Victorian marquetry miniature table top games table
Price: £75
This is a very unusual miniature table top games table comprising a beautiful marquetry design ready for chess or any game. It is an octagon shape with eight legs. Could be a cabinet maker's example of a large table.
Two Wood Boxes : Marriage of Charles and Diana, Birth of Prince William, late C20th
Price: £15
These two wooden round boxes, doubtless intended for trinkets, announce their purpose on the respective covers, to commemorate (i) The Marriage of the Prince of Wales and Lady Diana Spencer on 29th July 1981 (ii) The Birth of Prince William on 21st June 1982. Both have the initials of the subjects inset on the covers and the first has an incised mark underneath (see image 6). If these were produced commercially, no other examples seem to exist, which just possibly suggests that they were the work of a skilled amateur or trial pieces for a range which was never produced.
African wood figural group, Guinea c1970
Price: £35
This is a carved wood group depicitng a woman carrying water with a pig, fruit and other household implements.
Arts and Crafts Hand Mirror with Repousse Decoration, circa 1900
Price: £55
A very unusual hand mirror of shaped paddle form, the wood body with applied hammered pewter decoration, the back with an overall design, very finely worked, of flowering lotus and a butterfly on a minutely hammer punched ground, the plain border with studded nail head fixings, the front with a small pewter panel to the handle, similarly decorated and secured, and with a single red cabochon bead to the head, the frame of the mirror in plain wood.
Elements of two contrasting contemporary styles combine here with features from both the Arts and Crafts and the Art Nouveau movement. The hammered pewter with the almost rustic nail head fixings and the red bead reflect the former but the elegant depiction of the lotus and butterfly, with more than a hint of the Orient, reflect the latter. The maker is anonymous but doubtless British and clearly a highly skilled craftsman. Much thought and expertise went into the design of this piece which would be a desirable addition for collectors of either or both of the pieces made under the influence of these two highly popular design movements.
Vintage Brass Vesta Case in the form of a Violin, circa 1900
Price: £55
A Brass Vesta, or Match, case in the form of a Violin with an opening cover to the bottom and a fabric covered bar inside. Vesta was the Roman Goddess of the hearth, home and family and
altars and temples dedicated to her commonly employed a live flame, which caused some manufacturers of matches in the nineteenth century to name their products 'Vestas', the most famous being the Swan Vesta match produced from around 1900. Early matches were highly combustible and cases to keep them safe were produced from around 1830 onwards. The peak of popularity of the 'Vesta Case' was around 1900 and their use declined in the 1920s when the first cigarette lighters were produced. The cases were made in a variety of forms and materials, even gold and silver. This example is brass and probably from around 1900. The surface of the cover is ribbed in order for a match to be struck against it but he function of the interior covered bar is less clear. The case is fitted with a ring, presumably to allow it to be attached to a watch chain. Practical in their time, Vesta Cases are collectible now and the rarer shapes much sought after.
Large Scottish agate specimen brooch 1910
Price: £55
This is a unique large oval brooch set with a slice of agate with that has beautiful markings that really highlight the stone.
Silver Cricket Box, Islamic probably Persian, early C20th
Price: £110
A silver box with openwork sides and a pierced cover most likely intended as a portable cricket cage, in the manner of similar Chinese designs, the sides with two geometric openwork bands between raised grooved borders, the cover with an elaborate openwork design incorporating swirling stylised foliage, raised heart and bird form plaques, and two roundels, inset with three hardstones in amber and celadon, the base flat and stamped 'R A'. The style of decoration suggests Islamic work, probably Persian in origin. Weight and quality of decoration indicate a circa date in the early C20th
Chinese Rice Grain Plate decorated in underglaze blue, iron red and gold, circa 1900
Price: £45
Chinese Plate of typical form with a straight flaring edge, decorated in underglaze blue with a central panel of chrysanthemum within a border of bats and a repeating geometric design, the edge with a band of diaper design and between a border of stylised scrolling floral blooms in iron red and gold with turquoise enamel highlighting. The reverse with concentric circles in underglaze blue and a 'shop mark' to the centre, the rim of the plate also with 'rice grain' decoration where the porcelain is pierced and the glaze allowed to cover the openings made. Paste and style of decoration suggest a circa date towards the end of the Qing Dynasty (1644 - 1912) probably circa 1900.
Chinese Famille Rose Bowl decorated with ladies, Qianlong mark, Republican period
Price: £45
Chinese Famille Rose Bowl of typical deep form with a short foot decorated to the exterior with two panels of ladies seated in a stylised garden scene, the lobed borders in iron red, on a ground of densely packed floral blooms in the 'mille feur' pattern, the interior similarly decorated with peony and lotus, the exterior decoration continuing over the foot rim which is unusual. The base with an apocryphal Qianlong period mark (1736 - 1795) in iron red. The style of decoration and paste of the foot rim suggests a dating in the Republican period (1912 - 1949), perhaps around 1930 and this piece, which very loosely follows Imperial designs from the eighteenth century, was probably intended for the local market, in common with the 'Straits Chinese Porcelain' pieces also produced for the local market in the late nineteenth and early twentieth centuries.
PLEASE NOTE THAT THERE IS FREE UK SHIPPING ON THIS ITEM. For international buyers the shipping cost will be reduced by the UK shipping cost, so don't worry if you are outside the UK, you still receive this benefit!
Mounted aquatint engraving of a Courting Couple, signed, probably French C20th
Price: £45
The aquatint process is similar to that of engraving but it is powdered resin rather than a needle which is used to create the desired print effect and it is areas of colour which are produced here rather than an outline design. Often, though, the two techniques are combined, as in this print. Within an oval frame are depicted in pastel tones of blue, yellow and green a courting couple in eighteenth century dress. Boucher springs to mind but perhaps we are closer to Fragonard since the scene depicted is not wholly innocent. The lady’s right breast is clearly exposed and her right hand rather artfully placed. Perhaps this explains the slightly surprised expression on the young man’s face. The general style indicates much more modern work of course, perhaps to the mid C20th, but the artist, who signs his name as ‘Ceilli’, could well have been of the same nationality as his more famous predecessors. Certainly, he has produced a work of impish charm.
Vintage Needlepoint Picture of a Garden Scene, framed, second half C20th
Price: £25
This is a charming embroidery on canvas employing the so called ‘needlepoint’ technique in which over half a dozen stitching techniques are used as opposed to ‘cross stitch’ which uses only one. The varieties of technique employed here can be clearly seen in the detail images (3), (4) and (5). The picture depicts a garden scene with a bird bath and path in the foreground leading to a gate with a pergola like floral arch over it and, in the distance, a thatched cottage. The attraction of the design speaks for itself. Dating is difficult but most likely post war and the frame suggests the mid to late twentieth century.
Pair of Japanese Shaped Saucer Dishes, Maruku China, 1940s
Price: £25
A pair of fine quality porcelain saucers in the form of a leaf with a pierced handle, decorated in bright enamels with gilt dragons and flames amidst puce impressionistically represented waves, the edges gilt and the reverses plain with a painted blue mark ‘Maruku China’ beneath a crown.
The Maruku factory seems to have operated in Japan after the second world war producing modest but good quality wares for export, rather in the style of Noritake pieces. Usually their pieces are marked in addition ‘Made in Japan’ but for some reason not here. The forms, colourings and designs here are quite unusual and while modest, these are good quality decorative items suitable for a contemporary interior.
