Stunning patent crocodile bag, Germany 1960s
Price: £100
This is a very beautiful bag that is made from very fine crocodile, lined in smooth leather, Marked as 'authentic croc', Made in Germany
LOT 24
Pierre Bex Art Deco style costume Brooch, marked, c1970
Estimate: £20 – 30Auction Ending
16/11/26 20:46:00 GMT
£0.00
Pair of Worcester Saucers with Chinoiserie Decoration circa 1780
Price: £45
A pair of saucers of typical form with gently curved sides and an unglazed foot rim, decorated in imitation of the Chinese Mandarin pattern (the term derived from the court figures, so called ‘Mandarins’, included as a promiment feature in the designs) with two ladies and attendants in a stylised garden scene with pine and rocks, a pavilion to the right and a lake scene in the background with further buildings in the distance, the edge with a double border, scroll work in puce and repeating dots in grisaille.
While close to the Chinese originals, many features indicate European and indeed English manufacture, in particular the drawing of the ladies’ heads, the palette of colours used, the borders employed and, most importantly, the glaze and paste of the reverse. The most likely producer here was the Worcester factory whose ‘Mandarin’ pieces were well known and a circa date in the second half of the eighteenth century is reasonable. The saucers would have come from a small tea service with matching bowls and various serving items, including, of course, a teapot. Not so likely to be used now, they provide an elegant example of the vogue for Chinoiserie in England at the time.
An unusual Pair of Chinese carved Soapstone Vases, circa 1900
Price: £110
A pair of Chinese soapstone vases with mottled colourings in a wide variety of brown and beige, the triangular form deeply carved on the two front faces with flowering peony and birds nestling in the branches, the reverses flat, each with a rock and a leaf, the base also flat and the interior hollowed out. Soapstone was first used by the Chinese over three thousand years ago but began its popularity in the Ming dynasty (1368 -1644) with the height of production during the ensuing Qing dynasty (1644 – 1911). The triangular form of this pair of vases is most unusual and the depth of carving displays near virtuoso expertise. There is little or no trace of the drill here, unlike some of the later twentieth century pieces, and all the pointers are to a dating no later than around 1900. The carver was fortunate to find two matching pieces of stone which allowed him to produce such a well balanced pair in shape, colour and decoration. The nature of the material means that soapstone pieces are found less often as matching pairs and this triangular shape, perhaps suggested by the original stone pieces themselves, is rarer still.
Balinese Silver Bangle with Elephant Heads, 1980s
Price: £45
Balinese Silver Bangle with a typical rope twist design terminating in two elephant heads with raised trunks. One terminal with a small circular pad marked 925 (the nine is very feint and can only be seen with a loop). Style and form of decoration suggest a circa date in the 1980s.
Lot of 3 Chinese bangles
Price: £35
This is nice lot of three bangles, one cloisonné and two cinnabar. The larger cinnabar bangle is beautifully detailed on black ground, the thinner cinnabar is more typical and has more age, the cloisonné is lovely work on a blue ground.
Pair of shield or arrowhead shaped amber and silver earrings
Price: £30
These are a very fine example of worked amber which has been highly polished to mesh seamlessly with the silver work. The amber is very vivid with many inclusions. Marked 925.
Egyptian Revival Czech statement necklace set with real beetles c1920
Price: £150
This is an unbelievably rare example of early Czech costume jewellery. It is set with real beetles and faux lapis glass cabochons and beads. There is even a beetle on the central drop. Between the beetles are Egyptian icons, enamel flies and gilt leaves set on a cartouche design plaque.
Cylindrical Vase, Herman Kähler, HAK, blue glazed stoneware, 1950s
Price: £250
A stoneware vase glazed in blue of upright cylindrical form, the base and neck concave with two ribbed bands, the foot unglazed and showing traces of the potting rings with incised marks ‘HAK’ and 22-118. Herman August Kähler was a Danish ceramic designer and manufacturer who ran the Kähler ceramic factory (Kählers Keramiske Værksted) in Næstved, Denmark which he took over from his Father with his brother in 1872, then running it himself from 1875 when he built a new factory on the town’s outskirts. Kähler was responsible for the introduction of a ruby red glaze which soon became extremely popular and the factory began to produce many well formed decorative pieces which enjoyed a wide reception and were exhibited at the Great Nordic Exhibition held in Copenhagen in 1888 and at the Exposition Universelle held the following year in Paris. Kähler died in 1917 but the firm continued, at first under the direction of his son Herman Hans Christian Kähler.
This vase was designed by Herman Kähler’s grandson Nils Kähler who took over the business with his brother in 1940. Nils Kähler had a special talent for following the design trends of the time. Even though he was enthusiastic himself about traditional wares, the new production was characterized by much simpler designs. He made designer objects such as ashtrays, vases, jugs and lamp bases for Le Klint lamps. Made of stoneware, these bases were fired in his preferred salt glaze or with the strong turquoise or warm golden colors. This vase, then, is a typical example of his work and probably dates to the 1950s.
Figurine of a girl, Baranivka Ukraine, 1950s
Price: £55
A stylised figurine of a girl standing with her legs together on a circular pedestal with a widely spreading skirt and wearing a pink blouse with a scarf clasped between her raised hands. The base with a blue printed mark containing the factory name Baranivka in Ukrainian script within a circular frame with stylised flowers and surrounded by the words ‘Made in Ukrainian SSR’.
The Baranivka Porcelain Factory, one of Ukraine's oldest porcelain manufacturers, was founded in 1802-1804 by Mykhailo Mezer. Situated at Baranivka, at the time in Poland but now part of Ukraine, the factory was considerably assisted in its development by the discovery of rich clay deposits in the area. Production was continuous even during the Soviet era until the early twenty first century. Both the angular modelling and the abstract decoration of this piece point to a dating in the 1950s when production would have revived after the second world war and more contemporary styles adopted.
Taxco grape motif necklace, c1980
Price: £350
This is a wonderful example of Taxco work in the grape pattern design which was regularly used by the Taxco silversmiths from the early 20th century onwards. It is marked 'Taxco' 'TS-19' 'Mexico' '925', the second mark indicating 'T' for Taxco and 'S' for the city and the silversmith registration number, an identification system which only came into use after 1979, indicating a dating here circa 1980.
Chinese cord bracelet with jade stones carved as fish
Price: £15
This is a modern bracelet comprising six carved fish beads interspersed with round beads. it is on a typical adjustable cord.
Triple strand of amber Bakelite beads, British 1930s
Price: £750
This is an imposing three strand necklace comprised of assembled graduated marble effect butterscotch amber beads joined at the head with a silver clasp. The beads have recently been restrung with wire to make the whole more robust and safer to wear. The three strands interlock perfectly and the selection of beads has been carefully chosen in respect of colouring and size to produce a striking ensemble which is bound to impress.
