Art Deco necklace with blue paste stones 1930s
Price: £75
This is a very elegant and simple necklace where the central stone is the star. It has blue glass bead stations ending in a large round pendant and briolette drop. It has a barrel clasp. The mount is gilt brass.
A Set of Six Blue and White Willow Pattern Coasters English Ironstone 1980s
Price: £25
A set of six Ironstone china coasters, decorated in the traditional 'Willow Pattern' with a typical Chinese landscape scene. Ironstone china is a type of vitreous pottery first made in the United Kingdom in the 19th century by potters in Staffordshire, England, as a cheaper, mass-produced alternative for porcelain. It is often associated with the firm founded by Mason in 1813 following his registration of a patent for the ware. Subsequently others manufactured it as well including William Turner and Josiah Spode. Essentially a product of the nineteenth and early twentieth centuries there was a revival of interest in these traditional wares from the 1970s onwards and one of the manufacturers was the 'English Ironstone Tableware Ltd' which traded from 1973 to 1994 when it went into receivership. Their impressed mark can be seen on the back.
These coasters formed part of their range. The decoration employs the transfer pattern technique developed in England in the mid eighteenth century and a staple of nineteenth century productions. Printed designs were 'transferred' to the ceramic surface allowing the production of extensive services in a matching pattern. The Chinese derived 'Willow Pattern' design seems to have been first used around 1790 and was probably designed by Thomas Minton for Spode. All the versions contain similar elements besides the pagodas and landscape scenes most notably the three figures on a bridge and a pair of flying swallows. In order to promote sales, various stories were invented based on elements of the design. These coasters are an amusing recollection of times past and highly practical in addition.
Chinese Reverse Painted Glass Globe depicting deities and attendants, Modern
Price: £45
A Chinese Glass globe with thick walls, hollow inside and with a round opening at the base, reverse painted in great detail with deities and attendants amidst clouds, an eight character inscription to the side with a small red seal mark. Reverse painting is a technique often used by the Chinese for the decoration of snuff bottles where the brush is inserted through the opening at the top and the decoration applied. Here the decorative technique has been used on a rather larger object but with no diminution in the skill of the craftsman indeed the much larger 'canvas' must have proved quite demanding. By repute the decorators require at least one day to create a single example. Heavy, but a little lighter than the previous lot (41), and of extremely high quality glass, these pieces, of which various examples are known (there is another one as the previous lot to this) may have been intended as paperweights or more likely simply as decorative objects. Some are found with modern wood stands. This piece is sold with a contemporary illuminated stand which, when lit, serves to enhance the decorative effect (see image 6).
Chinese Reverse Painted Glass Globe depicting tigers, Modern
Price: £45
A Chinese Glass globe with thick walls, hollow inside and with a round opening at the base, reverse painted in great detail with three tigers in a landscape setting with bamboo, the base with an inscription 'Dick and Sadie'. Reverse painting is a technique often used by the Chinese for the decoration of snuff bottles where the brush is inserted through the opening at the top and the decoration applied. Here the decorative technique has been used on a rather larger object but with no diminution in the skill of the craftsman indeed the much larger 'canvas' must have proved quite demanding. By repute the decorators require at least one day to create a single example. Heavy and of extremely high quality glass, these pieces, of which various examples are known (there is another one as the following lot to this) may have been intended as paperweights or more likely simply as decorative objects. Some are found with modern wood stands. This piece is sold with a contemporary illuminated stand which, when lit, serves to enhance the decorative effect (see image 8).
A green glass paperweight, Tweedsmuir Glass, Chris Dodds, late C20th
Price: £25
A green glass paperweight, stoutly blown with a clear glass bubble above a green rock like formation with small bubbles perhaps intended to represent some form of marine surface, of round shallow form, a paper label to the base reading 'Tweedsmuir Glass' 'Handmade in Scotland' with a printed signature 'Chris Dodds'. Tweedsmuir is a village in the Scottish borders and Chris Doddds set up a factory there in 1993. Before that time he worked for Selkirk Glass and afterwards at Heron Glass in Cumbria. By 2008 he was reported to be in poor health and not working any more. He seems to have concentrated on pieces with a naturalistic style, as here. This paperweight is heavy and therefore practical; it also handles well.
It is sold with a matching contemporary illuminated stand which enhance the decorative effect considerably and provides a modest light display installation for the home (see image 6).
Butler and Wilson Skull Necklace, boxed, modern
Price: £125
There is certainly a hint of the macabre in this ‘halloween’ necklace made by the well known British firm, Butler and Wilson. Founded by Nicky Butler and Simon Wilson in 1969 and initially trading from the once famous Antiquarius antiques market in Chelsea, the company is best-known for its crystal costume jewellery and their pieces have been worn by celebrities and even members of the Royal Family. The firm still trades today and their current range does include a number of skull design pieces but this necklace is around 15 years old. Silver metal and crystals are used to create five skull heads, the largest acting as a pendant with five skull drops. These are linked by a chain which terminates in a spring closure which has a circular medallion embossed with the firm’s name. The necklace comes with its original box which remains in excellent condition. Not perhaps to everyone’s taste but certainly a statement accessory!
Islamic silver choker necklace 1920s
Price: £120
This is a very unusual choker length necklace featuring three heavy strands of woven silver held together with floral motif findings. The necklace has a screw clasp that has birds and mill grain work.
Art Nouveau Bronze Tray, stamped 172 Deposé, French c1900
Price: £95
Typical of the style of the Art Nouveau era with its emphasis on organic forms, this bronze tray, perhaps intended for serving salad, is of lobed rectangular form with two handles in the form of lotus branches. Deeply and intricately cast there is a lotus spray at the top which complements the handles at the side and both are set on a wavy line ground with milled detail, perhaps intended to represent water. The underside has four small feet and is decorated with minute punch work dots. There is also a stamped mark ‘172 Deposé’ which occurs on other examples of this design. For devotees of Art Nouveau this would be a classic acquisition of an object which is truly representative if not archetypal.
Edwardian Transitional necklace c1920
Price: £75
This is a stunning necklace comprising blue glass bead stations in a lariate style ending with a large blue glass pendant with three drops. It is transitional as it is a bit later than Edwardian so has both Edwardian elements and Art Deco elements in its design. It is set into gilt metal with a screw barrel clasp.
A set of three Brass Lizards, Peerage Brass, England 1930s
Price: £55
A set of three brass lizards, naturalistically modelled with crouching feet and sinuous tails, the largest with its head slightly raised and turned to the left and all with carefully punched decoration representing the skin. One of them bears a mark in which the letters 'p' 'e' 'e' and a further 'e' at the end can be made out above 'ENGLAND'. This indicates the English manufacturer 'Peerage Brass' which is known to have commenced in business before 1900 and made original copper & brass ware, with the height of production between 1910 and the 1940's. Their aim was quality period reproductions which were occasionally marked. Peerage Brass became the brand name after World War II until the trademark lapsed in 1991. The format of the mark here, then, with just the wording 'peerage', indicates a date before the second world war probably in the 1930s. The weight of the brass and the quality of the casting and modelling indicate that the factory certainly attained its goal here. While obviously decorative these animals may well have been intended as desk items, the two smallest perhaps as paperweights. Even larger examples are known and these probably acted as doorstops.
Chinese cord bracelet with jade stones carved as fish
Price: £15
This is a modern bracelet comprising six carved fish beads interspersed with round beads. it is on a typical adjustable cord.
Art Deco Czech glass necklace with enamel and glass stones, 1930s
Price: £45
This is a stunning statement necklace that is typical of Czech glass jewellery. It is inset with stones to emulate aquamarine. It also has unusual enamel work set on an architectural design that is quintessentially Art Deco. It is brass that would have been more gold in colour in its time.
