Pendant and chain commemorating 25 years of service at Ford, London 1965
Price: £35
This is quite an interesting item. It is a pendant with three generations of Ford men depicted in profile and it says 25 years. This appears to be a company gift to an employee who worked at Ford for 25 years. Presumably this is what the women received. The men probably received a gold watch and a promotion! This is silver with full marks for London 1965 with a makers mark PP & P.
Silver Medal or Watch Fob dated 1923, B.P.C.G.S.
Price: £35
A small piece of history here which will need some unravelling. Suspended on a piece of blue ribbon from a silver bar pin marked ‘1923’ is an oval silver medal or watch fob, decorated to the front with two bands of laurel leaves, geometric shapes in an art deco style and a central gilt coloured shield with the engraved letters B.P.C.G.S. The reverse is plain with the engraved wording ‘SENIOR 1ST’ ‘APPARATUS’ ‘LMILES’ and hall marks for 1923 with the maker’s mark ‘JD&CO’, standing for Joseph Daffern & Co, silversmiths at Hatton Garden from 1908 to 1931 and producers of commemorative medals and watch fobs. ‘Apparatus’ is the Latin word used in English to denote equipment or organisation but may have had a special meaning for whatever body is indicated by the acronym on the front. We may never know but L MILES was clearly a successful and deserving recipient!
Art Deco necklace with French Jet and paste stations
Price: £45
This is a beautiful and un unusual long necklace comprising stations of long French Jet bugle beads and paste spheres. It also features some interesting cracked crystal effect glass beads and clear glass beads.
Pair of African Wood Figures of a Man and a Woman, probably mid C20th
Price: £25
A pair of wood figures of a man and a woman carved in an abstract style with slender proportions, the man holding a long staff and the woman balancing a vessel (presumably for water or wine) on her head, the clothing of both with etched patterned decoration and their complementary bases with contrasting geometric designs. The patina and colour of the wood suggests ebony and the style is African. As with the previous lot there is a label indicating manufacture in Nigeria and Kaduna is the capital city of Kaduna State, and the former political capital of Northern Nigeria. It was a trade centre and a likely source of artefacts made for tourists of which these are most likely an example. Dating is probably as the label indicates and many other similar pieces were produced at that time.
Set of Japanese Plates decorated with Geisha in landscape scenes, late C20th
Price: £40
A set of four plates colourfully decorated with Geisha in a contrasting variety of landscape scenes, two in the countryside with ladies in attendance and two in a pavilion terrace setting, one with a male attendant and the other with a courtier whose intentions look less honourable. All have red seal marks with calligraphy in addition and possibly we are to see the four seasons here which may be indicated in the texts. While the work is detailed it is not hand done but seems to have been produced by some form of printing process. The ‘micro dot’ detail of this can be seen in some of the images, for example (4) and (5). A very modest taste of Japan then but not without its attraction.
Please note that the stands are for display purposes only.
Pair of Bohemian Harrach Glass Vases, Morocco pattern, second half C19th
Price: £95
A pair of opaque glass vases of flattened pear shape, the necks spreading slightly outwards towards the top with a cup shape rim, the white ground glass heavily enamelled with polychrome decoration, a variety of bead bordered shaped panels with yellow, blue and pink grounds dotted with stylised floral blooms. The pattern of these pieces is known as ‘Morocco’, presumably a nod towards the decorative items produced there, and can be found in the nineteenth century pattern books of the Harrach factory situated in Bohemia, now part of the Czech republic.
The Harrach glassworks is named after Alois Raimund von Harrach (Count Harrach), on whose estate it was founded in Bohemia, in the early eighteenth century. Managed at first by one Elias Muller, the firm traded under a variety of names becoming known as Harrach in the nineteenth century and Harrachov, the name eventually given to the town where the factory was situated, in the twentieth. These opulent vases were a popular part of its range in the nineteenth century, the pattern being produced in a variety of similar shapes and always as shelf ornament pieces. The decoration here is particularly lavish with an attractive use of colour and has survived in excellent condition making these a desirable addition for collectors of Bohemian glass or admirers of nineteenth century glass style generally.
Art Deco rock crystal bead necklace
Price: £25
This a very unusual necklace comprising many different shaped beads made from rock crystal.
Victorian Whitby jet mourning brooch
Price: £75
This is a quite large brooch in a scroll work design and Greek key edging. It is Whitby jet a fossilised wood stone that is from the Jurassic period that is found in the North York moors in northern England. Whitby jet was the main material for mourning jewellery during the Victorian age for obvious reasons.
French cockerel brooch 1920s
Price: £75
This is a very striking large brooch in hand worked brass with enamelled feathers, head and feet. It is very cleverly made to give you the effect of many voluminous tail feathers.
Chinese Export Nanking Pattern Saucer, Qianlong period (1736-1795)
Price: £75
A fine quality Chinese Export saucer in the typical form of a shallow bowl with a small short foot, decorated in underglaze blue with a landscape scene, pagodas on rocky outcrops by a river, within an elaborate border, floral and geometric designs with cell work, the edge with gilt highlighting. The pattern here is a fine example of the ‘Nanking’ wares, so called from their port of export, produced by the Chinese in the second half of the eighteenth century. This saucer comes from a tea service and is rather larger than the standard size implying a matching cup of similar proportions. Some of these tea services had gilt decoration added on arrival at their destination; it is usually held that this was done in England. The result has a hint of luxury and is highly decorative.
Murano Art Glass Dish, 1960s
Price: £55
An Art Glass dish made by the well known firm of Murano, based in Venice, Italy, the flowing triangular form with turned over sides indented to the centre and joining at three complementary 'lips', the blue glass skilfully combined with clear glass and shades of brown. Just possibly intended as an ashtray, the design is striking and appealing and representative of the best Murano work. A circa date in the 1960s is likely and the style matches other designs from that era.
Danish silver floral brooch, Max Standager c1960
Price: £55
This is a large brooch in a typical modernist floral design by Max Standager, a silversmith who worked in Copenhagen from 1961 to 1985 and was well known for his organic form designs. It is marked 'Sterling' '925' 'Denmark M.S'.
Chinese aventurine lariat necklace
Price: £20
This is a lovely necklace that features aventurine beads and central pendant. It is threaded on cotton cord with a Chinese knot closure.
An unusual pair of white glaze models of Spaniels, Beswick, 1960s
Price: £75
A pair of white glaze models of Spaniels, realistically modelled with detailing to the fur and faces, each in the traditional crouching pose and facing one another in mirror image, the bases pierced to assist firing and with rather indistinct impressed marks reading ‘BESWICK’ ‘ENGLAND’ ‘1378-5’.
While a close relation to the traditional Victorian ‘Staffordshire Dog’, these figures were actually made by the English firm Beswick in the twentieth century. Founded in 1894 by James Beswick and his sons, the company became known for its output of figurines, eventually securing the rights to producing characters from the novels of Beatrix Potter and the films of Walt Disney. It was sold to Royal Doulton in 1969 who continued production until 2002, selling the pottery premises in 2003 and the rights to the name in 2004 when they were bought by Dartington Crystal who still manufacture pieces carrying the Beswick name. These spaniel figures appear to date from the 1960s and were made in at least two sizes. Most have painted decoration but the plain white finish here is really the most pleasing of all producing a pair of decorative items with timeless appeal.
Two American Polychrome Enamel Bracelets decorated with Kabuki Masks, 1980s
Price: £20
Two American polychrome enamel bracelets decorated with Kabuki masks on contrasting blue and red enamel grounds, each with spring loaded hinges, 1980s
Scottish silver ring inset with a Chalcedony stone, 1950s
Price: £45
A Scottish silver ring with a thistle design, inset with a Chalcedony stone, marked ‘silver’ to the interior, 1950s.
Italian silver Cuff Bangle with chainmail decoration, modern
Price: £30
An Italian silver cuff bangle, heavily cast with a chain mail design, the interior marked 925, modern
Pair of Wade green glazed Mermaid salts, 1950s
Price: £55
A pair of ceramic salts in the form of a slender organic urn, green glazed with moulded handles in the form of mermaids and moulded decoration of sea urchins, aquatic reeds and seaweed, the base unglazed and with a raised mark ‘Wade’ ‘England’.
Wade Ceramics Ltd was a manufacturer of porcelain and earthenware, headquartered in Stoke-on-Trent, England. Founded in 1867, it was run by various members of the Wade family until the death of George Anthony Wade in 1987 after which there was a succession of management buyouts. Despite substantial investment in 2009, the firm eventually went into administration in 2022. Wade produced a wide variety of ceramics, including the well known Wade Whimsies animal figurines.
This pair of salts is rather different to many of their productions and have a distinctly ‘Art Nouveau’ feel but, in fact, date to the 1950s when this particular format of the factory mark was used. It seems to be one of the rarer forms and pairs are even rarer still, so definitely one for Wade collectors!
Fine quality pair of Brass Cobra Candlesticks, Indian first half C20th
Price: £150
A pair of brass candlesticks cast as two Cobra snakes with twisting tails acting as the feet with the bodies rising up erect from them, the stylised heads supporting the candle sconces and serrated edge drip pans. There are many examples of Indian made candlesticks cast in a similar form where the brass metal is combined with enamel decoration. This pair, lacking even incised detail to the metal surface as can occur, are much more unusual and striking in their simplicity. The brass itself is high quality and the pieces have a good weight. It is as if the Indian workmen have tried to adapt themselves to the angular simplicity of the Art Deco style. Unlike their more heavily decorated contemporaries, this pair of snakes would not have looked out of place in an Art Deco themed European interior. Dating is therefore quite reasonably to the 1920s or 1930s. Arresting in their time, these two Cobra snakes would deservedly attract attention today.
Danish silver brooch, Niels Erik From, marked, c1960
Price: £55
This is a wonderful quality silver brooch made by Danish silversmiths Niels Erik From. It is in a characteristic Danish wreath design typical of the modernist designs developed by the firm in the 1970s. Established in 1931, the company took its name from its founder Niels Erik From (1908-1982) and initially concentrated on pieces in the style of the Danish Arts and crafts movement, later adapting to the changing fashions of the time. Niels Erik From's son joined with his father in the 1960s and continued the success of the business, running it himself for a few years after his Father's death but finally closing down in the late 1980s. The firm's designs remain highly collectible and this brooch is an excellent example of their later work. It marked ' Sterling' 'Denmark' 'N.E.From' '925 S'.
Blue Millefiore beads c1950
Price: £65
This a beautiful necklace comprising graduated beads that are the rare blue colour millefiore glass. These tended to be Venetian glass. They have the original barrel clasp and should probably be restrung.
Chinese Cloisonné Bowl with a wavy edge, 20th Century
Price: £25
A Chinese Cloisonné Bowl of shallow form with a short gilt metal foot and a wavy edge rim also finished in gilt metal, decorated with peony and rocks and a flying bird in bold polychrome enamels with shading effects on a black ground with a gilt wire design of repeating small stylised clouds, the base finished in blue enamel. The style of decoration suggests a circa date in the first half of the twentieth century.
Art Deco Chinese Export silver Buckle later converted to a Necklace
Price: £125
This is a beautiful necklace comprising a very detailed silver buckle that depicts a sinuous dragon encricling the characters for "Blessing", It has been converted to a necklace using a period belcher chain. Full import marks to the reverse and marked Silver.
Victorian Indian paste pendant
Price: £55
This is a very large pendant that was made in India for European taste. It comprises numerous paste stones surrounding a very large paste pear shaped stone, set in brass. The design is typical of the Victorian era with scroll work and fleur-de-lis. With rock crystal bead drops, the chain not included.
Bohemian Green Glass Moser style Ewer, late C19th
Price: £35
A small green glass ewer, the slender body of rounded inverted cone form above a rounded spreading foot, the narrow cylindrical neck with a deeply scalloped rim forming the spout and to the side a tall loop handle, decorated with beaded gilt bands and flowers, the top rim and handle with traces of gilding. The form and decoration here is typical of the so called ‘Bohemian’ glass produced for export in the nineteenth century by the workshops from the regions of Bohemia and Silesia, now parts of the Czech Republic. With its origins in the renaissance, Bohemian glass in elaborate forms and with colourful decoration of thickly enamelled floral subjects was made in substantial quantities in the second half of the nineteenth century satisfying an eager demand in both Europe and America. This ewer resembles pieces made by the well known factory Moser but is unlikely to be one of their productions, more a modest version for a mass audience. But it is highly representative of the style and attractive in its own right.
Mdina Glass Vase, signed and with maker’s label, late C20th
Price: £95
A studio glass vase the ovoid body below a short slightly outward flaring neck with a wide spreading rim, decorated overall in an abstract pattern of mottled green brown and blue, signed at the base ‘Mdina’ and with the original Mdina label. Mdina Glass was founded in the Maltese town of Mdina in 1968 by Michael Harris and Eric Dobson. The town had no history of glass making but the venture proved to be a success. Its wares, free formed organic glassware, often in colours inspired from the sea, sand, earth and sky, proved very popular with tourists visiting Malta. Michael Harris left Mdina in 1972 and formed a new company, Isle of Wight Studio Glass, on the Isle of Wight, UK, leaving Eric Dobson in charge. This pattern, known as ‘Tiger’ was introduced by Dobson in the mid 1970s and in common with the designs of his one time partner Michael Harris was manufactured in the years thereafter. The style of calligraphy of the mark, more tightly etched than on later pieces, implies that this vase is one of the earlier pieces made in the pattern and both the form and decoration here are extremely pleasing, making this a fine addition to a collection of Mdina ware
.
Two brooches - Jerusalem Mother of Pearl and Egyptian Silver, 1950s
Price: £15
This is a lovely group of two very different brooches. One is a large very finely carved mother of pearl brooch that is known as Jerusalem Mother of Pearl. The other is an Egyptian filigree silver brooch depicting a camel.
PLEASE NOTE THAT THERE IS FREE UK SHIPPING ON THIS ITEM. For international buyers the shipping cost will be reduced by the UK shipping cost, so don't worry if you are outside the UK, you still receive this benefit!
Doulton and Slaters Patent Jardiniere circa 1890
Price: £750
A Doulton Jardiniere of squat form, the body tapering sharply towards the base with a short slightly flaring neck, decorated with a fabric derived design, the brown biscuit body with an impressed floral design over which are applied gilt flower heads and carefully modelled strands of lotus in blue and aubergine enamel, a band of light blue beads at the top and the interior glazed in dark blue, the base unglazed and with a series of impressed marks including ‘Doulton Lambeth’.
The Doulton factory began production in 1815, first at Vauxhall and later moving to Lambeth. In 1882 it opened an additional factory at Burslem, Stoke on Trent in the centre of the English pottery. Known at first mainly for utilitarian works it began to develop decorative wares more extensively in the 1860s and soon gained a reputation for its distinctive designs. As the mark indicates, this piece was made at the Lambeth factory and the absence of ‘England’ in the Doulton mark, which has the typical design of interlocking ‘D’ at its centre, indicates that it dates to before 1891. The decorative technique, employing impressed designs was known as ‘Chine’ ware and protected by the patent ‘Doulton and Slaters Patent’ which is clearly marked underneath. Pieces of linen, lace, net or other fabrics were pressed onto the unfired soft clay shortly after potting, leaving a corresponding pattern behind. This piece has elaborately modelled lotus strands in addition as well as gilt flower heads, an unusual combination which does not seem to often occur. On the base are found stamped numbers and letters which should indicate the pattern number and artist decorator but it has not been possible to identify these accurately. Dating though is confirmed and this was clearly a deluxe item amongst the range of pieces produced at that time.
A Ceramic Moneybox in the form of a Pig, Helensgate Ceramics, mid twentieth century
Price: £25
A ceramic moneybox, pink glazed and amusingly modelled in the form of a rotund pig with wide eyes and ribbon bow, the back with a slot to insert the coins and the base with a circular aperture to retrieve them, sealed with a plastic plug, probably original. A paper label affixed reading 'Helensgate Ceramics'. Little seems to be known about this firm but they clearly specialised in amusing animal figures and in particular moneyboxes. The piece has a mid twentieth century look to it and a circa date of 1960 seems reasonable. While less in use now, there are still some for whom 'cash is king'. If so, this would be a desirable acquisition!
Large brass portrait bust of Ramses II
Price: £45
This is an amusing portrait bust cast in brass with slender profile form depicting Ramses II, (Ramesses/Rameses II) the third pharaoh of the Nineteenth Dynasty of Egypt c1303BC - 1213BC and one of the most famous rulers of the country of whom the statues and images surviving have become iconic. He is depicted here wearing a typical bird beak helmet and a heavy metal shawl collar. The composition reflects 'Egyptian Revival ' pieces of the early twentieth century but the dating here is rather later.
Spanish red tooled leather trinket dish with the coat of arms for Castile and León, C20th
Price: £25
This is a very striking square dish with a deep central well made from finely worked red leather and decorated with scrolls and fleur-de-lis. There is something of a royal connection here as the embossed decoration includes lions and heraldic shields and the coat of arms presents as those for the house of Castile and León, the shield with four quarters, the first and fourth with a castle (Castile) and the second and third with a lion rampant (Leon). Castile and León is Spain’s largest autonomous community comprising territories that once belonged to the Kingdom of León, including Salamanca, as well as territories of the former Kingdom of Castile, particularly Valladolid and Segovia. Since it most likely dates to the twentieth century, this dish probably belonged to a municipal setting rather than a palace of the nobility but it is an item of luxury nevertheless.
Chinese cloisonne bangle with raised enamel decoration circa 1900
Price: £35
Chinese cloisonne bangle, the exterior with raised enamel decoration of stylised scrolling foliage set on a speckled gilt ground between two bands of stylised floral sprays and clouds on a brick red ground, the interior finished in blue enamel; gilt rims to the top and bottom. The style of decoration suggests a circa date in the early twentieth century.
Rectangular Box and Cover, Basanite Jasper, C20th
Price: £95
A rectangular box and cover constructed from joined slabs of basanite Jasper, both parts with the rims metal mounted and joined by a hinge at the rear, the base with four short feet. The material here is a form of Jasper, a naturally formed rock which can appear in a variety of colours and patterns. One of these is ‘picture jasper’ where the outline of scenes or images can be seen on the polished surface and another ‘basanite jasper’ known for its black streaked tones. Both of these can be seen here, particularly the apparently mountainous design of the lid and the two side panels, front and back. Jasper is found in a wide variety of locations, including Russia but it is not possible to determine the origin here. Dating is equally uncertain, but the piece has a strong ‘Art Deco’ look with its clean lines and simple geometric feet and this may well point to the timing of its manufacture. Colour and form, though, combine to produce a striking decorative item well suited to the most contemporary interior.
West German Ceramic Vase, Marei, 1970s
Price: £45
A West German Ceramic Vase, the bulbous body rising to a slightly flaring ribbed neck and with a short spreading foot, thickly glazed in yellow with green and blue enamel stylised scrolling
foliage, green bands to the foot and top rim, the top interior finished in blue and the foot finished in mustard brown with an impressed mark '7104'.
While not stamped with a maker's mark, vases of this type are attributed to the West German Ceramics factory Marei which produced pieces from 1949 to 2016. Marei was the commonly used abbreviation for the firm's name which was Majolikafabrik Rheinbach Jean Fuss and Sohn. The pieces are distinguished by the use of a reddish clay but this was sometimes more brown or dark brown depending on the suppliers used. Marks are usually impressed into the base although these are often just pattern numbers, as here. Many pieces are unmarked and some are stamped 'MADE IN GERMANY' or 'W.GERMANY'. The pattern number here is '7104'and is found on similar pieces with the same shape but different decoration. This vase was probably made in the 1970s and is typical of the striking designs the firm produced.
Renaissance Revival Brass Desk Set, English c 1900
Price: £55
A brass desk set, comprising an inkwell and a pair of candlesticks, all with square bases and short feet, the inkwell of pagoda like form with a hinged lid above a square surround, the candlesticks with urn like candle holders and loop handles again with a square surround, all with heavily cast decoration of floral scrolls and and mask heads. The solidity of the shapes here with an element of the architectural in the design and the style of the decoration which loosely recalls pieces from the classical period both reflect one of the design fashions of the late nineteenth century which looked back to and developed variants on renaissance art. The ‘renaissance revival’ style could be found in many areas of the arts including architecture and interior decoration. Accessories were also produced to match of which this desk set is an excellent example. The pieces are unmarked and the maker cannot be determined but the well known firm of William Tonks and Sons, whose 1890 catalogue still exists, produced many pieces in a similar style which allows the late nineteenth century dating here. This set is probably now rather more decorative than practical but would certainly add a touch of opulence to interior furnishings.
Lithograph Print, Le Pont Alexandre III in Paris, signed Herbelot, 1950s/1960s
Price: £45
This is a lithograph print of the famous ‘Pont Alexandre III’ in Paris. The bridge itself was built between 1996 and 1900 and named after Tsar Alexander III of Russia, who had concluded the Franco-Russian Alliance in 1892. It connects the Champs-Élysées quarter with those of the Invalides and Eiffel Tower and is one of the landmarks of the French capital. Herbelot (doubtless a pseudonym; his first name is unknown) was a French artist active in Paris from the 1940s to the 1960s. Most of his works depict Parisian scenes and are found as lithographs produced from watercolour originals. His style, impressionistic with a muted palette of colours, is typical of mid century work and extremely pleasing to the eye. Perhaps sold as a tourist souvenir at the time this image today is a highly evocative portrayal of the ‘great city’ and is matched by a frame typical of the era.
An Arts and Crafts small Brass serving Tray, English early twentieth century
Price: £40
A Brass circular tray with a shaped raised pie crust edge decorated in repousse work with overlapping geese on a chased punch work ground. Repoussé work is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing or embossing is a similar technique in which the piece is hammered on the front side, often with a punch, sinking the metal. The two techniques are often used in conjunction as here. Metalware items with 'hammered' decoration were a common feature of 'Arts and Crafts' work with their reminiscences of earlier metal working techniques and the effect of the slightly rustic. The design here is unusual and attractive and the bold metalworking techniques used complement the medium of burnished brass. A dating to the early twentieth century seems reasonable
Art Deco Scottish moss agate ring
Price: £35
This is a very striking ring that is mounted with a very unusual Scottish agate stone that has both red and green inclusions. Mounted in an architectural Art Deco setting. Marked 925
Art Deco chalcedony brooch or pendant
Price: £65
This is a lovely and delicate brooch with bail for a pendant. It is set in silver that has a modern floral design is both polished and textured giving it a very fine and detailed look. The stone is a Scottish chalcedony stone. Marked 925
Exceptional Paste necklace 1940s
Price: £25
This a very delicate and bright paste necklace with seven floral stations interspersed with single stones. Set in brass with barrel clasp.
Oriental style ceramic plate, signed Alice Smith, possibly American mid C20th
Price: £10
There are no obvious parallels for this plate. The form is that of a typical Chinese nineteenth century desert plate with a broad shallow well and a slightly upcurving rim but the back is glazed all over including the foot rim which is not the case with Chinese examples and the general appearance of the decoration is Western. The theme of children at play is typically Chinese but it is usually boys that are represented where here we have girls, four of them in coloured robes playing with tops, one standing apart from the rest. At the edge are a few sparse gilt leaves and the ground is a light mustard coloured wash, with the reverse plain and the signature in black ‘Alice Smith’ under the glaze. Whoever the artist was, she was capable of having a piece of hers professionally fired which implies a degree of commercial expertise. But there is nothing else to suggest other than the work of an accomplished amateur. Americans were and are prone to manufacture ‘home grown’ pieces in an Oriental style (some of their modern wallpapers are particularly notable) which leads this cataloguer to hazard a guess as to provenance and date. Otherwise, we have a true ‘mystery piece’ here but the composition is a sympathetic recreation of the East, wherever it was produced.
East German Ceramic Vase, VEB Haldensleben, 1950s
Price: £35
An East German Ceramic Vase of simple rounded form with an open neck decorated in yellow, blue and grisaille with bands of overlapping, cloud like segments, the interior glazed in black and the foot glazed in aubergine with an impressed factory mark and the numberd '8409'.
The factory mark, a shallow dish superimposed over the letter 'H' inside a circle, is that of the East German pottery VEB Haldensleben. VEB stands for 'Volkseigener Betrieb', meaning a people-owned enterprise and used in relationship to the state owned workplaces in the GDR. Haldensleben is a town in Saxony-Anhalt, Germany and a ceramics factory was created there in 1945 with the nationalization of the Carstens Uffrecht plant that followed the division of Germany at the end of WWII. Halsdenleben focused primarily on the manufacture of vases. Its output tended to be of superior quality and employed more restrained glazes than those used by its West German counterparts. Upon the reunifucation of Germany in 1990, the factory was returned to its original owners, the Carstens family. The pattern number here is found on other pieces with the same shape but the abstract decoration used is quite individual and evocative of 1950s and early 1960s designs.
Bead necklace with jade carnelian and silver beads c1990
Price: £75
This is a very beautiful necklace comprising graduating beads that are yellow jade, bi colour jade and carnelian. There is a long drop comprising four strands with beads suspended on it to give it a many layered effect. The origin of this necklace is uncertain. it is super quality and is most certainly made by a jewellery designer. Marked 925.
Egyptian Revival Perfume Bottle and Cover, probably Czech second half C20th
Price: £55
A perfume bottle with a screw top cover, the flattened oval glass body encased in gilt filigree work, the front with a portrait head of Tutankhamun between two falcons representing the Goddess Ra and the reverse with an oval opening revealing the interior of the bottle and the glass wand attached to the cover which is in gilt metal with a screw fitting matching the top of the bottle. The style here is obviously that of the ‘Egyptian Revival’ which became ever more fashionable after the discovery of Tutankhamun’s tomb by the Earl of Carnarvon and Harold Carter in 1922. Glass bottles encased in gilt filigree work are a hallmark of the Czech glassworks and while most incorporate European elements into the decoration there are other examples which are Egyptian Revival in style and so this is most likely what we have here. Dating is probably to the 1970s.
Egyptian Revival statement necklace signed EBE c1930
Price: £110
This is a beautiful necklace comprising heavy brass elements and lapis glass beads. The central pendant has the Egyptian bird god Horus flanked by Tutankhamun on a serpent scroll work background. The pendant is set with lapis glass cabochons that match the beads. Most likely Czech glass elements assembled in France.
Fine Quality Cloisonne Box and Cover in the form of a Snail, Japanese circa 1880
Price: £95
A fine quality Japanese Cloisonne Box and cover in the form of a snail, the lid modelled with typical shell spirals and the base with a conforming shape, the decoration comprising small flower heads and butterflies on a blue enamel ground with gilt scroll work, the lid and base edged with a red enamel band highlighted with repeating gilt circles, the foot with a similar red enamel band highlighted with gilt semi circles and with two bands of gilt semi circles filled with a minutely speckled green enamel fill, the interior and the foot of the base finished in blue enamel.
The Japanese produced copies of natural forms in a variety of media. Carved ivory fruit and small animals are well known. Here, cloisonne enamel is used which is less common. The quality of the work speaks for itself and can be judged form the small butterflies on the cover and the green speckle enamel fill at the base. It is typical of the best Meiji period (1868-1912) work and a circa date towards the end of the nineteenth century is most likely.
A Matched Pair of Chinese Cloisonne Bottle form Vases circa 1900
Price: £25
A matched Pair of Chinese Cloisonne Vases of squat bottle form with broad bodies and a slender flaring neck, decorated with flowering peony on a blue enamel ground with a gilt wire design of stylised clouds, the bases with two bands of overlapping semi circles and the tops with a band of repeating ju'i lappets, the top interior rims finished in metal and the bases with a gilt foot rim enclosing blue enamel. The designs on these vases match very closely and the peony flowers are in mirror image but the vases are unlikely to have been an original pair. Weight and style of decoration suggest a circa date at the end of the nineteenth century.
Charming pair of silver piglet earrings
Price: £35
This is a quite detailed pair of earrings in the form of small piglets or they could be full grown pigs if you know about livestock. They are quite small with very detailed smiling faces. They are marked 925
Art Nouveau style turquoise glazed Urn shape Vase, Bretby ware, early C20th
Price: £75
A ceramic urn shape vase, the body of compressed bulbous form with a wide cylindrical neck and two angular handles, the moulded and dimpled surface glazed in turquoise a craquelure effect, applied modelled floral decoration to the front and reverse in pinks and greens, the base with impressed marks ‘BRETBY’ below a sunburst motif, ‘MADE IN ENGLAND’ and ‘1742'.
The firm Bretby was the result of an amalgamation between Henry Tooth and William Ault who formed a partnership in 1883. Both had previously worked at the Linthorpe pottery established by Christopher Dresser in 1879 and retained a comnnection with the celebrated designer even after striking out on their own. Success came early and the firm won a gold award in the Crystal Palace Exhibition of 1884, patenting their trademark with its sunburst design above the name Bretby in the same year. Ault left the partnership in 1887 to set up his own business under his own name but Henry Tooth continued to oversee production until his death in 1918, the business then remaining under the control of the Tooth family until it was sold in 1933. Production continued, though, well into the twentieth century until the firm closed around in the late 1990s.
This piece is typical of their earlier work with a nod to both the art nouveau style and Dresser himself, particularly in the shape of the handles. ‘Hammered’ decoration was typical of the Arts and Crafts movement popular at the time and the applied floral decoration has some parallels with Japanese pieces again much in vogue at that period. Similar pieces are known with the same shape and pattern number (1742) which seems itself also to indicate an early twentieth century dating, but the applied decoration seen here is unusual.
Necklace with massive Agate Disc strung set with facetted ruby beads, India, c1940
Price: £325
This is a very substantial and heavy necklace that features a very large banded agate stone mounted in silver and set with facetted rubies. The necklace is strung with very large facetted ruby beads that are approximatelyl 12 mm wide. This really is a one off. It is from India and may have been a commissioned piece. It has been restrung recently on metal cord with a new clasp so is quite strong. The ruby beads are particularly interesting and hard to find in this size.
Japanese Arita Blue and White Saucer decorated Gourd and Grapes, mid C20th
Price: £15
A Japanese Saucer with a lightly shaped edge decorated in underglaze blue with green and pink highlights, a trefoil gourd like motif set on a ground of radiating feather form bands with grapes and vine leaves, the reverse glazed white and plain but with a two character script mark to the centre of the foot. Dating is probably to the 1950s/1960s but the design here is unusual and has been executed with some care, hence, no doubt, the potter’s mark.
Set of Four Japanese Ceramic Beakers decorated Geisha, late C20th
Price: £40
A set of four Japanese beakers, straight walled with an incurving black glazed foot, the white ground decorated in coloured enamels with four geisha with elaborate hair styles and wearing differing versions of the traditional kimono dress, each with an inscription and artist’s seal. The depiction of these ladies recalls loosely the prints of the celebrated eighteenth century Japanese artist Utamoro and the type of kimono worn seems to be ‘furisode’ distinguished by its long flowing sleeves symbolising good luck and prosperity. Some vestiges of tradition, then, in pieces that are relatively recent in date but highly attractive in appearance.
Native American Zuni silver cuff bracelet c1970
Price: £125
This is a stunning bracelet made by Zuni silversmiths in the area of New Mexico. It comprises a large mosaic of turquoise, mother of pearl and coral that is indicative of Zuni design and work. This mosaic is set into a silver halo of a flower and leaves, also a typical design. It is marked Sterling 925
Fun vintage souvenir shell necklace 1960s
Price: £15
This is quite an intricately made necklace that would have been a souvenir piece in the 1960s. It comprises three types of shells that are woven together. It is difficult to name the shells unless you are an oceanographer (!) but the main type of shell is a flat and there are two other smaller shells with one artificially coloured green.
PLEASE NOTE THAT THERE IS FREE UK SHIPPING ON THIS ITEM. For international buyers the shipping cost will be reduced by the UK shipping cost, so don't worry if you are outside the UK, you still receive this benefit!
Beautiful Chinese carnelian silver bracelet
Price: £75
This is a very elegant and substantial bracelet comprising five stations of carved carnelian mounted in silver with hinges. There is quite an large an unusual bowed bar clasp that would be nice for engraving someone's name perhaps. Marked 925.
Carved Chinese brown jade necklace
Price: £55
This is an intricately carved brown jade necklace with a large carved pendant with corresponding carved and round beads. It is strung on a brown silk cord with adjustable Chinese knot.
Chinese Republican Style small Famille Rose Ginger Jar and Cover, late c20th
Price: £20
A small ginger jar and cover of typical near globular form with a matching domed cover decorated in ‘Famille Rose’ enamels with two ladies in a garden scene, the base with a band of repeating stylised lotus leaves and the shoulder with a border of stylised scrolling foliage (peony and lotus) on a pink enamel ground, the cover with two butterflies and a band of fleur de lis and the reverse with a calligraphy inscription in black with seal marks in iron red. The base has a stamped iron red mark with the Chinese characters ‘Zhong Guo Jingdezhen’ which translate ‘Made in China’ which is also written in Western characters underneath. Below this is the number ‘07’ between two horizontal lines which may indicate the factory or cooperative where the piece was made. This form of mark indicates a dating to the 1980s which is consistent with both the paste of the foot and the style of the decoration. Not perhaps Chinese craftsmanship at its best but not without a certain charm.
Pair of Staffordshire style Vintage Busts of Children, C20th
Price: £75
A pair of polychrome ceramic busts of children, a boy and a girl, both dressed in blue and wearing country style hats, each set on a pedestal base with blue and red ‘veining’ in imitation of marble, the glaze with a feint craquelure and the bases countersunk and pierced. Others may well disagree but, usually described as Staffordshire, or occasionally Continental, these busts were more likely made in China. The enamel work is typical of twentieth century Chinese pieces and the faces of the pair do not have a convincingly European look. More importantly the paste of the foot is closer to Chinese work than Western and even the form of the base is not found on European pieces either. Nevertheless, these two youngsters make an amusing and decorative pair whatever their history.
Small Chinese Ginger Jar decorated in Famille Rose enamels, second half C20th
Price: £25
A small Chinese ‘Ginger’ jar of typical form with a near globular body and a short straight neck, decorated in Famille Rose enamels with a bird on a rock and flowering peony, a butterfly to the reverse and the neck collar with a border of repeating sylised leaves. The base with a seven character stamped mark in iron red.
The stamped mark to the base reads ‘Zhongguo Jingdezhen Zhi (China Jingdezhen Made)’ with the letter ‘V’ between two lines. In the early 1950s almost all the factories in Jiangxi, the province where the kiln town Jingdezhen is situated, were merged into larger units, each made up of ten to fifteen previously independent factories. From this time factory numbers such as we have here (=V=) came to be used and many pieces are found with a wide variety of letters and numbers indicating the various cooperatives. The quality of the productions varied and it is a reasonable assumption that increasing years witnessed a decline. While other examples of this type of jar exist, some with their original domed covers, this piece is of the very best quality, indeed the work matches earlier pieces in the style very closely, and a dating to the mid 1950s seems quite plausible. It shows that the Chinese potters continued to produce to a high standard when they chose to do so and provides a pleasing memento of the closing era of a tradition of porcelain production stretching back long into the past.
Oil Painting of a landscape scene with trees, framed, C20th
Price: £45
An oil painting on hardboard in impressionistic style of a landscape scene with trees, a field in the foreground and a river bank in the distance, signed, but illegibly in the bottom right corner. Doubtless the work of an amateur artist this presents an attractive scene employing the techniques of the ‘impressionist’ masters and rather more affordable than their work. The frame is simple but complementary. The use of hardboard suggests a dating to the 1950s or 1960s when that material was particularly in vogue. On the back can be made out the letters 'RICHARDSON' 'NO PIC' 'G' and the signature at the front may well be read as 'Richardson'. Many artists by that name are known but while this picture cannot be atrributed to any of them, the painter was clearly accomplished.
Chinese style Vase and Cover decorated with ladies and courtiers in a garden scene, C20th
Price: £55
A Chinese style vase of ovoid form with a short neck and foot fitted with a matching dome shape cover with a plain finial, decorated with a polychrome design of two ladies in a garden scene being watched through a stylised window by two courtiers, flowering trees to the front and reverse, probably plum blossom or prunus, and typical verandah fencing, the foot, shoulder and cover with pattern designs loosely imitating those of the eighteenth century, including lotus panels, ju'i form lappets and floral borders with scrolling peony. This piece is a pastiche of Chinese work and probably dates to the 1960s. While it looks back in some respects it has a contemporary feel, particularly in respect of the shape which is simpler and more Western than that of its sources. The mark is pseudo Chinese and the manufacturer was clearly European, most probably an Italian factory since some similar pieces exist with a label stating 'made in Italy'.
French Regency style Bevelled Amber Glass & Filigree Ormolu Casket, mid twentieth century
Price: £55
A Regency style bevelled amber glass & gilt filigree ormolu Casket, the pentagonal body with five ovoid amber glass panels with bevelled edges, the borders with an arrow form repeating geometric design, all set between gilt filigree work of stylised foliage, the three spreading feet also with floral gilt filigree work, the hinged lid with a similar circular amber glass panel surrounded by a repeating design of stylised gilt leaves, the interior lined in gold velvet studded with tiny gilt nails.
Various pieces in this style where amber glass panels are combined with elaborate gilt metal work can be found. Most were intended as dressing table ornaments, as here. Sometimes termed 'Hollywood', after the American made products in this style of which Lot 1 in this sale is a prime specimen, these items were designed to add a touch of luxury to the bedroom. They are usually regarded as French and thought to have been made between the 1920s and 1940s. This is a particularly nice example with no damage to either the glass or the metalwork.
French Regency style Bevelled Amber Glass & Filigree Ormolu Casket, mid twentieth century
Price: £55
A Regency style bevelled amber glass & gilt filigree ormolu Casket, the pentagonal body with five ovoid amber glass panels with bevelled edges, the borders with an arrow form repeating geometric design, all set between gilt filigree work of stylised foliage, the three spreading feet also with floral gilt filigree work, the hinged lid with a similar circular amber glass panel surrounded by a repeating design of stylised gilt leaves, the interior lined in gold velvet studded with tiny gilt nails.
Various pieces in this style where amber glass panels are combined with elaborate gilt metal work can be found. Most were intended as dressing table ornaments, as here. Sometimes termed 'Hollywood', after the American made products in this style of which Lot 1 in this sale is a prime specimen, these items were designed to add a touch of luxury to the bedroom. They are usually regarded as French and thought to have been made between the 1920s and 1940s. This is a particularly nice example with no damage to either the glass or the metalwork.
Royal Doulton bottle form Vase decorated with flowering lotus, early 20th Century
Price: £75
A Doulton Vase of bottle form the compressed globular body with a short shaped flaring foot, the slender neck slightly tapering towards the top flaring rim, the moulded decoration comprising four lotus flowers on a dark blue ground, the neck glazed in mottled aubergine and the top interior with a matching blue glaze. The unglazed base in biscuit brown and with a stamped mark reading 'Royal Doulton England' below a crown and a lion, an impressed pattern number 8054 and with stamped initials 'h' 'd' for the artist E Violet Hayward and a scratch mark.
The Doulton pottery originally had its first factory in Lambeth, London. Set up in 1815 by John Doulton, who is rumoured to have spent his life savings of £100 in starting the business, the firm concentrated on making pipes and utilitarian works. But in the 1880s the Company moved to Staffordshire and began making fine bone china tableware and decorative items. The pottery was located in Burslem, Stoke-on-Trent and has manufactured high quality ceramics and porcelains ever since, receiving a Royal Warrant in 1901.
This piece is typical of the glazed pottery pieces made in the late nineteenth and early twentieth centuries. A muted palette of colours was used and a variety of forms created with many artists taking a hand in the decoration. Most of the pieces are signed, as here. The pattern number indicates a date after 1894, but the Royal Warrant mark means a dating in the early 1900s. Perhaps a timing in the Edwardian era (1901-1910) is the most likely.
This vase is an excellent example of the creative designs which Doulton produced. As often, there is a slight Oriental influence but the style and design are unmistakeable.
Dresden style model of a Coach and Horses, probably German early C20th
Price: £75
This is a spirited ceramic model of a Coach and Horses, the coachman himself seated at the front of the carriage with two outriders at the front and back, while inside sits a lady clearly dressed for a ball to which she is presumably being conveyed. A sense of urgency and speed is artfully conveyed, the coachman’s cloak billowing behind him, the outriders’ horses prancing and the carriage horses themselves straining at the reins (now lost) as they speed the vehicle along. The composition sits on a rococo style base with scrolling foliage which complements it well. Considerable care was taken in the manufacture of this piece which has miraculously survived undamaged apart from the loss of the original fitments which would have been made from cotton rope or wire. The detail of the modelling speaks for itself with the addition of the passenger figure cunningly placed inside the carriage. Many German factories made these ‘coach and horse’ models in the late C19th and early C20th and some of their pieces are marked which helps with identification. For all of them the style is clearly ‘Dresden’. Italian ‘Capodimonte’ examples also exist but the paste and finish of the base here does suggest German work and the ‘brassy’ effect of the gilding an early C20th dating. Clearly a shelf or mantelpiece ornament designed to be seen best from the front and an item of immediate and obvious appeal both to a contemporary and current audience.
Small Chinese Gilt Ground Cloisonné Bowl, C20th
Price: £35
A small bowl with a short foot and an everted rim, the gilt ground decorated in raised cloisonne enamel with prunus flowers, the base and interior finished in mottled turquoise enamel. The cloisonné technique, where glass derived enamels are inlaid between gilt metal outline designs, the so called 'cloisons' or 'partitions', was developed in China from as early as the fourteenth century and employed continuously thereafter, even until the present day. In the early twentieth century pieces were produced with a gilt ground onto which were applied raised cloisonne enamel designs, as here. The quality of the work is excellent and self evident but note in particular the shading effects in the enamels which are seen in images (3) and (4). Prunus is the emblem of Winter and the symbol of life because its blossom appears in springtime on an apparently lifeless tree. This small bowl or cup was probably intended for drinking tea or wine which explains the shape of the rim. Dating is most likely to the first half of the C20th.
Two marcasite convertable dress clip brooches c1940
Price: £35
These are two complimentary dress clips or brooches that have a distinctive designs. They are set with marcasite stones and can be either mounted as a brooch or used separately as dress clips.
Pair of Georgian Style Square Gilt Bronze Table Salts, English C19th
Price: £45
A pair of gilt bronze table Salts of square form with openwork sides decorated with stylised scrolling foliage, flaring below to a pedestal base with paw feet, one edge with milling, and above to the squared top rim. The paw feet and general solidity to the decoration suggest the Georgian style but these pieces may have been made later in the nineteenth century. The square form is most unusual and the openwork sides clearly held a container, possibly metal but most probably glass, for the salt itself. The milling to the edge of just one of the sides is something of a mystery; it has been suggested, though, that it might have been done to assist an owner with impaired vision, perhaps to distinguish one vessel from another if they were actually used to contain different condiments. Be that as it may, if not necessarily for practical use today, these pieces make an elegant accessory with a true sense of the antique.
Mexican Silver Bracelet with Aztec Designs, Taxco, 1950s
Price: £65
This is a fine example of a ‘classic’ bracelet design produced by the Mexican silversmiths working at Taxco, the artistic centre of Mexican silver production. The bracelet comprises four curved rectangles of silver joined with hinges and terminating in a square push clap. When assembled the pieces form a circular bracelet which sits snugly on the wrist. Each piece has an engraved design employing Aztec motifs, so often a source for decoration on Taxco jewellery, key pattern between a triangular and a stylised floral motif on a ground etched to imitate stone. The square clasp is stamped at the back with a diamond tablet with the characters ‘GURDO925’‘FP’ and an eagle mark 4. Dating is most likely to the 1950s. FP is the Taxco silversmith who would have been active in the 1940s and 50s based on this eagle mark.
Exceptional strand of Scottish Moss agate beads
Price: £45
This is a lovely example of these Art Deco beads as they have very clear stones where the inclusions are bright and noticeable. They are graduated with a silver clasp.
Scottish Agate bar brooch
Price: £35
This is a very simple and elegant brooch comprising on stone of the typical black and white banded agate.
1940s Dutch coin braclet
Price: £35
This is a fun bracelet comprising 9 10 cent coins all bearing the Queen Wilhelmina and dated between 1937 and 1941. The coins are silver and the 1941 coins were the last silver 10 cent coins that were produced. Post 1941 the Germans produced Zinc versions. The findings on this bracelet do not appear to be sliver but silvered metal. Has a hook fastening and good security chain.
Chinese Cloisonne Shallow Bowl, C19th
Price: £45
A Chinese cloisonne shallow bowl of typical form with a compressed globular body, a wide opening with a gilt metal rim, a short gilt metal foot, the interior and the base enamelled in blue and the exterior decorated in cloisonne enamels with multicoloured floral blooms on a green ground with repeating a repeating fish scale border at the base and a band of ‘ju’i’ lappets at the top. The cloisonné technique, where glass derived enamels are inlaid between gilt metal outline designs, the so called 'cloisons' or 'partitions', was developed in China from as early as the fourteenth century and employed continuously thereafter, even until the present day. The weight of this piece and the quality of the decoration suggests a dating to the nineteenth century, perhaps towards the middle. Certainly, it is a much above average example of a form which was to be produced in substantial quantities in the early years of the twentieth century for export to the West. Its smaller size enhances its attraction making it an attractive collector’s item.
Fine Quality engraved French Glass Dish with naturalistic Ormolu Mounts, early C20th
Price: £25
A small glass circular dish with deep sides and engraved to the centre with flowering lotus, mounted to the rim in gilt meatal or 'ormolu' with a circular band cast with a repeating loop design,
astride which are a well modelled frog and a lily pad. Perhaps intended as a bonbonniere or a trinket dish, this charming piece clearly reflects the Art Nouveau style with its emphasis on
naturalistic design. Similar pieces are held to be French and this is most likely the provenance here with a dating to the early C20th.
Vulcanite long necklace with Maltese cross and fob c1880
Price: £195
This is the holy grail of Vulcanite necklace due to the length and it also has two integrated Vulcanite pendants a Maltese cross and a fob that may have been intended to be engraved. The links are round and there are further links at the end giving it a lariat style.
ABOUT VULCANITE
Exciting scientific and technological advances punctuated the nineteenth century. Growth and development with regard to jewelry-making techniques and new and innovative jewelry materials were an important part of these creative endeavors. Combining imitation gems with various imitation jewelry materials had already been en vogue since the early Eighteenth century and viable replacements for faux non-metallic jewelry materials were chiefly derived from plastics and rubber.
Uncured rubber is somewhat brittle and does not have the stamina to hold up over the long term necessary to be viable for jewelry use. It was not until Charles Goodyear patented the vulcanization process in America in 1844 and Thomas Hancock did the same in England, that jewelry production with a rubber composition was possible. Vulcanization is a high-heat process that adds sulfur to the mix and renders the result more durable than rubber or plastic alone. Both gentlemen exhibited their achievements at the Great Exhibition, displaying molds of items intended to substitute for the very popular, but exceedingly brittle jet.
One of the main purveyors of vulcanite jewellery was the Britannia Rubber and Kamptulicon Company, set up in 1854 at Cannon Street in the City, with the works in the East End of London at Bow Common, “for the purpose of manufacturing in England articles invented by Mr. Goodyear.” From 1866, they placed advertisements in The Times for ” Indiarubber chaines Benoiton, wholesale and export only,” offering a full range of industrial, household and ornamental goods including “Imitation Jet (India Rubber): Albert chains, Victoria chains, long chains, Latin, Greek, Maltese and Dagmar crosses, brooches, bracelets, earrings, waist-clasps, charms and trinkets, gauntlets and armlets, fancy black combs, and dressing combs,” assuring their customers that these items had the “the beauty of polish and deepness of colour of jet, without its dangerous quality of brittleness…You may dash a bracelet or chain of this material to the ground without injuring it.”
Sources:
Lang Antiques (www.langantiques.com)
Gere, Charlotte and Rudoe, Judy. Jewellery in the Age of Queen Victoria: A Mirror to the World: London, The British Museum Press, 2010.
Modernist Silver White Anthurium Brooch, Mexico, 1970s
Price: £25
This is a very unusual brooch that has two white anthurium flowers and gilt stamens. It is marked 'Made in Mexico'.
Striking 1950s applique summer handbag
Price: £65
This bag is made for spring and summer! It is a large bucket style bag trimmed in faux leather. The body of the bag is a sort of faux hessian finish. It is appliques on the front with a butterfly design in rhinestones, crystals and ribbon work. It is lined in Naugahyde and has a wooden base.
Intricate Czech glass necklace 1930s
Price: £65
This is a beautiful necklace comprising an indicate multi layered design set with purple and lavender stones. The metal work is in the typical filigree design and it is silver tone.
Group lot of three jade necklaces
Price: £45
This is a fun group three necklace that have been combined as they would look good worn together. They each have knotted cords and jade beads. Each one has a unique carving. One is a heart and there are two pigs. Pigs represent luck and wealth. The quality of the stones and carving is excellent. The necklaces are adjustable in length.
Japanese Polychrome Bowl, Shibata Toki ware, late c20th
Price: £45
A fine quality Japanese porcelain bowl with deep sides curving in towards the base and with ribbing in the lower section, the interior delicately decorated in polychrome enamels with a design of flowering peony, the exterior with gilt diaper work on an iron red ground above a border of repeating stylised leaves, the base with a four character mark in iron red reading ‘Shiba-ta-to-ki’, ‘Shibata Porcelain’. The porcelain manufacturer Shibata began production in 1948, based at Mizunami city, near to Nagoya in Japan. They were known for their fine quality porcelains whose work resembles that of the nineteenth century Fukagawa kilns. Their pieces are marked, as here, sometimes with the addition of their name in Western lettering. This bowl probably dates to the 1970s and is a fine example of their work. Since 2004, the company has also operated from workshops in China.
Pedestal footed Onyx Vase, mid to late C20th
Price: £25
An onyx vase the body of slender ovoid form with a tall slightly flaring straight neck, hollow inside, supported by a spreading pedestal foot, the stone with typical and colourful banding effects. Onyx is named from the Greek 'ónux', meaning “nail,” or “claw,” and is a variety of the mineral chalcedony, a kind of quartz. Onyx with flesh-coloured and white bands can sometimes resemble a fingernail and a similar effect is seen here. Found in many parts of the world, its source can never be determined with certainty but an Italian origin is likely here. The style of the piece suggests the 1960s or 1970s
Egyptian Nefertiti and Talisman necklace on long chain c1970
Price: £95
This is a group of two large Egyptian pendants on a long box chain. The pendants are a plaque or talisman that has Hieroglyphs the other is the head of Nefertiti. These go perfectly together and look great on the long chain. Both pendants have Egyptian silver hallmarks.
Large silver fancy link Bracelet, modern
Price: £50
This is an unusual variation on the chainmail bracelet form where a triple series of interlocking oval links are combined with small rolled wire beads, quite a demand on the silversmith’s skills. The ends terminate in a ball and clasp fastening and the clasp is marked ‘925’ with a double oval. The style suggests a late twentieth century dating with perhaps English craftsmanship.
Victorian silver bracelet set with garnets 1900
Price: £35
This is a lovely and delicate bracelet comprising intricate silver mesh set with garnet stones and silver spheres. The clasp is a buckle that is very typical of this period.
Art Deco continental black spinel and marcasite ring, 1920s
Price: £35
This is a beautiful ring comprising a rectangular slice of black spinel surrounded by architectural silver work and marcasite stones. Marked 925 Silver
Egyptian Revival scarab ring, 1930s
Price: £25
This is a wonderful and unusual ring in the form of a scarab with filigree work on the shoulders. Bears marks that are illegible but most likely this is Egyptian silver.
West German Vase with drip glaze decoration, Scheurich, 1960s
Price: £45
A ceramic vase of upright cylindrical form with a compressed concave neck and a galleried rim, the cream coloured ground with light craquelure in places and with drip glaze decoration in shades of brown, the interior glazed brown and the cream coloured glazed base with moulded marks ‘517-30’ ‘W-GERMANY’.
Although not marked as such, this vase has all the hallmarks of the firm Scheurich Keramik which started production in 1954, rather later than most of its competitors, but soon became the largest producer of commercial art pottery in Germany. Their pieces rarely carried the factory name but usually the model number followed by the height in centimetres with ‘W-Germany’ below, as here. Model ‘517’ can be found in a variety of different glazes but the colourings here with the contrast between browns and cream are particularly successful. Dating is to the 1960s.
Mikado Carlton Ware Vase, 1920s
Price: £45
Designed by Horace Wain, this Japonaiserie pattern vase is an example of the so called ‘Mikado’ range produced by Carlton Ware from the 1920s onwards. Inspired by the Gilbert and Sullivan operetta of the same name, Wain combined both Chinese and Japanese elements to produce a decorative melody of Oriental design. The form of this vase, a cylindrical body tapering at the base with a well defined shoulder below a short cylindrical neck with a galleried rim, follows closely the classic Chinese ‘rouleau’ shape and some of the elements of the decoration are Chinese in origin too, especially the floral border to the neck, but the figures are Japanese, the lady appearing as a Geisha and the gentleman holding a fan usually described as the Mikado emperor himself. The black ground appears on other pieces and the form of the mark, including a dove within a circle, was used from 1894 to the early 1920s, when Wain himself left the firm, although his designs continued to be made for some years afterwards.
Carlton Ware was the trade mark used by the pottery manufacturer Wiltshaw and Robinson, whose premises were located in Stoke on Trent, four years after the firm’s establishment in 1890. The firm mostly concentrated on decorative giftware and new methods of production introduced in the 1920s put it at the forefront of the earliest Art Deco pottery pieces produced, firstly with designs originating from Tutankhamun’s tomb and then with pieces with an Oriental influence of which this vase, in shape not often seen in this design, is a prime example.
Chinese Fan, painting on silk, 1960s
Price: £15
A Chinese fan of irregular hexagonal shape with a bamboo effect handle, the silk panel edged with stitching and delicately painted with two goldfish and reeds in a pond setting. This lot is another example of the fans made by the Chinese as handicrafts exports to the West in the mid twentieth century, two other examples of which can be seen in the previous lot. The representation of the fish here is particularly pleasing.
Perfume Bottle and Stopper, Stuart Akroyd, signed J S A, late C20th
Price: £75
A perfume bottle and stopper, the body of slender baluster like form, a flat tear drop shape panel to one of the sides, the stopper bead shape and flaring inwards towards the base, the clear glass mottled with a purple roundel, the base flat with the incised initials ‘J’ ‘S’ ‘A’.
The signature here, which occurs on other pieces by the same artist, is for Stuart Akroyd, a celebrated English glassmaker who worked from studios in Sunderland then Sheffield from 1991 to 2021(see image 8). Born in 1966, Akroyd studied at Sunderland University, following this with a Post Graduate Diploma at the International Glass Centre, Brierley Hill. After working as the head maker at Lakeland Crystal, Cumbria he went on to establish his own business, Stuart Akroyd Glass Designs, in 1991, renaming it Stuart Akroyd Contemporary Glass when he moved from Sunderland to Sheffield in 2000. Best known for his sculptural pieces which were inspired by the ‘Skylon’ structure, the well known symbol of the 1951 Festival of Britain, Akroyd also worked on a smaller scale and there a number of small bottles by him of which this is an excellent example. The glass effects are skilful and inventive and the flat panel to the body is both decorative and functional, allowing the level of fluid in the bottle to be seen clearly. Many of his sculptural pieces were made in his later Sheffield workshop which, with its greater space, allowed him to employ the techniques necessary to create them, so it is a reasonable guess that this bottle and its companions belong to the first phase of his output.
Pair of Edwardian Chinese silver brooches, c. 1910
Price: £25
This is a lovely and delicate pair of brooches comprising Chinese filigree work in the form of a fan. The both have a floral motif.
An Octagonal Brass Tray with a roundel of an elephant, probably Persian early C20th
Price: £45
An octagonal Brass Tray with a short squared rim and a wide central well decorated with panels of sylised floral designs in various shapes all interlinked by narrow bands in milled edge decoration, the well with repeating geometric pattern borders and the centre with a raised design of a well modelled elephant standing amidst palm trees. The reverse plain and unpolished. The techniques employed here include repoussé and chased work, but with the addition of niello work where a black metallic alloy is employed as a background to other metal working techniques. Some of the elements of the design, particularly the borders and the central roundel of an elephant can look Indian but the floral work and use of colour is much more typical of Persian decoration and this is most likely what we have here, probably an early twentieth century creation intended as a tourist souvenir. Doubtless designed as a serving tray, this piece functions well as a decorative object for the wall which is why it was later given a soldered hanging fixture.
Large Cinnabar and filigree silver brooch, 1930s
Price: £45
This is a large carved cinnabar lacquer brooch that was very typical of the 1930s. The carefully detailed plaque, modelled with peony blooms, is mounted in silver with a filigree work border.
Egyptian Silver Pill Box with Mother of Pearl Inlay, marked, second half C20th
Price: £45
An oval silver box and cover, the lid with an inlaid mother of pearl design comprising geometric shapes which combine to produce a 3D ‘trompe l’oeil’ effect of solid shapes within a rope twist border, the exterior of the lid with a small stamped mark and the interior of the box with three small stamped marks. The markings here, which can be seen on other examples indicate that we have Egyptian work and there are a fair number of similar silver boxes but more commonly in a round shape. They are usually dated to the mid twentieth century. The quality of the craftsmanship is obvious and the form and decoration make this a highly desirable collector’s item.
Framed Picture of Two Elephants signed Mary Beth Zeitz and dated 2003
Price: £25
This attractive composition was, in fact, drawn on a serviette as the label at the back indicates and can easily be seen from the material itself. Depicted are a pair of confronting elephants with colourful saddle hangings and open top howdahs. The painting is skilful and there is much detail in the representation of the fabric hangings and the sides of the howdahs. But then, this is the work of an accomplished and known artist, Mary Beth Zeitz, whose signature appears at the bottom right hand corner (see another example of her work [image 7] for comparison). Born in the C20th in Louisville, Kentucky, she was raised in Wilmington, Delaware from the age of 3 and then went on to study French at the University there following this with a spell the Universite de Montpellier while she was living in the South of France. Her work is distinguished by detailed subjects and antique-style textures which are often to be seen in her watercolours. Her paintings have found their way into several galleries and have been purchased by private and corporate collectors. The recipient of this gift was lucky then and received a decorative object of great charm and skill.
Framed Ceramic Plaque depicting St John’s Church, Old Coulsdon, late C20th
Price: £25
A small ceramic plaque of octagonal shape painted in tones of sepia and depicting St John’s Church, Old Coulsdon, signed by the artist, ‘B.West’, and dated 1991. It is set in an oak frame with a border of stylised foliage on a ‘fishscale’ ground, the reverse backed with hardboard. St John’s Church, Old Coulsdon dates back to the late thirteenth century although some form of church on this site seems to have existed from the seventh century onwards. The view is taken from the south west and shows the old church nave and chancel (C13th) with the new church nave to the right (C20th). The artist was presumably local, perhaps a member of the congregation, and produced a pleasing, slightly impressionistic view of a familiar building. The frame looks earlier than the 1991 date inscribed on the plaque and may have been made from older pieces of wood adapted to fit. The combination produces an attractive decorative item, even to those not familiar with the location themselves.