Fine quality Japanese Cloisonne bottle form Vase with black ground, late C19th
Price: £45
A cloisonne vase of bottle form, the bulbous ovoid body rising to a tall narrow cylindrical neck, the flat base in copper metal, the black ground decorated on the body with flowers including peony and butterflies, with a stylised wave border below and a band of peony blooms on the shoulder on a brown speckle ground, and on the neck with stylised hanging floral blooms. While not necessarily at the level of some of the signed pieces produced by the Japanese craftsmen in the late nineteenth century, this vase is an excellent example of the best work produced for export. The decoration is detailed and complex and employs some of the ‘special effects’ used, including shading to the enamels and a speckle ground, created with the addition of gold filings to the enamel, both seen in the decoration to the shoulder (see image 5). No doubt intended as a cabinet piece and not necessarily one of a pair, this vase is an excellent tribute to one of the classic ‘arts of Japan’ produced towards the end of the nineteenth century.
A Matched Pair of Chinese Cloisonne Bottle form Vases circa 1900
Price: £25
A matched Pair of Chinese Cloisonne Vases of squat bottle form with broad bodies and a slender flaring neck, decorated with flowering peony on a blue enamel ground with a gilt wire design of stylised clouds, the bases with two bands of overlapping semi circles and the tops with a band of repeating ju'i lappets, the top interior rims finished in metal and the bases with a gilt foot rim enclosing blue enamel. The designs on these vases match very closely and the peony flowers are in mirror image but the vases are unlikely to have been an original pair. Weight and style of decoration suggest a circa date at the end of the nineteenth century.
Hollywood Regency Ormolu and Glass Scent Bottle, second half C20th
Price: £95
This is a classic example of the decorative pieces produced in the ‘Hollywood Regency’ style which evolved from the work of designers furnishing the homes of film stars and actors from the 1920s onwards. Opulence was the key here with recollections of and variations on the design styles of earlier years particularly those of the rococo era. Dressing table pieces were made to be intentionally luxurious with elaborate gilt metal decoration and bevelled glass panels combining to produce ornaments of showpiece quality. The scent bottle here has two oval bevelled glass panels set in a gilt metal case with elaborately cast sides, a spreading foot and a crown knob stopper, all with twisting and interlocking stylised floral decoration. The body of the piece was refillable and the stopper has a glass rod for application. Similar pieces were made by the New York firm ‘Stylebuilt’ which was founded in 1946; many carry an impressed mark but some have just a paper label reading ‘Stylebuilt Accessories’ ‘NEW YORK’ ‘’24 K GOLD PLATED’ ‘GUARANTEED NOT TO TARNISH’. The style here is so close that we may well have a genuine ‘Stylebuilt’ accessory here missing its original paper label, but there is no certain proof of this. Accessories from the firm seem to date from the 1950s to the 1970s and this is most likely the time of production of this particular piece. It survives in perfect condition with the gilt work bright and shining, definitely living up to the claim of remaining untarnished, and is a fine memento of an extravagant style, once so popular.
Indian carved Soapstone Figure of an Elephant and Baby Elephant
Price: £25
A figure of an elephant heavily carved from a single block of soapstone, its back with openwork which reveals a baby elephant inside. The carving of the Mother elephant employs Indian ‘jali work’ (or openwork) carving where intricate lattice work is formed with a pattern of openings. Even allowing for the use of machine tools the skill of the craftsman here is quite remarkable. One mistake and the openwork will break requiring a fresh start with a new block. These elephant sculptures are believed to have been created by the craftsmen in Agra, where the Taj Mahal is situated, who work in a tradition handed down from Mughal times. Even though contemporary, the carving process involved ensures that each piece is unique so no other example of this sculpture will be exactly alike!
A Japanese Hichozan Shinpo Brushwasher circa 1880
Price: £25
A Japanese brushwasher of squat cylindrical form with a short neck and a flat unglazed base, decorated in brightly coloured enamels with Samurai and banners. The style of painting and palette of colours resembles pieces made by the Tashiro factory in Japan, founded by Tashiro Monzaeman (1816-1900) in the late Edo period during the mid-1850s, and which were marked ‘Hichozan Shinpo’. This piece carries very feint traces of a red mark underneath which may have originally indicated the artist’s name, but even without this, the resemblance is very close and an attribution almost certain. The form suggests a brush washer, part of the scholar’s desk set.
Victorian Chinese turquoise beads 1900
Price: £400
This is a Chinese graduated turquoise bead necklace. The stones are untreated and natural colours and markings really make this a stunning example. It is very finely graduated so they imperceptibly decrease in size which adds to the elegance and quality.
A Pair of African Carved Wood Figure Head Plaques, C20th
Price: £45
A pair of carved wood plaques depicting the heads of a man and a woman and carved in a semi abstract style with black coloured detailing to the hair and facial features and marked ‘O’ ‘B’ to the reverse. The style of these and other similar pieces suggests African work but the provenance is uncertain. Both Senegal and Ghana are sometimes mentioned. These are certainly striking examples and probably date to the late C20th.
Exceptional Paste necklace 1940s
Price: £25
This a very delicate and bright paste necklace with seven floral stations interspersed with single stones. Set in brass with barrel clasp.
Art Deco Cicada Necklace, probably English 1930s
Price: £35
This is a very unusual necklace comprising horn that has been carved into beads and a complementary cicada pendant. Cicadas are a very common Art Deco motif and are seen mainly in brooches. The modelling here is highly stylised but more than a nod to this popular motif of the period. This is most likely the work of English craftsmen and most elegant in the simplicity of its design.
A pair of Mughal style carved wood miniature screen picture frames, C20th
Price: £55
A pair of wood picture frames, probably from a four leaf miniature folding screen, of rectangular form with short legs and crown style finials, richly decorated in the typical Mughal style with carved stylised floral tendrils and lattice work panels. These are productions from the British Raj occupation of India which lasted between 1858 and 1947. The craftsmen were probably catering for British officials posted to India and aimed to design something suitable for a group of family photo portraits. The photos here appear to be original with an officer and two young children represented. More family members, and perhaps the officer’s wife, would, no doubt, have been depicted in the missing two frames. East very much meets West here and the original screen no doubt graced the interior of an official residence. Dating is probably to the early C20th.
Goldette NY Egyptian Revival Statement Necklace, 1970s
Price: £180
This is a very striking and heavy necklace with a very large central pendant with seven drops ending in glass beads. It is made from gilt metal by Goldette, a costume jewelry company that was founded in the 1950s and produced jewellery until the 1970s. Their mark appears on the reverse (see image 6). It is rare to find costume jewellery that is as robust and well made as the pieces Goldette produced and they stand out still today.
