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Fine quality Japanese Cloisonne bottle form Vase with black ground, late C19th

Price: £45

A cloisonne vase of bottle form, the bulbous ovoid body rising to a tall narrow cylindrical neck, the flat base in copper metal, the black ground decorated on the body with flowers including peony and butterflies, with a stylised wave border below and a band of peony blooms on the shoulder on a brown speckle ground, and on the neck with stylised hanging floral blooms. While not necessarily at the level of some of the signed pieces produced by the Japanese craftsmen in the late nineteenth century, this vase is an excellent example of the best work produced for export. The decoration is detailed and complex and employs some of the ‘special effects’ used, including shading to the enamels and a speckle ground, created with the addition of gold filings to the enamel, both seen in the decoration to the shoulder (see image 5). No doubt intended as a cabinet piece and not necessarily one of a pair, this vase is an excellent tribute to one of the classic ‘arts of Japan’ produced towards the end of the nineteenth century.

East German Ceramic Vase, VEB Haldensleben, 1950s

Price: £35

An East German Ceramic Vase of simple rounded form with an open neck decorated in yellow, blue and grisaille with bands of overlapping, cloud like segments, the interior glazed in black and the foot glazed in aubergine with an impressed factory mark and the numberd '8409'.

The factory mark, a shallow dish superimposed over the letter 'H' inside a circle, is that of the East German pottery VEB Haldensleben. VEB stands for 'Volkseigener Betrieb', meaning a people-owned enterprise and used in relationship to the state owned workplaces in the GDR. Haldensleben is a town in Saxony-Anhalt, Germany and a ceramics factory was created there in 1945 with the nationalization of the Carstens Uffrecht plant that followed the division of Germany at the end of WWII. Halsdenleben focused primarily on the manufacture of vases. Its output tended to be of superior quality and employed more restrained glazes than those used by its West German counterparts. Upon the reunifucation of Germany in 1990, the factory was returned to its original owners, the Carstens family. The pattern number here is found on other pieces with the same shape but the abstract decoration used is quite individual and evocative of 1950s and early 1960s designs.

Beaded celluloid bag

Price: £25

Taxco silver elephant cuff bracelet c1970

Price: £85

This is an incredibly fine bracelet that features mother elephants and their babies. It is 3 dimensional with so much detail. Although it does not bear any makers mark it is most likely from the Taxco region due to the quality of the silver and the type of work. It is marked 925. There are times when due to the silver work there is no room for a makers mark so they leave it off. This seems to be the case here.

Unusual Victorian style earrings

Price: £15

This is quite an usual pair of earring in the Victorian style made in the 1920s, They have a typical Victorian lyre shape with a bow. The unusual part is that they have beautiful enamel medallions that are Yin and Yang symbols. They are gilt brass and were modest costume jewellery in their time.

Arts and Crafts Stumpwork Firescreen 1900

Price: £25

This is a wonderful firescreen in a typical Arts and Crafts minimal design, with lovely stumpwork embroidery depicting two couple in garden

10 Chromolithographs from Illustrated London News publication celebrating Queen Victoria’s Diamond Jubilee 1897

Price: £85

This is a rare hand finished chromolithograph print taken from a publication that celebrated Queen Victoria's Diamond Jubilee in 1897. The design and vivid colours harken back to the Victorian era.

Print 1: This print depicts the weddings of Queen Victoria and Prince Albert and on the bottom depicts the marriage of Mary of Teck to the then Duke of York. The portraits surrounding these images are of the two brides and other royal family members. (numbered Plate 17)

Print 2: This print depicts the development in the modes of transportation during her reign. Clipper ship to steamer, carriage to train, walking and carriages to bicycles and automobiles. The portraits will be the inventors and visionaries of these developments. (numbered Plate XI)

Print 3: This print depicts the House of Commons with Prime Minister Salisbury and the House of Lords. The surrounding portraits are politicians of the day. The bottom centre is of Gladstone. (numbered Plate A)

Print 4: This print depicts the development of the Royal Navy during her reign. it starts with tall mast sailing ships (1836 fleet) and proceeds to steam ships (1853 fleet) and then finally to the most modern ships and even submarines (1897 fleet). The portraits are a bit random - but probably are naval officers and Royal family members. (numbered Plate IX)

Print 5: This print depicts three important battles during her reign. The portraits depict military officers and other influencers during these wars. (numbered Plate VIII)The portraits depict military officers and other influencers during these wars. (numbered Plate VIII)

Print 6: This print depicts the christenings of Victoria's first two children, Victoria Adelaide Mary Louise, Princess Royal and Albert Edward, Prince of Wales. The large portrait on the upper left is the Arch Bishop of Canterbury. (numbered Plate V)

Print 7: This print depicts the Queen's marriage to Prince Albert and the image below is a well known family portrait. The portraits are members of the Royal Family such as parents and possibly siblings. (numbered Plate IV)

Print 8: This print depicts Victoria's accession council, the opening of parliament and a royal procession. The portraits are very difficult to pinpoint but they would be politicians and influencers of the day. (numbered Plate III)

Print 9: This print depicts Queen Victoria's coronation in 1838. The top image is the ceremony followed by the procession with Buckingham Palace in the background. The portraits depict monarchs that came before here. Edward the IV is the large central top portrait. (numbered Plate II)

Print 10: This print depicts a later family portrait and three of her residences, Windsor, Balmoral and Osborne. The larger portraits are Edward Prince of Wales, George Duke of York and probably Prince Edward Albert.

Pair of bisque relief plaques by artist Bertel Thorvaldsen. Royal Copenhagen 1969 - 74

Price: £40

This is a stunning pair of bisque porcelain plaques depicting two well known images of Bertel Thorvaldsen's Four Seasons series. Here are Autumn and Winter. This series was produced by Royal Copenhagen Porcelain between 1969 - 74. They are drilled for hanging.

Bertel Thorvaldsen (born Nov. 19, 1770, or Nov. 13, 1768, Copenhagen, Den.—died March 24, 1844, Copenhagen), sculptor, prominent in the Neoclassical period, who was the first internationally acclaimed Danish artist. Prominent in Roman intellectual and artistic circles, he influenced many emerging artists from Europe and the United States. Most of Thorvaldsen’s most characteristic sculptures are reinterpretations of the figures or themes of classical antiquity. The Alexander frieze of 1812 in the Palazzo del Quirinale, Rome, modeled in only three months in anticipation of a visit by Napoleon, is an example of the feverish energy with which he could at times work. Religious sculptures include the colossal series of statues of Christ and the Twelve Apostles (1821–27) in the Vor Frue Kirke in Copenhagen. He also made numerous portrait busts of distinguished contemporaries.

Chinese Shoushan Soapstone Seal with the characters A.H., C20th

Price: £45

A Chinese soapstone Seal of slender square form, the top with a relief carved figure of a sage dressed in flowing robes and holding two scrolls in his left hand, set in a niche with a curved top, the base with two raised carved letters ‘A.H.’ The stone used here with its burnt orange, finely mottled surface is an example of ‘Shoushan’ soapstone which was very commonly used in the production of seals. It was mined in the Fujian province at or near the village of Shoushan in the North, from which it takes its name. Seals made from Shoushan stone in this burnt orange colouring, often found as pairs, were made from the nineteenth century onwards. The rather sketchy carving of the figure here suggests the mid to late twentieth century work, though, and, with its two European letters below, this was clearly a special commission. But the form and the quality of the material used are pleasing making this a useful addition to a collection of Chinese desk ornaments.

Past Times Art Nouveau Style Vase, Veronese Collection, 2004

Price: £45

This deceptively attractive vase which reflects Art Nouveau design in both its form and decoration is, in fact a recent reproduction sold by the once popular UK firm ‘Past Times’. The organically shaped slender ovoid body with a flaring base and a wide, open top is decorated with applied decoration of lotus, water lilies, reeds and a dragonfly, both the ground and its ornamentation intended to imitate bronze metal whereas the material is, in fact, bronze effect resin. The base has an attached felt pad with the repeating words ‘Veronese’, the name of the collection or range to which it belonged. There is also a small signature on the body and a copyright mark for the date of manufacture, 2004.

‘Past Times’ was founded in 1986 by John Beale, at first as a mail order company but then trading from physical stores and developing into a business which enjoyed enormous popularity with over one hundred shops in the early 2000s. The stock was focused on retro and vintage style items also including a wide range of licensed products, such as Harry Potter and Beatrix Potter merchandise. Badly impacted by the recession in 2008 it went into administration in 2012 and was bought by W.H.Smith a year later leading to the disappearance of its products from the marketplace.

This ‘Art Nouveau’ vase can be seen as an example of their range at its best. Manufactured with care it presents an appealing souvenir of the era it aims to recreate at a rather more affordable price than the authentic originals.

Mounted aquatint engraving of a Courting Couple, signed, probably French C20th

Price: £45

The aquatint process is similar to that of engraving but it is powdered resin rather than a needle which is used to create the desired print effect and it is areas of colour which are produced here rather than an outline design. Often, though, the two techniques are combined, as in this print. Within an oval frame are depicted in pastel tones of blue, yellow and green a courting couple in eighteenth century dress. Boucher springs to mind but perhaps we are closer to Fragonard since the scene depicted is not wholly innocent. The lady’s right breast is clearly exposed and her right hand rather artfully placed. Perhaps this explains the slightly surprised expression on the young man’s face. The general style indicates much more modern work of course, perhaps to the mid C20th, but the artist, who signs his name as ‘Ceilli’, could well have been of the same nationality as his more famous predecessors. Certainly, he has produced a work of impish charm.

Dresden style model of a Coach and Horses, probably German early C20th

Price: £75

This is a spirited ceramic model of a Coach and Horses, the coachman himself seated at the front of the carriage with two outriders at the front and back, while inside sits a lady clearly dressed for a ball to which she is presumably being conveyed. A sense of urgency and speed is artfully conveyed, the coachman’s cloak billowing behind him, the outriders’ horses prancing and the carriage horses themselves straining at the reins (now lost) as they speed the vehicle along. The composition sits on a rococo style base with scrolling foliage which complements it well. Considerable care was taken in the manufacture of this piece which has miraculously survived undamaged apart from the loss of the original fitments which would have been made from cotton rope or wire. The detail of the modelling speaks for itself with the addition of the passenger figure cunningly placed inside the carriage. Many German factories made these ‘coach and horse’ models in the late C19th and early C20th and some of their pieces are marked which helps with identification. For all of them the style is clearly ‘Dresden’. Italian ‘Capodimonte’ examples also exist but the paste and finish of the base here does suggest German work and the ‘brassy’ effect of the gilding an early C20th dating. Clearly a shelf or mantelpiece ornament designed to be seen best from the front and an item of immediate and obvious appeal both to a contemporary and current audience.

Charming pair of silver piglet earrings

Price: £35

This is a quite detailed pair of earrings in the form of small piglets or they could be full grown pigs if you know about livestock. They are quite small with very detailed smiling faces. They are marked 925

Art Deco Python Clutch

Price: £85

This is a stunning Art Deco clutch in all over python skin that is in pristine condition. It is lined in typical taffeta fabric with the interior purse for coins. The hardware is chromed metal with a black enamel closure. Is a good size that would be suitable for evening use as it can handle the essentials.

Very fine pair of vintage Chinese painted eggs in a pentagonal glass case

Price: £25

This is a beautiful pair of small eggs that are very finely decorated with birds and flowers, they are mounted on pink tufted fabric in a very unusual glass case

Lot of two vintage Chinese miniature Cork Groups

Price: £25

This a lot of two cork groups that are very detailed and unusual as there are not only the natural cork colours but also other stained colours that make them stand out. The square shaped group depicts a pagoda with foliage and cranes, the oval group also had a pagoda and cranes with a cherry blossom tree in addition.

Two Avon Perfume Bottles, Lady and a Girl, 1970s

Price: £20

These are two from the series of perfume bottles in the form of ladies or young girls issued by Avon in the 1970s. The first represents a figure in 1920s dress and is sometimes found with a label (missing here) which reads ‘Roaring Twenties’ followed by the name of a perfume. The second is a country girl complete with its label which reads ‘Avon’ ‘Nearness’ but the same model is found with other labels, indicating that both these containers were used for more than one brand of perfume. These bottles were an amusing marketing ploy which doubtless contributed to many successful sales.

Pair of Italian faux tortoiseshell earrings, 1980s

Price: £15

This is a wonderful pair of earrings that have large fan shaped faux tortoiseshell drops and metal clips that are marked BREV PAT (see image). BREV., which stands for "Brevetto." This is the Italian term for license, and the stamp signifies that the particular design or piece has been licensed or patented. These earrings are VERY light and the clips are brilliant making these very easy and pleasant to wear.

PLEASE NOTE THAT THERE IS FREE UK SHIPPING ON THIS ITEM. For international buyers the shipping cost will be reduced by the UK shipping cost, so don't worry if you are outside the UK, you still receive this benefit!

Mint Coronet Rapid camera with case 1950s

Price: £45

Coronet Rapide is a folding 120 film camera model of Coronet Co., Birmingham, England. It was also manufactured under license by Tiranty Company, Paris, France and produced in late 1940s and early 1950s. This one is particularly interesting because of its condition and the condition of the case. They appear to be unused or very well cared for. It has a Meniscu lenz. This camera has not been tested so we cannot guarantee it works although the condition would indicate that it does work.

LOT 11

Murano style glass wrapped candy Paperweight, late C20th

Estimate: £20 – 30

12d 6h 5m

£0.00

1940s Dutch coin braclet

Price: £35

This is a fun bracelet comprising 9 10 cent coins all bearing the Queen Wilhelmina and dated between 1937 and 1941. The coins are silver and the 1941 coins were the last silver 10 cent coins that were produced. Post 1941 the Germans produced Zinc versions. The findings on this bracelet do not appear to be sliver but silvered metal. Has a hook fastening and good security chain.

Green Chalcedony silver mounted brooch with marcasite stones, 1940s

Price: £45

This is a silver mounted brooch, the central oval green chalcedony or chrysoprase stone bordered with an elaborate rounded hexagonal frame, the stylised flowers with scrolling foliage and a milled border, all set with marcasite stones, a bar clasp to the reverse and an engraved mark ‘925’ for silver. Chrysoprase is a variety of chalcedony distinguished by its shades of green and has been used for jewellery since antiquity. Maracsite, a brittle, metallic, semi-precious stone is also often used in jewellery and sometimes known as ‘white iron pyrite’ or more colloquially ‘fool's gold’. Its use here, combined with the elaborate design of the mount, suggests a dating to the 1940s

Unusual Egyptian Revival necklace with a plaque depicting Isis, 1930s

Price: £75

This is a very striking necklace that features a very large central plaque well modelled with a double figure representation of the goddess Isis and a central scarab bead, with glass and a gilt metal bead below. The necklace with graduated glass beads, chain linked, and two gilt metal beads and with an integrated bead clasp.

Art Deco mother of pearl card case

Price: £50

This is a beautiful card case comprising mother of pearl in a diamond pattern. With wood lining

Pair of Lovatt and Lovatt Langley Mill Vases, early C20th

Price: £110

A pair of earthenware vases of tapering ovoid form, with globular necks and a flaring rim, the bodies decorated with peach enamelled impasto flowers and green leaves with gilded accents on a dark blue background with ‘threaded’ textures, the neck and rim glazed brown, the bases unglazed and with impressed marks ‘Lovatt’, ‘Langley Mill’, ‘England’, ‘12’ and a scratched mark ‘18’ with ‘LEADLESS GLAZE’ slightly below.

The Langley Mill Pottery was located in Langley Mill, Derbyshire on the Derbyshire – Nottinghamshire border. From its establishment in 1865 to its final closure in 1982, it went through five distinct periods of ownership, producing a wide range of stoneware ranging from utilitarian items and to high quality art pottery. This pair of vases dates from the third company that traded there, Lovatt and Lovatt. The Lovatt family had entered into partnership with the owner of the founding business at Langley Mill, James Calvert. From 1895 the business was in sole control of the Lovatt family and traded as ‘Lovatt and Lovatt’ until 1935. The early years of the twentieth century proved to be something of a zenith for them and a wide range of art pottery pieces were made which enjoyed great popularity. Production techniques were streamlined without a reduction in quality and in 1905, leadless glazes were introduced. These are proudly announced on the base of this pair of vases which are an excellent example of the Lovatt and Lovatt style and probably date to 1912, indicated by the impressed numbers for that year.

Set of Three Japanese Lacquer Nesting Trays, mid to late C20th

Price: £45

This is a fine quality set of three Japanese lacquer trays designed in a ‘nesting’ format so that the two smaller fit into the largest. Each is finished in red lacquer with an elaborate and detailed gilt and enamel design of two peacocks in a garden scene with peony and bamboo, the rims gilt and the openwork handles with beige plastic loops, the sides and reverse in black lacquer. The art of lacquer ware (漆器, shikki) has been practised in Japan since the earliest times and pieces from the Meiji period (1868-1912) are particularly collectible today. These trays are much later, the use of plastic suggesting the 1950s or 1960s but the quality is still there and their excellent condition allows the skill of the workmanship to be fully appreciated. Highly decorative in themselves they are functional as well!

Czech glass faux turquoise brooch c1930

Price: £65

This is a very rare brooch comprising a central faux turquoise glass stone surrounded by smaller beadwork set into white metal. This is a typical Czech glass design for makers such as the Neiger Brothers.

An Octagonal Brass Tray with a roundel of an elephant, probably Persian early C20th

Price: £45

An octagonal Brass Tray with a short squared rim and a wide central well decorated with panels of sylised floral designs in various shapes all interlinked by narrow bands in milled edge decoration, the well with repeating geometric pattern borders and the centre with a raised design of a well modelled elephant standing amidst palm trees. The reverse plain and unpolished. The techniques employed here include repoussé and chased work, but with the addition of niello work where a black metallic alloy is employed as a background to other metal working techniques. Some of the elements of the design, particularly the borders and the central roundel of an elephant can look Indian but the floral work and use of colour is much more typical of Persian decoration and this is most likely what we have here, probably an early twentieth century creation intended as a tourist souvenir. Doubtless designed as a serving tray, this piece functions well as a decorative object for the wall which is why it was later given a soldered hanging fixture.

Bone parquetry box decorated in the manner of Fornasetti, Venetian, mid C20th

Price: £85

A rectangular box with a hinged lid, the surface covered with small bone rectangular slabs laid in a parquetry technique and decorated on the sides with an architectural design in black, the interior showing the wood body of the piece. These boxes with their bone tessera like patterns combined with scenes of buildings were made in Venice probably from the 1950s to the 1970s. Some examples have a more stylised representation, as here, and some a more realistic depiction of Venetian palaces. The stylised architectural designs recall closely the work of the Italian artist Piero Fornasetti whose atelier produced ceramic vases with very similar decoration (see image 8 for an example) although it is not suggested that these boxes were the work of Fornasetti himself. The combination of building designs on a ground of what could be held to be building blocks is ingenious and the result stylish and attractive.

A gilt metal and onyx figure of a Cherub holding a Globe 1960s

Price: £45

This is an amusing figure of a cherub holding a globe, perhaps intended as a desk ornament or paperweight or possibly as part of a two piece clock set. The cherub is modelled in gilt metal with a smiling face, standing on one leg with the right arm upraised and supporting a globe which is held in place by a screw attachment. The globe and base are formed from onyx with typical striations. Similar pieces are usually dated to the 1960s which would seem to be the case here. Mounted onyx globes do appear, but the addition of the cherub figure is more unusual.

Massive banded carnelian cuff bracelet

Price: £450

This is an absolute bobby dazzler of a bracelet comprising five large banded carnelian stones mounted on a sterling silver frame. The stones are very large and have the perfect almost geometric shapes in them. Marked 925.

Mottled blue Bakelite buckle in the shape of an airplane, American 1930s

Price: £45

Another incredible buckle in mottled blue Bakelite in the shape of an airplane that spreads open at the wings, with impressed carved circle decoration on the wings and tail and metal fitments to the reverse for securing the belt and fastening the buckle. The airplane is one of the classic decorative objects of the Art Deco period, featuring prominently both in the round, often as a desk ornament, and in graphic design. But buckles in the form are unusual and we are fortunate to be able to include two examples in this auction!

Pair of Chinese Ginger Jars decorated Birds and Flowers, late C20th

Price: £45

A pair of Chinese ceramic ginger jars of typical ovoid globular form with a short straight neck decorated in polychrome enamels with birds amidst trailing peony on a matt lime green ground with craquelure effects, the bases each with a circular mark in iron red, one with the numbers ‘141’. The look of this pair is more European than Eastern but the finish of the base suggests production in China and similar examples can be found marked ‘Fabricado em Macau’ (‘Made in Macau’) and Macau was indeed a centre for the manufacture of ceramics from the sixteenth century onwards, continuing production well into the twentieth with an emphasis towards the end on souvenirs for tourists. The style of decoration tended to be more heavily influenced by Western techniques and motifs which explains the more hybrid decoration of this pair, not without a certain charm in itself. Dating is most likely towards the end of the twentieth century.

LOT 1

Pair of Orange Glazed Flasks and Covers, Fabienne Jouvin Paris, C20th

Estimate: £60 – 80

4d 5h 45m

£36.00

Burmese silver plated Scent Bottle on a chain c1880

Price: £45

This is a very wearable piece of fashion history. It comprises a large repousse decorated scent bottle cast from silver plated white metal and depicting Burmese lions, fitted to a very long necklace chain. The stopper is attached by chain and comes out to reveal the scent wand. Not without a practical use this piece certainly fulfils a decorative function!

Incredible quality Silver and paste brooch c1950

Price: £45

This is an amazing brooch that comprises silver and paste stone in a very detailed and flowing ribbon design. The numerous stones are prong set. There is a central faux pearl. It is marked 925 and it has a very secure barrel clasp that pulls out so the pin is held fast.

Silver Pendant, Tutankhamun and Ankhsenamun, Egyptian 1950s

Price: £35

A small silver pendant cast in relief with two figures of a man and a woman representing the pharaoh Tutankhamun and his wife Ankhsenamun in typical court dress with stylised hieroglyph reliefs above, the reverse plain. Ankhsenamun's robe has a small stamped mark indicating that the piece is Egyptian silver and probably also giving the maker's name or the place of manufacture. Dating is likely to the 1950s. The pendant is fitted with a silver chain with '925' stamps.

French cockerel brooch 1920s

Price: £75

This is a very striking large brooch in hand worked brass with enamelled feathers, head and feet. It is very cleverly made to give you the effect of many voluminous tail feathers.

Beautiful sautoir necklace with Whitby jet pendant 1920s

Price: £35

This is a lovely necklace comprising a very intricate design of multiple strands of French jet beads in different shapes interspersed with unusual Venetian glass triangular beads. This necklace ends in a long pendant comprising a large carved Whitby jet bead and strands of bugle beads.

Art Deco Scottish agate panel bracelet, 1930s

Price: £95

This is a very unusual Scottish agate bracelet comprising bevelled panels with two beads around the central stone. The colour and shape are just perfect to show off how beautiful this type of agate is. This bracelet was originally on an elastic cord. It has now been restrung onto a steel wire with a fitted clasp which makes it both more durable and practical.

Minton Indian Tree Pattern Pitcher and Basin circa 1900

Price: £350

The so called ‘Indian Tree’ pattern, fusing elements of Indian and Chinese designs, was a staple in the repertoire of many of the English potteries in the nineteenth century. Minton’s version was amongst the finest and is used here to decorate a pitcher and basin from an original toilet set. Surviving in pristine condition, the pieces are an imposing example of a Victorian pattern once so popular, with striking decorative appeal for a contemporary setting.

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The celebrated firm of Mintons was founded by in 1793 by Thomas Minton (1765–1836) at Stoke-upon-Trent, Staffordshire, England as ‘Thomas Minton and Sons’, producing earthenware. The initial ranges were standard tablewares in blue transfer-printed or painted earthenware, including the ever-popular Willow pattern. By the mid nineteenth century and in partnership with Michael Hollins, Mintons began the production of decorative finishes for the interior and in particular floor tiles which enjoyed enormous demand and were the subject of numerous prestigious commissions including a contract for the flooring of the American Capitol. This was followed by the introduction of the plain white glazed ‘Parian’ wares and then the Italian inspired ‘majolica’ pieces with their richly coloured lead glazes. Mintons continued to follow popular trends, working with Christopher Dresser, recruiting Louis Solon from Sevres who had developed pâte-sur-pâte wares and finally contributing to Art Nouveau ceramics with a speciality in secessionist wares.

But the manufacture of tableware continued alongside all these other developments and Mintons adopted and adapted the popular ‘Indian Tree’ pattern which was first produced by Coalport in 1801. This design fused elements from Indian textiles and Chinese ceramics into an amalgam with immediate appeal. The pattern includes the crooked branch of a tree and a partial landscape including exotic flowers and leaves with a palette of colours emphasising green, blue, pink, and orange, resembling quite closely the Chinese export wares decorated in ‘Famille Rose’ enamels which had been exported to Europe in great quantities in the eighteenth century. Many of Coalport’s rivals, including Spode, Wedgwood and Royal Worcester produced their own versions of the design, but Mintons’ interpretation was held to be one of the most successful.

It was used by Mintons to decorate a variety of shapes, mainly dinner and tea wares, but the toilet pitcher and matching basin are seldom found in this pattern. Both the forms are extremely elegant, the pitcher with light fluting, a scalloped rim and a complementary handle, while the basin, also lightly fluted, employs simple lines with a turnover rim which follow the shape of a Chinese original. All the standard elements of the pattern can be seen, in particular the twisted tree, and the diaper work borders again reflect Chinese originals.

Both pieces are marked with the pattern number ‘T 216’ and a Minton stamp, the form of which allows fairly accurate dating. The globe topped by a crown with the banner ‘Mintons’ was used from 1873-1912 but ‘England’ was only added after 1891, giving a circa date in the late nineteenth or early twentieth century, probably around 1900. The original toilet set, which would have included the pitcher and basin along with, probably, a chamber pot, a soap dish, candlesticks and other accessories, was clearly a ‘deluxe’ item at the time and its quality is still apparent today when it can be enjoyed simply for its decorative appeal and as a reminder of a past era of grandeur.

Rennie Mackintosh silver scarf ring with scarf included, c1990

Price: £45

This is a very elegant scarf ring that bears the designs of Rennie Mackintosh. It is hallmarked with the mark of Mackintosh's estate copyright. It i also marked 925. The black and white silk scarf is included so you are ready to go!

Papier Mâché Tray with Millefiori Decoration, Kashmir, C20th

Price: £55

A Papier Mâché Tray of octagonal form with rounded indented corners profusely decorated in rich and detailed colourings with small floral blooms, the ‘millefiori’ (thousand flower) pattern, a central roundel and four hemisphere panels at the corners all set on an orange ground, the border with bands of floral spray and repeating geometric design in gilt, the reverse plain showing the black lacquer ground. Trays and boxes in this distinctive style were made in Kashmir in India and some carry the label for Srinagar, a city famous for traditional Kashmiri handicrafts like the Kashmir shawl, papier mâché, wood carving, carpet weaving, and jewel making, which is most likely the place where this tray was made, probably in the 1920s. It is a superb example of the type with exquisite detail in the decoration and a strikingly attractive use of colour.

Golden Amber Webb Glass Vase, marked, 1950s

Price: £45

An amber glass vase, the broad body flaring out slightly to the neck and above a wide spreading foot, decorated with bands of raised roundels and marked to the base 'Webb England'.

Thomas Webb began his glass career in 1829, when he became a partner in the Wordsley Glassworks. Various career changes followed and in 1859 he was joined by his sons Thomas Wilkes Webb and Charles Webb and began trading as Thomas Webb & Sons based in Stourbridge. The firm was run by various family members until mergers started to occur in the early twentieth century and Sven Fogelberg, previously from Swedish glassworks Kosta, became manager in 1932. Production continued with more mergers in the 1960s and 1970s until the firm closed in 1990. This vase was made by Thomas Webb during the 1950s as part of their 'Gay Glass' range in a design called 'Old English Bull's Eye' and has the typical 'Webb England' mark to the base.

Four Papier-mâché Trinket Boxes, Kashmir, mid C20th

Price: £35

Four papier-mâché boxes, one circular and three of rounded rectangular form, all decorated in typical colourful floral designs, the circular example resembling quite closely the Chinese ‘mille-fleur’ pattern, the bases and the interior in black lacquer. The well known papier-mâché technique, in which items are formed from pulped paper dried to form a hard surface, is nearly ubiquitous, but Kashmir in India was a famed centre for the technique usually held to have commenced in production there in the 15th century when King Zain-ul-Abidin invited papier-mâché artists from Central Asia to practice their craft in his kingdom. These examples are much later, of course, and were probably made some time in the twentieth century, perhaps towards the middle, when the Kashmiri craftsmen were exporting their wares expansively. Their decorative appeal is obvious but, as storage items for trinkets they can perform a practical function as well.

Chinese cloisonne bangle with raised enamel decoration circa 1900

Price: £35

Chinese cloisonne bangle, the exterior with raised enamel decoration of stylised scrolling foliage set on a speckled gilt ground between two bands of stylised floral sprays and clouds on a brick red ground, the interior finished in blue enamel; gilt rims to the top and bottom. The style of decoration suggests a circa date in the early twentieth century.

Jean Paul Gaultier Mini Fragrance Set, La Parade Des Extraits

Price: £75

This is a box which contains 4 3.5 ml miniature bottles of Gaultier perfumes with a travel case (the metallic cylinder) in the centre so you could take one with you. These are quite collectible now and are not found often in such excellent condition.

Stunning long Art Deco necklace with cherry amber beads

Price: £250

This is a wonderful long constructed necklace comprising Art Deco cherry amber beads and Czech glass uranium glass beads. The central pendant is a rare glass bead of a man in a turban. There is also a Chinese carved fruit stone carving ending in a silk tassel.

Uredale Glass Vase, late C20th/early C21st

Price: £55

This is a typical example of one of the range of pieces produced by the Uredale Glass Studio, set up in 1981 by Tim Simon in Masham, North Yorkshire. Simon had studied with a Master glassmaker from Stuart Crystal in the 1960s and his enthusiasm and interest in this craft led him on to start his own business with his wife, Maureen. Now trading for over forty years it is one of the longest running studio glassmakers in the United Kingdom. Their premises at Masham include a shop where a selection of their wares can be seen and purchased and there is also the opportunity to attend demonstration glass making courses. This round beaker like vase employs mottled and swirling glass effects in a range of purple tones and is very close in style to the ‘autumn’ hot glass range which can be seen on the studio’s website today. As with other Uredale pieces, the vase has a distinctive label with its maker’s name. Any collection of late twentieth century studio glass should include at least one piece from this well known maker and the vase shown here would be an ideal addition.

Murano Art Glass Dish, 1960s

Price: £45

An Art Glass dish made by the well known firm of Murano, based in Venice, Italy, the flowing triangular form with turned over sides indented to the centre and joining at three complementary 'lips', the blue glass skilfully combined with clear glass and shades of brown. Just possibly intended as an ashtray, the design is striking and appealing and representative of the best Murano work. A circa date in the 1960s is likely and the style matches other designs from that era.

Signed Watercolour of Farm Buildings, Richard Akerman (1942-2005), dated 1981

Price: £110

Offered here is a signed watercolour by Richard Akerman (1942-2005). After many years of study and sheer hard work including a stint selling on the famous artists’ railings at Kensington Gardens in London, Akerman enjoyed immense popularity and prints of his work rivalled those of Monet in the volume of their sales. These are often found today but signed originals of his work are less common and our example was possibly painted by the artist for his own enjoyment. Certainly no reproduction seems to exist. A very special item, then, for collectors of watercolours and devotees of post war British art.

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Richard Akerman was born in London in 1942. He attended the Hornsey College of Arts and Crafts in the early 1960s, studying a general fine art course which incorporated printmaking and sculpture. His first exhibition was at the Obelisk Gallery in Crawford Street, London, where his work was displayed alongside works by famous surrealists such as Man Ray and Salvador Dali, implying that the style of his early work matched that of his more famous contemporaries. Years of travel followed in both Europe and the Far East and this seems to have turned him to painting in a more coventional style. A succession of watercolours was to follow with subjects ranging from still life and flowers to garden and architectural subjects. His work became immensely popular through the prints made from his original paintings, indeed such was the demand for them that he rivalled Monet as a subject for reproduction in this medium becoming, in a sense, quite a household name with exhibitions of his work internationally.

The path to success, however, was not straightforward and one account of him, written by his son Marcus, mentions running a hot dog stand alongside joining the artists with their weekend displays of works for sale on the railings at Kensington Gardens. Convivial and outgoing (a self portrait captures him well : see image 9), Akerman was married with three children and spent the latter years of his life in Spain where he sadly died after an accident in 2005.

But his work survives him and the prints produced in his lifetime can still be obtained today, giving an accesible overview of his output. The style is approachable with an attractive use of colour and often slightly impressionistic brushwork. But there are works executed in a more precise style, for example a signed watercolour ‘Hot House Flowers’, exhibited by the Edinburgh Gallery in 1994 (see image 10) and this is seen in the work we have on offer. The location of this group of farm buildings is uncertain but Akerman painted similar scenes which appear to be located in Kent and this may well be the case here. Original watercolours by Akerman are not so easily found but what increases the rarity and interest of our picture is that the artist’s signature, done in a slightly more precise hand than the signatures found in the reproduction prints, has the date in addition (’81). We have been unable to find any other example of this and it leads to the possibility that this is a work which the artist painted for himself. Certainly there are no reproductions of it. If so, then it is of particular interest and more than worthy of inclusion in a collection C20th British watercolourists with the addition of being an original creation by an artist who enjoyed such great popularity with the general public.

Maud Frizon Handbag c2000

Price: £150

This is a lovely calfskin shoulder bag inspired by the well known shoe designer Maud Frizon. It has multiple interior compartments and a flap over front with stud detail. The zip pulls are tiny shoes with her initials MF and her name also appears on the label inside. Maud Frizon began designing and making shoes in 1969 and her innovative and hand crafted designs were an immediate success. Bridgette Bardot was a regular customer and it was said of her shoes that they 'are to footwear what Dom Perignon is to champagne'. Frizon founded her company with her husband Luigi De Marco and they worked together for thirty years before selling the business to Helene Wajnblum-Liu and her husband in 1999. The new owners broadened the range to include handbags and expanded the chain of Frizon boutiques to include Paris, Lyon, New York, Beijing and Hong Kong where they are still to be found today.

Black glass apple pendant on a long chain, 1980s

Price: £25

This is an amusing necklace comprising a black glass pendant in the form of an apple mounted with a leaf with diamante stones and suspended from a long complementary chain.

Intricate Czech glass necklace 1930s

Price: £65

This is a beautiful necklace comprising an indicate multi layered design set with purple and lavender stones. The metal work is in the typical filigree design and it is silver tone.

Burmese Jade sautoir Necklace, C20th

Price: £45

This is a very unusual 'sautoir' necklace (the term denotes its length) comprising jade facetted roundel beads that end in two clusters, a piece which you can tie around the neck in different ways depending on your outfit and mood. The beads are different types of celadon jade interspaced with silver beads, the clusters ending in two silver beads with millegrain terminals. A flexible addition to the wardrobe in more than one sense!

Victorian necklace and bracelet suite 1900

Price: £125

This is a stunning suite of a necklace and bracelet featuring two large Scottish Agate pieces set in pinchbeck. Both with velvet ribbons that have been added later and fit very well with the pieces. There are small natural inclusions on the stones that is typical of this type of stone.

LOT 9

Poole Pottery Maya Pattern Bottle Vase, early C21st

Estimate: £60 – 80

4d 6h 1m

£36.00

LOT 17

Sylvac woodland range Rabbit and Tree Jug, 1950s

Estimate: £30 – 40

4d 6h 17m

£0.00

Bead necklace with jade carnelian and silver beads c1990

Price: £75

This is a very beautiful necklace comprising graduating beads that are yellow jade, bi colour jade and carnelian. There is a long drop comprising four strands with beads suspended on it to give it a many layered effect. The origin of this necklace is uncertain. it is super quality and is most certainly made by a jewellery designer. Marked 925.

LOT 16

Pair of continental style openwork border Dishes, probably Chinese C20th

Estimate: £10 – 20

12d 6h 15m

£0.00

Exceptional Paste necklace 1940s

Price: £25

This a very delicate and bright paste necklace with seven floral stations interspersed with single stones. Set in brass with barrel clasp.

A group of twenty assorted artists Stamps in H&R Johnson sample Box, C20th

Price: £75

This is a most interesting group of stamps, possibly intended for tiles, nearly all with naturalistic designs of trees or stylised floral emblems. Twelve are mounted on thick clear plastic or perspex blocks while the remainder are mounted on wood. Examples of the pressed designs can be seen in images 1 and 2 and their appeal is obvious. The stamps are contained in a wooden box with the name of the well known tile manufacturers H&R Johnson Ltd printed on the front with the words ‘ceramic glazed tiles’ below. H&R Johnson began trading in 1901 and are still producing tiles in imaginative and innovative designs today. The box was clearly for tile samples rather than stamps and was presumably adapted by the owner of these stamps to hold his small collection. Perhaps this is why the three central dividers are missing (the grooves for them can be clearly seen in image 3); their presence would not have allowed all the stamps to fit inside! This assembled collection with its impromptu container was clearly used by an enthusiastic amateur artist. Both the box and the stamps look to have been made in the 1950s or 1960s and were clearly well used. Printing block stamps can be much in demand today and there is a family firm, Stamped in Tradition, based in London and Devon who produce a truly vast selection of handmade pieces in bronze, some of which are similar in design to some of the stamps in this box (see images 9,10). The tradition truly lives on then, and this collection allows the opportunity for experimentation today in an age old craft.

Victorian ships inkwell with original fitted ink pots c1900

Price: £75

This is an unusual inkwell that originally would have sat on an officer's desk on a ship. It is made from oak wood with brass fittings and decoration, to include a carrying handle and four feet. Two square recesses contain the original inkpots which have remarkably survived intact. There is also a long narrow channel to hold a pen. Both were intended to ensure stability if the waters grew choppy! Decorative in itself, this piece perhaps provides the ultimate gift for the office even if it is unlikely to find itself in daily use.

Persian Red Lacquer Box in the form of a Pumpkin, late 19th century

Price: £35

This is a beautiful small lacquer box in the form of a pumpkin with typical lobed sides and a finial at the top, with very fine Persian floral decoration in gold, green, deep pink and blue. The interior and base finished in black.

Chinese Yellow Ground Famille Rose Charger, 1950s/early 1960s

Price: £55

A Chinese circular charger, stoutly potted and with a faintly everted rim, richly enamelled in the ‘famille rose’ palette with lotus, bats, shou symbols and a central chrysanthemum head surrounded by small peony blooms, all on a yellow ground with white enamel stylised scrolling foliage, the reverse glazed white with a glazed footrim surrounding an unglazed circular band, the centre with a seven character stamped mark in iron red ‘Jiangxi’ ‘Jingdezhen’ ‘Ming 5 Ci’, ‘made at Jingdezhen [in the] Jiangxi [province], place rank 5’.

This is a fine example of the porcelains made at Jingdezhen, for centuries the chief centre of ceramic production in China, in the early years of the People’s Republic of China (1949-). Soon after the communists took control, the kilns at Jingdezhen were organised into co-operatives, each with a number. Many of their pieces were marked and the form of the mark determines the date of production. The circular marks, as here, were the earliest allowing a dating of this charger to the 1950s or possibly the early 1960s. Some of these conglomerates, for the quality can vary, retained the skills of their predecessors and produced works of high quality. This is clearly seen here in the careful and precise enamelling and the general artistry of the design employing ‘imperial’ yellow with the symbolism of happiness (bats), longevity (shou symbols), friendship and a life of ease (chrysanthemum) and fruitfulness and offspring (lotus), all combining to produce a piece well worthy of its many predecessors.

Please note that the wood stand is for display purposes only and is not incuded with this lot.

Victorian ladies watch chain c1900

Price: £40

This is a lovely chain comprising different silver stations with engraved details with an Albert clasp. Can be easily used as a bracelet or part of a necklace. Clasp is marked Sterling 925

Japanese Ceramic Figural Group of two Geisha, late C19th

Price: £25

A Japanese ceramic figural group of two Geisha, one standing with her right arm upraised and the other seated with a fan in her left hand, both dressed in the traditional Japanese kimono wrapped round at the front and tied with a tassel at the back, and positioned on a blue ground rocky outcrop which is pierced at the top and bottom, possibly as a result of the manufacturing process. Various ceramic figures of geisha, sometimes pairs and sometimes individual figures, were produced in Japan in the late nineteenth century, doubtless for export. All share fairly bold modelling and a bright palette of colours but a group such as this seems a bit more unusual. It is an effective composition and a modest reflection of the taste for ‘Japonisme’ in the West at that time.

Art Deco continental black spinel and marcasite ring, 1920s

Price: £35

This is a beautiful ring comprising a rectangular slice of black spinel surrounded by architectural silver work and marcasite stones. Marked 925 Silver

LOT 21

Framed Stumpwork Panel depicting a Bowl of Flowers, English, 1930s

Estimate: £30 – 40

12d 6h 25m

£0.00

Novelty ceramic Wall Vase in the form of a Gretsch Guitar, English, 1950s

Price: £25

This is a fun ceramic wall vase in the shape of a guitar with an opening at the top for flowers or perhaps pens or stationery items and a string cord, which may well be original, for suspension. The shape is taken from one of the designs produced by the famous American guitar manufacturers Gretsch who began the manufacture of electric guitars in the 1950s, eventually reaching tremendous popularity in the 1960s after the Beatle, George Harrison, used one of their models during the band’s first appearance on the Ed Sullivan Show. This piece predates that and was most likely made in the 1950s. There is no mark for the manufacturer beyond ‘Made in England’ but it is possible that this is an example of Brentleigh ware, a firm which produced ceramic novelty pieces such as the pair of shoes to be seen elsewhere in this sale.

Victorian guilloche enamel and marcasite ring

Price: £60

This is a lovely and delicate ring comprising a panel of blue guilloche enamel surrounded with marcasite stones

Outstanding strand of Chinese coral beads

Price: £150

This is an amazing necklace comprising large carved Art Deco coral beads strung with more modern 20th century round beads and fitted with a Chinese silver clasp. The large beads are carved with typical Chinese symbols and decoration. These beads are natural coral and there are blemishes that indicate this, the variations only adding to their unique beauty.

LOT 24

Vase with signature E.Radford and numbered 1267, mid C20th

Estimate: £20 – 30

4d 6h 31m

£15.00

Gilt decorated English porcelain powder box and cover, probably mid C20th

Price: £15

This is a large English porcelain powder box and cover, the circular body with a shallow domed cover, the surface glazed white with elaborate gilt decoration of embossed stylised floral bands with stylised floral gilt borders above and below. The base is unmarked but the paste of the foot suggests English manufacture and the rich gilt decoration reflects that of dinner services produced by some of the well known twentieth century porcelain producers, Minton in particular.

Bay Ceramic Ewer No 268-30, West Germany, 1960s

Price: £55

A ceramic ewer stoutly potted with a bulbous body above a short straight foot, the slightly concave neck terminating in two slightly flaring bands and fitted with a simple loop handle, the light mustard coloured glaze with moulded decoration of palmette leaves separated by an abstract geometric design and with bands of a repeating ovoid bead work pattern resembling a wheatsheaf, the interior glazed brown and the base with modelled marks ‘Bay’, ‘W-Germany’ ‘268-30’.

Bay Ceramics was founded by Eduard Bay in the 1930s and based in Ransbach Baumbach, the heart of the main West German pottery producing region. Their productions included vases in a wide variety of shapes and designs which continued in production until the 1980s. Bodo Mans was amongst their most famous designers working in the 1950s and 1960s. He seems to have concentrated on organic semi abstract designs and ewers in this form, with the same pattern number but in a variety of different glazes, are attributed to him. This monochrome mustard glaze seems particularly attractive and complements the design very successfully producing a striking and decorative item which might enhance a wide variety of interior settings.

Czech Egyptian Revival bracelet 1930s

Price: £30

This is a simple and elegant bracelet comprising stations of Egyptian motif panels and four station set with turquoise glass.

Victorian filigree style handbag c1900

Price: £25

This is a completely original handbag with a white metal frame and taffeta body. The design is very typical Victorian with filigree and scroll work on the frame. It is lined in llight grey taffeta.

Pewter and brass box and cover in the form of a Mallard Duck, Gatco, Hong Kong, 1960s

Price: £25

This is a novelty box and cover, possibly for pills or more likely trinkets made from pewter and brass in the form of a mallard duck. The details are simply but amusingly modelled with an effective contrast of the two metals used. The base, in common with other examples of this model, has an engraved mark comprising a reversed ‘3’ below an ‘8’. Other examples carry a gold ground paper label which reads ‘Made in Hong Kong’ and this is sometimes found elsewhere on brass items which also have a label for the firm ‘Gatco’, implying that this was the manufacturer here (see image 11). These amusing boxes were made in Hong Kong in the 1960s and retain their charm today.

Art Deco Burmese dragon head Necklace, 1920s

Price: £75

This is a stunning and large necklace comprising a bold dragon head pendant formed from moulded brass with filigree work mounted with enamel to simulate stones. It comes attached to the original brass link necklace. This is a real show stopper!

Lot of 3 Chinese bangles

Price: £35

This is nice lot of three bangles, one cloisonné and two cinnabar. The larger cinnabar bangle is beautifully detailed on black ground, the thinner cinnabar is more typical and has more age, the cloisonné is lovely work on a blue ground.

Indian wooden toy model of a Horse with metal fitments, early C20th

Price: £25

This is an amusing wood model of a horse, its right leg raised and the head looking expectantly forwards, the finely grained wood with metal fitments in brass and copper representing the ears, muzzle, saddle, saddle bags and tail, all with fine detailing and small nail fastenings. Many examples exist of these wood and metal horse figures which are usually held to have been made in India at Jodphur, Rajastan, in the early C20th. Presumably more intended for the local colonial audience these pieces have an obvious and wider appeal. The smaller sizes were probably intended as toys and perhaps the original owner of this piece played with it a little too vigorously which might explain the damage to the right front leg!

LOT 27

Wall Vase, designed by Noomi Backhausen, Søholm Stentøj, Denmark, late C20th

Estimate: £80 – 120

4d 6h 37m

£48.00

Long lapis lazuli bead necklace c1980

Price: £30

This is very elegant necklace that features different shaped stone beads of Lapis Lazuli. These beads are very high quality with excellent colour. They are flat pebble shaped, together with square and round beads. They are connected by gold fittings with a toggle clasp.

Edwardian Scottish bloodstone bar brooch c1910

Price: £30

This is a very striking brooch that comprises a silver bar with two square domed Scottish bloodstone. This would have been used as part of a Scottish woman's traditional clothing to hold their cloak in place. Still lovely today! Marked Sterling.

Chinese Blue and white ceramic beads, C20th

Price: £15

This is a great strand of Chinese ceramic beads all hand painted i blue and white with symbolic motifs. They are strung on a red cord with an adjustable Chinese knot.

Heavy silver curb collar necklace, Mexico 1970s

Price: £125

This is a striking necklace comprising a large curb chain connected to two bead work chains to create this statement look. It is unmarked but is quite typical Mexican silver work.

Art Nouveau comb with coral fish and pearls

Price: £45

This is a beautiful piece of Art Nouveau, a celluloid hair comb with an inset carving of a koi fish in coral and seed pearls. It is carved with swirls and incised with very fine designs.

Pair of shield or arrowhead shaped amber and silver earrings

Price: £30

These are a very fine example of worked amber which has been highly polished to mesh seamlessly with the silver work. The amber is very vivid with many inclusions. Marked 925.

Pewter and brass box and cover in the form of a Mallard Duck, Gatco, Hong Kong, 1960s

Price: £25

West German Bay Keramik Pitcher with stylised floral designs, late C20th

Price: £45

A brown glaze pitcher of broad bulbous form with a slender neck flaring at the top and a loop handle above a short foot, the base glazed and with impressed marks ‘Bay’ ‘W Germany’ ’6190’.The brown, almost lustre like, glaze is decorative with a lightly incised design in mustard enamel with stylised leaves and flower heads.

Founded by Eduard Bay in the 1930s and based in Ransbach Baumbach in the heart of the main West German pottery producing region, Bay Keramik grew to be one of the most prolific producers of ceramics in the ‘West German’ style and continued production into the 1990s. This piece retains its original paper label and the format of this allows dating to the 1970s/1980s. The jug has almost a slightly rustic feel and recalls much earlier German ceramic items. The numbers on the base indicate the form number but it has not been possible to identify this.

Art Deco Catalin Bakelite necklace, American c1930

Price: £125

This is a fabulous necklace comprising very large mustard coloured catalin beads in tubular, ovoid and globular shapes. Catalin is a form of plastic that is comtemporary with Bakelite. They are very similar as they are both composed of phenol and formeldehyde. The main difference is that Catalin was poured a poured liquid and Bakelite was moulded from a granular powder. Catalin is a brand name developed and trademarked in 1927 by the American Catalin Corporation of New York City, when the patent on Bakelite expired that year. It was used in a variety of applications, including costume jewellery, until the end of the second world war when it became too expensive, as every piece had to be individually cast and polished. Catalin jewellery is often incorrectly referred to as bakelite but has a distinction all of its own and this necklace is prime example of the fashion designs produced in the 1930s.

Oriental style ceramic plate, signed Alice Smith, possibly American mid C20th

Price: £10

There are no obvious parallels for this plate. The form is that of a typical Chinese nineteenth century desert plate with a broad shallow well and a slightly upcurving rim but the back is glazed all over including the foot rim which is not the case with Chinese examples and the general appearance of the decoration is Western. The theme of children at play is typically Chinese but it is usually boys that are represented where here we have girls, four of them in coloured robes playing with tops, one standing apart from the rest. At the edge are a few sparse gilt leaves and the ground is a light mustard coloured wash, with the reverse plain and the signature in black ‘Alice Smith’ under the glaze. Whoever the artist was, she was capable of having a piece of hers professionally fired which implies a degree of commercial expertise. But there is nothing else to suggest other than the work of an accomplished amateur. Americans were and are prone to manufacture ‘home grown’ pieces in an Oriental style (some of their modern wallpapers are particularly notable) which leads this cataloguer to hazard a guess as to provenance and date. Otherwise, we have a true ‘mystery piece’ here but the composition is a sympathetic recreation of the East, wherever it was produced.

Two Wedgwood Glass paperweights designed by Ronald Stennett-Wilson, late C20th

Price: £40

These are two Wedgwood Glass paperweights both of rounded conical form, one clear glass with small bubbles and one clear glass with speckled green large bubbles, a design understandably known as ‘topiary’. Both have acid etched marks to the base which can be read ‘Wedgwood’ ‘England’ although the mark on the first is off centre and indistinct (see image 5); this is compensated for by the attached paper label which also reads ‘Wedgwood’ ‘England’. Both were designed by Ronald Stennett-Wilson, one of the most prominent UK glass designers, who set up the firm King’s Lynn Glass in 1967. Before that he had worked for Swedish glass manufacturers and the influence of their styles can be seen in his own work. The clear glass example could be felt to recall Kosta Boda. King’s Lynn Glass was taken over by Wedgwood in 1969 and their name marked on its production thereafter, although there was apparently a slight delay in the delivery of the machine which was used to apply the marks, meaning that the very first ‘Wedgwood’ pieces are hard to identify. Stenett-Wilson remained as Managing Director and chief designer for Wedgwood’s newly acquired firm until his retirement in 1980. Many of the staff at King’s Lynn Glass when it started had worked in Sweden or Europe and they began to train local workers who followed, no doubt, the styles and techniques of their teachers. After Stennett-Wilson’s retirement, the firm was subject to various acquisitions and mergers, finally being sold to Caithness Glass in 1988 with the factory closing in 1992. These two pieces, then, are an excellent example of the Swedish inspired designs made by Wedgwood Glass in its early years. Both decorative and practical they can appeal to a specialist or non specialist alike.

Art Deco Scottish agate necklace

Price: £125

This is a very unusual necklace comprising carved stations of different Scottish agate stones, the stones are slightly graduated and are connected by gilt brass spring like connectors. With original screw clasp.

Art Deco Long Mille Fiore bead necklace

Price: £65

This is a stunning necklace featuring 8 oblong flat Mille Fiore glass beads connected by multiple strands of glass seed beads in white and blue. This necklace is perfectly constructed and is in wonderful condition.

Long Murano Glass Necklace 1970s

Price: £15

This is a very striking long necklace comprising a geometric design with different shaped Murano glass beads and metal links.

Vintage Needlepoint Picture of a Garden Scene, framed, second half C20th

Price: £25

This is a charming embroidery on canvas employing the so called ‘needlepoint’ technique in which over half a dozen stitching techniques are used as opposed to ‘cross stitch’ which uses only one. The varieties of technique employed here can be clearly seen in the detail images (3), (4) and (5). The picture depicts a garden scene with a bird bath and path in the foreground leading to a gate with a pergola like floral arch over it and, in the distance, a thatched cottage. The attraction of the design speaks for itself. Dating is difficult but most likely post war and the frame suggests the mid to late twentieth century.

A Celtic or Pictish Brooch decorated with Horses, St Justin of Cornwall, circa 1980

Price: £10

A circular pewter Brooch, the decoration based on a Pictish horse engraving found on a stone in Inverurie. The three horses are shown embedded in a nest of classic Celtic lines and knots. This brooch was made by the firm St.Justin of Cornwall with Cornish Pewter. Their mark can be seen to the reverse.

Inverurie is a town in Scotland where Pictish carved stones are found in the graveyard dating from the 7th Century. The Picts were a tribe of peoples living in the East and North of Scotland. Little is known of their origins but they were called 'Picts' by the Romans because of their painted and tattooed bodies. The Inverurie horse is the inspiration for this brooch. The actual design of the three horses was created by George Bain (1881-1968) the Scottish artist and teacher, famous for chronicling Celtic Art.

St Justin of Cornwall is well known for the production of 'craft' pieces in a variety of forms and materials. This piece probably dates to the 1980s and certainly cannot be found in their current catalogue.

Charming small amber pendant brooch set as an owl c2000

Price: £15

This is a very sweet small pendant brooch that is shaped like an owl with an amber belly. With full hallmarks and bail for pendant.

Group lot of three jade necklaces

Price: £45

This is a fun group three necklace that have been combined as they would look good worn together. They each have knotted cords and jade beads. Each one has a unique carving. One is a heart and there are two pigs. Pigs represent luck and wealth. The quality of the stones and carving is excellent. The necklaces are adjustable in length.