PLEASE NOTE THAT THERE IS FREE UK SHIPPING ON THIS ITEM. For international buyers the shipping cost will be reduced by the UK shipping cost, so don't worry if you are outside the UK, you still receive this benefit!
Small Chinese Gilt Ground Cloisonné Bowl, C20th
Price: £35
A small bowl with a short foot and an everted rim, the gilt ground decorated in raised cloisonne enamel with prunus flowers, the base and interior finished in mottled turquoise enamel. The cloisonné technique, where glass derived enamels are inlaid between gilt metal outline designs, the so called 'cloisons' or 'partitions', was developed in China from as early as the fourteenth century and employed continuously thereafter, even until the present day. In the early twentieth century pieces were produced with a gilt ground onto which were applied raised cloisonne enamel designs, as here. The quality of the work is excellent and self evident but note in particular the shading effects in the enamels which are seen in images (3) and (4). Prunus is the emblem of Winter and the symbol of life because its blossom appears in springtime on an apparently lifeless tree. This small bowl or cup was probably intended for drinking tea or wine which explains the shape of the rim. Dating is most likely to the first half of the C20th.
Souvenir White House Enamel Box and Cover
Price: £15
A box and cover of ovoid form, the blue enamel ground with raised cloisonne enamel style decoration depicting the White House with the US flag atop, trees to the left and right and a profusion of stars which are repeated on the base with a single star on the interior. Doubtless to be found in the White House gift shops but available here without the need for a trip to Washington!
Pair of Silver Plated Fish Servers with fitted box, probably Edwardian
Price: £45
A pair of silver plated fish servers of typical form, one in the shape of a large fork and the other a flat slice, both elaborately decorated with engraved scrolling acanthus, the slice with openwork detail, and bordered with a repeating rectangular geometric design, the modelled handles, which appear to be dyed bone, set in ropework sockets. There is certainly quality here but no maker’s mark so origin and dating have to be guessed. The rather florid style suggests Edwardian rather than Victorian work and relates to the ‘renaissance revival’ style which features elsewhere in this auction. English manufacture is therefore the most likely. Certainly a touch here of the grand elegance of a bygone era and the set retains its original box which is in excellent condition.
Massive Victorian Carnelian Cameo Shell
Price: £55
This is a very large example of a carnelian shell, such pieces often being used for the creation of cameos in the nineteenth century and before. This example has been polished in certain areas to give the shell a more elegant and finely worked decoration suitable for use as a table ornament. Carved carnelian cameo shells were favoured souvenirs from the Grand Tour and were found mainly in the North and West African waters. This piece is of an exceptionally large size, which is both desirable in itself and occurs much less frequently.
Victorian leather bound photo album made by Mechi and Bazin c.1870
Price: £110
This is an incredible photo album comprising a finely tooled green leather cover and gilt edged pages that have inserts for the photos. It is made by Mechi and Bazin, a well respected manufacturer based on Regent Street in central London and mainly known for their campaign fitted toiletry boxes and writing slopes. This album is quite petite so it was most likely also meant for travel. It holds 23 beautiful Victorian photographs : mainly portraits with a few outdoor views.The album Is marked 'Mechi & Bazin Makers London' on front cover.
LOT 6
A group of twenty assorted artists Stamps in H&R Johnson sample Box, C20th
Estimate: £60 – 80
4d 20h 30m
£0.00
LOT 31
Edwardian large text magnifying glass with horn handle, early C20th
Estimate: £30 – 40
4d 21h 20m
£0.00
Vintage Cobalt Blue Glass Perfume Bottle and Stopper, 1930s
Price: £25
A blue glass small bottle and stopper in deep cobalt blue of squared and rounded pyramid form with a stepped concave neck. The shape suggests a perfume bottle and similar examples do exist including one with a gilt Chloé mark which would mean a post 1952 date of manufacture. The technique here, though, resembles the ‘pressed glass’ pieces made in England during the 1930s, for example by the firm Davidson, suggesting a more likely dating to that period. The slightly Art Deco feel to the form fits in with this. While it has slight damage, it is, of course, more unusual to find this shape with its original stopper.
Blue and Green Ice Glass Square Bowl, possibly Pukeberg, late C20th
Price: £45
A heavily modelled glass bowl of rounded square form with raised corners and indented concave sides with a textured base underneath, the clear glass blended with green and blue glass, each of the colours covering half the surface of the interior with a diagonal 'join'. The weight and textured finish to this piece is clearly intended to represent ice and 'ice glass' pieces were made by various Scandinavian manufacturers, notably Pukeberg of Sweden who produced many 'ice glass' pieces in a 'modernist' style in the 1970s although these seem to be just in clear glass. A very similar bowl was made in the 1970s by Ittala, a glass studio in Finland, and this has colouration similar to the bowl here, but Ittala pieces tend to be signed with the factory name, and often that of their designer Tapio Wirkalla, whereas there is no discernible signature here. 'Scandinavian 1970s' is perhaps the safest bet then but this does not detract from the appeal of a bold statement item which has the potential to be functional as well.
French Souvenir Verre Eglomise Box and Cover, Sacre Coeur de Montmatre, circa 1900
Price: £55
This box, and others like it, was probably made in France as a tourist souvenir in the late nineteenth or early twentieth century. Formed as a small casket, the base is of pressed brass with relief decoration and four small pad feet. The lid has a ‘verre eglomise’, or reverse painted glass, bevel edged panel set in a brass mount and the box is lined inside. Some of the decoration of the lid is probably transfer with other elements hand painted on the back of the glass in true ‘verre eglomise’ style. The scene depicted is the well known Basilica of Sacre Coeur situated on the top of Montmatre, one of the most frequently visited sites in Paris and therefore eminently suitable as the subject for a memento of the ‘great city’. This is the ‘Grand Tour’ style rather towards its end with cheaper materials and a more mechanical method of production but an authentic example of a period souvenir to tempt the traveller.
Chinese Pale Celadon Jade Bangle, probably Nineteenth Century
Price: £45
A Chinese Pale Celadon Jade or Jadeite Bangle, of typical stout circular form, the mottled stone of a pleasing pale celadon colour with typical dark grey and black inclusions.
Jade is usually divided into two types, nephrite jade and jadeite jade. The latter is heavier and slightly harder, making it more difficult to scratch. The weight of this piece suggests that we do have jadeite here. The stone was selected for carving on the basis of its attractive appearance and the finish, which bears no trace of machine tooled manufacture, suggests a pre twentieth century dating, but certainty in these matters is notoriously difficult
The size of this piece is unusually large, suggesting that it would have been intended for a male wearer. This too suggests an earlier rather than later time of manufacture. The stone is exceptionally pleasant to the hand and would have been an elegant accompaniment to any wardrobe.
Jakob Bengal Art Deco galalith and metal necklace
Price: £45
This is a striking example of Jacob Bengel jewellery in his signature galalith and white mettal. The penant is dark brown and black in a triangular shape.
A Complementary Pair of Gilt Metal Art Nouveau style picture frames, 20th Century
Price: £45
Two Gilt Metal Picture Frames of differing sizes but with matching designs in mirror image modelled in typical Art Nouveau style with slender ladies holding a branch and flowering wheat sheaves and lotus, the reverses with swing mount stands
Pair of Navajo Kingman turquiose earrings, signed, 1970s
Price: £65
This pair of earrings boasts 10 large cabachons of Kingman turquoise. The Kingman mine located in Arizona, is the last commercial turquoise mine in the US. It is known for its intense colour and unique matrix. These earring where produced by a Navaho silver maker. They are signed MJ which indicates the specific workshop. Marked Sterling for 925 silver.
Japanese Awata ware Teapot and Cover, signed, circa 1900
Price: £25
An earthenware teapot of rounded cylindrical form, curving in at the base and with a flush fitting lid, the handle, spout and lid finial all modelled to imitate bamboo, the beige ground with a minute craquelure and with polychrome enamel decoration of birds and reeds, the modelled bamboo attachments glazed green and a sketchy signature in iron red at the base of the handle. The Awata district of Kyoto, Japan, was the home to many famous kilns including those run by various members of the Kinkozan family. Some of their Satsuma productions were of extremely high quality, indeed prize winning and in great demand from Western collectors which has continued until the present day. Other kilns produced more modest Satsuma wares for export and some are marked with the same maker’s name as their more illustrious counterparts. This teapot, not marked Kinkozan, is a typical example, originally deriving from a small tea service decorated in the same pattern. The signature, hastily drawn, is either that of the decorator or the merchant shop which sold the ware. These pieces too seem to have been popular with Western buyers and are still collected today.
Paris tourist novelty bracelet c1950
Price: £35
This is a fun bracelet in a tarnished silver finish. It depicts Parisian landmarks and the city's coat of arms. They have a 3D effect which is interesting.
Oil Painting of a landscape scene with trees, framed, C20th
Price: £25
An oil painting on hardboard in impressionistic style of a landscape scene with trees, a field in the foreground and a river bank in the distance, signed, but illegibly in the bottom right corner. Doubtless the work of an amateur artist this presents an attractive scene employing the techniques of the ‘impressionist’ masters and rather more affordable than their work. The frame is simple but complementary. The use of hardboard suggests a dating to the 1950s or 1960s when that material was particularly in vogue. On the back can be made out the letters 'RICHARDSON' 'NO PIC' 'G' and the signature at the front may well be read as 'Richardson'. Many artists by that name are known but while this picture cannot be atrributed to any of them, the painter was clearly accomplished.
Chinese Republican Style small Famille Rose Ginger Jar and Cover, late c20th
Price: £20
A small ginger jar and cover of typical near globular form with a matching domed cover decorated in ‘Famille Rose’ enamels with two ladies in a garden scene, the base with a band of repeating stylised lotus leaves and the shoulder with a border of stylised scrolling foliage (peony and lotus) on a pink enamel ground, the cover with two butterflies and a band of fleur de lis and the reverse with a calligraphy inscription in black with seal marks in iron red. The base has a stamped iron red mark with the Chinese characters ‘Zhong Guo Jingdezhen’ which translate ‘Made in China’ which is also written in Western characters underneath. Below this is the number ‘07’ between two horizontal lines which may indicate the factory or cooperative where the piece was made. This form of mark indicates a dating to the 1980s which is consistent with both the paste of the foot and the style of the decoration. Not perhaps Chinese craftsmanship at its best but not without a certain charm.
American Art Deco silver and marcasite brooch
Price: £35
This is a very interesting brooch in an Art Deco architectural design. It comprises marcasite and paste stones set into silver. It is marked Sterling which indicates that it is American. A real find the vintage collector.
Set of ring and earrings with obsidian mask motif, Mexico, 1950s
Price: £45
This is a very striking and recognizable motif of Aztec masks that feature often in Mexican design. These are carved obsidian set in silver. The earrings are screw back and marked 'Silver Mexico'. The ring is marked 'Sterling'.
Large Art Deco green Bakelite Buckle with a label for Harlem Adler, American 1930s
Price: £35
This is an unusual and rare buckle in olive green swirl and marble effect bakelite. The design is a classic Art Deco shape its angular form and typical carved geometric lines. The closure does not depend upon metal fitments which is uncommon and pleasing. The buckle is a very large size and comes with its original sample store tag from Harlem-Adler & Co. in New York, who were known principally as manufactures of buttons from the 1930s to 1950s but carried lines in other fashion accessories as well. A classic of its time, then, complete with a bit of history and true collector’s item!
Native American Zuni silver cuff bracelet c1970
Price: £125
This is a stunning bracelet made by Zuni silversmiths in the area of New Mexico. It comprises a large mosaic of turquoise, mother of pearl and coral that is indicative of Zuni design and work. This mosaic is set into a silver halo of a flower and leaves, also a typical design. It is marked Sterling 925
Vintage Needlepoint Picture of a lady dressed in a crinoline, framed, probably 1930s
Price: £25
Like the previous lot this embroidery picture employs the so called ‘needlepoint’ technique in which over half a dozen stitching techniques are used as opposed to ‘cross stitch’ which uses only one. The varieties of technique employed here can be clearly seen in the detail images (2), (3) and (4). We have another garden composition, this time a lady dressed in a crinoline gathering flowers and standing on a paved terrace (note the weeds between the paving stones!) with roses and hollyhocks. There are other similar examples of this scene which are thought to be from the prewar era and the slight foxing of the canvas and the form of the frame itself are consistent with this.
Art Nouveau repousse Pendant on later chain, c1910
Price: £95
This is a large repousse plaque pendant decorated in a typical Art Nouveau floral design. It is marked 'AL-P' which seems to suggest a European origin but more likely Belgium or one of the Scandinavian countries rather than France, to judge from the style. The plaque dates to the early twentieth century and is fitted with a later chain.
Japanese Gouache Painting of Flowering Lotus, signed and framed, C20th
Price: £45
A Japanese Gouache painting in tones of green and blue of flowering lotus and reeds with a butterfly hovering above, inscribed to the left with a two character signature in black and a seal mark in red. While the artist of this piece cannot be identified his skill is self evident in both the overall composition and its execution. The fine white and yellow detail on the lotus leaves is striking and the depiction of the butterfly vivid with life. Executed on a circular panel, perhaps originally from a screen, the painting has been sympathetically framed in an octagonal format, with a dark blue mount into which it is inset. The combination presents an object of obvious decorative appeal both to a specialist and to a general collector.
Signed Watercolour of Farm Buildings, Richard Akerman (1942-2005), dated 1981
Price: £110
In this focus auction we are offering a signed watercolour by Richard Akerman (1942-2005). After many years of study and sheer hard work including a stint selling on the famous artists’ railings at Kensington Gardens in London, Akerman enjoyed immense popularity and prints of his work rivalled those of Monet in the volume of their sales. These are often found today but signed originals of his work are less common and our example was possibly painted by the artist for his own enjoyment. Certainly no reproduction seems to exist. A very special item, then, for collectors of watercolours and devotees of post war British art.
..............................................................................…………………………………………………………………………………………..............................…
Richard Akerman was born in London in 1942. He attended the Hornsey College of Arts and Crafts in the early 1960s, studying a general fine art course which incorporated printmaking and sculpture. His first exhibition was at the Obelisk Gallery in Crawford Street, London, where his work was displayed alongside works by famous surrealists such as Man Ray and Salvador Dali, implying that the style of his early work matched that of his more famous contemporaries. Years of travel followed in both Europe and the Far East and this seems to have turned him to painting in a more coventional style. A succession of watercolours was to follow with subjects ranging from still life and flowers to garden and architectural subjects. His work became immensely popular through the prints made from his original paintings, indeed such was the demand for them that he rivalled Monet as a subject for reproduction in this medium becoming, in a sense, quite a household name with exhibitions of his work internationally.
The path to success, however, was not straightforward and one account of him, written by his son Marcus, mentions running a hot dog stand alongside joining the artists with their weekend displays of works for sale on the railings at Kensington Gardens. Convivial and outgoing (a self portrait captures him well : see image 9), Akerman was married with three children and spent the latter years of his life in Spain where he sadly died after an accident in 2005.
But his work survives him and the prints produced in his lifetime can still be obtained today, giving an accesible overview of his output. The style is approachable with an attractive use of colour and often slightly impressionistic brushwork. But there are works executed in a more precise style, for example a signed watercolour ‘Hot House Flowers’, exhibited by the Edinburgh Gallery in 1994 (see image 10) and this is seen in the work we have on offer. The location of this group of farm buildings is uncertain but Akerman painted similar scenes which appear to be located in Kent and this may well be the case here. Original watercolours by Akerman are not so easily found but what increases the rarity and interest of our picture is that the artist’s signature, done in a slightly more precise hand than the signatures found in the reproduction prints, has the date in addition (’81). We have been unable to find any other example of this and it leads to the possibility that this is a work which the artist painted for himself. Certainly there are no reproductions of it. If so, then it is of particular interest and more than worthy of inclusion in a collection C20th British watercolourists with the addition of being an original creation by an artist who enjoyed such great popularity with the general public.
Oriental style ceramic plate, signed Alice Smith, possibly American mid C20th
Price: £10
There are no obvious parallels for this plate. The form is that of a typical Chinese nineteenth century desert plate with a broad shallow well and a slightly upcurving rim but the back is glazed all over including the foot rim which is not the case with Chinese examples and the general appearance of the decoration is Western. The theme of children at play is typically Chinese but it is usually boys that are represented where here we have girls, four of them in coloured robes playing with tops, one standing apart from the rest. At the edge are a few sparse gilt leaves and the ground is a light mustard coloured wash, with the reverse plain and the signature in black ‘Alice Smith’ under the glaze. Whoever the artist was, she was capable of having a piece of hers professionally fired which implies a degree of commercial expertise. But there is nothing else to suggest other than the work of an accomplished amateur. Americans were and are prone to manufacture ‘home grown’ pieces in an Oriental style (some of their modern wallpapers are particularly notable) which leads this cataloguer to hazard a guess as to provenance and date. Otherwise, we have a true ‘mystery piece’ here but the composition is a sympathetic recreation of the East, wherever it was produced.
Pair of Alhambrian Ware English Majolica Vases with raised decoration circa 1880
Price: £30
Pair of English Alhambrian Ware Majolica Vases of ovoid form with moulded bases and a short flaring neck, decorated in multicoloured glazes, mainly ochre and blue, in imitation of continental 'majolica' wares, the body and neck with a modelled basket work design in mustard brown set with raised panels of flower heads, the base and top rim finished in a blue glaze with the mustard brown glaze repeated on the interior. The foot rim unglazed with a cream glaze to the centre with a stamped or transfer mark in iron red which reads 'Alhambrian'. Alhambrian marked wares were produced by one of the Staffordshire potteries between 1880 and 1910, reflecting the craze for Majolica glazed wares produced by Minton and others. The pieces are very modest imitations but quite decorative in their own right. The form here was quite commonly produced and no doubt intended as a mantel piece ornament.
LOT 18
Chinese Cloisonne Small Tray decorated with Flowers and Rocks, 19th Century
Estimate: £100 – 150
4d 20h 54m
£0.00
Taxco Silver and Copper Bracelet, c1940
Price: £55
This is a striking bracelet comprising Mexican or Mayan iconographic designs in silver and copper work surrounded by crushed turquoise, lapis and other stones and with Greek Key pattern borders. It is marked 'Hecho en Mexico', '925', and with an Eagle stamp '3' and an illegible maker's mark.
French Orientalist etching aquatint - Paris La Rue Saint Rustique
Price: £35
This is a beautile small etching aquatint that is signed. One reverse is the printers label of "Georges Hautecoer & Co. Gravures Encadements 172 Rue de Rivoli Paris". It is a scene of a very famous street in the Monmarte district of Paris. The signature is illegible but it is lovely quality.
Persian silver bracelet with inset enamel plaques, c1930
Price: £125
This is a rare bracelet comprising silver stations set with domed enamel plaques. The plaques have bird and floral designs and are set in silver with an integrated clasp with floral detail. The piece is unmarked but would be 800 silver. It is in excellent condition which makes it even more unique as these types of bracelet tend to have damage. The size and decoration of the plaques contribute to an elegant piece of traditional 'arm candy'!
Zuni Cuff Bracelet set with Kingman Turquoise, marked, New Mexico 1970s
Price: £300
This is a heavy silver cuff bracelet comprising a large oval Kingman turquoise stone set into a typical Zuni design featuring clean lines and millegrain work. The Zuni Tribe, located 34 miles south of Gallup, New Mexico, is an extensive community with over 10,000 members and renowned for its exceptional craftsmanship and artistry, particularly in the realm of jewellery manufacture. Many of their pieces employ the use of turquoise and the colouration and features of the stone here indicate a provenance from the Kingman mine in North West Arizona. This exceptional piece has the stamped maker's mark 'CIRCLE J.W.' 'STERLING', possibly for Jack Whittaker, an artist known for other pieces in a similar style, and is a prime example of Zuni work, highly fashionable at the time of manufacture in the 1970s and highly desirable today.
Constructed necklace with jade, egg yolk amber and cherry amber
Price: £250
This necklace is a wonderful design comprising cherry and egg yolk amber beads together with jade beads that end in a very large carved jade plaque. This is a vert fine example of Chinese carving with an allegorical motif of a dragons mouth around a smaller dragon. The jade is a golden spinach jade that is an unusual colour.
Perfume Bottle and Stopper, Island Studio, Guernsey, late C20th
Price: £30
A perfume bottle and stopper, the globular almost spherical body with short collar fitted with a rounded stopper, the glass blown with purple and white flecking effects merging into a swirling design at the top which continues to the stopper. Similar pieces can be found with the label 'Island Glass, Guernsey', and one of these also has the moulded mark on the bottom which appears here and may represent trees and waves. Island Glass was a glass studio based in Guernsey which seems to have had a very short existence in the late C20th. It is believed that one of the employees there was Chris Dodds who was later to set up his own studio in Selkirk, Scotland. Little is known of this firm but they were clearly capable of making pieces of high quality and appeal.
Charming Novelty handbag, Thailand 1950s
Price: £45
This is a very unusual and large bag constructed in the shape of a house with a central courtyard or balcony and windows which actually open. It is made of raffia and is embroidered with floral motifs. This would most likely have been a souvenir made for tourists. It has a double closure and appears to have been hardly used with a handle that seems sturdy.
Charming Novelty handbag, Thailand 1950s
Price: £45
This is a very unusual and large bag constructed in the shape of a house with a central courtyard or balcony and windows which actually open. It is made of raffia and is embroidered with floral motifs. This would most likely have been a souvenir made for tourists. It has a double closure and appears to have been hardly used with a handle that seems sturdy.
Modernist Silver White Anthurium Brooch, Mexico, 1970s
Price: £25
This is a very unusual brooch that has two white anthurium flowers and gilt stamens. It is marked 'Made in Mexico'.
Group of Three Chinese carved bone Horses with wood stands, probably mid C20th
Price: £30
This is a group of three bone horses carved in China most likely in the 1930s/1940s. The patina is attractive and the three different poses imaginatively created. One horse is shown grazing, another standing with his head turned back and the third galloping with his tail upraised. These are almost certainly three from an original set of eight which would have represented the famous 'Eight Horses of Wang Mu', so often depicted in Chinese Art. The Emperor Mu of the Zhou dynasty (1023-983 BC) was the subject of a romance legend in which he sought to visit the heavenly paradise and taste the peaches of immortality. A charioteer named Zaofu used his chariot drawn by eight horses to carry Wang Mu to his desired destination and the legend was then perpetuated in Chinese Art. As well as being found in Chinese painting and on Chinese porcelains, the horses were also the subject of Chinese sculptors working in ivory, bone and even wood. Many of these small groups exist and most are no more than a hundred years old. The style here and the form of the fitted wood stands suggests mid C20th work, probably as tourist souvenirs. While missing their companions, this group still enjoy a unity of their own and make a highly decorative ensemble.
Amber buddha carving on egg yolk amber and lapis necklace
Price: £175
This is a recently constructed necklace comprising a charming amber buddha head carving set with Art Deco egg yolk amber and lapis beads. With Chinese silver filigree clasp. It is difficult to date the buddha head but it is 20th century. The egg yolk beads are Art Deco and the lapis beads are late 20th century. With brown silk tassel.
Aseda Glasbruk Art Glass Vase by Bo Borgstrom, Swedish, 1960s/1970s
Price: £75
An art glass vase of slender bottle form, the lightly flaring rim resembling a spout, the black body encased in clear glass with irregular modelled shapes often held to resemble thumbprints. This vase was made by the firm Aseda Glasbruk which was a Swedish glass factory located in Åseda, Kronoberg County. It began production in 1947 and continued through until 1975 when it was incorporated into the Royal Krona group, which unfortunately then went into liquidation in 1977. Åseda Glasbruk's chief designer was Bo Borgstrom, who graduated from Stockholm's Swedish School of Arts and Crafts in 1951. Known as an artist in ceramics Borgstrom joined the firm in 1961 and perhaps his earlier work influenced his later creations for his new employers and can be seen here in what is certainly rather a sculptural piece. The design shows the influence of other pieces produced in the 1960s and early 1970s allowing us to place the date of
manufacture at around that time. It is a fine example of clean Scandinavian elegance.
Art Deco Czech glass necklace with enamel and glass stones, 1930s
Price: £45
This is a stunning statement necklace that is typical of Czech glass jewellery. It is inset with stones to emulate aquamarine. It also has unusual enamel work set on an architectural design that is quintessentially Art Deco. It is brass that would have been more gold in colour in its time.
Chinese Blue and White Snuff Bottle circa 1900
Price: £45
A Chinese Blue and White snuff bottle of flattened rectangular form with a short round neck slightly flaring at the top, decorated on each side with boys, one writing on a tablet with a brush and two playing together, the sides with lotus petals and the base glazed inside an unglazed foot. The style of decoration, which is not without a naif charm, suggests late nineteenth century work and the paste of the foot rim does not conflict with this, indeed it could be a bit earlier. Similar pieces are found, usually more coarsely potted and painted, and were probably made for the local market rather than export to the West. Doubtless originally fitted with a stopper, perhaps with an attached spoon, this piece is still an amusing and decorative item for the collector.
Egyptian Revival suite of a necklace and earrings, 20th century, c1980
Price: £65
This is a lovely set of a necklace and earrings in silver both with typical Egyptian iconographic designs and Egyptian silver hall marks.
Operculum shell demi parure
Price: £35
This is a wonderful set set with operculum shells. A large statement necklace and earrings set in silver tone base metal. What is an operculum shell?
An operculum is a calcareous structure created by many sea snails that serves as a little “trapdoor” to safely close them inside their shell. When, say, the tide goes out, stranding a sea snail too far from the water, the gastropod can draw itself deep into its shell and pull the operculum closed behind it.
Silver Butterfly form Pendant set with Abalone, Bali, C20th
Price: £95
A Balinese Art Nouveau style silver plaque Pendant in the form of a butterfly, the wings with beaded and ‘micro dot' decoration and set with four abalone panels. The plaque dates to the late C20th, probably 1970s/1980s and has been fitted with a complementary modern English silver belcher chain.
Indian wooden toy model of a Horse with metal fitments, early C20th
Price: £25
This is an amusing wood model of a horse, its right leg raised and the head looking expectantly forwards, the finely grained wood with metal fitments in brass and copper representing the ears, muzzle, saddle, saddle bags and tail, all with fine detailing and small nail fastenings. Many examples exist of these wood and metal horse figures which are usually held to have been made in India at Jodphur, Rajastan, in the early C20th. Presumably more intended for the local colonial audience these pieces have an obvious and wider appeal. The smaller sizes were probably intended as toys and perhaps the original owner of this piece played with it a little too vigorously which might explain the damage to the right front leg!
Art Deco style Ceramic Bowl and Cover by Louis Dage (1885-1961), early/mid C20th
Price: £180
Louis Dage was one of the most distinguished French ceramicists of the twentieth century and his works, created in the workshop he started in 1930, with their distinctive designs reflecting contemporary fashions, are highly sought after today. This bowl and cover with its clean lines and striking decoration is an excellent example of his work in the Art Deco style and a rather less commonly found form amongst the examples of his work now available.
……………………………………………………………………………………....................................................................................……
Born in 1885 at Lille, France, Louis Dage was early known as a ceramics artist, describing himself on the birth registration of his daughter in 1906 as a ‘decorator on faience’. In 1920 he joined with Louis Fontinelle (1886-1964) to create a faience factory in Antony, near Paris, but the venture was short lived and they parted company two years later. In 1930, Dage set up his own studio at Saint-Sever in company with his brother and daughter becoming managing director of the firm three years later. There then followed a little over thirty years of production under his direction until his death in 1961. Art Deco designs with their simple lines and bold decoration were produced initially to be followed by pieces of more rugged shapes and patterns, partly resulting from the shortage of conventional raw materials during the second world war.
This bowl and cover represents the best of Dage’s earlier work. The base has straight sides curving in slightly towards the base and has a flush fitting flat and gently domed cover overhanging slightly at the edge. The piece is covered overall with a mottled glaze in tones of blue and light aubergine on which are painted maple leaves in green with bright blue berries, a design which can be found on some of Dage’s other pieces (see image 13). The lid carries his signature ‘DAGE’ with a flowing line underneath, a much less common version of the Dage mark but which can be found elsewhere (see image 14). More normally pieces are signed ‘L.Dage’, the name being in lower case rather than capitals.Form and decoration combine to produce a striking object, characteristic of the fashions of the time of its production and a worthy tribute to its maker.
Dutch Delft Blue and White Gourd Vase in C18th Style, late C20th
Price: £25
A ceramic vase of double gourd form with a short foot and a flaring rim, the fluted body decorated in underglaze blue with flowering peony and flowers in a chinoiserie style, the base with underglaze blue marks including the symbols for Delft ware and the name Delft itself. The tin glazed earthenware pieces, mostly blue and white, produced at Delft in Holland are a familiar staple of the ceramics repertoire. Production began as early as the sixteenth century but the most famous era of output was between the mid seventeenth and eighteenth although pieces continued to be manufactured after that, both in the nineteenth and twentieth centuries, usually copying the forms and designs of the earlier wares but no longer employing the tin glaze of the earlier pieces which proved to be too expensive.
This vase is typical of one of these later creations and copies an eighteenth century original which itself was based on Chinese pieces. The marks underneath, although some of them are blurred, offer a clue to the dating. Below an ‘A’ at the top can be seen a vase which stands for ‘De Porcelyne Fles (The Porcelain Bottle) a factory which was established in 1653 and continues production today. There follow the initials ‘JT’ as a monogram standing for Joost Thooft who bought the factory in 1876 and below this ‘Delft’. At the bottom are usually found the painter’s initials to the left and letters to the right which are the date mark. On this vase these are unclear but the painter’s initials read ‘MA’ which appears to stand for M.H.van Aalst who worked for the firm from 1941to 1983. This would fit with a likely dating here to the second half of the twentieth century, but the artist has successfully recreated the work of his predecessors and produced a piece of great charm.
Four Art Deco style small Glass Vases with silver decoration, possibly Murano 1930s
Price: £55
Four Art Deco style small Glass Vases with silver overlay decoration, possibly Murano 1930s
This is a set of four complementary small coloured glass vases (green, blue, amethyst, turquoise) each with applied silver decoration now slightly tarnished. The clean lines of the shapes, two of baluster form and two with conical bodies suggest the Art Deco era and the decoration, which features gondolas and palaces, suggests Venetian origin and therefore manufacture at the Murano glassworks there. This has to remain slightly speculative and the pieces might be slightly later but the group provides a highly decorative ensemble for collectors or decorators alike.
Earthenware Jug, Falstaff or Old King Cole, Furnival and Clark, mid C19th
Price: £75
An earthenware jug glazed in white with a minute craquelure effect and some staining in places, boldly mould modelled as a seated man with a pot belly, a mug in his right hand and his left resting on a branch which forms the lower part of the handle, details of his head picked out in red and a broad hat, forming the spout, seated on his flowing locks, the reverse modelled as his chair and the base with a band of key pattern design.
The design for this jug, usually termed ‘Falstaff’ but sometimes ‘Old King Cole’ is known to have been registered (Rd.No. 32601)by the firm Furnival and Clark on December 30th 1845. This was a very short lived partnership between Thomas Furnival and Richard Clark, based at the Stafford Street Pottery Works, Hanley, Staffordshire and which traded from 1844 to 1846 apparently producing just this one model, albeit in a variety of colours. Thomas Furnival had been involved in other firms before this brief venture and was to be involved in others afterwards. The dating of these mugs is usually attributed to the short period when Furnival and Clark traded but it is quite possible that more pieces were produced afterwards by Furnival himself. The paste and finish of this piece, though, which is not marked, certainly suggest a mid nineteenth century dating. In general, the model is quite rare. Some examples were fitted with a Britannia metal or pewter lid but this was never integral to the piece. This striking composition, then, is a rare and desirable item collectors with an interest in British Staffordshire wares.
Art Deco Style Bagley Glass Vase with fin type handles 1930s
Price: £45
An Art Deco style glass Vase made by Bagley Glass, of urn form, the slender ovoid body modelled with a swirling design and finished with a crimped rim, set with two fin shape handles and resting on a squared base, all finished in a mottled blue colour wave. The form clearly reflects pieces from the Art Deco period and coloured glass was not produced by the firm until the 1930s. The shape here is unusual and similar examples are hard to find. This piece was mould made, as can be seen from the base, but probably also finished by hand in common with many other pieces from the firm. Dating has to be assumed. Bagley pieces are not marked and popular designs were sometimes continued long after their introduction.
Large tooled leather bag with Moroccan Designs 1970s
Price: £85
This is a beautiful large bag made from light soft leather that has been tooled all over with Moroccan patterns and vignette roundels depicting camels and palm trees.Lined in leather, it has four stud feet and is in immaculate condition..
Wood Mask, Borneo late C20th
Price: £25
This is a striking wood mask, probably ebony, carved in a bold, semi abstract style, the facial details flanked on each side by two volute decorated ‘ears’, the back hollowed out and pierced at the top for hanging. These gargoyle like creations were made in Borneo, the island north of Java whose sovereignty is shared between Indonesia, Malaysia and Brunei. They are held to be the work of the Dayak tribe and were sometimes used for harvest festival or fertility rites, soul catching and death ceremonies and spiritual dances, but were also, no doubt produced as tourist souvenirs which is most likely what we have here. The decorative appeal is obvious and the potential spiritual functions an added bonus.
Bird form ewer with cover, possibly Russian c1960
Price: £45
This is a very unusual large jug or ewer modelled in the stylised form of bird with a man riding on it. It appears to be Russian although there are no markings to confirm this.
Egyptian Revival statement necklace signed EBE c1930
Price: £110
This is a beautiful necklace comprising heavy brass elements and lapis glass beads. The central pendant has the Egyptian bird god Horus flanked by Tutankhamun on a serpent scroll work background. The pendant is set with lapis glass cabochons that match the beads. Most likely Czech glass elements assembled in France.
Cranberry Glass Vase circa 1900
Price: £30
A cranberry glass (the name obviously deriving from the colour) vase the globular almost spherical body with impressed dimple effect large roundels and rising to a slender round neck with a ‘squared’ top, the flat base densely dimpled. Cranberry or 'Gold Ruby' glass is a red glass made by adding gold salts or colloidal gold to molten glass. It was produced in relatively small quantities due to the cost of the raw materials. Known from Roman times the most famous period of production was in 19th century Britain during the Victorian Era. Many pieces from that era are known with similar ‘dimple’ effects and this is clearly what we have here. The workmanship is high quality, the richly coloured glass with many interesting glaze effects (see image 4) and skilfully modelled. Perhaps just an ornament or possibly a small table decanter but either way an attractive addition to any glass collection.
Art Nouveau Bronze Tray, stamped 172 Deposé, French c1900
Price: £95
Typical of the style of the Art Nouveau era with its emphasis on organic forms, this bronze tray, perhaps intended for serving salad, is of lobed rectangular form with two handles in the form of lotus branches. Deeply and intricately cast there is a lotus spray at the top which complements the handles at the side and both are set on a wavy line ground with milled detail, perhaps intended to represent water. The underside has four small feet and is decorated with minute punch work dots. There is also a stamped mark ‘172 Deposé’ which occurs on other examples of this design. For devotees of Art Nouveau this would be a classic acquisition of an object which is truly representative if not archetypal.
Balinese Silver Bangle with Elephant Heads, 1980s
Price: £45
Balinese Silver Bangle with a typical rope twist design terminating in two elephant heads with raised trunks. One terminal with a small circular pad marked 925 (the nine is very feint and can only be seen with a loop). Style and form of decoration suggest a circa date in the 1980s.