Gilt decorated English porcelain powder box and cover, probably mid C20th
Price: £15
This is a large English porcelain powder box and cover, the circular body with a shallow domed cover, the surface glazed white with elaborate gilt decoration of embossed stylised floral bands with stylised floral gilt borders above and below. The base is unmarked but the paste of the foot suggests English manufacture and the rich gilt decoration reflects that of dinner services produced by some of the well known twentieth century porcelain producers, Minton in particular.
Pair of Italian faux tortoiseshell earrings, 1980s
Price: £20
This is a wonderful pair of earrings that have large fan shaped faux tortoiseshell drops and metal clips that are marked BREV PAT (see image). BREV., which stands for "Brevetto." This is the Italian term for license, and the stamp signifies that the particular design or piece has been licensed or patented. These earrings are VERY light and the clips are brilliant making these very easy and pleasant to wear.
Chinese Scroll Painting of a Merchant and his Client, C20th
Price: £45
A scroll painting depicting what appears to be a scene in a Chinese merchant’s shop where there can be seen scales and a box containing coins on a table in the background. The elderly trader is seated next to a younger gentleman, presumably his client. One attendant stands watching and another bears an object on a tray which may well be the subject of a bargain to be made. The painting is colourful and expressive, with the faces carefully delineated. The style looks to be early twentieth century work and resembles that of reverse glass paintings from the period. The scroll is offered with a complementary scroll box, European with chinoiserie scenes in gilt, which considerably enhances the decorative effect.
Russian Enamel Brooch, probably Rostov Finift, mid C20th
Price: £20
This delicate brooch with its elaborate filigree work has a circular painted enamel plaque painted in greens, pinks, light brown and yellow with scrolling lotus flowers and surrounded by fine silver decoration, with scrolling rope twist strands and slender milled ribbons inset with beads. The style and composition, combining enamel and silver work, is typical of the Russian maker ‘Rostov Finift’ (‘finift’ comes from the Greek ‘fingitis’ which means ‘gleaming’) many of whose pieces can be found on the market today. The art of painting on enamel was first developed in Rostov Veliky (125 miles northwest of Moscow) in the 18th century and continued thereafter with pieces of jewellery, made by Rostov Finift and in which enamels are surrounded by elaborate filigree work, appearing in quantity after the second World War. The pieces are not signed and attribution is mainly speculative but this brooch has much in common with other pieces believed to have been made by the same factory.
Art Deco Islamic silver bracelet with inset stones
Price: £195
This is a very striking bracelet that features a central plaque with inset turquoise, amethyst and carnelian stones. The setting has fine repousse stars and teardrop design with filigree work. The band is very wide and is comprised of a very fine woven silver. The clasp mirrors the plaque motif and has a bolt fitment.
Art Nouveau repousse Pendant on later chain, c1910
Price: £95
This is a large repousse plaque pendant decorated in a typical Art Nouveau floral design. It is marked 'AL-P' which seems to suggest a European origin but more likely Belgium or one of the Scandinavian countries rather than France, to judge from the style. The plaque dates to the early twentieth century and is fitted with a later chain.
Incredible quality silver and paste Brooch c1950
Price: £45
This is an amazing brooch that comprises silver set with paste stones in a very detailed and flowing ribbon design. The numerous stones are prong set and there is a central faux pearl. It is marked '925' and it has a very secure barrel clasp that pulls out so that the pin is held fast when closed.
Butler & Wilson massive dragon brooch
Price: £125
This is a gorgeous brooch in gold tone with gold and clear diamante stones, red glass eyes, signed
Art Deco Guilloché Copper Ash Tray and matching Cigarette Holder, boxed, c1930
Price: £35
This matching set comes from an era when the cigarette was seen as an elegant accessory rather than a danger to health. The ash tray and the end of the cigarette holder are made from copper, burnished to two contrasting colours in respect of the tray, decorated in the guilloché technique whereby precise and intricate patterns are engraved onto the surface using a machine. Here a wavy line design was applied to the centre of the tray and the end of the cigarette holder and contrasted with stylised floral sprays at the border created by the repoussé technique in which the metal was hammered from the reverse to create a design in low relief. The mouthpiece of the cigarette holder, formed from celluloid, is deliberately plain. The set comes in an original blue leather fitted box and the combination here is found much less often than the ash trays themselves.
Taxco collar necklace by Rubi Ramirez c1950
Price: £350
This is an outstanding example of Taxco jewellery in a heavy modern design of links creating a fluidity that can only be achieved by the best silversmiths. .Rubi Ramirez is one of the original Taxco silversmiths working with Pedro Castillo and William Spratling. This piece is very clearly marked with Rubi's RR hallmark.
Celluloid Bangle with Tortoiseshell style decoration circa 1930
Price: £20
This is an unusual bangle made from celluloid which was used from the late nineteenth century onwards as an imitation of more expensive materials such as ivory or tortoiseshell. It was, therefore, the earliest form of plastic and was to be replaced in the 1920s and 1930s by bakelite. This piece has quite stout proportions and utilises a more complex form than the standard circular ring bangle, with two concave bands between a central ridge. The tortoiseshell style decoration displays considerable and pleasing variegation with an attractive selection of colours in close imitation of the original.
PLEASE NOTE THAT THERE IS FREE UK SHIPPING ON THIS ITEM. For international buyers the shipping cost will be reduced by the UK shipping cost, so don't worry if you are outside the UK, you still receive this benefit!
Art Deco Style Bagley Glass Vase with fin type handles 1930s
Price: £45
An Art Deco style glass Vase made by Bagley Glass, of urn form, the slender ovoid body modelled with a swirling design and finished with a crimped rim, set with two fin shape handles and resting on a squared base, all finished in a mottled blue colour wave. The form clearly reflects pieces from the Art Deco period and coloured glass was not produced by the firm until the 1930s. The shape here is unusual and similar examples are hard to find. This piece was mould made, as can be seen from the base, but probably also finished by hand in common with many other pieces from the firm. Dating has to be assumed. Bagley pieces are not marked and popular designs were sometimes continued long after their introduction.
Pink pressed glass dressing table set, Libochoviche, Czech, 1950s
Price: £35
A five piece dressing table or trinket set made from press moulded pink glass and comprising a tray, a pair of candlesticks, a covered pot and a ring stand, all elaborately modelled with repeating ball borders. The designs for this set can be found in a pattern book for the Libochovice glassworks in Czecholslovakia which apparently dates to some time before 1958. The tray is pattern number 3020 and the other pieces have numbers between 3021 and 3024, there being two numbers for the covered pot which was made in different sizes. The Libochoviche factory was founded in 1912 by H. Feigl and J. Moráve and after an initial period of producing mainly utilitarian pieces turned to the creation of innovative decorative items, mostly in pressed glass for which it had perfected the techniques and in combination with professional artists of the day, maintaining a highly popular output of designs until its closure in 2006. In 1945 it became part of the Sklo Union cooperative along with other manufactures of pressed glass such as Rosice and Hermanova Hut whose work can be seen elsewhere on this site.