Constructed necklace with jade, egg yolk amber and cherry amber
Price: £250
This necklace is a wonderful design comprising cherry and egg yolk amber beads together with jade beads that end in a very large carved jade plaque. This is a vert fine example of Chinese carving with an allegorical motif of a dragons mouth around a smaller dragon. The jade is a golden spinach jade that is an unusual colour.
Chinese agate carving with onyx beads, 20th century
Price: £35
This necklace is a lovely design with a large carved banded agate carving. It is paired with onyx beads and agate beads. It is elegant and undestated due to the monochrome palette but definitely makes a statement.
Studio Pottery Vase with Robin’s Egg Glaze marked Zambia, Modern
Price: £30
This is a stoneware vase, the pear shape body with a slender concave neck and flaring rim, covered overall with a mottled blue glaze closely imitating the Chinese ‘Robin’s Egg’ effects which extends to the interior, the foot rim unglazed and the lightly glazed base with incised marks ‘ZAMBIA’ ‘BJ’ above and (?) ‘R’ below. The stoneware body aside (and, of course the marks at the base) this vase could almost have originated in China both in respect of its shape and its glaze which almost exactly copies the Robin’s Egg colourings produced by the Chinese potters, a glaze which originated in the eighteenth century and employed the technique of blowing turquoise onto a blue glaze base to produce mottled effects. But the studio potters based England in the early to mid twentieth century often turned to their Oriental counterparts for inspiration and when studio pottery was developed in Zambia in later years, partly with the assistance of visiting European artists, it was no surprise that this influence should be repeated. Zambia now has its own tradition of studio pottery and other pieces are found marked with the country of origin just as this one is. The potters must remain largely unknown to us, despite their signature marks, but this vase shows that they are capable of producing pieces of high quality, both collectible for students of studio ceramics and decorative in their own right.
Oriental style ceramic plate, signed Alice Smith, possibly American mid C20th
Price: £10
There are no obvious parallels for this plate. The form is that of a typical Chinese nineteenth century desert plate with a broad shallow well and a slightly upcurving rim but the back is glazed all over including the foot rim which is not the case with Chinese examples and the general appearance of the decoration is Western. The theme of children at play is typically Chinese but it is usually boys that are represented where here we have girls, four of them in coloured robes playing with tops, one standing apart from the rest. At the edge are a few sparse gilt leaves and the ground is a light mustard coloured wash, with the reverse plain and the signature in black ‘Alice Smith’ under the glaze. Whoever the artist was, she was capable of having a piece of hers professionally fired which implies a degree of commercial expertise. But there is nothing else to suggest other than the work of an accomplished amateur. Americans were and are prone to manufacture ‘home grown’ pieces in an Oriental style (some of their modern wallpapers are particularly notable) which leads this cataloguer to hazard a guess as to provenance and date. Otherwise, we have a true ‘mystery piece’ here but the composition is a sympathetic recreation of the East, wherever it was produced.
Outstanding opera length Victorian amber beads c1900
Price: £175
This is a beautiful long necklace comprising graduated facetted cognac colour amber beads with a barrel clasp.
American 1980s statement necklace with intaglio pendants
Price: £55
This is a very striking and large statement necklace comprising a chunky choker with 5 faux intaglio pendants. All are mounted in an antique gold tone setting. The maker is unknown but could have been a 'runway' piece, few of which are marked.
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Victorian silver bracelet set with garnets 1900
Price: £35
This is a lovely and delicate bracelet comprising intricate silver mesh set with garnet stones and silver spheres. The clasp is a buckle that is very typical of this period.
Large Scottish agate specimen brooch 1910
Price: £55
This is a unique large oval brooch set with a slice of agate with that has beautiful markings that really highlight the stone.
Victorian Chinese turquoise beads 1900
Price: £400
This is a Chinese graduated turquoise bead necklace. The stones are untreated and natural colours and markings really make this a stunning example. It is very finely graduated so they imperceptibly decrease in size which adds to the elegance and quality.
Wonderful Murano glass clown c1970
Price: £95
This is an fantastic glass figure of a clown. This type of figure is exclusing to Venice and Murano. This is a great example and it is in excellent condition.
Papier Mâché Tray with Millefiori Decoration, Kashmir, C20th
Price: £55
A Papier Mâché Tray of octagonal form with rounded indented corners profusely decorated in rich and detailed colourings with small floral blooms, the ‘millefiori’ (thousand flower) pattern, a central roundel and four hemisphere panels at the corners all set on an orange ground, the border with bands of floral spray and repeating geometric design in gilt, the reverse plain showing the black lacquer ground. Trays and boxes in this distinctive style were made in Kashmir in India and some carry the label for Srinagar, a city famous for traditional Kashmiri handicrafts like the Kashmir shawl, papier mâché, wood carving, carpet weaving, and jewel making, which is most likely the place where this tray was made, probably in the 1920s. It is a superb example of the type with exquisite detail in the decoration and a strikingly attractive use of colour.
Vintage Carved wood figure of a Lady, Bali, Indonesia, second half C20th
Price: £45
A finely carved wood figure with a rich patina and veining of a young woman crouching, her head, which is elaborately coiffured, slightly inclining as she looks at the devotional stupa like object which she is holding. The style of this piece indicates that it was the work of a Balinese craftsman and the signature underneath confirms this. The island of Bali in Indonesia has a rich tradition of wood carving dating back hundreds of years. Known in the Balinese language as 'Batuan', wood carving has its roots in Bali's Hindu-Buddhist culture. Typically, the pieces are made from hardwoods with a coarse grain including teak, chempaka wood and sandalwood. The decorative grain effects here, though, suggest mahogany and the highly polished finish is quite striking and far less commonly found today. Dating is probably to the 1960s and the artist (with the Balinese surname ‘Mudita’; his first name cannot be made out) has revealed the place of manufacture which is Sanur, a famous beach resort. These figures were often bought by tourists which explains why they are found today in Europe. Like the portrait head of a lady also included in this sale there is an aura of calm contemplation here almost reminiscent of Chinese work.
Large Islamic silver necklace with heart shaped box c1920
Price: £85
This is a very large statement necklace comprising a detailed pendant that is a tubular piece set with malachites stones with handing drops. There is a very large hard shaped pendant attached that is a box with a red fabric interior. This may have some religious signficance such as a prayer box. This is set with beautiful agate stone that is also heart shaped. The pandant has filigree work on both the pieces of the pendant. It comes with its original herringbone style chain. This does not appear to be silver like the pendant. The pendant is 800 silver so a slightly lower grade fo 925 or sterling silver.
Mexican silver bracelet set with turquoise plaques, c1990
Price: £75
This is a very striking hinge bangle bracelet set with turquoise (perhaps sodalite) plaques. It has an integrated clasp where you press down on the lower part to release. It is marked 'Mexico 925'.
An Arts and Crafts small Brass Tray, English early twentieth century
Price: £40
A small Brass circular tray with a wide flat rim edged with repeating bead work and a round concave centre decorated in repousse work with a procession of parrots on a boldly chased punch work ground. Repoussé work is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing or embossing is a similar technique in which the piece is hammered on the front side, often with a punch, sinking the metal. The two techniques are often used in conjunction as here, although the effect is slightly bolder than in the previous lot (35). Metalware items with 'hammered' decoration were a common feature of 'Arts and Crafts' work with their reminiscences of earlier metal working techniques and the effect of the slightly rustic. As in the previous lot, the bold metalworking techniques used complement the medium of burnished brass. A dating to the early twentieth century seems reasonable
An Arts and Crafts small Brass serving Tray, English early twentieth century
Price: £40
A Brass circular tray with a shaped raised pie crust edge decorated in repousse work with overlapping geese on a chased punch work ground. Repoussé work is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing or embossing is a similar technique in which the piece is hammered on the front side, often with a punch, sinking the metal. The two techniques are often used in conjunction as here. Metalware items with 'hammered' decoration were a common feature of 'Arts and Crafts' work with their reminiscences of earlier metal working techniques and the effect of the slightly rustic. The design here is unusual and attractive and the bold metalworking techniques used complement the medium of burnished brass. A dating to the early twentieth century seems reasonable
A Ceramic Moneybox in the form of a Pig, Helensgate Ceramics, mid twentieth century
Price: £25
A ceramic moneybox, pink glazed and amusingly modelled in the form of a rotund pig with wide eyes and ribbon bow, the back with a slot to insert the coins and the base with a circular aperture to retrieve them, sealed with a plastic plug, probably original. A paper label affixed reading 'Helensgate Ceramics'. Little seems to be known about this firm but they clearly specialised in amusing animal figures and in particular moneyboxes. The piece has a mid twentieth century look to it and a circa date of 1960 seems reasonable. While less in use now, there are still some for whom 'cash is king'. If so, this would be a desirable acquisition!
Lustreware Vanity Box, Lady in Crinoline, probably continental early/mid C20th
Price: £35
A ceramic figure of a lady dressed in a crinoline formed in two parts, the upper section comprising the body and head of the figure of a lady dressed in a full multicoloured crinoline, which she draws to one side with her right hand while her left holds a fan, the lower section with a flat base on top of which is a deep vessel, presumably for storage, the underneath glazed and with a small impressed mark. While other examples are generally described as English Staffordshire ware, this piece has more of a continental look to it, very possibly German which would be consistent with the paste of the foot rim. Dating is probably to the 1920s or 1930s but if the provenance is slightly uncertain the function is clear and we have here an amusing storage item, perhaps intended for the dressing table. Truly a boudoir item!
Pair of French Blue Ground Square Vases Choisy Le Roi, late C19th
Price: £45
A Pair of Vases of squared baluster form with flaring necks and short spreading feet, the mazarine blue glaze decorated in thickly applied enamels with a central design of birds nesting on flowering branches with insects hovering, surrounded by three panels of flowering branches, the central design also highlighted in gold. One of the vases with a stamped triangular mark,
slightly indistinct but doubtless reading 'HB' 'Choisy' for the French ceramics factory Choisy Le Roi.
Faience pottery was first produced in Choisy-le-Roi, France, in 1804. By 1836, the factory came under the management of Louis Boulenger who was succeeded in 1863 by his son Hippolyte
Boulenger. By that time, the factory had some three hundred employees. Much of the production was of majolica pieces whose quality matched that of the major British manufacturers.
When marked, the pieces bear a stamped ‘Choisy le Roi’ or ‘Choisy’ impression and and may include the letters 'HB' which presumably stands for Hippolyte Boulenger. Blue glazed pieces
with gilt and enamel decoration are found and this is what we have here, the narrrow elegant form suggesting pieces suitable for the mantel piece. Dating is probably to the end of the nineteenth century.
Japanese Satsuma style Censer, 1930s
Price: £15
A Japanese ceramic censer or incense burner of rounded octagonal form, the squat baluster body with an open top cover, decorated with alternating panels of figures and trees, a band of geometric panels and beadwork. The colourings used and the heavy style of the enamel work is typical of early twentieth century productions recalling the satsuma pieces made for export in Japan in the nineteenth century. No detail of craftsmanship here, but a naif charm nevertheless. The mark ‘FOREIGN’ stamped on the base was applied to pieces exported to Great Britain in the early C20th, not necessarily just from Japan, but the style here betrays the country of manufacture.
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Pair of Japanese Noritake Vases, early C20th
Price: £35
A pair of Japanese Vases of flattened baluster form with short necks and feet and applied loop handles to the sides, the bodies decorated in a salmon pink glaze with a central panel of flowers (chrysanthemum, lotus and plum blossom) surrounded by a wavy edge gilt border, a green border to the top, gilding to the handles and a gilt rim to the base, the foot with a Noritake mark in underglaze blue.
The Noritake compnay was set up by the Morimura family at Noritake near Nagoya in the early twentieth century. Called at first 'Nippon Toki Kaisha Ltd' on its founding in 1904, the business soon changed its name to 'Noritake' and began the manufacture of porcelains for the domestic and export markets. The mark seen here is interesting. It comprises a 'Komaru' symbol, crowned with "Noritake" and with the mark 'Made In Japan'. The centre symbol said to be taken from the Japanese character "Komaru", meaning "overcoming difficulties". According to the Noritake company tradition this mark was designed when contact with the different culture of the west early in the 20th century caused problems of adaptation. It is also known as the 'tree crest mark' which is the clan crest of the Morimura family. This mark is said to have been registered in London for the UK market by 1908. The curled up ends of the Komaru symbol seen here distinguish this mark from later versions and allow a dating of this piece to the early twentieth century.
Noritake porcelain became synonymous with finely potted tea and breakfast services made in great quantities for export. These vases are a rather more unusual production and show the factory capable of producing high quality pieces with decorative potential.
Ceramic Model of a Fish, Jema Holland, signed, 1950s/1960s
Price: £30
A ceramic model of a fish strikingly modelled with outstretched fins and rising out of flowing waves, lustre glazed in tones of green and blue, the base with an incised script mark reading 'Jema' 'Holl.' '132'.
The Jema factory in Holland was started by two brothers, Jelis Mager ( born 1912 in Rotterdam, Netherlands) and his brother Johan Willem Mager (born 1919 also in Rotterdam) both living in Maastricht who took over an existing ceramics factory, founded originally by J.Meussen, in 1942 and traded together in a partnership which was dissolved in 1955 when the firm JEMA KERAMISCH ATELIER N.V. (jema ceramic studio; the first JE standing for Jelis and MA standing for Mager) was created under a new agreement between them. Ceramic products of many types were produced with figurines a speciality and the business continued until 1984 when it became insolvent and closed its doors.
Most of the pieces seem to have been marked, usually with an impressed script as here indicating the factory itself and the model number of the piece. For modest decorative items the quality of the manufacture is of a high standard as can be seen in both the modelling and the glazing of this piece. Their animal figurines were immediately approachable and provided modest but amusing items of decoration.
A Pair of Art Deco Pressed Glass Trophy Form Vases, Davidson, 1930s
Price: £45
A Pair of pressed glass vases of hexagonal form, the rounded body with a lobed rim and standing on a shaped foot, two handles to the sides in the shape of a trophy. These pieces resemble similar designs in clear pressed glass made by the Davidson factory in the 1930s. George Davidson founded the Teams Flint Glass Works in 1867, which later became known as George Davidson & Co. In the 1880s the company began producing pressed glass tableware in a variety of shapes and by the 1920s their designs began to reflect the new Art Deco trends. The firm continued production until the 1980s, closing in 1987. These vases come from their 'Chippendale' range and were probably made in the 1930s. It has been suggested that this and other similar forms were intended to hold celery. Normally sold singly, it is less common to find a matching pair with their obvious decorative potential.
Japanese Fukagawa Imari Bowl, signed, circa 1880
Price: £380
A Japanese Imari Bowl of shallow lobed form, richly decorated in the Imari palette of underglaze blue, iron red and gold, the interior with a central circular panel with a vase containing peony and chrysanthemum within a blue ground border with gilt diaper work and small stylised floral panels and the sides with alternating shaped edge circular and oval panels filled with flowers and ho ho birds on a stylised floral red enamel and gilt ground, the exterior with circular floral panels in two sizes on a ground of stylised foliage, the base with a four character mark reading 'koransha' 'fuka' 'gawa' 'sei' ('Made by the koransha Fukagawa [factory]'.
The Fukagawa kilns produced the best quality Imari items made in Japan in the late nineteenth century for export to the West. Their history starts with Ezaiemon Fukagawa who in 1856 became head of his family's porcelain business and in 1875 founded Koransha (The Company of the Scented Orchid) in Arita, Japan, to produce tableware for export. In 1894 the modern Fukagawa company was founded by Chuji Fukagawa, with the Fukagawa trade mark of Mount Fuji and a stream, as its trade mark. Dating here is within the Meiji period (1868 - 1912) probably around 1880. This conforms with the script mark used as opposed to the later symbol design.
Lovely large brooch by Thomas L Mott c1940
Price: £20
This is a large brooch with a very detailed enameled plaque depicting a Louis XV style scene of lovers in a landscape. Signed on reverse TLM (b 1881)
Chinese Small Blue and White Potiche and Cover with wood stand, late C20th
Price: £45
A small Chinese porcelain potiche and cover, the straight sides curving out slightly to the top and the overhanging lid slightly domed with a wide knob finial, decorated in underglaze blue and white with a continuous scene of birds and flowers and rocks, the flowers repeated on the lid as floral sprays. The design here is unusual for Chinese ceramics and rather ‘modern’ in appearance which fits with a probable dating to the late twentieth century. While the porcelain is of good quality the paste of the foot suggests fairly recent manufacture (see image 9) and the painting appears to depend partly on stencilled outlines (see especially the bird in the first image). But the wood stand suggests at least some age and the ensemble can be enjoyed its own right as a modest decorative item with the potential for practical use.
Chinese Doll of a man dressed in traditional costume, early C20th.
Price: £95
Chinese Doll of a man, standing with his arms hanging down and dressed in elaborately embroidered Chinese costume with booted feet, the head detachable. This type of doll is believed to have been made in Shanghai by professional doll makers and then equipped with its dress in Christian missionary orphanages, in order to teach the girls there embroidery and raise money for the orphanage in general. Other examples are known and dating is generally made to the 1920s. The quality of the needlework here is exceptional and the young ladies were clearly extremely well taught! In this example the detachable head is signed which may indicate the doll maker's workshop.
Pair of Japanese Shaped Saucer Dishes, Maruku China, 1940s
Price: £25
A pair of fine quality porcelain saucers in the form of a leaf with a pierced handle, decorated in bright enamels with gilt dragons and flames amidst puce impressionistically represented waves, the edges gilt and the reverses plain with a painted blue mark ‘Maruku China’ beneath a crown.
The Maruku factory seems to have operated in Japan after the second world war producing modest but good quality wares for export, rather in the style of Noritake pieces. Usually their pieces are marked in addition ‘Made in Japan’ but for some reason not here. The forms, colourings and designs here are quite unusual and while modest, these are good quality decorative items suitable for a contemporary interior.
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West German Studio Pottery Vase, Scheurich, 1960s
Price: £35
A ceramic vase of near cylindrical form, the body tapering slightly outwards towards the base and incurving towards the foot, the sharply defined shoulder below a compressed circular rim, the whole decorated in shades of yellow and brown with a wide variety of glaze effects including speckle and craquelure. The base has moulded marks reading ‘XX-XX’ and ‘W.GERMANY’ indicating the firm ‘Scheurich Keramik’ which started production in 1954, rather later than most of its competitors, but soon became the largest producer of commercial art pottery in Germany. Their pieces rarely carried the factory name but usually the model number followed by the height in centimetres with ‘W.Germany’ below, as here. Scheurich were well known for producing a wide variety of pieces with variegated, almost experimental glazes and this vase is a particularly successful example of their work with a well balanced selection of colours and interesting glaze effects.
Japanese silver souvenir brooch c1950
Price: £18
This is a fun brooch that depicts a Japanese genre scene. It is repousse silver and is unmarked.
Incredible quality Silver and paste brooch c1950
Price: £45
This is an amazing brooch that comprises silver and paste stone in a very detailed and flowing ribbon design. The numerous stones are prong set. There is a central faux pearl. It is marked 925 and it has a very secure barrel clasp that pulls out so the pin is held fast.
Sweet Taxco heart bracelet c1980
Price: £75
This a very lovely bracelet comprising a heavy sliver bangle style bracelet that has a heart at the centre. It is very sturdy and elegant at the same time. It is marked 925 TC-02 Mexico.. The TC number indicates the silversmith and the TC indicates Taxco.
Liberty Dollar 1922 mounted as a pendant on necklace
Price: £35
This is a very interesting piece of ephemera that can be worn. It is a Liberty silver dollar encased in a filigree design. It has been "married" to a torque necklace so it really stands out at the neckline. You definitively won't see many of these around town! :)
Japanese Celadon glaze vase with enamel decoration, late C19th
Price: £25
A Japanese vase of ovoid form with a short slightly concave neck, the celadon glaze with raised enamel decoration in green, white and pink of flowering peony, the base glazed in white. Many pieces of enameled celadon ware were produced by the Japanese potters for export to the West in a variety of forms including vases, jardinieres and garden seats, the latter implying, perhaps, a destination of the conservatory. Their appeal is obvious and the work is of high quality. This vase, one, no doubt, of an original pair is a typical example with its rich celadon glaze enhanced by the floral decoration. Dating is most likely towards the end of the Meiji period (1868-1912) around 1900. The provenance of these pieces is uncertain, although sometimes Seto ware, better known for its productions in blue and white, is suggested.
Burmese doll figure of a Priest, C20th
Price: £45
This is a very curious piece indeed. The figure represented by the doll is clearly a man from the depiction of the face with its broad moustache; his hair is swept back and the forehead painted with three red lines which most likely have a ritual or religious significance suggesting that we have a priestly figure here. His torso and arms are closely bound in gold and blue fabric strips and below is a billowing pink robe with gilt thread decoration, now somewhat worn, but the truncated profile is strange. If there is a religious element perhaps the doll had some ritual function; it certainly has the appearance of one. The treatment of the face suggests Burma and there is clearly some age here, perhaps a dating to the mid or even early twentieth century but there do not seem to be any close parallels. One for a specialist collector perhaps and certainly someone with more knowledge than the puzzled cataloguer!
Vintage Cobalt Blue Glass Perfume Bottle and Stopper, 1930s
Price: £25
A blue glass small bottle and stopper in deep cobalt blue of squared and rounded pyramid form with a stepped concave neck. The shape suggests a perfume bottle and similar examples do exist including one with a gilt Chloé mark which would mean a post 1952 date of manufacture. The technique here, though, resembles the ‘pressed glass’ pieces made in England during the 1930s, for example by the firm Davidson, suggesting a more likely dating to that period. The slightly Art Deco feel to the form fits in with this. While it has slight damage, it is, of course, more unusual to find this shape with its original stopper.
Art Deco statement necklace with real pearls and paste stones c1920
Price: £100
This is a very rare necklace that is in a lariat design. The central pendant has a lace design set with real seed pearls and paste stones. There is also a large teardrop shaped natural fresh water pearl.
Rare early Czech glass brooch c1920
Price: £65
This is an early example of Czech costume jewellery that dominated the European market pre WW2. It comprises heavy brass elements with cut glass stones. An incredible find for the costume jewellery collector.
Statement fob brooch with large faux citrine drop c1950
Price: £15
This is a very unusual brooch featuring very detailed gilt metal elements that have a hanging fob that has a large faux citrine. It is a three dimensional cushion shaped drop with a wreath and basket weave design on the back.
English Silver pin cushion in the form of a boot, London 1991
Price: £75
This is a charming small pin cushion in the form of a worn out boot. It has a typical blue velvet interior and is very lifelike with a hole in the sole. It has full English hallmarks for London 1991 and a makers' mark 'DB'.
Souvenir White House Enamel Box and Cover
Price: £15
A box and cover of ovoid form, the blue enamel ground with raised cloisonne enamel style decoration depicting the White House with the US flag atop, trees to the left and right and a profusion of stars which are repeated on the base with a single star on the interior. Doubtless to be found in the White House gift shops but available here without the need for a trip to Washington!
Engraved Glass Dish, Angelica, by Michael Yates, Country Ladies Series, 1981
Price: £20
This is a fine quality glass plate, heavily formed from Morgantown lead crystal glass, and hand engraved to the reverse with an image of a lady in Art Deco style featured behind an engraved image of a tree to the front. On the reverse is an engraved inscription which reads 'First Issue Of Yates Country Ladies Hand Engraved In Genuine Morgantown Full Lead Crystal . Limited Edition 1981 Bradex Number 89.1.158-1.1 . Plate Number 406 C Of Angelica An Original Work By Michael Yates'. On the front is the engraved signature of the artist himself.This was the first of a series of four plates created by the glass engraver Michael Yates to be sold by the American firm ‘Bradford Exchange’ who specialise in limited edition collectibles. The full set comprises Angelica (as here), Violet, Heather, Laurel and was produced between 1981 and 1989. Originally each plate was issued in a box with a hanging device and full documentation. Perhaps ‘Angelica’, with a slightly simpler design, is the most appealing of all and certainly she can stand as ‘one off’ display item of extremely high craftsmanship.
Pair of Ceramic Wall Hanging Plaques, Butterflies, probably continental 1960s
Price: £40
A pair of ceramic wall hanging plaques modelled in the form of butterflies with outspread wings, brightly decorated in green, red, orange and black enamels with beaded detail, the reverses plain and with a central cavity, pierced at the top for the wire wall hanger which also forms the proboscis. The fairly coarse paste of the foot rim at the back and general style of decoration suggests continental work, most likely Portugal or Spain and these pieces have a mid century look to them suggesting a a dating in the 1960s when brightly coloured ornaments (and carpets!) enjoyed something of a vogue. Highly decorative then, this pair of lepidoptera would certainly enliven a contemporary interior.
Majolica Style Jardiniere, French, circa 1900
Price: £45
A ceramic jardiniere of elongated rococo style form with upraised handles and a spreading foot, one side of the wavy edge rim with pierced lattice work, decorated all over in brightly coloured glazes on a mustard ground with slight craquelure, the front with a multicoloured panel of flowers and the back with a moulded panel of a floral spray, the foot with a moulded mark ‘D 9’.
This is a French interpretation of the ‘Majolica’ style which became so popular, particularly in England in the second half of the nineteenth century. A very distant relation of the tin glazed Italian and Spanish wares which share the name, nineteenth century majolica employed a wide variety of brightly coloured glazes applied to elaborate forms some of which had a slightly ‘classical’ feel and some a reflection of ‘rococo’ designs. The paste and glazes here suggest France, which produced various pieces in the ‘majolica’ style and dating is probably to the end of the nineteenth century.
Faux pearl necklace c1910
Price: £15
This is a lovely necklace that features very lustrous faux pearls in natural shapes. The central pendant is a massive 25 mm faux pearl.
A Pair of African Carved Wood Figure Head Plaques, C20th
Price: £45
A pair of carved wood plaques depicting the heads of a man and a woman and carved in a semi abstract style with black coloured detailing to the hair and facial features and marked ‘O’ ‘B’ to the reverse. The style of these and other similar pieces suggests African work but the provenance is uncertain. Both Senegal and Ghana are sometimes mentioned. These are certainly striking examples and probably date to the late C20th.
Scheurich West German Vase in Brutalist Style, late C20th
Price: £55
A ceramic vase or ewer, the body of upright cylindrical form, the neck very slightly narrowing above the pronounced shoulder towards the galleried rim, a simple loop handle to the reverse, the interior glazed dark brown and the exterior with a mottled brown glaze with geometric relief decoration in a style often termed ‘brutalist’, the base also glazed and with relief marks ‘407-35’ (pattern number plus size in centimetres) and ‘W.Germany’.
Although not marked with their name (few pieces were until the later years of production) this vase has all the hallmarks of the Scheurich factory founded in 1954 by Alois Scheurich who had been a partner before then in the firm ‘Scheurich and Greulich’ (S&G) since 1927. While founded later than many of its competitors, Scheurich grew to become the principal exporter of West German ceramics through until the 1980s and beyond, making vases in a wide variety of shapes and designs. This piece is rather more austere than many of their productions and the clean lines of the form combined with the rather stark decoration perhaps make it particularly suitable for a contemporary interior.
Two Burmese Textiles, mid C20th
Price: £55
A pair of Burmese wall hangings, heavily embroidered with circular panels, one depicting the ‘Burmese Lion’ and the other two fish, both elements in the Burmese Signs of the Zodiac, which follow the Western Zodiac closely, suggesting that these two hangings may derive from an original set of twelve, the decoration sewn onto a brown fabric backing which forms the border.
The distinctive style of embroidery and applied work here is typical of Burmese work known as ‘Kalaga’ which means ‘curtain’ in Burmese and is used to refer to heavily embroidered appliqué tapestry sewn with a technique called ‘shwe gyi do’. First produced around 150 years ago, Kalagas are generally linen, silk, cotton or velvet background fabrics embellished with sequins, embroidery, beads, coloured stones, tiny pearls, coral, braids and metal threads, the choice of materials depending in part on the client’s budget. Cotton padding was used to produce the ‘3D’ effect seen here and on many other examples of the work. The elaborate decoration meant that some of the larger pieces could take many months to produce. These two panels are an excellent example of the genre with the lavish use of gold thread. They have survived in excellent condition and can decorate an interior today in the same way that they graced the interiors of the makers’ contemporaries. Dating is difficult and a mid C20th attribution is probably sensible but an earlier period of manufacture is quite possible.
Caithness Glass Perfume Bottle and Stopper, late C20th
Price: £30
A perfume bottle and stopper, the broad pear shape body with a flaring neck and fitted with a ball shape stopper, the glass blown with swirling flecking effects in apricot and white and the stopper plain. The pattern and design of this perfume bottle is typical of pieces made by the Caithness glass factory in Scotland and similar pieces can be found with their label attached. The Caithness glass factory was established in 1961 at Wick, Caithness by Robin Sinclair, 2nd Viscount Thurso and soon taken over by George Mackie, Baron Mackie of Benshie in 1966 who remained its Chairman for twenty years. Set up to provide additional employment in the area, the company also was intended to exploit the availablity of sand for glassmaking in Caithness, although this did not prove suitable for the manufacture of clear glass. Paperweights became a speciality and the firm received a Royal Warrant from the Queen Mother in 1968. Twice driven into receivership in the early years of this century, it was eventually bought by Dartington Crystal in 2006 and continues the manufacture of paperweights today.
Victorian Silver Mounted Banded Agate Brooch, late C19th
Price: £100
An oval brooch formed from banded agate, the brown surface with amber and mustard colour striations, mounted in silver with a bar clasp to the reverse, the rounded border with four engraved collar devices. Found in a wide variety of locations, agate, a form of chalcedony with a wide variety of banding effects, has been used for jewellery from the earliest of times and was extremely popular in the late nineteenth century. The source here is probably Scotland which may imply that the mount is Scottish too, which would certainly not be inconsistent with its style but there is no firm proof of this.
Baroque Style Picture Frame with Still Life, C20th
Price: £25
The elaborate stylised floral decoration of this picture frame looks to the baroque era prevalent in Europe during the late C17th and early C18th with its elaborate floral scrolling but its date of manufacture is rather more recent. The material seems to be resin and the aim was clearly to produce a lavish effect at a bargain price. The picture enclosed is, of course, far from baroque but the semi impressionist style of this floral still life actually matches its surround rather well. A piece of decorative whimsey then, probably 1950/1960s and continental, and a clear antidote to austerity!
Japanese Celadon Ground Tazza with Chinese Nanking decoration, late C19th
Price: £25
This is an unusual and hybrid piece combining elements of both Japanese and Chinese decoration. The stoutly potted footed bowl, or tazza, is Japanese porcelain employing a fine quality stone like clay, visible on the underneath of the three feet, often found in these celadon glazed pieces made for export towards the end of the nineteenth century. The pedestal feet support a stubby bulbous column which in turn supports the circular serving dish on top. The underside of the dish has moulded decoration and its edge is slightly shaped. The celadon glaze is enhanced with blue and white decoration and the dish itself is wholly decorated in blue and white with a landscape scene closely resembling the designs on Chinese export wares of the late eighteenth century (see the previous lot in this sale for a typical example) and often known as ‘Nanking’ ware in Europe, Nanking being the Chinese port from which it was shipped to the West. The elaborate border with cell and diaper work and stylised flowers also copies the Chinese exemplar. The shape is a Japanese interpretation of a European form and was clearly intended as a serving dish, perhaps for a small desert service of pieces in a similar pattern, but it can stand on its own today as a piece both decorative and practical.
Regency style statement necklace c1950
Price: £125
This a very usual necklace comprising brass and glass elements that have a "rather" regency style in the design. Maybe more of a nod to the design is more accurate. The central pendant has a central stone surrounded by glass leaves and flowers. It is a lariat style with green and blue glass beads that perfectly match the central pendant.
LOT 9
Large Shelley Harmony Ware Vase glazed in blue and grey, 1930s
Estimate: £40 – 60
5d 5h 53m
£26.00
Amber statement necklace with round drops c1960
Price: £65
This is a really fun necklace comprising stations of large flat amber round beads that are honey coloured. They are strung as stations on brass fittings.
Charming small amber pendant brooch set as an owl c2000
Price: £15
This is a very sweet small pendant brooch that is shaped like an owl with an amber belly. With full hallmarks and bail for pendant.
Victorian Egyptian Revival motif necklace with red stones c1900
Price: £85
This is an unusual statement necklace designed in the Victorian era.. These designs were due to the The Egyptian Pavilion at the Exposition Universelle of 1900 in Paris. This world's fair was extremely popular and it was global news. These designs have more of a European look to them. It wasn't until the discovery of Tutankhamun's tomb in 1922 that the iconography. became more accurate. This necklace is mounted with red glass stones and is the necklace also had red glass beads and diamante roundels.
Korean Najeonchilgi lacquerware jewellery Box, C20th
Price: £25
This is an example of Korean lacquerware known as ‘Najeonchilgi’. The technique, derived from both China and Japan, involves the inlay of shellfish derived small pieces onto a lacquerware base. ‘Najeon’ means ‘mother of pearl’ and ‘chilgi’ lacquerware. These wares were produced quite early on in Korea’s history with a ‘golden era’ during the Goryeo dynasty (918–1392) but continued to be made until quite recent times. This box, then, made in the late C20th, comes at the end of a long run of a traditional manufacturing process but retains some of the hallmarks of its predecessors. The shape is rectangular with a bowed front, the hinges and clasp fastening in polished metal and the interior lined in red fabric with a mirror fitted to the underside of the lid. The highly polished black lacquer surface is inlaid with mother of pearl decoration, flowers to the front and a moonlit scene of storks to the lid, symbolising long life. Highly decorative in itself, this box is also extremely practical as storage item for a small jewellery collection and would be an elegant addition to the dressing table.
Burgundy Leather Jewellery Box with Bramah Lock, early C20th
Price: £95
This is a fine quality jewellery box covered in red burgundy leather. The rectangular base is fitted with a shallow flush lid bevelled at the front and back and attached by brass lever hinges. The front of the base has a lock marked ‘Bramah’ with the original key and the lid an inset brass handle, the surface of which would have been suitable for the engraving of the owner’s initials. Inside are two removable trays, the top one with compartments for jewellery and a circular holder for a watch. The linings of the box and trays are in burgundy leather and velvet. There are many features here of a ‘deluxe’ item, in particular the ‘Bramah’ lock, known for its high security, and the lever hinges. The box most likely dates to the early 1900s and would clearly have been sold by a purveyor of ‘luxury’ items for a wealthy clientele. It retains, of course, its functionality today.
Burmese wood figure of a reclining Buddha with worshipper, C20th
Price: £25
This is a charming composition of a carved wood Buddha figure reclining on the ground, one arm outstretched and his head resting on a pillow. He is dressed in flowing robes which are skilfully depicted and at his feet kneels the figure of a monk, his hands clasped together in a pose of worship. The relative scale of the two emphasises the divinity of the god and the whole composition radiates serenity, calm and devotion. The work seems to be Chinese but the depiction of the monk reveals the work of a Burmese carver. Many other similar figures can be traced to Burmese work and so this is most likely what we have here. Dating is probably to the early twentieth century and, while not Chinese, the piece corresponds closely to the carved wood figures exported to the West from China at that time. The composition of Buddha being offered devotion by a religious attendant is most unusual and particularly appealing for Buddhists and non Buddhists alike.
Balinese tiger's eye Necklace, C20th
Price: £55
This is a full necklace comprising a large square tiger's eye stone with horizonal striations in a setting which employs Balinese motifs, highlighting the tradition of Balinese silver work. The mounted stone is suspended from a very thick snake form chain that complements it perfectly. There is a mark for '925' guaranteeing the quality of the silver. The abstract and bold forms present an arresting and attractive design which should appeal to a collector of contemporary costume jewellery.
Terracotta Glazed Bottle Vase with floral enamel decoration, Watcombe Pottery, circa 1900
Price: £45
A terracotta earthenware vase of bottle form with a bulbous compressed hemispherical body rising to a tall slender neck above a flaring spreading base, recessed to the interior and glazed with the foot rim unglazed revealing the fine terracotta clay, the body decorated in thick ‘famille rose’ enamels in the Chinese style depicting flowering peony.
Pieces combining glazed terracotta with polychrome enameling were one of the designs produced by the well known Watcombe pottery based in Devon. Production commenced in the mid 1860s when a fine red Devon clay was discovered in the grounds of Watcombe House near Torquay, prompting its then owner G. P. Allen to establish the Watcombe Terracotta Clay Company off Teignmouth Road, St. Marychurch in 1869. Classical styles of the period like terracotta busts, figures, urns and jugs were produced first, followed by terracotta glazed pieces some in the style of the famous designer Christopher Dresser. Not all of the pieces were marked and the appearance of ‘Watcombe Porcelain’ on some of their wares seems to post date the first years of production. Various mergers followed and the range of designs developed, adapting to changing tastes, but finally the business was forced to close its doors in 1962.
While the decoration is typical of Watcombe, the shape is typical of Dresser and also loosely follows a Chinese shape as did so many of his pieces. Allowing for the fact that the Devon potters introduced their own individual ‘twist’, one example of the Dresser prototype for this piece is included in the collection held by the Metropolitan Museum in New York. Watcombe, in common with other potteries at the time, aimed to produce pieces which, while they followed the ‘best’ designs were more accessible to a general audience. This vase is in no way inferior to the ‘real thing’ and maintains a charm of its own.
Chinese Soapstone Brushwasher with flowering lotus, early C20th
Price: £95
A Chinese soapstone brush washer unusually modelled as a rounded triangular shallow basin in the form of a lotus leaf, footed and with a sprig of flowering lotus growing upwards from it with a vase behind in the form of lotus leaves. The skill of the carver is self evident and the design has been very carefully conceived, artistically employing the varied detail of the natural stone from which the piece was made. Soapstone was first used by the Chinese over three thousand years ago but began its popularity in the Ming dynasty (1368 -1644) with the height of production during the ensuing Qing dynasty (1644 – 1911) when a stone mined in the Shoushan village in northern Fujian was most commonly used. Shoushan soapstone is noted for its smooth texture, bright colours and fine grain and a wide variety of objects were carved from it. This piece is an excellent example of the genre and has survived in pristine condition to become a scholar’s object from the past which can be enjoyed and appreciated today. Production of soapstone carvings continued into the twentieth century and this is probably what we have here but almost certainly from the early years of the period.
Japanese Ceramic Figural Group of two Geisha, late C19th
Price: £25
A Japanese ceramic figural group of two Geisha, one standing with her right arm upraised and the other seated with a fan in her left hand, both dressed in the traditional Japanese kimono wrapped round at the front and tied with a tassel at the back, and positioned on a blue ground rocky outcrop which is pierced at the top and bottom, possibly as a result of the manufacturing process. Various ceramic figures of geisha, sometimes pairs and sometimes individual figures, were produced in Japan in the late nineteenth century, doubtless for export. All share fairly bold modelling and a bright palette of colours but a group such as this seems a bit more unusual. It is an effective composition and a modest reflection of the taste for ‘Japonisme’ in the West at that time.
Japanese Gouache Painting of Flowering Lotus, signed and framed, C20th
Price: £45
A Japanese Gouache painting in tones of green and blue of flowering lotus and reeds with a butterfly hovering above, inscribed to the left with a two character signature in black and a seal mark in red. While the artist of this piece cannot be identified his skill is self evident in both the overall composition and its execution. The fine white and yellow detail on the lotus leaves is striking and the depiction of the butterfly vivid with life. Executed on a circular panel, perhaps originally from a screen, the painting has been sympathetically framed in an octagonal format, with a dark blue mount into which it is inset. The combination presents an object of obvious decorative appeal both to a specialist and to a general collector.
Korean Najeonchilgi lacquerware jewellery Box, C20th
Price: £25
This is an example of Korean lacquerware known as ‘Najeonchilgi’. The technique, derived from both China and Japan, involves the inlay of shellfish derived small pieces onto a lacquerware base. ‘Najeon’ means ‘mother of pearl’ and ‘chilgi’ lacquerware. These wares were produced quite early on in Korea’s history with a ‘golden era’ during the Goryeo dynasty (918–1392) but continued to be made until quite recent times. This box, then, made in the late C20th, comes at the end of a long run of a traditional manufacturing process but retains some of the hallmarks of its predecessors. The shape is rectangular with a bowed front, the hinges and clasp fastening in polished metal and the interior lined in red fabric with a mirror fitted to the underside of the lid. The highly polished black lacquer surface is inlaid with mother of pearl decoration, flowers to the front and a moonlit scene of storks to the lid, symbolising long life. Highly decorative in itself, this box is also extremely practical as storage item for a small jewellery collection and would be an elegant addition to the dressing table.
LOT 16
Studio Pottery Vase, Leeds Fire Clay Company (Lefco), circa 1900
Estimate: £80 – 120
5d 6h 7m
£48.00
Very finely carved soapstone pendant necklace
Price: £175
This is a wonderful necklace comprising a large carved soapstone plaque depicting the double fish, bat and heart symbols. These are symbols for good fortune, happy relationships and good luck. The are combined with jade and cherry amber beads which is a very striking combination. The is a silver clasp and the bale is brass.
Vintage Brass Pocket Case with a lid, probably a Vesta case for Matches, circa 1900
Price: £55
A small brass case with a hinged lid of irregular rectangular form decorated in high relief repoussé tecnique with a devil’s head encircled by a snake whose scaly tail continues onto the lid. Repoussé work is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Other examples of these cases are known with a similar shape and technique and even the devil and snake motif. It is more than likely that this case was designed for matches, the so called 'Vesta Case' of which there is another example in this auction. Like that piece it is fitted with a ring, presumably to allow it to be attached to a watch chain. But other uses could have been intended, possibly for business or visiting cards (the Victorian calling card was much smaller) or perhaps for pills. The style of decoration very much recalls 'Arts and Crafts' pieces made around 1900 and a similar dating seems likely here.
Pair of Japanese Blue and White Seto Ware Vases, early C20th
Price: £240
A pair of Japanese Vases of ovoid form with modelled concave necks, decorated in bright underglaze blue with densely flowering peony and chrysanthemum, the design continuing right round to the reverse, the necks with a band of repeating geometric design below a band of stylised clouds and waves, the bases glazed and each with indistinct markings in underglaze blue, more extensive on one vase than the other.
The finely drawn brushwork here and the distinctive bright blue are characteristics of pieces made at Seto in Japan in the 19th and early 20th centuries. The city of Seto is located in the Aichi Prefecture and was the location of one of the Six Ancient Kilns of Japan. Pottery was produced there from the 13th century onwards. The kilns took part in the export of decorative wares to the West from the second half of the nineteenth century onwards producing a wide variety of forms, in particular pairs of vases, but with a speciality in flat plaques and table tops, for which they gained something of a monopoly. Their pieces are usually marked, to include the characters for Seto, and this pair of vases may have originally been signed themselves but with the marks partially obliterated in the firing process. The quality here matches anything else produced by the factories but the light weight and thinly potted body suggests a dating to the early 20th century rather than before, probably during the Taisho period (1912-1926). Nevertheless the skill in craftsmanship is obvious and contributes to a highly attractive pair of ornaments for a contemporary interior.
Three Indian Brass hanging plates, Thanjavur, C20th
Price: £55
Three circular brass wall plates, similarly decorated, with central designs of deities surrounded by panels of birds and scrolling foliage, all worked in high relief, the backs with rings for hanging and one with an engraved mark ‘INDIA’.
The style of decoration here is typical of the art brass hanging plaques produced by the metalworkers of Thanjavur, formerly known as Tanjore, from the late eighteenth century onwards. A Tanjore Art Plate consists of three components: the base plate (brass), a circular central relief panel of a deity worked in silver surrounded by relief panels in copper and silver often depicting flowers. Various deities are depicted here including the well known many armed Shiva. All the reliefs have milled borders but the wells are finished differently, some with engraved designs and one with circular bosses. Dating is probably to the mid C20th but the style of these pieces was continuous and relatively unchanging so an earlier period of manufacture is quite possible.
NB Stands for display purposes only and not included
Burmese silver plated Scent Bottle on a chain c1880
Price: £45
This is a very wearable piece of fashion history. It comprises a large repousse decorated scent bottle cast from silver plated white metal and depicting Burmese lions, fitted to a very long necklace chain. The stopper is attached by chain and comes out to reveal the scent wand. Not without a practical use this piece certainly fulfils a decorative function!
Burmese silver plated Scent Bottle on a chain c1880
Price: £45
This is a very wearable piece of fashion history. It comprises a large repousse decorated scent bottle cast from silver plated white metal and depicting Burmese lions, fitted to a very long necklace chain. The stopper is attached by chain and comes out to reveal the scent wand. Not without a practical use this piece certainly fulfils a decorative function!
Two Ceramic Jugs with Erotic Decoration, continental perhaps German, circa 1900
Price: £25
Two ceramic jugs, the first of near globular form with a narrow concave neck and a flaring rim with a simple loop handle to the shoulder, blue glazed with a biscuit design to the reverse of a cherub kissing a man, the unglazed base with incised numbers '186 [??] 2' and the second of a slender ovoid urn shape with a wavy edge rim and a modelled loop handle to the shoulder, green glazed with traces of gilding, much worn off, and with a biscuit design to the reverse of a man seated with something in his hand which could be interpreted as a flower or just possibly the male member.
These pieces represent something of a puzzle. Seen the right way round (with the handle on the right) they are plain and the decoration only reveals itself on the reverse. This suggests a playful intent to conceal which, when combined with the subject matter, suggests something a bit ‘naughty’ which could confirm the second interpretation of what the seated man is holding! The paste, and general style of the pieces, looks continental and a German origin might be a good guess, but no more than that. The blue glazed jug has an impressed mark to the base ‘186 [plus an unidentifiable number]’ which might be the date but is more likely the pattern number; a dating of around 1900 for both seems reasonable - certainly there is an ‘old’ look to the pieces. There are one or two similar examples but little in the way of firm information. One for a collector to puzzle out!
Chinese Celadon Glaze Bottle Vase with White Slip decoration, Jingdezhen mark, C20th
Price: £75
A Chinese Vase of bottle form, the globular body rising to a straight neck with a short foot, covered all over in a celadon glaze and highlighted at the front with decoration in white slip depicting birds on branches of flowering lotus, the design continuing towards the rear. The base with a four character seal mark in underglaze blue reading 'Jing-De-Zhen-Zi', indicating manufacture at the well known kiln town of Jingdezhen in the Jiangxi province. Celadon pieces with white slip decoration, usually depicting birds and flowers, seem to have been first produced in China in the nineteenth century. Vases and garden seats are the most commonly found forms. This vase continues the style and the quality of the glaze and decoration compares very well with its predecessors. The mark is found on other pieces and seems first to have been used around 1950 but was still employed around forty years later so dating must also take into account the quality of the decoration and the paste of the foot, both of which suggest the mid C20th here.
Massive Egyptian Revival long necklace c1930
Price: £195
This is a very unusual necklace in the Egyptian Revival style that was popular in during the Art Deco period. This one is a very large enamel and brass pendant suspended for a long rope chain. The pendant is depicting "Horus" which was very important deity for the ancient Egyptians.
Watercolour by Elisabeth Castle, Kent Landscape Scene, framed, late C20th
Price: £45
An original watercolour painting by the British artist Elizabeth Castle (1930 to 2011, according to the inscription on the reverse). Although a resident of outer London, Castle seems to have concentrated on Kentish landscape scenes and the composition of this picture, with oast houses and slightly abstract trees, is typical of her work. With a fairly muted palette of colours her paintings are always easy to the eye and a restful addition to an interior. Her work seems not to be signed but was always equipped with a printed label as here headed ‘Original paintings by Elizabeth Castle’ followed by her address and telephone number. (The format of the telephone number, used in London up until 1990 gives some idea of the date of the picture.) The gilt wood frame complements the painting well and both combine to produce a relaxing decorative accessory.
Curb link pad lock bracelet, London 1977
Price: £85
This is a very classic heavy curb bracelet with the padlock clasp. It has a safety chain and the clasp is very firm and holds well. The padlock is fully hallmarked for London, 1977 with a makers mark of RGS. r
Vintage Petit Point Tapestry Bag, Austria, 1920s
Price: £15
This is a fine example of the minutely stitched embroidered bags made in Austria during the 1950s. Of sack form, the black ground tapestry canvas is decorated on each side with a profusion of multicoloured flowers including peony and lotus worked in the ‘petit point’ style with tiny stitching within a gold rococo border, the sides and base decorated in the same style. The top and snap clasp are in gilt metal and suspended from a gilt metal chain. The inside is finished in cream coloured silk with two green stitching bordered pockets and a label which reads ‘MADE IN AUSTRIA’. The maker is anonymous but their work rivals that of the well known firm ‘Jolles Original’, founded in Vienna in 1923, whose creations won a Grand Prix award in the 1958 World Exhibition held in Belgium and were sold by premier American Department stores such as Bergdorf Goodman and Saks Fifth Avenue making this bag a desirable addition to a collection of embroidered bags or vintage bags in general.
Japanese Blue and White Porcelain Bowl decorated with hydrangea, early C20th
Price: £25
A Japanese Bowl of shallow flattened conical form, decorated in underglaze blue and white with a central panel of flowering hydrangea to the interior surrounded by six hydrangea blooms, the exterior with bands of variegated blue wash above a band of white, the base also with a white glaze.
Hydrangeas flourish in Japan and also carry a hidden meaning of apology and gratitude based on a mythical story of an Emperor, who angered a woman he loved by neglecting her, and gave her in recompense a bunch of blue hydrangeas as a symbol of his deep emotion and gratitude. Used here as a decorative motif, the painting of the flowers is skilful and elegantly combined with the plainer exterior. The paste of the foot rim suggests an early C20th dating, perhaps to the late Taisho era (1912-1926).
Abstract Design White Glaze Vase, probably British mid C20th
Price: £35
This is an unusual vase of slender ovoid form, glazed in white and with an abstract geometric design to the front with vertical rows of dots and dashes, the reverse plain. The paste of the foot suggests British manufacture and the geometric patterned design recalls pieces from the 1950s and 1960s, although there are no exact parallels for the decoration here. But the elegant shape combined with truly minimalist decoration together produce an object of decorative appeal, highly suitable for the most contemporary of interiors!
LOT 17
Framed poster for Victor Bicycles, Overman Wheel Company, C20th
Estimate: £40 – 60
12d 6h 9m
£0.00
Suite of Art Deco banded carnelian necklace and earrings c1920
Price: £95
This is a very unusual suite comprising matched beautiful Scottish banded agate beads. The earrings are very Art Deco with a long chain drop. Both have brass findings.
Pair of Art Deco style Wall Pocket Vases, Poole Pottery, mid C20th
Price: £55
A pair of wall pocket vases of urn form with scrolling handles, a crimped base and a scalloped top, the backs flat with one pierced hole for hanging, kiln spur marks and impressed marks ‘POOLE ENGLAND’ ‘879’ and a stamped mark ‘C 54’, both glazed in shades of cream and brown. Poole Pottery began production in 1873 and continued into and throughout the twentieth century, suffering vicissitudes and even periods of liquidation in more recent years but still continuing production to this day. The design of these wall pockets has an Art Deco feel and may have been originally created in the 1930s but was still being made into the 1950s. The two colour or ‘twintone’ decoration was also first produced in the 1930s and the form of the marks here, where the just the factory name appears without the ubiquitous dolphin, may well indicate a pre war rather than post war dating. The impressed numbers indicate the model number and the stamped mark the colour scheme. Pairs of these wall pockets in good condition are not often found and the particular colour range here, which is rather pleasing, is unusual. Desirable items, then for collectors of Poole Pottery but also with a general decorative appeal.
Chinese lace agate earrings and necklace suite
Price: £75
This is a beautiful and detailed set of necklace and earrings in Chinese grey lace agate. The necklace is in a lariat style with beads and a circular carving that has four carved "charms" hanging from it. The beads are facetted agate and the clasp is a very fine carving of a flower. The earring compliment the necklace with carvings that have a barrel shape.
Chinoiserie necklace with peking glass plaques c1960
Price: £45
This a lovely necklace by an American company called "Exquisite". It has faux jade or Peking glass plaques and oriental motif gold tone stations. It is signed or marked Exquisite.