Balinese Silver Bangle with Elephant Heads, 1980s
Price: £45
Balinese Silver Bangle with a typical rope twist design terminating in two elephant heads with raised trunks. One terminal with a small circular pad marked 925 (the nine is very feint and can only be seen with a loop). Style and form of decoration suggest a circa date in the 1980s.
Miniature Staffordshire flatback model of two spaniels and a barrel, second half C19th
Price: £55
This is a charming model of two spaniels, one sitting on a barrel, with a stylised garden ground below. The modelling is slightly impressionistic and the earthenware body is applied with an all over cream coloured glaze with a slight craquelure effect decorated with brightly coloured enamels fairly coarsely painted. All this is typical of the so called ‘Staffordshire’ figures produced in England in the nineteenth century which enjoyed huge popularity and were to be found in many homes. Various small potteries made these wares and not only ones based in Staffordshire; they are not marked but the style is consistent and instantly recognisable. Many of the pieces, both people and animals, were designed as shelf or mantelpiece ornaments and were therefore made with a flat back, hence the descriptive term. The model here exists in both a full size and miniature form, usually with the same decorative elements. The smaller scale only adds to the charm and this pair of dogs could find a home in a modern setting just as easily as they did in a Victorian one.
Danish silver brooch, Niels Erik From, marked, c1960
Price: £55
This is a wonderful quality silver brooch made by Danish silversmiths Niels Erik From. It is in a characteristic Danish wreath design typical of the modernist designs developed by the firm in the 1970s. Established in 1931, the company took its name from its founder Niels Erik From (1908-1982) and initially concentrated on pieces in the style of the Danish Arts and crafts movement, later adapting to the changing fashions of the time. Niels Erik From's son joined with his father in the 1960s and continued the success of the business, running it himself for a few years after his Father's death but finally closing down in the late 1980s. The firm's designs remain highly collectible and this brooch is an excellent example of their later work. It marked ' Sterling' 'Denmark' 'N.E.From' '925 S'.
Victorian Egyptian Revival motif necklace with red stones c1900
Price: £85
This is an unusual statement necklace designed in the Victorian era.. These designs were due to the The Egyptian Pavilion at the Exposition Universelle of 1900 in Paris. This world's fair was extremely popular and it was global news. These designs have more of a European look to them. It wasn't until the discovery of Tutankhamun's tomb in 1922 that the iconography. became more accurate. This necklace is mounted with red glass stones and is the necklace also had red glass beads and diamante roundels.
Two lacquer bird brooches 1980s
Price: £15
This is a fun set of two brooches in an unusual lacquer design.
Art Deco glass bead necklace
Price: £20
This is a simple and elegant necklace comprising clear and green glass beads
Heavy brass and enamel collar necklace in the manner of Albert Gustav Bunge (1893 - 1967)
Price: £35
This is a very unusual and striking necklace comprising two pieces that make up as a collar with three heavy brass drops. Each drop has very unusual enamel work that is quite thick and has a piece of agate in the centre.
The style is very similar to the designs of Albert Gustav Bunge (1893 - 1967). He was a German metalworker and enamel artist best known for his elegantly crafted bracelets, plates, cups, book ends, and other household objects. Bunge combined utilitarian properties of design with decorative depictions of colourful, geometric shapes and stylized animals.
The piece is unmarked and therefore a firm attribution is not possible but the parallels are striking nevertheless.
Two complementary Bracelets in a Greek Key design
Price: £45
This is an interesting lot of two bracelets that match one another well. They are both finely made and are decorated in the typically stylish Greek Key design. Continental and marked 925. The ‘Greek key’, also known as the ‘meander’, is a repeating geometric motif that has been used in a wide variety of decorative contexts for centuries. The pattern can be found in a variety of forms. At its most basic, it is a band consisting of short horizontal and vertical lines, connected at right angles. But it can be more complex, forming labyrinths and interlocking key patterns.
Very fine Indian silver repousse plaque Necklace, c1970
Price: £85
This is a necklace comprising a large pendant of elongated hexagonal shape with a traditional Indian repousse floral design. It has a double bale each with a rosette and is marked '925'. It is combined with a long snake chain which is later.
Mexican Silver Bolo Tie with Aztec mask Head, Taxco, c1950
Price: £125
The word ‘bolo’ derives from ‘boleadora’, an Argentine or Uruguayan lariat or lasso and is used to describe this semi formal type of neckwear in which a cord is held together by a medallion of some sort so that it can be draped around the neck. Mexican silversmiths working at Taxco, the artistic centre of Mexican silver production, produced versions of the bolo in which the medallion is in the form of a hardstone mask head set in silver. In common with many, this piece has an aventurine hardstone face in the form of an Aztec mask framed by an elaborate silver headdress. Through this runs a black cord with silver tips at each end. The mask is stamped at the back ‘925’ ‘TAXCO’ ‘Cheo’ ‘MEXICO’ with an eagle mark 185 at the top left. Dating is most likely to the 1950s. The bolo was regarded as semi formal wear for a man but can equally, or even better, serve a decorative piece of neckwear for a lady with a distinct hint of South American style.
Two jade carvings mounted as a necklace
Price: £125
This is a very striking necklace comprising two large jade carvings that have been joined together on a very thick herringbone chain. The carvings are 20th century but they have the look of a more archaic style. This is a very interesting piece that is totally unique. It is all silver.
Victorian large 9ct gold brooch set with amber c1900
Price: £200
This is a very rare brooch comprising a very large oval piece of egg yolk amber with inclusions that show fossilised organisms. This is set in a typical Victorian 9ct gold setting. It is unmarked.
Wall plaque by Giovanni Schoeman depicting classical style figures, 1970s
Price: £75
A diamond shape wall plaque comprising over 40 small tablet form plaques in various colours and sizes, moulded in high relief with Art Nouveau style classical figures. This is the work of the artist Giovanni Schoeman (1940-1981) who was born in South Africa and worked in London and America. He was well known for working in the recently developed medium of ‘Cold Cast Resin Metal’. Metal powder, often bronze, was mixed with a resin binder and poured into a mould to produce a cast with the appearance of solid metal. Different metal powders such as brass, nickel and copper were also used depending on the effect desired and this plaque is an excellent example of the effects which could be achieved.
While Art Nouveau in style, Schoeman only perfected these techniques in the late 1960s, producing pieces in the style from a studio in Kentish Town which sold well in the London outdoor art markets. In the late 1970s, Schoeman moved to America with the intention of producing large scale art but the venture foundered and he died in 1981. This plaque, of which other examples are known, must have been one of his most popular designs in those London years and is a striking example of the techniques he developed and mastered.
Stunning opera length string of rock crystal beads
Price: £35
This is a very long strand of approximately 95 graduating facetted rock crystal beads that have been recently restrung using pink cord. This necklace is difficult to date but judging form the type of beads it is most likely early 20th century or could be Victorian.
LOT 17
The Braves and the Fair Men of Letters and Women of Fame of Old China circa 1900
Estimate: £60 – 80
4d 20h 52m
£0.00
Fabulous necklace with hanging articulated fish pendant 20th century
Price: £125
This is a very unusual necklace comprising a pendant with two identical silver articulated fish that are engraved to resemble scales and tail. They are on a very fine herringbone chain. Both fish have full English hallmarks that are so small they seem illegible. Maybe your eagle eyes will have more luck. :) The chain and pendant have been "married" so did not originally come together.
Set of Three Japanese Lacquer Nesting Trays, mid to late C20th
Price: £45
This is a fine quality set of three Japanese lacquer trays designed in a ‘nesting’ format so that the two smaller fit into the largest. Each is finished in red lacquer with an elaborate and detailed gilt and enamel design of two peacocks in a garden scene with peony and bamboo, the rims gilt and the openwork handles with beige plastic loops, the sides and reverse in black lacquer. The art of lacquer ware (漆器, shikki) has been practised in Japan since the earliest times and pieces from the Meiji period (1868-1912) are particularly collectible today. These trays are much later, the use of plastic suggesting the 1950s or 1960s but the quality is still there and their excellent condition allows the skill of the workmanship to be fully appreciated. Highly decorative in themselves they are functional as well!
Arts and Crafts Brass and Cobalt Glass Salt and Pepper, early C20th
Price: £55
An unusual pair of condiment servers for salt and pepper in which cobalt blue glass, more normally associated with the liners for pieces of a condiment set, is combined with brass metal in curious almost water-dropper like form, the ovoid glass body encased in non-functioning hinged brass mountings with a spreading foot, open at the base, narrow necks and screw top stoppers with a single hole for salt and multiple holes for pepper. There are few parallels for this design but it has characteristics of pieces produced by craftsmen working in the ‘Arts and Crafts’ movement which flourished in Britain from the late nineteenth century to the 1920s. Ornament "must be secondary to the thing decorated", declared the designer Owen Jones, and said there must be “fitness in the ornament to the thing ornamented". The rather austere design here, which admits decoration but concentrates on function, seems to follow the precepts laid down and provides an interesting example of the movement’s style.
Chinese Reverse Glass Painting of Two Ladies on a Garden Terrace, first half C20th
Price: £240
A reverse glass (or verre eglomise) painting depicting two ladies in elaborate court dress on a garden terrace with fencing at the front and a stylised garden scene at the rear with rocks, prunus and bamboo (symbolising longevity and renewal); one reads a book and the other holds a small library book box. Reverse glass paintings became a staple of the decorative items exported by China in the eighteenth century and production continued into the twentieth. The style of painting here, a little less detailed than that found in older counterparts but still with charm and skill in the brushwork, suggests a dating to the 1920s which would fit with the frame which is most likely original and retains its original fastening pegs at the back. The composition is well balanced and attractive and this is an excellent example of the genre in good and original condition.
Bohemian Green Glass Moser style Ewer, late C19th
Price: £35
A small green glass ewer, the slender body of rounded inverted cone form above a rounded spreading foot, the narrow cylindrical neck with a deeply scalloped rim forming the spout and to the side a tall loop handle, decorated with beaded gilt bands and flowers, the top rim and handle with traces of gilding. The form and decoration here is typical of the so called ‘Bohemian’ glass produced for export in the nineteenth century by the workshops from the regions of Bohemia and Silesia, now parts of the Czech Republic. With its origins in the renaissance, Bohemian glass in elaborate forms and with colourful decoration of thickly enamelled floral subjects was made in substantial quantities in the second half of the nineteenth century satisfying an eager demand in both Europe and America. This ewer resembles pieces made by the well known factory Moser but is unlikely to be one of their productions, more a modest version for a mass audience. But it is highly representative of the style and attractive in its own right.
Chinese Reverse Painted Glass Globe depicting tigers, Modern
Price: £45
A Chinese Glass globe with thick walls, hollow inside and with a round opening at the base, reverse painted in great detail with three tigers in a landscape setting with bamboo, the base with an inscription 'Dick and Sadie'. Reverse painting is a technique often used by the Chinese for the decoration of snuff bottles where the brush is inserted through the opening at the top and the decoration applied. Here the decorative technique has been used on a rather larger object but with no diminution in the skill of the craftsman indeed the much larger 'canvas' must have proved quite demanding. By repute the decorators require at least one day to create a single example. Heavy and of extremely high quality glass, these pieces, of which various examples are known (there is another one as the following lot to this) may have been intended as paperweights or more likely simply as decorative objects. Some are found with modern wood stands. This piece is sold with a contemporary illuminated stand which, when lit, serves to enhance the decorative effect (see image 8).
Chinese Reverse Painted Glass Globe depicting deities and attendants, Modern
Price: £45
A Chinese Glass globe with thick walls, hollow inside and with a round opening at the base, reverse painted in great detail with deities and attendants amidst clouds, an eight character inscription to the side with a small red seal mark. Reverse painting is a technique often used by the Chinese for the decoration of snuff bottles where the brush is inserted through the opening at the top and the decoration applied. Here the decorative technique has been used on a rather larger object but with no diminution in the skill of the craftsman indeed the much larger 'canvas' must have proved quite demanding. By repute the decorators require at least one day to create a single example. Heavy, but a little lighter than the previous lot (41), and of extremely high quality glass, these pieces, of which various examples are known (there is another one as the previous lot to this) may have been intended as paperweights or more likely simply as decorative objects. Some are found with modern wood stands. This piece is sold with a contemporary illuminated stand which, when lit, serves to enhance the decorative effect (see image 6).
Art Deco Scottish bloodstone brooch
Price: £25
This a petite brooch comprising one piece of work bloodstone.
Graduated set of Three Chinese Blue and White Ginger Jars and Covers, 20th Century
Price: £45
A set of three Chinese Blue and White Miniature Ginger Jars and Covers of graduated sizes and typical form with globular bodies and domed covers, decorated in the 'Ming Style' in underglaze blue with lotus heads and stylised scrolling foliage, a band of lotus form panels to the base and ju'i form lappets to the neck, the design repeated on the cover.
Although of relatively recent manufacture, the quality of these pieces continues the Chinese ceramic productions of the late nineteenth century and together they form an attractive decorative ensemble for the contemporary interior.
Gilt decorated English porcelain powder box and cover, probably mid C20th
Price: £15
This is a large English porcelain powder box and cover, the circular body with a shallow domed cover, the surface glazed white with elaborate gilt decoration of embossed stylised floral bands with stylised floral gilt borders above and below. The base is unmarked but the paste of the foot suggests English manufacture and the rich gilt decoration reflects that of dinner services produced by some of the well known twentieth century porcelain producers, Minton in particular.
Ceramic Model of a Viking Longboat, Wade, 1950s/1960s
Price: £25
A ceramic model of a Viking longboat with planking to the sides fitted with overlapping shields, the prow and stern in the form of a stylised dragon and the foot in the form of rolling waves, colourfully glazed all over in blues and browns and the underneath with a moulded mark for the Wade factory ‘Wade Porcelain Made in England’.
Wade Ceramics Ltd was a manufacturer of porcelain and earthenware, headquartered in Stoke-on-Trent, England. Founded in 1867, it was run by various members of the Wade family until the death of George Anthony Wade in 1987 after which there was a succession of management buyouts. Despite substantial investment in 2009, the firm eventually went into administration in 2022. Wade produced a wide variety of ceramics, including the well known Wade Whimsies animal figurines.
Many of their pieces were designed to act as small containers for flowers and trinkets and this piece is a particularly amusing example of the type. Two colour ranges exist, one as here and one with much darker tones which is held to be later. Dating here, then, is most likely to the 1950s/1960s when the Wade production lines were in full swing and enjoying considerable popularity.