Bisque Scottish boy character doll c. 1900
Price: £60
This is a very sweet souvenir doll comprising a young Scottish boy in tradition dress with a bisque head, hands and feet and a fabric body. With traditional Scottish garb. Made in Germany.
Victorian style copper bracelet with buckle detail 1950s
Price: £20
This is a lovely collectible piece of Victorian style copper jewellery. This would have had a gold wash on it originally. It has a bold buckle detail and a hammered sunflower design. It is marked "Exquisite".
Lot of 3 costume cameo brooches, marked Sphinx and Exquisite
Price: £15
This is a lovely lot of three brooches that all have a cameo design, one has more of a silhouette intaglio design. The smallest brooch is marked Sphinx and the intaglio is marked Exquisite
Pair of framed Watercolours, Dartmoor heather fields, signed C.A.James, early C20th
Price: £45
A pair of watercolours in pastel shades depicting two landscape scenes on Dartmoor with lakes and fields of heather. The artist C.A.James, whose signature appears at the bottom of each of these paintings, cannot be identified but was clearly an accomplished amateur painter. The bleak landscape of Dartmoor is sensitively pictured in two complementary scenes of fields of heather by a lake, the lighting suggesting dawn with birds flying at the break of day. The mountainous outcrop at the back can be identified as Brent Tor, a landmark of Dartmoor which is surmounted by the church of St Michael, which can be seen in both the images. It was probably a popular subject for painters and various other paintings with a similar subject can be found. The style suggests dating to the 1920s and this seems consistent with the frames which appear to be original.
Taxco charm bracelet, makers mark Castelan, 1950s
Price: £85
This is a fun bracelet comprising a heavy curb chain mounted with charms that have a Mexican motif. It bears the marks 'Castelan' , Eagle mark 15, '925' 'Sterling'.
Japanese Arita Square Sake Flask and Cover decorated flowers, C20th
Price: £25
This is a rather striking example of a Japanese sake flask of less conventional form. The slender square form rectangular body (compare lot XX) is topped with a slender slightly concave neck of gently conical form, the top capped by a stopper like cover. On one of the corners is an elaborate loop form handle and on the other a short spout. The base is flat and unglazed. The decoration is rather hybrid. The iron red and gold scrolling pattern at the top recalls kutani pieces, but the main body, with its heavily enamelled chrysanthemum heads employing a wide variety of colours, looks almost towards satsuma wares. The combination is quite arresting if not eyecatching and raises the question of whether there was once a set of cups with a matching design… The slightly ‘brassy’ look to the gilding indicates an early C20th dating but probably no later than around 1920. Best regarded, perhaps, as a functional piece of whimsy!
Japanese Carved Wood Figure of a Young girl, Kokeshi doll style, C20th
Price: £45
This is a rather charming carved wood figure of a young girl standing dressed in an elaborate robe decorated with floral blooms and fan shape panels in blue with floral designs. She holds something in her hands (an offering?) and looks out expectantly. The naif style resembles closely the kokeshi dolls that have been made in Japan for more than 150 years as children's toys but the portrayal is much more lifelike than that of its abstract counterparts. Dating is probably to the mid twentieth century.
Beautiful small daguerreotype in a frame c. 1850
Price: £25
This is an amazing daguerreotype of two young girls probably made for an officer to take as a memento while travelling. The daguerreotype was the first commercially successful photographic process in the history of photography. Announced to the public in 1839 the daguerreotype enjoyed great popularity in the 1840s and 1850s. Named after the inventor, Louis Jacques Mandé Daguerre, each daguerreotype is a unique image on a silvered copper plate.
Jean Paul Gaultier Mini Fragrance Set, La Parade Des Extraits, 1993
Price: £75
This is a clear plastic box containing four 3.5 ml miniature atomiser bottles of Jean Paul Gaultier perfumes with a travelling case (the metallic cylinder) in the centre, which is enclosed in a thin plastic slip case detailing the contents and with the date 1993. This was the year in which the famous French fashion designer Jean Paul Gaultier launched his range of perfumes of which this is a sample box. The four containers are modelled in the form of ladies’ busts with corsets reflecting the infamous ‘cone bra’ designed by Gaultier for Madonna and worn by her during her 1990 Blond Ambition World Tour. Surviving in near perfect condition with the contents intact this is now a sought after collector’s item which accurately recalls Gaultier’s individual and provocative style.
Edwardian silver fleur-de-lis collar necklace circa 1910
Price: £85
The ‘fleur-de-lis’, a stylised form of lily symbolising fertility and purity, has been used as decorative motif for centuries and is particularly associated with the French royal family. It is more normally found as a single pendant necklace but the Victorians produced various collar necklaces in silver with the motif. These tend to be slightly heavier in construction than the example here suggesting a slightly later dating probably to the Edwardian era and most likely English manufacture. The finely cast silver fleur-de-lis leaves are joined by links and terminate in a spring ring closure presenting a delicate accessory, perhaps for a young lady.
Please note that the necklace is not marked for silver and has not been tested.
Translucent celadon jade recumbent horse
Price: £25
This is a lovely piece of celadon jade that is translucent carved as a recumbent horse. There are some inclusions as shown in photographs
Léon Vidal Photochromie : A Japanese Woman with a Parasol, late C19th
Price: £550
This is a very special coloured photograph produced by the French photographer, Leon Vidal. In the 1870s Vidal invented and perfected a whole new process of photographic printing which allowed for a far more accurate reproduction of colour. He named it ‘Photochromie’. It was used for book illustrations and to create copies of famous contemporary pictures, here the ‘Portrait of a Japanese Woman with a Parasol' by Pierre Beyle. The reverse of the mount is clearly stamped with Vidal’s logo and the Photochromie trademark confirming that it is an authentic production by Vidal in the late 19th century. A true collector’s item for lovers of photography and the decorative arts.
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Art and artistry combine in this striking photographic reproduction of a painting by the French artist Pierre Marie Beyle (1838-1902) produced by the ‘Photochromie’ printing process invented and perfected by the French photographer Leon Vidal (1834-1906).
Leon Vidal (see image 11) developed the photochrome printing process in the 1870s as a method of accurately colouring photographs for quantity reproduction. From the original negative a number of copy negatives were made, on glass or thin paper. On each negative, those areas which were not to be coloured were blocked out with an opaque medium. For example, on the negative prepared for the colour blue, only those areas to be coloured blue in the final print remained uncovered. Negatives were prepared for as many colours as required, up to twelve, and then used to make lithographic tint plates which were employed to transfer colours in succession to the monochrome photograph from the original negative.
‘Photochromie’, as the photochrome printing process was called, was patented in 1872 and 1874 and refined by Vidal in the studios of the Société Anonymes des Publications Périodiques, whose director he became in 1875. This Société was founded in 1869, initially for a period of 60 years, and its first major publication, published in 1878, was a lavishly illustrated book entitled ‘Le Trésor artistique de la France’ in which the French heritage in the arts was represented by thirty nine specially selected items of particular cultural and artistic merit, each described by an expert in the field and all illustrated, a few in monochrome and the bulk, thirty in all, in colour employing the newly discovered photochromie process. The results were unfortunately uneven and the cost of the volume, three hundred francs, prohibitively high which resulted in the first volume of a proposed series being its last. Individual plates from this publication appear on the market today and are sought by collectors.
Less commonly seen are individual representations of contemporary paintings which Vidal also produced in the studios of the Société at its premises, 13 Quai Voltaire, Paris. Vidal’s printing process was not the only one available to the French public in the late nineteenth century but it was probably the most accomplished and Vidal sought to exploit this by issuing a series of reproductions suitable for interior decoration. Most popular amongst the artists whose work he chose to reproduce seems to have been Pierre Marie Beyle (1838-1902).
Beyle was born in Lyon in 1838 and studied in Paris where he later exhibited regularly at the Salon, from 1867 to 1900. Around 1870, he went to Algiers and the themes of the city are reflected in his paintings of those years (see image 12 for an example). Later he became known for landscape and genre scenes many of which depict the surroundings of Normandy where he used to spend his summers and in addition he followed the contemporary fascination with the Orient producing paintings with themes from the Far East such as we have here. Beyle also worked as a caricaturist in satirical newspapers such as the Petit Journal, the Fun Journal and Bouffon in the 1860s and 1870s. He exhibited at the Grafton Gallery in London in 1881, then went to Scotland where he exhibited at the Institute of Fine Arts in Glasgow. In 1900, he exhibited at the Universal Exhibition. After settling in Chennevieres-sur-Marne towards the end of his life he died in Paris in 1902 and was buried at Montparnasse.
The rich palette of colours employed in Beyle’s paintings were well suited to reproduction by Vidal’s newly invented printing process and he doubtless chose those works which he felt would have a particular popular appeal. The rage for ‘Japonisme’ in the second half of the nineteenth century is well documented and its influence was widely spread, perhaps most famously in David Belasco’s play ‘Madame Butterfly’ which inspired Puccini’s opera of the same name. The Geisha figure here fortunately holds a fan rather than a sword and is seen gazing at an elaborate bronze incense burner. The elaborate colours of her robe are well reproduced by the ‘Photochromie’ technique and the whole composition has a richness of presentation which doubtless reflects the original painting which appears still to be in the private domain. Beyle’s signature is accurately reproduced at the bottom right and Vidal’s invention is proudly announced on the reverse with the sun inspired emblem at the top and the wording below ‘Photochromie’ ‘Photographie en Couleurs’ ‘sans le secours du pinceau’. No hand colouring here! The modern frame acts acts as complement to the image and both combine to present a highly decorative picture of considerable cultural interest.
Japanese Arita Dish circa 1880
Price: £45
A Japanese Arita circular dish, stoutly potted and with a lightly scalloped rim, decorated in underglaze blue with the addition of green, blue and brick red enamels all highlighted in gold, the central roundel with a basket of flowers surrounded by three large panels with a duck, rocks and flowers, interspersed with arrow head panels with stylised flowers and separated by three smaller geometric shape panels again with stylised flowers, the reverse with three pairs of two of the eight ‘precious objects’ (cash, double lozenge) in underglaze blue.
The town of Arita in the former Hizen Province, northwestern Kyūshū island was a major cente for the production of porcelains in Japan. Best known for blue and white pieces it also produced polychrome wares as well, including the familiar imari colourings. While similar to Imari, the wider palette of colours used here is usually termed ‘Arita’ and the decorative appeal of the style is clear. This plate probably comes from an original set of five and its quality is much above average. Dating is to the Meiji era (1868 - 1912) probably around 1880.
Continental Figure of a Cellist, Conta and Bohme, Germany late C19th
Price: £55
This is an amusing ceramic figure of a cellist, seated with his instrument between his legs and a bow in his right hand. He wears a floral decorated tailcoat with brown knee breeches and a purple cap on his head. Below is a rectangular base with gilt decoration to the front. The composition is carefully modelled and finely painted, especially the detail to the face. The underneath has impressed marks, a shield device and the numbers ‘5313’ and ‘154’. The shield device, a small arm holding a dagger (see image 10), was used by the makers Conta and Bohme best known for the manufacture of ‘fairings', which were exported in large quantities to Britain and the USA in the late nineteenth century which is most likely the date of production of this figure. Sometimes this composition is found with a companion figure of a violinist, bearing the same shield mark but different numbers and it is most likely one of an original pair. But it can clearly stand on its own a good example of the decorative porcelains produced in Germany before the first World War.
Framed Chinese painting on silk, two Silk Dyers, C19th/C20th
Price: £15
This is a Chinese genre painting on silk of two men seemingly engaged in dying skeins of silk in a rocky landscape scene. To the right stands a man holding two loops of fabric thread, most likely silk and to his left, a boy stands in front of a vat filled with liquid, clearly twisting the threads into cord, perhaps having dipped them into liquid dye using the tool he is holding in his left hand. The strip of wood across the top of the vat may have been used to help removed excess fluid from the dyed thread. The significance of the rather desolate landscape setting is unclear. The two workers seem to have been banished by their companions! Silk dyeing was an old tradition in China which is still kept up today (see image 7). While there are many painted scenes of rural and craft activities, this particular manufacturing process does not seem to be illustrated elsewhere. The style of the brushwork suggests a dating to around 1900 and there is a stamped artist's seal mark in red at the bottom left but the frame and mount are clearly later, perhaps mid C20th. An unusual composition, then, for collectors of Chinese art.
Silver plate Perfume Bottle with attached Stopper and Chain, Burmese late C19th
Price: £45
This is a large repousse decorated scent bottle cast from silver plated white metal and depicting two confronting Burmese lions between the sacred pearl on the face with a key pattern border and stylised scrolling foliage to the sides, the neck with rope work and the stopper attached by chain which comes out to reveal the scent wand. The style of representation of the lions suggests the country of origin and the piece probably dates to the late nineteenth century. It is fitted to a very long necklace chain, probably later, creating a very wearable piece of fashion history which is both practical and decorative.
Exceptionally large Chinese Blue and White Teapot with metal handle, late C19th
Price: £350
A Chinese teapot of exceptionally large size, the globular body with a short neck, a curved spout, two lugs for a carrying handle and a flush fitting flat lid. Attached to the lugs is a carrying handle in brass, probably contemporary with the date of manufacture of the teapot itself. The decoration is in vivid underglaze blue with an overall pattern of scrolling lotus and repeating white dot borders to the top rim and edge of the lid.
The form here, without a ceramic handle but with an attached carrying handle, suggests a travelling teapot, a well known variation of the teapot type produced in China but rarely found on such an epic scale. Presumably this piece was intended for use at a rather large gathering or banquet so that a multitude of guests could be served at once! The paste of the footrim, style of decoration and clearly visible hand thrown potting rings (see images 8 and 9) all point to late nineteenth century work which is confirmed by the minute vertical lines seen on the exterior which are often found on blue and white pieces from that period. It is sometimes suggested that these brass handles, of which similar examples can be found, were made in Thailand but there is little evidence for this. However, a local audience rather than an international one seems more than likely since there would have been little call for such a serving item in Western homes.
Beautiful Chinese carnelian silver bracelet
Price: £75
This is a very elegant and substantial bracelet comprising five stations of carved carnelian mounted in silver with hinges. There is quite an large an unusual bowed bar clasp that would be nice for engraving someone's name perhaps. Marked 925.
2 pairs of antique kidskin gloves, opera and every day
Price: £25
This is a lot of two pairs of antique gloves, one is a long opera length pair with mother of pearl buttons and the second is an every day pair
Dresden style model of a Coach and Horses, probably German early C20th
Price: £75
This is a spirited ceramic model of a Coach and Horses, the coachman himself seated at the front of the carriage with two outriders at the front and back, while inside sits a lady clearly dressed for a ball to which she is presumably being conveyed. A sense of urgency and speed is artfully conveyed, the coachman’s cloak billowing behind him, the outriders’ horses prancing and the carriage horses themselves straining at the reins (now lost) as they speed the vehicle along. The composition sits on a rococo style base with scrolling foliage which complements it well. Considerable care was taken in the manufacture of this piece which has miraculously survived undamaged apart from the loss of the original fitments which would have been made from cotton rope or wire. The detail of the modelling speaks for itself with the addition of the passenger figure cunningly placed inside the carriage. Many German factories made these ‘coach and horse’ models in the late C19th and early C20th and some of their pieces are marked which helps with identification. For all of them the style is clearly ‘Dresden’. Italian ‘Capodimonte’ examples also exist but the paste and finish of the base here does suggest German work and the ‘brassy’ effect of the gilding an early C20th dating. Clearly a shelf or mantelpiece ornament designed to be seen best from the front and an item of immediate and obvious appeal both to a contemporary and current audience.
Victorian enamel buckle c1900
Price: £40
This is a lovely example of these buckles in a scrollwork design with bright enameling in turquoise and pinks. It is brass.
Chinese Soapstone Brushwasher decorated with flowering Lotus, early 20th Century
Price: £45
A Chinese soapstone Brushwasher, carved in high relief with two vase like vessels and a shallow bowl all surrounded by flowering lotus and set on a ground of stylised rockwork, the back flat carved and the base hollowed out at the interior. Various similar pieces can be found with one or more vases surrounded by flowers or sometimes animals and presumably intended as brushwashers. Soapstone was first used by the Chinese over three thousand years ago but began its popularity in the Ming dynasty (1368 -1644) with the height of production during the ensuing Qing dynasty (1644 – 1911) when a stone mined in the Shoushan village in northern Fujian was most commonly used. Shoushan soapstone is noted for its smooth texture, bright colours and fine grain and a wide variety of objects were carved from it. Production continued into the 20th Century which is what we have here but the quality of the work, with sparing use of the drill, suggests a dating in the early 1900s.
Art Deco style Glass Box and Cover decorated with a dancing Ballerina, mid C20th
Price: £35
An opaque cream coloured circular glass box and cover, the bulbous body with high domed lid which is decorated with a dark grisaille dancing ballerina poised on one leg with grass below and hanging willow above within a yellow scalloped border which is repeated on the base. The style of decoration clearly suggests the 1930s and this piece probably dates to that era although there is no certain proof of this. Presumably a powder box it retains great charm and could well find a home in a contemporary setting.
Oil Painting, Shakespeare Cliff, Dover, unsigned, C20th
Price: £75
It is easier to identify the subject of this painting than the artist who painted it. The white cliff outcrop in the background is the well known ‘Shakespeare Cliff’ situated just to the West of Dover harbour and famous for its association with the play ‘King Lear’ as well as for its coastal views. It was often painted and even caught the imagination of Turner who captured many views of it including one aspect closer up but similar to that seen here (see image 9). In this picture, the cliff is a backdrop for a maritime coastal scene with riggers beached below and cockle boats with a fisherman in the foreground while various bystanders survey the scene. All the elements depicted are Victorian and some of the representations to be found do date from that period, but the style of the work here, particularly the semi impressionistic treatment of the rocks looks later and an early twentieth century dating seems more likely. But the anonymous artist was accomplished and has produced an attractive version of a well known composition.
Abstract Design White Glaze Vase, probably British mid C20th
Price: £25
This is an unusual vase of slender ovoid form, glazed in white and with an abstract geometric design to the front with vertical rows of dots and dashes, the reverse plain. The paste of the foot suggests British manufacture and the geometric patterned design recalls pieces from the 1950s and 1960s, although there are no exact parallels for the decoration here. But the elegant shape combined with truly minimalist decoration together produce an object of decorative appeal, highly suitable for the most contemporary of interiors!
Antique English Staffordshire pitcher, William Brownfield and Sons, circa 1860.
Price: £55
A cream glaze pitcher, the pear shape body rising to a modelled spout with a short foot below and with an applied rope twist handle, decorated all over with a relief modelled design of fern leaves and wheat sheaves, the spout fitted with a weighted pewter lid, a moulded mark to the base which includes the manufacturer 'W' 'B' 'Brownfield' and the pattern 'Fern'.
William Brownfield and Sons occupied a factory in Waterloo Road, Cobridge from the mid nineteenth century onwards. Cobridge is an area of Stoke-on-Trent, in the county of
Staffordshire, England, the heart of the English Pottery industry. From 1850 to 1871, the firm produced only earthenwares, the best-known products being perhaps the moulded jugs
which often bear the initial mark 'WB'. This pitcher is a prime example of the type with its highly attractive and detailed relief moulded decoration in the 'Fern' pattern, as marked underneath. The elaborate moulded mark allows accurate dating. In the outer circle is the manufacturer and the pattern, '24' being perhaps the pattern number. The diamond shape inside is an example of the English Pattern Registration diamond system which was used from 1842 to 1883. 'IV' at the top indicates the type of item registered (pottery). The date of registration of the pattern is shown by (i) The letter at the top ('G') indicating the year, (ii) the number at the centre right ('14') indicating the day and (iii) the letter at the centre left ('B') indicating the month. Putting these together we have 14 October 1863. This is the date after which the pattern was used. This fits with the mark on the pewter lid which was made by the well known firm 'Spurrier' and registered in May 1868. We have, then, a classic example of the design which can be securely dated to the mid nineteenth century. Truly a collector's item.
Art Deco Blue Handbag, 1930s
Price: £65
This is a gorgeous bag made from a combination of smooth leather and suede in a fan shape. Lined in taffeta with leather compartment.
Dutch Delft Blue and White Gourd Vase in C18th Style, late C20th
Price: £25
A ceramic vase of double gourd form with a short foot and a flaring rim, the fluted body decorated in underglaze blue with flowering peony and flowers in a chinoiserie style, the base with underglaze blue marks including the symbols for Delft ware and the name Delft itself. The tin glazed earthenware pieces, mostly blue and white, produced at Delft in Holland are a familiar staple of the ceramics repertoire. Production began as early as the sixteenth century but the most famous era of output was between the mid seventeenth and eighteenth although pieces continued to be manufactured after that, both in the nineteenth and twentieth centuries, usually copying the forms and designs of the earlier wares but no longer employing the tin glaze of the earlier pieces which proved to be too expensive.
This vase is typical of one of these later creations and copies an eighteenth century original which itself was based on Chinese pieces. The marks underneath, although some of them are blurred, offer a clue to the dating. Below an ‘A’ at the top can be seen a vase which stands for ‘De Porcelyne Fles (The Porcelain Bottle) a factory which was established in 1653 and continues production today. There follow the initials ‘JT’ as a monogram standing for Joost Thooft who bought the factory in 1876 and below this ‘Delft’. At the bottom are usually found the painter’s initials to the left and letters to the right which are the date mark. On this vase these are unclear but the painter’s initials read ‘MA’ which appears to stand for M.H.van Aalst who worked for the firm from 1941to 1983. This would fit with a likely dating here to the second half of the twentieth century, but the artist has successfully recreated the work of his predecessors and produced a piece of great charm.
Black and Gold Copper Glitter Art Glass Scent Bottle, probably Murano late C20th
Price: £55
This is a very stylish scent bottle and stopper with a bulbous body, a concave neck with a flat top rim and a fitted stopper with a ball and pointed top and a long interior seal, the black glass with gilt flecks made from copper in globular and swirling patterns. Almost all the pieces with similar form and decoration are attributed to the Murano glassworks in Venice although none seem to exist with labels which would authenticate this. But the high quality of the glass blowing certainly suggests Murano work and the attribution seems reasonable. This example is particularly pleasing and is in excellent condition with the stopper original and intact.
A Pair of Glass Vases or Paperweights, probably Selkirk Glass, Scotland, 1980s/1990s
Price: £25
A pair of Glass Vases of bottle form the pear shape bodies rising to slender necks, each decorated in a complimentary design of swirling ribbons in red white and blue, the bases with a clear smooth slightly irregular circular foot. While obviously with decorative appeal the weight and form of these pieces suggest that they might also have been intended as paperweights. Similar pieces, but with slightly different decoration were made by the Selkirk Glass factory in Scotland and bear their paper label and the provenance of this pair of vases is most likely the same. The business was set up by Peter Holmes and Ron Hutchison in 1977. Peter Holmes left in 2002 and Caledonian Investments bought it in 2004 but the firm was finally closed in 2006.
Heavy silver curb collar necklace, Mexico 1970s
Price: £125
This is a striking necklace comprising a large curb chain connected to two bead work chains to create this statement look. It is unmarked but is quite typical Mexican silver work.
Japanese Blue and White Porcelain Bowl decorated with hydrangea, early C20th
Price: £25
A Japanese Bowl of shallow flattened conical form, decorated in underglaze blue and white with a central panel of flowering hydrangea to the interior surrounded by six hydrangea blooms, the exterior with bands of variegated blue wash above a band of white, the base also with a white glaze.
Hydrangeas flourish in Japan and also carry a hidden meaning of apology and gratitude based on a mythical story of an Emperor, who angered a woman he loved by neglecting her, and gave her in recompense a bunch of blue hydrangeas as a symbol of his deep emotion and gratitude. Used here as a decorative motif, the painting of the flowers is skilful and elegantly combined with the plainer exterior. The paste of the foot rim suggests an early C20th dating, perhaps to the late Taisho era (1912-1926).
A pair of Art Deco style Onyx Bookends, C20th
Price: £35
A pair of Art Deco style bookends made from onyx and formed in two sections with a stylised figure of a horse's head set on a rectangular base with a rounded end. Onyx is named from the Greek 'ónux', meaning “nail,” or “claw,” and is a variety of the mineral chalcedony, a kind of quartz. Onyx with flesh-colored and white bands can sometimes resemble a fingernail and a similar effect is seen here. Its use is known since ancient Egyptian times and it has also been commonly employed during the twentieth century. The origin and dating of these bookends is uncertain. Similar examples with a stylised horse's head are ascribed to Mexico in the 1940s but there can be no sure proof that this is the case here. The design is striking with clear reflections of the Art Deco period and the veining of the stone here enhances the decorative effect.
Toy Wicker Chair, mid C20th
Price: £35
A masterpiece in miniature, this is a small size wicker chair of tub shape, the arms merging into the back rail, the seat and lower sides closely woven with the upper sides and back in openwork and the legs with loop stretchers. Dating is probably to the mid twentieth century and this may be the work of an accomplished amateur, perhaps as a gift for their child. Certainly, these model chairs are much less commonly found than their full size counterparts and do not seem to have been manufactured widely. The perfect display item for a treasured Teddy!
Large costume cameo brooch, marked W. Germany
Price: £15
This is a fun large oval brooch set with a very detailed glass cameo portrait with faux pearls, market W. Germany
Pair of slender green glass Vases with silver decoration, possibly French early C20th
Price: £45
A pair of light green glass vases of slender form with near cylindrical bodies and a flaring neck above an ovoid globular base with a spreading foot, each decorated in silver inlay with flowers (chrysanthemum) and geometric designs. In contrast to the previous lot, the shape here suggests the designs of the Art Nouveau era and the decoration certainly has a French feel to it which would be consistent with this. The elegance of this pair of vases is striking, probably an ornament for a mantel piece at the time and more than suitable for a mantelpiece of today.
Chinese Reverse Glass Painting of Two Ladies on a Garden Terrace, first half C20th
Price: £240
A reverse glass (or verre eglomise) painting depicting two ladies in elaborate court dress on a garden terrace with fencing at the front and a stylised garden scene at the rear with rocks, prunus and bamboo (symbolising longevity and renewal); one reads a book and the other holds a small library book box. Reverse glass paintings became a staple of the decorative items exported by China in the eighteenth century and production continued into the twentieth. The style of painting here, a little less detailed than that found in older counterparts but still with charm and skill in the brushwork, suggests a dating to the 1920s which would fit with the frame which is most likely original and retains its original fastening pegs at the back. The composition is well balanced and attractive and this is an excellent example of the genre in good and original condition.
Japanese Celadon Ground Tazza with Chinese Nanking decoration, late C19th
Price: £25
This is an unusual and hybrid piece combining elements of both Japanese and Chinese decoration. The stoutly potted footed bowl, or tazza, is Japanese porcelain employing a fine quality stone like clay, visible on the underneath of the three feet, often found in these celadon glazed pieces made for export towards the end of the nineteenth century. The pedestal feet support a stubby bulbous column which in turn supports the circular serving dish on top. The underside of the dish has moulded decoration and its edge is slightly shaped. The celadon glaze is enhanced with blue and white decoration and the dish itself is wholly decorated in blue and white with a landscape scene closely resembling the designs on Chinese export wares of the late eighteenth century (see the previous lot in this sale for a typical example) and often known as ‘Nanking’ ware in Europe, Nanking being the Chinese port from which it was shipped to the West. The elaborate border with cell and diaper work and stylised flowers also copies the Chinese exemplar. The shape is a Japanese interpretation of a European form and was clearly intended as a serving dish, perhaps for a small desert service of pieces in a similar pattern, but it can stand on its own today as a piece both decorative and practical.
Spanish red tooled leather trinket dish with the coat of arms for Castile and León, C20th
Price: £25
This is a very striking square dish with a deep central well made from finely worked red leather and decorated with scrolls and fleur-de-lis. There is something of a royal connection here as the embossed decoration includes lions and heraldic shields and the coat of arms presents as those for the house of Castile and León, the shield with four quarters, the first and fourth with a castle (Castile) and the second and third with a lion rampant (Leon). Castile and León is Spain’s largest autonomous community comprising territories that once belonged to the Kingdom of León, including Salamanca, as well as territories of the former Kingdom of Castile, particularly Valladolid and Segovia. Since it most likely dates to the twentieth century, this dish probably belonged to a municipal setting rather than a palace of the nobility but it is an item of luxury nevertheless.
Pair of Art Deco glass Vases with applied silver snakes, 1930s
Price: £95
This is a very unusual pair of glass vases with no obvious parallels. The shape is that of a slender beaker vase flaring out towards the base and neck. The black glass of the body has a narrow band of silvered decoration at the top and bottom and applied silver snakes are coiled around the centre, making an effective contrast. The clean lines of the pieces imply a dating to the Art Deco era and the decoration, with its reflection of Egyptian Revival, suggests manufacture in France but this is not certain. But whatever the provenance these vases are striking decorative accessories which could find a home in the most contemporary of interiors.
Two Carnival Glass Vases, Marigold, probably Fenton USA, early C20th
Price: £55
These are two fine examples of so called ‘carnival’ glass. The forms are similar, a tall columnar like body, slightly tapering inwards to the spreading base and flaring outwards to the broad crimped rim, but one has a plainer panelled body and the other is fluted. Carnival glass is moulded or pressed glass to which an iridescent surface shimmer has been applied, which can be seen very clearly here. The technique was developed by the American firm, Fenton Art Glass Company, in 1908. Sales were initially sluggish but when the wares were discounted in price they rapidly gained in popularity and were then manufactured in great numbers over a period of approximately twenty five years. The aim was to recreate the effects of the much more expensive blown iridescent glass by makers such as Tiffany, leading to the unfortunate designation ‘poor man’s Tiffany’, but the modest purchase price allowed a wide circulation amongst the enthusiastic buyers. Various American firms produced these pieces which were then mass produced around the world. The term ‘Carnival’ was adopted in the 1950s and derives from the fact that these pieces were often given out as prizes at carnivals, fetes, and fairgrounds but originally the majority of them were bought as decoration for the home. Few pieces are marked, but the colourings here match the ‘Marigold’ tones produced by Fenton in the 1920s and these vases were most likely made by them.
Striking amber modernist brooch c1970
Price: £35
This is a very unusual large brooch comprising twisted silver tendrils and a very large old egg yolk amber stone. It is unmarked but is most likely silver and probably by a German maker.
Striking Art Deco jade necklace
Price: £150
This is a lovely necklace comprising an Art Deco jade disc pendant with dragon motif together with a necklace of jade beads, this necklace has been restrung and the pendant was not originally together with these beads but it looks great!
Chinese Watercolour Painting on Silk, first half C20th
Price: £75
A watercolour painting on silk depicting two scholars in a stylised garden scene, one reading from a scroll while the other looks on, with a boy attendant pointing to a spray of prunus which he is holding in his right hand. In the foreground are rocks while in the background is the exterior of a pavilion with a flowering prunus tree behind. To the top right are lines of calligraphy and a four character stamped red seal. The calligraphy is possibly an extract from a poem by Li Ciming (1830-1894) whose work tended to focus on the prunus tree and its associations. If so, the seal mark might possibly be his. Certainly, prunus blossom, often known also in English as hawthorn or plum, seems to be the central theme here. Known as a symbol representing for resilience, purity, and perseverance because it blooms in winter, it was frequently depicted in Chinese Art. Here, the young boy seems to be directing the attention of the two gentleman scholars to the spray of it which he holds in his hand and perhaps the scroll in the hands of one of them describes the tree itself. The composition is appealing and the drawing skilful with the work most likely dating to the early twentieth century, some years after Li Ciming’s death.
Pink Alabaster Box and Cover, Italy late c20th
Price: £25
An attractive box and cover of circular form made from pink alabaster, each section mounted in gilt metal and attached by a hinge, the lid with a finely detailed design of flowering lotus. Italy is a prime source for alabaster and many similar boxes have a sticker on the base saying ‘Made in Italy’ giving us the country of origin here. Dating is probably to the 1980s/1990s.
Fairing Figurine - The last in bed to put out the light, German, late Nineteenth Century
Price: £25
Fairing Figurine "The last in bed to put out the light". 'