with a border of stylised scrolling foliage (peony and lotus) on a pink enamel ground, the cover with two butterflies and a band of fleur de lis and the reverse with a calligraphy inscription in black with seal marks in iron red. The base has a stamped iron red mark with the Chinese characters ‘Zhong Guo Jingdezhen’ which translate ‘Made in China’ which is also written in Western characters underneath. Below this is the number ‘07’ between two horizontal lines which may indicate the factory or cooperative where the piece was made. This form of mark indicates a dating to the 1980s which is consistent with both the paste of the foot and the style of the decoration. Not perhaps Chinese craftsmanship at its best but not without a certain charm.
Framed Chinese Painting of a Court Official, C20th
Price: £25
A Chinese painting on silk depicting a court official or ‘mandarin’ standing on a wooden decked veranda, dressed in his official robes with a phoenix emblem on his chest, an elaborate bead necklace round his neck and his sceptre of office by his left wrist (the hand is mysteriously lacking). A pavilion can be seen to the rear and beyond the terrace wall are reeds and flowering prunus in a stylised garden setting. The artist has caught the self important majesty of the figure who is perhaps described in the calligraphy inscription to the top right with an artist’s seal stamped in red. Perhaps a portrait but more likely a generic design, this composition probably dates to the early C20th. The frame and mount are, of course, much later but complement the image well and provide an attractive ‘ready to go’ example of Chinese decorative painting.
LOT 12
Set of Four Chinese Plates, Beauties of the Red Mansion, Jingdezhen, 1980s
Estimate: £60 – 80
12d 1h 28m
£0.00
Lot of 3 Chinese bangles
Price: £35
This is nice lot of three bangles, one cloisonné and two cinnabar. The larger cinnabar bangle is beautifully detailed on black ground, the thinner cinnabar is more typical and has more age, the cloisonné is lovely work on a blue ground.
Incredible long jade necklace with large carnelian pendant
Price: £135
This is a constructed necklace comprising numerous large celadon colour beads interspersed with different coloured jade beads. There is a ox carving at one of the stations and it ends in a large carnelian disc pendant and silk tassel. This necklace is a very long opera length.
Chinese Cloisonne Small Tray decorated with Flowers and Rocks, 19th Century
Price: £150
A Chinese Cloisonne small Tray decorated with a stylised garden scene of flowering peony and rocks with a seated bird on a deep red ground, the border with stylised prunus heads which are repeated on the exterior, the base finished in blue enamel, gilt rims to the base, sides and top. The form is unusual for Chinese Cloisonne pieces and may have been intended as part of a scholars desk set, perhaps as a brush or pen holder. The weight and quality of decoration suggest a circa date in the first half of the nineteenth century.
Outstanding strand of Chinese coral beads
Price: £150
This is an amazing necklace comprising large carved Art Deco coral beads strung with more modern 20th century round beads and fitted with a Chinese silver clasp. The large beads are carved with typical Chinese symbols and decoration. These beads are natural coral and there are blemishes that indicate this, the variations only adding to their unique beauty.
Chinese Silver Bangle with Dragon Heads, C20th
Price: £45
A Chinese silver bangle of simple loop form terminating in two Dragon’s heads. One head with a small circular pad marked 925, Twentieth Century.
Chinese carving of a Beggar, possibly Shoushan stone, Soapstone stand, C20th
Price: £55
This is a stone carving of a figure resembling a beggar, the elderly man semi clad and holding something (an offering box?) in his left hand while with his right he strokes his head. The carver has incorporated features of the original rock into his work and the black veining is used to accentuate and embellish the profile of the figure, contrasting with the main body of white stone. This effect resembles closely pieces carved in ‘shoushan’ stone which comes from the village of Shoushan in Fujian province, East China and that is most likely the material which was employed here. The separate base is formed from the more commonly found soapstone, with its brown tinges, and contrasts well. The style of carving suggests early twentieth century work and this was probably a piece destined for the export market.
Japanese Studio Pottery Vase, signed, C20th
Price: £75
This is a most unusual Japanese vase of elongated proportions, the slender cylindrical body rising to a narrow concave neck with a flaring rim edged in brown. The fine quality white glaze is decorated in underglaze colours of blue, copper red and green in a continuous design of flowering lotus against two horizontal double edged bands. Pronounced potting rings can be seen inside the top interior but the white glazed base is quite smooth and has a seven character mark in underglaze blue, presumably indicating the studio which produced it. Late twentieth century dating seems most likely. There are no ready parallels for this piece, although perhaps with imagination one might possibly see a form of sake bottle here, and for the time being it must be appreciated for itself as strikingly modernist example of Japanese ceramic art.
Art Deco Chinese Export silver Buckle later converted to a Necklace
Price: £125
This is a beautiful necklace comprising a very detailed silver buckle that depicts a sinuous dragon encricling the characters for "Blessing", It has been converted to a necklace using a period belcher chain. Full import marks to the reverse and marked Silver.
Chinese cloisonne bangle with raised enamel decoration circa 1900
Price: £35
Chinese cloisonne bangle, the exterior with raised enamel decoration of stylised scrolling foliage set on a speckled gilt ground between two bands of stylised floral sprays and clouds on a brick red ground, the interior finished in blue enamel; gilt rims to the top and bottom. The style of decoration suggests a circa date in the early twentieth century.
LOT 3
Chinese Sancai Glaze Model of a Horse in the Tang Dynasty Style, 20th Century
Estimate: £30 – 40
12d 1h 10m
£0.00
The Braves and the Fair Men of Letters and Women of Fame of Old China circa 1900
Price: £75
This is an accordion page book, perhaps intended as an imitation of a scroll painting, containing texts and illustrations of ten characters of fame and repute from Chinese history. The title page reads "The Braves and the Fair Men of Letters and Women of Fame of Old China" but there is no author stated and the book is undated, although similar examples are usually ascribed to the late Victorian period which would seem to be consistent with the style of printing and the type of paper found here.
Each of the ten characters are described in a double page spread, the right hand containing texts in both Chinese and English and the left hand with hand coloured illustrations on silk , delicately rendered. The book 'works' from right to left and the reverses of the pages are left blank. At each end are fabric covered boards, the front board with a pasted paper inscription in Chinese with a small red seal mark. Other examples are finished with boards in wood, but these are, perhaps, not original or a more deluxe version of the volume.
The illustrations are in excellent condition with the colours still bright. The yellow finish to the paper is original and perhaps intended to give an 'antique' effect. Each of the end boards are very slightly scuffed at the borders. The pages, including the title page and the two end papers, suffer from varying degrees of 'worm hole' perforation. There are also various tears. A selection of illustrations can be seen above and further images (and a more detailed condition report) are, of course, available on request. But these condition issues should not necessarily detract from the charm of the item which is an Englishman's attempt to capture some of the folk lore of China, a land which attracted such popular interest during the Victorian period.
Graduated set of Three Chinese Blue and White Ginger Jars and Covers, 20th Century
Price: £45
A set of three Chinese Blue and White Miniature Ginger Jars and Covers of graduated sizes and typical form with globular bodies and domed covers, decorated in the 'Ming Style' in underglaze blue with lotus heads and stylised scrolling foliage, a band of lotus form panels to the base and ju'i form lappets to the neck, the design repeated on the cover.
Although of relatively recent manufacture, the quality of these pieces continues the Chinese ceramic productions of the late nineteenth century and together they form an attractive decorative ensemble for the contemporary interior.
Three Chinese Canton Enamel Dishes, Nineteenth Century
Price: £45
Three Chinese Canton Enamel Dishes, all with very similar designs with a central lotus flower in famille rose enamels on a coloured enamel ground (green, turquoise and pink respectively) with lotus flowers and stylised scrolling foliage, the edges with repeating ju'i form lappets, the rims bound in copper and a copper foot to the base, the undersides in off white enamel. The style of decoration suggests a nineteenth rather than eighteenth century date of manufacture (compare the dish in the following lot 7) but the quality is good and while not a set as such the three pieces complement one another well.
Chinese Cloisonne Shallow Bowl, C19th
Price: £45
A Chinese cloisonne shallow bowl of typical form with a compressed globular body, a wide opening with a gilt metal rim, a short gilt metal foot, the interior and the base enamelled in blue and the exterior decorated in cloisonne enamels with multicoloured floral blooms on a green ground with repeating a repeating fish scale border at the base and a band of ‘ju’i’ lappets at the top. The cloisonné technique, where glass derived enamels are inlaid between gilt metal outline designs, the so called 'cloisons' or 'partitions', was developed in China from as early as the fourteenth century and employed continuously thereafter, even until the present day. The weight of this piece and the quality of the decoration suggests a dating to the nineteenth century, perhaps towards the middle. Certainly, it is a much above average example of a form which was to be produced in substantial quantities in the early years of the twentieth century for export to the West. Its smaller size enhances its attraction making it an attractive collector’s item.
Fine quality Japanese Cloisonne bottle form Vase with black ground, late C19th
Price: £45
A cloisonne vase of bottle form, the bulbous ovoid body rising to a tall narrow cylindrical neck, the flat base in copper metal, the black ground decorated on the body with flowers including peony and butterflies, with a stylised wave border below and a band of peony blooms on the shoulder on a brown speckle ground, and on the neck with stylised hanging floral blooms. While not necessarily at the level of some of the signed pieces produced by the Japanese craftsmen in the late nineteenth century, this vase is an excellent example of the best work produced for export. The decoration is detailed and complex and employs some of the ‘special effects’ used, including shading to the enamels and a speckle ground, created with the addition of gold filings to the enamel, both seen in the decoration to the shoulder (see image 5). No doubt intended as a cabinet piece and not necessarily one of a pair, this vase is an excellent tribute to one of the classic ‘arts of Japan’ produced towards the end of the nineteenth century.
Chinese Pale Celadon Jade Bangle, probably Nineteenth Century
Price: £45
A Chinese Pale Celadon Jade or Jadeite Bangle, of typical stout circular form, the mottled stone of a pleasing pale celadon colour with typical dark grey and black inclusions.
Jade is usually divided into two types, nephrite jade and jadeite jade. The latter is heavier and slightly harder, making it more difficult to scratch. The weight of this piece suggests that we do have jadeite here. The stone was selected for carving on the basis of its attractive appearance and the finish, which bears no trace of machine tooled manufacture, suggests a pre twentieth century dating, but certainty in these matters is notoriously difficult
The size of this piece is unusually large, suggesting that it would have been intended for a male wearer. This too suggests an earlier rather than later time of manufacture. The stone is exceptionally pleasant to the hand and would have been an elegant accompaniment to any wardrobe.
Chinese Bronze Mounted Emerald Green Jade pendant, Qing dynasty
Price: £180
A Chinese bronze mounted Emerald Green Jade pendant, the jade plaque in the form of a stylised vase with a crimped top and a scalloped base, bevelled at the edge and of an intense emerald green colour with typical mottling to the stone, the heavy bronze mount with a flat back and following the shape of the stone, with two modelled ju'i lappet like form panels at the top with stylised scrolling foliage, the centre pierced for hanging.
It has been suggested that the form of the stone indicates it was intended as a handling token, some sort of a 'pass key', but this may well be apocryphal, although it does indeed sit comfortably when gripped. But the decorative qualities of this piece are clear and the maker clearly saw that this was a stone to be exploited and displayed. A contemporary wearer now would certainly attract attention! The weight and quality of the bronze suggest a reasonably early dating, perhaps to the late eighteenth century.
Chinese Soapstone Brushwasher decorated with flowering Lotus, early 20th Century
Price: £45
A Chinese soapstone Brushwasher, carved in high relief with two vase like vessels and a shallow bowl all surrounded by flowering lotus and set on a ground of stylised rockwork, the back flat carved and the base hollowed out at the interior. Various similar pieces can be found with one or more vases surrounded by flowers or sometimes animals and presumably intended as brushwashers. Soapstone was first used by the Chinese over three thousand years ago but began its popularity in the Ming dynasty (1368 -1644) with the height of production during the ensuing Qing dynasty (1644 – 1911) when a stone mined in the Shoushan village in northern Fujian was most commonly used. Shoushan soapstone is noted for its smooth texture, bright colours and fine grain and a wide variety of objects were carved from it. Production continued into the 20th Century which is what we have here but the quality of the work, with sparing use of the drill, suggests a dating in the early 1900s.
Chinese Reverse Painted Glass Globe depicting deities and attendants, Modern
Price: £45
A Chinese Glass globe with thick walls, hollow inside and with a round opening at the base, reverse painted in great detail with deities and attendants amidst clouds, an eight character inscription to the side with a small red seal mark. Reverse painting is a technique often used by the Chinese for the decoration of snuff bottles where the brush is inserted through the opening at the top and the decoration applied. Here the decorative technique has been used on a rather larger object but with no diminution in the skill of the craftsman indeed the much larger 'canvas' must have proved quite demanding. By repute the decorators require at least one day to create a single example. Heavy, but a little lighter than the previous lot (41), and of extremely high quality glass, these pieces, of which various examples are known (there is another one as the previous lot to this) may have been intended as paperweights or more likely simply as decorative objects. Some are found with modern wood stands. This piece is sold with a contemporary illuminated stand which, when lit, serves to enhance the decorative effect (see image 6).
Chinese Reverse Painted Glass Globe depicting tigers, Modern
Price: £45
A Chinese Glass globe with thick walls, hollow inside and with a round opening at the base, reverse painted in great detail with three tigers in a landscape setting with bamboo, the base with an inscription 'Dick and Sadie'. Reverse painting is a technique often used by the Chinese for the decoration of snuff bottles where the brush is inserted through the opening at the top and the decoration applied. Here the decorative technique has been used on a rather larger object but with no diminution in the skill of the craftsman indeed the much larger 'canvas' must have proved quite demanding. By repute the decorators require at least one day to create a single example. Heavy and of extremely high quality glass, these pieces, of which various examples are known (there is another one as the following lot to this) may have been intended as paperweights or more likely simply as decorative objects. Some are found with modern wood stands. This piece is sold with a contemporary illuminated stand which, when lit, serves to enhance the decorative effect (see image 8).
Set of Three Japanese Lacquer Nesting Trays, mid to late C20th
Price: £45
This is a fine quality set of three Japanese lacquer trays designed in a ‘nesting’ format so that the two smaller fit into the largest. Each is finished in red lacquer with an elaborate and detailed gilt and enamel design of two peacocks in a garden scene with peony and bamboo, the rims gilt and the openwork handles with beige plastic loops, the sides and reverse in black lacquer. The art of lacquer ware (漆器, shikki) has been practised in Japan since the earliest times and pieces from the Meiji period (1868-1912) are particularly collectible today. These trays are much later, the use of plastic suggesting the 1950s or 1960s but the quality is still there and their excellent condition allows the skill of the workmanship to be fully appreciated. Highly decorative in themselves they are functional as well!
Pair of fine quality Japanese Bronze Vases decorated birds, circa 1880
Price: £220
A pair of Japanese bronze vases of angular baluster form with stepped bases, a concave neck and a stepped flaring rim, the necks with applied cast handles in the form of cranes and the front and reverse with raised cast decoration of birds amidst plants and flowers. Vases in bronze, usually with applied cast decoration and elaborate handles, were a staple production of Japanese metalware manufacturers in the late nineteenth and early twentieth century, essentially for export to the West. Some of the pieces attained nearly art studio status but many were fairly routine and some rather hastily produced with poor materials. These vases are well above average with good quality bronze in an attractive patina cast in an imaginative and pleasing shape. The applied decoration is well defined with good detailing and the ornate handles effectively offset the clean lines of the shape. Attractive ornaments in their time this pair of vases would be an elegant enhancement for a contemporary interior.
Japanese Imari Bottle Vase, circa 1900
Price: £30
A Japanese ceramic vase of slender bottle form with a near globular body rising to a narrow cylindrical neck, decorated in the ‘Imari’ palette of underglaze blue, iron red and gold with two red enamel ground stylised floral panels on a ground of scrolling peony, the neck with scrolling prunus above a band of repeating chrysanthemum heads and the base with a band of repeating stylised leaves. The paste of the foot and the style of the decoration suggest a dating to the end of the Meiji period (1868-1912) probably around 1900.
Japanese Fukagawa Imari Bowl, signed, circa 1880
Price: £380
A Japanese Imari Bowl of shallow lobed form, richly decorated in the Imari palette of underglaze blue, iron red and gold, the interior with a central circular panel with a vase containing peony and chrysanthemum within a blue ground border with gilt diaper work and small stylised floral panels and the sides with alternating shaped edge circular and oval panels filled with flowers and ho ho birds on a stylised floral red enamel and gilt ground, the exterior with circular floral panels in two sizes on a ground of stylised foliage, the base with a four character mark reading 'koransha' 'fuka' 'gawa' 'sei' ('Made by the koransha Fukagawa [factory]'.
The Fukagawa kilns produced the best quality Imari items made in Japan in the late nineteenth century for export to the West. Their history starts with Ezaiemon Fukagawa who in 1856 became head of his family's porcelain business and in 1875 founded Koransha (The Company of the Scented Orchid) in Arita, Japan, to produce tableware for export. In 1894 the modern Fukagawa company was founded by Chuji Fukagawa, with the Fukagawa trade mark of Mount Fuji and a stream, as its trade mark. Dating here is within the Meiji period (1868 - 1912) probably around 1880. This conforms with the script mark used as opposed to the later symbol design.
Chinese Verre Églomisé Snuff Bottle with landscape scenes, fitted box, C20th
Price: £35
A Chinese glass snuff bottle of typical flattened oval rounded form with a replacement domed stopper, the interior decorated with intricate landscape scenes depicting a riverbank and a lakeside market and employing the ‘reverse glass’ or ‘verre églomisé’ technique. Dating of these pieces seems to be in the second half of the twentieth century but the skill of the maker is self evident and has produced a true landscape in miniature.
Chinese Soapstone Brushwasher with flowering lotus, early C20th
Price: £95
A Chinese soapstone brush washer unusually modelled as a rounded triangular shallow basin in the form of a lotus leaf, footed and with a sprig of flowering lotus growing upwards from it with a vase behind in the form of lotus leaves. The skill of the carver is self evident and the design has been very carefully conceived, artistically employing the varied detail of the natural stone from which the piece was made. Soapstone was first used by the Chinese over three thousand years ago but began its popularity in the Ming dynasty (1368 -1644) with the height of production during the ensuing Qing dynasty (1644 – 1911) when a stone mined in the Shoushan village in northern Fujian was most commonly used. Shoushan soapstone is noted for its smooth texture, bright colours and fine grain and a wide variety of objects were carved from it. This piece is an excellent example of the genre and has survived in pristine condition to become a scholar’s object from the past which can be enjoyed and appreciated today. Production of soapstone carvings continued into the twentieth century and this is probably what we have here but almost certainly from the early years of the period.
Japanese Ceramic Figural Group of two Geisha, late C19th
Price: £25
A Japanese ceramic figural group of two Geisha, one standing with her right arm upraised and the other seated with a fan in her left hand, both dressed in the traditional Japanese kimono wrapped round at the front and tied with a tassel at the back, and positioned on a blue ground rocky outcrop which is pierced at the top and bottom, possibly as a result of the manufacturing process. Various ceramic figures of geisha, sometimes pairs and sometimes individual figures, were produced in Japan in the late nineteenth century, doubtless for export. All share fairly bold modelling and a bright palette of colours but a group such as this seems a bit more unusual. It is an effective composition and a modest reflection of the taste for ‘Japonisme’ in the West at that time.
Japanese Gouache Painting of Flowering Lotus, signed and framed, C20th
Price: £45
A Japanese Gouache painting in tones of green and blue of flowering lotus and reeds with a butterfly hovering above, inscribed to the left with a two character signature in black and a seal mark in red. While the artist of this piece cannot be identified his skill is self evident in both the overall composition and its execution. The fine white and yellow detail on the lotus leaves is striking and the depiction of the butterfly vivid with life. Executed on a circular panel, perhaps originally from a screen, the painting has been sympathetically framed in an octagonal format, with a dark blue mount into which it is inset. The combination presents an object of obvious decorative appeal both to a specialist and to a general collector.
Chinese Straw Thread Picture on Silk, framed in original box, late C20th
Price: £45
This is an attractive picture of Chinese Junks moored by a river bank with birds settled on one and seen flying away in the distance. The technique is unusual. On a silk ground, the detail of the image is rendered in fine straw threads with some of the features coloured in underneath. Great skill would have been required to work in this medium and far fewer examples exist than of the more standard silk thread images. The composition is pleasing but the clean, almost ‘modern’ lines of the picture suggest mid to late C20th work. The picture is fitted into a contemporary Chinese fabric covered box suggesting that it was it is framed in China at the same time as its production.
Chinese Small Blue and White Potiche and Cover with wood stand, late C20th
Price: £45
A small Chinese porcelain potiche and cover, the straight sides curving out slightly to the top and the overhanging lid slightly domed with a wide knob finial, decorated in underglaze blue and white with a continuous scene of birds and flowers and rocks, the flowers repeated on the lid as floral sprays. The design here is unusual for Chinese ceramics and rather ‘modern’ in appearance which fits with a probable dating to the late twentieth century. While the porcelain is of good quality the paste of the foot suggests fairly recent manufacture (see image 9) and the painting appears to depend partly on stencilled outlines (see especially the bird in the first image). But the wood stand suggests at least some age and the ensemble can be enjoyed its own right as a modest decorative item with the potential for practical use.
An unusual Pair of Chinese carved Soapstone Vases, circa 1900
Price: £110
A pair of Chinese soapstone vases with mottled colourings in a wide variety of brown and beige, the triangular form deeply carved on the two front faces with flowering peony and birds nestling in the branches, the reverses flat, each with a rock and a leaf, the base also flat and the interior hollowed out. Soapstone was first used by the Chinese over three thousand years ago but began its popularity in the Ming dynasty (1368 -1644) with the height of production during the ensuing Qing dynasty (1644 – 1911). The triangular form of this pair of vases is most unusual and the depth of carving displays near virtuoso expertise. There is little or no trace of the drill here, unlike some of the later twentieth century pieces, and all the pointers are to a dating no later than around 1900. The carver was fortunate to find two matching pieces of stone which allowed him to produce such a well balanced pair in shape, colour and decoration. The nature of the material means that soapstone pieces are found less often as matching pairs and this triangular shape, perhaps suggested by the original stone pieces themselves, is rarer still.
LOT 13
Set of Japanese Plates decorated with Geisha in landscape scenes, late C20th
Estimate: £20 – 30
12d 1h 30m
£0.00
Pair of Chinese Paintings on Silk, framed, C20th
Price: £45
A pair of Chinese paintings on silk, each rectangular panel with indented corners and finished with yellow ground patterned edging, the first depicting a lady in a garden with rocks and bamboo, the second with a mountainous landscape scene, a river bank and a man in a boat to the foreground with craggy tree lined rocky outcrops in the distance the further one surrounded by mist. Both pictures are signed in script with a red seal mark below, most likely denoting the artist or the artist copied by the painter. The style of the brushwork implies twentieth century work and the dating is probably to the 1960s. The paintings were later framed in Europe and provide a complementary pair of decorative items which accurately reflect the tradition of classical Chinese painting.
Japanese Blue and White Porcelain Bowl decorated with hydrangea, early C20th
Price: £25
A Japanese Bowl of shallow flattened conical form, decorated in underglaze blue and white with a central panel of flowering hydrangea to the interior surrounded by six hydrangea blooms, the exterior with bands of variegated blue wash above a band of white, the base also with a white glaze.
Hydrangeas flourish in Japan and also carry a hidden meaning of apology and gratitude based on a mythical story of an Emperor, who angered a woman he loved by neglecting her, and gave her in recompense a bunch of blue hydrangeas as a symbol of his deep emotion and gratitude. Used here as a decorative motif, the painting of the flowers is skilful and elegantly combined with the plainer exterior. The paste of the foot rim suggests an early C20th dating, perhaps to the late Taisho era (1912-1926).
Vintage Japanese Doll of a Hat Seller, C20th
Price: £25
A vintage Japanese Doll of a lady, standing with her head turned to the right and wearing an elaborate floral robe tied with a sash at the back. Her hair is covered by a simple circular cap form hat which acts almost as a sample of the wares she is holding in each hand, three sets of similar hats linked with cord. Like the young ladies in the previous lot, this is another excellent example of the rather charming dolls made in Japan after the 1950s and probably dates to the same period in the late C20th.
Two Vintage Japanese Geisha Dolls, C20th
Price: £25
Two Vintage Japanese Geisha Dolls, the first dressed in an elaborate floral kimono and holding a headdress with flowing hair, the second slightly smaller and dressed in a simpler robe decorated with a stylised river scene and calligraphy; she holds a musical instrument and the base is signed. These are excellent examples of the rather charming dolls made in Japan after the 1950s and probably date to the 1980s. Probably bought by tourists, they are now often found in the West and have an obvious appeal.
Chinese Straw Thread Picture on Silk, framed in original box, late C20th
Price: £45
This is an attractive picture of Chinese Junks moored by a river bank with birds settled on one and seen flying away in the distance. The technique is unusual. On a silk ground, the detail of the image is rendered in fine straw threads with some of the features coloured in underneath. Great skill would have been required to work in this medium and far fewer examples exist than of the more standard silk thread images. The composition is pleasing but the clean, almost ‘modern’ lines of the picture suggest mid to late C20th work. The picture is fitted into a contemporary Chinese fabric covered box suggesting that it was it is framed in China at the same time as its production.
Japanese Celadon glaze vase with enamel decoration, late C19th
Price: £25
A Japanese vase of ovoid form with a short slightly concave neck, the celadon glaze with raised enamel decoration in green, white and pink of flowering peony, the base glazed in white. Many pieces of enameled celadon ware were produced by the Japanese potters for export to the West in a variety of forms including vases, jardinieres and garden seats, the latter implying, perhaps, a destination of the conservatory. Their appeal is obvious and the work is of high quality. This vase, one, no doubt, of an original pair is a typical example with its rich celadon glaze enhanced by the floral decoration. Dating is most likely towards the end of the Meiji period (1868-1912) around 1900. The provenance of these pieces is uncertain, although sometimes Seto ware, better known for its productions in blue and white, is suggested.
Pair of Chinese Ceramic Shoes, seal mark and with fitted box, C20th
Price: £55
An amusing pair of Chinese ceramic models of shoes or clogs, modelled in the form of a kylin head with a pronounced snout, the sides of the shoe with impressed repeating geometric patterns below a band of stylised scrolling foliage, the brightly coloured glazes all with craquelure patterning, the interior glazed turquoise with an impressed seal mark and the underneath glazed in cream, also with a small circular impressed mark. The pair are presented in a fitted box, fabric covered and silk lined, which is presumably contemporary. Neither of the marks can be deciphered and dating is uncertain, probably to the late C20th, but this does not need to detract the rather humorous design which does have at least one parallel from the C18th (see image XX)and may have been intended as a brushwasher for a scholar with something of a sense of humour.
Two Chinese Fans, painting on silk, 1960s
Price: £15
Two fans of circular form with bamboo effect handles, the silk panels edged with stitching and delicately painted, one with a landscape scene, signed, and the other with a bird seated on a branch of flowering lotus. These fans seem to have been made in China for export in the mid twentieth century as part of the many handicrafts items which were sent to Europe for sale. Each of the scenes depicted here has an attraction of its own and both are a modest reflection of contemporary Chinese painting. It is sometimes suggested that these might be 'wedding fans' but that may be apocryphal.
Chinese Blue and White Snuff Bottle circa 1900
Price: £45
A Chinese Blue and White snuff bottle of flattened rectangular form with a short round neck slightly flaring at the top, decorated on each side with boys, one writing on a tablet with a brush and two playing together, the sides with lotus petals and the base glazed inside an unglazed foot. The style of decoration, which is not without a naif charm, suggests late nineteenth century work and the paste of the foot rim does not conflict with this, indeed it could be a bit earlier. Similar pieces are found, usually more coarsely potted and painted, and were probably made for the local market rather than export to the West. Doubtless originally fitted with a stopper, perhaps with an attached spoon, this piece is still an amusing and decorative item for the collector.
LOT 21
Small Chinese Ginger Jar decorated in Famille Rose enamels, second half C20th
Estimate: £10 – 20
12d 1h 46m
£0.00
Japanese Arita Blue and White Saucer decorated Gourd and Grapes, mid C20th
Price: £15
A Japanese Saucer with a lightly shaped edge decorated in underglaze blue with green and pink highlights, a trefoil gourd like motif set on a ground of radiating feather form bands with grapes and vine leaves, the reverse glazed white and plain but with a two character script mark to the centre of the foot. Dating is probably to the 1950s/1960s but the design here is unusual and has been executed with some care, hence, no doubt, the potter’s mark.
Chinese Mandarin Pattern Saucer circa 1780
Price: £45
A saucer of typical form, shallow with raised sides and an unglazed foot rim to the reverse, decorated in bright ‘Famille Rose’ enamels with a scene of court figures, two gentleman presenting a lady accompanied by a child with a book, in a stylised garden terrace with a lake and a pavilion in the distance, the border with repeating stylised leaves and diaper work.
This is a typical example of the ‘Mandarin’ pattern produced by the Chinese in the late eighteenth century for export to the West where it enjoyed great popularity. The name derives from the male court figures, mandarins, who form such an important component of the designs. The scenes are carefully composed with much charm and rendered in a wide variety of coloured enamels with much emphasis on deep pink (‘Famille Rose’) and iron red. A wide variety of wares were produced in the pattern including vases, bowls, dinner services and tea sets, as here, where there would have been a set of bowls and saucers along with matching serving items. The charm and quality of this piece speaks for itself and presents an excellent and collectible example of this opulent pattern from the eighteenth century.
Chinese Silk picture of Two Birds and Flowering Plum Blossom, signed, C20th
Price: £20
A Chinese silk picture of two birds sitting on a branch of flowering plum blossom or prunus, the flowers and leaves delicately rendered, a red seal mark to the top, perhaps indicating the maker, alongside four characters of calligraphy probably describing the scene depicted. This piece is not framed but simply taped to card backing. The style and quality of the workmanship suggests a C20th dating perhaps to the mid 1950s and the composition retains great charm.
Chinese provincial double spout Teapot, early C20th
Price: £55
This is a rather unusual teapot, the near spherical body with two spouts, a large angular loop handle and a rounded conical cover with a flattened ball knob, the interior with a central dividing wall and the lid with two cut outs to accommodate this, the glaze slightly off white with a fine craquelure and sketchily painted with typical lakeside scenes including pavilions, trees and rocks. Blue and white teapots with two spouts and a central interior division were made for export during the Kangxi period (1662-1722) but this example is much later, probably dating to the early twentieth century, and, to judge from the coarse decoration, made for the domestic market, but, even if utilitarian ware, there do not seem to be many parallel examples. By tradition, teapots designed with two halves were intended to promote a harmonious relationship between a husband and wife as each could enjoy their favourite type or strength of tea, although it has equally been suggested that they were rather intended for use in tea shops so that differing tastes could be catered for at the same time. A new owner might like to carry out some experiments!
Japanese Arita Square Sake Flask and Cover decorated flowers, C20th
Price: £25
This is a rather striking example of a Japanese sake flask of less conventional form. The slender square form rectangular body (compare lot XX) is topped with a slender slightly concave neck of gently conical form, the top capped by a stopper like cover. On one of the corners is an elaborate loop form handle and on the other a short spout. The base is flat and unglazed. The decoration is rather hybrid. The iron red and gold scrolling pattern at the top recalls kutani pieces, but the main body, with its heavily enamelled chrysanthemum heads employing a wide variety of colours, looks almost towards satsuma wares. The combination is quite arresting if not eyecatching and raises the question of whether there was once a set of cups with a matching design… The slightly ‘brassy’ look to the gilding indicates an early C20th dating but probably no later than around 1920. Best regarded, perhaps, as a functional piece of whimsy!
Very finely carved soapstone pendant necklace
Price: £175
This is a wonderful necklace comprising a large carved soapstone plaque depicting the double fish, bat and heart symbols. These are symbols for good fortune, happy relationships and good luck. The are combined with jade and cherry amber beads which is a very striking combination. The is a silver clasp and the bale is brass.
Pair of Japanese Shaped Saucer Dishes, Maruku China, 1940s
Price: £25
A pair of fine quality porcelain saucers in the form of a leaf with a pierced handle, decorated in bright enamels with gilt dragons and flames amidst puce impressionistically represented waves, the edges gilt and the reverses plain with a painted blue mark ‘Maruku China’ beneath a crown.
The Maruku factory seems to have operated in Japan after the second world war producing modest but good quality wares for export, rather in the style of Noritake pieces. Usually their pieces are marked in addition ‘Made in Japan’ but for some reason not here. The forms, colourings and designs here are quite unusual and while modest, these are good quality decorative items suitable for a contemporary interior.
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Japanese Satsuma style Censer, 1930s
Price: £15
A Japanese ceramic censer or incense burner of rounded octagonal form, the squat baluster body with an open top cover, decorated with alternating panels of figures and trees, a band of geometric panels and beadwork. The colourings used and the heavy style of the enamel work is typical of early twentieth century productions recalling the satsuma pieces made for export in Japan in the nineteenth century. No detail of craftsmanship here, but a naif charm nevertheless. The mark ‘FOREIGN’ stamped on the base was applied to pieces exported to Great Britain in the early C20th, not necessarily just from Japan, but the style here betrays the country of manufacture.
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A Japanese Hichozan Shinpo Brush washer circa 1880
Price: £10
A Japanese brushwasher of squat cylindrical form with a short neck and a flat unglazed base, decorated in brightly coloured enamels with Samurai and banners. The style of painting and palette of colours resembles pieces made by the Tashiro factory in Japan, founded by Tashiro Monzaeman (1816-1900) in the late Edo period during the mid-1850s, and which were marked ‘Hichozan Shinpo’. This piece carries very feint traces of a red mark underneath which may have originally indicated the artist’s name, but even without this, the resemblance is very close and an attribution almost certain. The form suggests a brush washer, part of the scholar’s desk set.
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Nesting Set of Four Small Brass Trays with an engraved designs of Bats, Chinese C20th
Price: £30
A set of four brass trays in graduating sizes of rounded rectangular form with indented corners each with an engraved design of four bats symbolising good fortune, longevity and happiness surrounding a central ‘shou’ symbol of simplified form, again representing longevity. The function of this set is unclear but care was taken in its manufacture so that the individual pieces fit precisely into one another. Perhaps for sweetmeats or other delicacies and probably made in the early twentieth century for the local market.
LOT 5
Compagnie des Indes style reticulated edge Armorial Plate, Chinese C20th
Estimate: £30 – 40
12d 1h 14m
£0.00
Two Japanese Woodblock Prints by Toyohara Kunichika, second half C19th
Price: £75
These are two prints by the celebrated Japanese print maker Toyohara Kunichika (1835-1900) whose signature appears on both. The first does not appear to have been published online and cannot be identified here although the calligraphy inscriptions on this and the second are nearly identical implying that they may both be from the same series . The second is a kabuki (Japanese theatre) portrait of Iwai Hanshiro as Princess Wakana looking up from the spell she is rolling up, smiling at a large spider holding the other end of the scroll. She wears a light blue patterned kimono over a red under robe. Her long hair falls over her shoulders with a cluster of tiny flowers adorning her head. This print comes from the series ‘Competition of Powerful Magicians’ published in 1873.
Toyohara Kunichika achieved great fame and distinction a Japanese print artist. Born in 1835 he studied under Toyohara Chikanobu and then Utagawa Kunisada (also known as Utagawa Toyokuni III) eventually using a combination of both his teacher’s names to create his own professional one. At first he worked within Kunisada’s studio and when his teacher died in 1865 was asked to design two memorial portraits of him. The beginning of the Meiji era (1868-1912) saw Kunichika issuing his own prints, often in themed series and he became known in particular for his portrayals of kabuki actors, indeed he regarded the theatre as almost his second home. A contemporary once wrote ‘"Print designing, theatre and drinking were his life and for him that was enough.’ He achieved great fame and was rated as one of the masters of woodblock printing. Contemporary observers noted Kunichika's skilful use of colour in his actor prints, but he was also criticized for some of his choices for unlike most artists of the period, he made use of strong reds and dark purples rather than the softer colours used previously, exploiting the recent import of new dyes from Germany. Red, for the Japanese, meant progress and enlightenment so there was probably hidden meaning here. Eventually Kunichika’s lifestyle took its toll and he died in poor health, aged 65. It had been a Japanese custom for people of high cultural standing to write a poem before death. Kunichika's own, inscribed on his grave, reads ‘Since I am tired of painting portraits of people of this world, I will paint portraits of the King of hell and the devils.’ For many years his prints fell out of favour but interest has now revived and Kunichika is regarded as one of the eminently collectible Japanese artists in the field and these two prints are an excellent example of his work.
Each print is accompanied by a printed text on fine paper which presumably describes the character represented. The second of them is accompanied by two sheets one of which has become attached in one small place to the print itself but could probably fairly easily be detached by a restorer. In general there are some typical signs of age with minor losses (illustrated), tears and folding but the colours remain bright and fresh.
Japanese Celadon Dish decorated basket of flowers, circa 1900
Price: £45
An unusual shallow dish of lobed and fluted circular form, the rich celadon glaze decorated in underglaze blue and overglaze enamels with a basket of flowering lotus, the design slightly off centre, the reverse with a blue transfer mark representing fungus (a plant traditionally symbolising long life).
Celadon glazed wares with enamel decoration in fairly muted colours are a familiar product amongst the ceramics produced by Japanese potters at the end of the nineteenth century but examples of this type of dish are rather less commonly found. The basket of flowers is a regular decorative feature of Chinese ceramics, but given here a slightly different interpretation with the depiction of lotus, the emblem of summer. The mark probably imitates Chinese ‘commendation’ marks inscribed within the foot rim, another nod on the part of the Japanese potters towards their Chinese counterparts.
A very finely carved white pendent on traditional silk cord, Modern
Price: £25
This is a lovely piece of white jade that has been carved with a typical dragon motif and Chinese characters. It is strung onto a very well designed silk cord. This is quite a modest item and it is almost surely treated in some way.
Chinese Reverse Glass Painting of Two Ladies on a Garden Terrace, first half C20th
Price: £240
A reverse glass (or verre eglomise) painting depicting two ladies in elaborate court dress on a garden terrace with fencing at the front and a stylised garden scene at the rear with rocks, prunus and bamboo (symbolising longevity and renewal); one reads a book and the other holds a small library book box. Reverse glass paintings became a staple of the decorative items exported by China in the eighteenth century and production continued into the twentieth. The style of painting here, a little less detailed than that found in older counterparts but still with charm and skill in the brushwork, suggests a dating to the 1920s which would fit with the frame which is most likely original and retains its original fastening pegs at the back. The composition is well balanced and attractive and this is an excellent example of the genre in good and original condition.
Vintage Brass Pocket Case with a lid, probably a Vesta case for Matches, circa 1900
Price: £55
A small brass case with a hinged lid of irregular rectangular form decorated in high relief repoussé tecnique with a devil’s head encircled by a snake whose scaly tail continues onto the lid. Repoussé work is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Other examples of these cases are known with a similar shape and technique and even the devil and snake motif. It is more than likely that this case was designed for matches, the so called 'Vesta Case' of which there is another example in this auction. Like that piece it is fitted with a ring, presumably to allow it to be attached to a watch chain. But other uses could have been intended, possibly for business or visiting cards (the Victorian calling card was much smaller) or perhaps for pills. The style of decoration very much recalls 'Arts and Crafts' pieces made around 1900 and a similar dating seems likely here.
Two Vintage Japanese Kokeshi Doll Groups, C20th
Price: £25
Kokeshi are simple wooden Japanese dolls that have been made in Japan for more than 150 years as children's toys. Originally from the Tohoku region in northern Honshu, kokeshi are handmade from wood, having a simple torso and head with a few thin, painted lines to define the face. One characteristic of kokeshi dolls is their lack of arms or legs. Production continues to this day and the dolls are regarded as highly collectible. These two groups are a variation on the traditional design. In one, two child dolls, a boy and a girl, sit in a wicker pannier basket, presumably expecting to be carried. The cylindrical objects on top may be intended to represent logs. In the other, two lady figures are seen wearing the traditional straw rain cape. Regarded as good luck charms, these dolls have a naif charm of their own and might well appeal to an adult as well!
Small Chinese Gilt Ground Cloisonné Bowl, C20th
Price: £35
A small bowl with a short foot and an everted rim, the gilt ground decorated in raised cloisonne enamel with prunus flowers, the base and interior finished in mottled turquoise enamel. The cloisonné technique, where glass derived enamels are inlaid between gilt metal outline designs, the so called 'cloisons' or 'partitions', was developed in China from as early as the fourteenth century and employed continuously thereafter, even until the present day. In the early twentieth century pieces were produced with a gilt ground onto which were applied raised cloisonne enamel designs, as here. The quality of the work is excellent and self evident but note in particular the shading effects in the enamels which are seen in images (3) and (4). Prunus is the emblem of Winter and the symbol of life because its blossom appears in springtime on an apparently lifeless tree. This small bowl or cup was probably intended for drinking tea or wine which explains the shape of the rim. Dating is most likely to the first half of the C20th.
Japanese Celadon Ground Tazza with Chinese Nanking decoration, late C19th
Price: £25
This is an unusual and hybrid piece combining elements of both Japanese and Chinese decoration. The stoutly potted footed bowl, or tazza, is Japanese porcelain employing a fine quality stone like clay, visible on the underneath of the three feet, often found in these celadon glazed pieces made for export towards the end of the nineteenth century. The pedestal feet support a stubby bulbous column which in turn supports the circular serving dish on top. The underside of the dish has moulded decoration and its edge is slightly shaped. The celadon glaze is enhanced with blue and white decoration and the dish itself is wholly decorated in blue and white with a landscape scene closely resembling the designs on Chinese export wares of the late eighteenth century (see the previous lot in this sale for a typical example) and often known as ‘Nanking’ ware in Europe, Nanking being the Chinese port from which it was shipped to the West. The elaborate border with cell and diaper work and stylised flowers also copies the Chinese exemplar. The shape is a Japanese interpretation of a European form and was clearly intended as a serving dish, perhaps for a small desert service of pieces in a similar pattern, but it can stand on its own today as a piece both decorative and practical.
Chinese Cloisonné Square Vase on Stand, C20th
Price: £25
A Chinese cloisonné enamel vase of slender squared baluster form flaring towards the base and with a concave neck, decorated with panels of a lady standing on a veranda reading a scroll and two ladies standing on a bridge over a river, the designs repeated, on a black ground with stylised scrolling foliage in blue, the base with a border of gilt repeating fish scale pattern and the rim with a border of repeating stylised lotus leaves, the interior and base in blue enamel. The vase is fitted with a matching wood stand which is probably contemporary.
The cloisonné technique, in which glass derived enamels were set in wire outlines (the so called ‘cloisons’ from the French word), was developed in China in the early Ming dynasty (1368-1644) and then used throughout, right up until the C20th, indeed pieces are still produced today. The style of enamelling here with fairly bold outlines to the decoration and the use of bright enamel colours suggests a dating here to the mid twentieth century which corresponds to the probable date of the accompanying wood stand. Perhaps intended as a desk ornament or possibly a flower vase, this piece could certainly find a home in a contemporary setting.
Chinese circular silk textile Panel in later European brass metal Frame, C19th/C20th
Price: £55
This is a fine quality Chinese silk embroidery circular panel, most likely cut out from an original robe as is indicated by the very feint unevenness at the edge, the black ground circular border with finely stitched blue flowers surrounding the central scene of a crane amidst tree branches with flowering lotus in the background. The detail of the embroidery work is evident throughout especially in the rendering of the crane’s feathers and the leaves of the lotus plant, implying that the original robe was a luxury production. This, combined with the fabric of the silk background, indicates that we clearly have nineteenth century work here. Perhaps the rest of the robe had not fared too well but for some reason the decision was taken to extract this sample and fit it into a glazed brass frame with its coil spring border. This has the look of the 1940s or 1950s and is probably English but its provenance cannot be absolutely certain. But the care taken at the time was entirely justified and allows us today to enjoy this fine example of Chinese embroidery work.
Japanese Arita Bowl decorated with panels of flowers and interior Scenes, circa 1820
Price: £45
A Japanese Arita small Bowl the deep sides narrowing towards the base with a short foot, decorated in underglaze blue, iron red and gold enamel highlights in green and grey
with two panels of flowers alternating with two panels of interior scenes with screens and a small animal resembling a buffalo sitting on a table, the foot with small blue
panels highlighted in gold between geometric designs, the top interior rim with alternating segments of iron red and underglaze blue both highlighted in gold and the base interior
with flowering chrysanthemum.
The rather more elaborate style of decoration here and the addition of enamel colours to the standard imari palette of underglaze blue, iron red and gold resembles 'kenjo imari' pieces produced in Japan in the eighteenth century and in the early nineteenth century, a specific type of Imari that was highly decorated and meant for domestic consumption, Kenjo, meaning 'for presentation'. The paste of the foot, harder and smoother than that used in the later nineteenth century, suggests a dating here to around 1820 before trade with the West was temporarily paused. The form suggests a cup for Sake and this piece was probably one of an original set of five, but it stands on its own as a decorative item in miniature.
Chinese Framed Ceramic Plaque depicting Peony, C20th
Price: £150
A Chinese ceramic plaque decorated with delicately painted flowering peony in shades of grisaille with highlighting in red and blue, an elaborate inscription to the left with two red seals and a further red seal to the bottom right. The frame is Chinese and most likely contemporary with the plaque. Style of painting and decoration combined with the very even surface and high white glaze of the plaque itself suggest a dating to the 1960s or 1970s rather than the Republican period (1912-1949) when similar pieces were made which are highly sought after now. But the work is of extremely high quality nevertheless and the composition artistic and appealing.
Chinese Bone Netsuke carving of a man holding a musical instrument, early C20th
Price: £25
A Chinese Bone Netsuke carving of a man holding a musical instrument, depicted with its strings, and dressed in a simple robe decorated with incised detail in brown and black, two typical holes to the reverse, early C20th. Netsuke were developed in Japan as a fastener or toggle by which small hanging storage boxes, okimono, could be attached to the sash of a kimono. They were made in a variety of forms but the small figurine, as here and in the previous lot, was the most common. Chinese examples seem to have been made in the early twentieth century and were more often crafted from bone rather than the ivory or wood favoured by most of the Japanese craftsmen.
Chinese Bone Netsuke carving of a Sage, early C20th
Price: £45
A Chinese Bone Netsuke carving of a bearded Sage dressed in an elaborate robe, his hands upraised and holding a staff and a bowl, the decoration detail in dark grisaille and red, two typical holes to the reverse and signed at the base within an irregular ovoid circular border panel, early C20th. Netsuke were developed in Japan as a fastener or toggle by which small hanging storage boxes, okimono, could be attached to the sash of a kimono. They were made in a variety of forms but the small figurine, as here, was the most common. Chinese examples seem to have been made in the early twentieth century and were more often crafted from bone rather than the ivory or wood favoured by most of the Japanese craftsmen.
LOT 8
Chinese Majolica Style Brush Holder modelled as a Crane, mid C20th
Estimate: £30 – 40
12d 1h 20m
£0.00
Chinese Soapstone Double Brushwasher, C20th
Price: £45
A Chinese soapstone brushwasher carved in the form of two hollow bamboo stems standing between strands of trailing peach and resting on a rocky base with stylised foliage and a bird, the curved reverse plain and with three holes to facilitate the carving and the base recessed and with small holes. Various similar pieces can be found with one or more containers or vases surrounded by flowers or sometimes animals and presumably intended as brushwashers. Soapstone was first used by the Chinese over three thousand years ago but began its popularity in the Ming dynasty (1368 -1644) with the height of production during the ensuing Qing dynasty (1644 – 1911). Production continued into the 20th Century and even takes place now, but the style of work here, with fairly coarse hand carving but the evident use of a drill, and the colouring of the stone itself suggest a mid century dating, perhaps to the 1940s. But while not of the highest technical expertise, this piece certainly has a rustic charm and can act as a pleasing ornament with the potential use as a desk accessory.
Two Chinese folding Fan Leaves with landscape scenes, now mounted, C20th
Price: £25
As quite often, these two paintings were created for use as folding fans but then mounted on board for display. Each has a landscape scene in tones of grey and blue inks painted on mustard coloured fabric. The designs include the typical elements of Chinese landscape painting : rocky outcrops with trees and lakeside scenes. In one can be seen a seated figure, in the other a man in a boat. Both have a calligraphy inscription and a red artist’s seal. The fairly sketchy brushwork suggests a mid C20th dating for which there are many parallels. Both are mounted on paper with an identical pattern of diaper work and roundels with phoenix and dragons implying that this was done at the same time. While the mounts are foxed, the paintings remain clear and if reframed would provide attractive examples of the genre.
Japanese Arita shallow Bowl circa 1880
Price: £55
A Japanese Arita porcelain bowl of shallow form with straight sides turning in towards the foot, decorated in polychrome enamels with a central scene of two panels, one square with a fabric derived ‘brocade’ design and one rectangular with a landscape scene including waves, mountains, the setting moon and cranes, both with tassels underneath, the outside edge with stylised floral panels, lotus and chrysanthemum, and the base with a band of repeating geometric design in underglaze blue.
The town of Arita in the former Hizen Province, northwestern Kyūshū island, was a major centre for the production of porcelains in Japan. Best known for blue and white pieces it also produced polychrome wares as well, including the familiar Imari colourings. While similar to Imari, the wider palette of colours used here is usually termed ‘Arita’ and this bowl employs not only the colourings but also many of the decorative elements found in these wares. The angular form, though, is unusual. Dating is to the Meiji era (1868-1912) probably around 1880.
Japanese Carved Wood Figure of a Young girl, Kokeshi doll style, C20th
Price: £45
This is a rather charming carved wood figure of a young girl standing dressed in an elaborate robe decorated with floral blooms and fan shape panels in blue with floral designs. She holds something in her hands (an offering?) and looks out expectantly. The naif style resembles closely the kokeshi dolls that have been made in Japan for more than 150 years as children's toys but the portrayal is much more lifelike than that of its abstract counterparts. Dating is probably to the mid twentieth century.
Chinese carved wood Box decorated Dragons, early C20th
Price: £150
A Chinese wood box with a hinged lid of rectangular form, deeply carved with dragon designs , a large sinuous example on the lid, his scales graphically depicted, within a border of bats and floral rosettes, the sides with smaller companions, two confronting at the front and rear between a shield, with a circular geometric motif at the corners, the interior with another large example slightly stylised and wrapped round a large circular panel, perhaps intended to be carved to display the name of the owner. The richly coloured wood is a form of the rosewood used so often by the makers of the furniture and decorative items intended for export and the style of the carving, accomplished but not with the finest detail, suggests early twentieth century work. But this in no way detracts from a rather striking creation intended for the foreign market.
Japanese satsuma style match stick holder c1940
Price: £45
This is a lovely little figure of a Japanese man holding a vessel that is used to hold matches. It is done in a satsuma style motif and is marked Made in Japan on the bottom. A lovely souvenir from a trip long ago.
Japanese Awata ware Teapot and Cover, signed, circa 1900
Price: £25
An earthenware teapot of rounded cylindrical form, curving in at the base and with a flush fitting lid, the handle, spout and lid finial all modelled to imitate bamboo, the beige ground with a minute craquelure and with polychrome enamel decoration of birds and reeds, the modelled bamboo attachments glazed green and a sketchy signature in iron red at the base of the handle. The Awata district of Kyoto, Japan, was the home to many famous kilns including those run by various members of the Kinkozan family. Some of their Satsuma productions were of extremely high quality, indeed prize winning and in great demand from Western collectors which has continued until the present day. Other kilns produced more modest Satsuma wares for export and some are marked with the same maker’s name as their more illustrious counterparts. This teapot, not marked Kinkozan, is a typical example, originally deriving from a small tea service decorated in the same pattern. The signature, hastily drawn, is either that of the decorator or the merchant shop which sold the ware. These pieces too seem to have been popular with Western buyers and are still collected today.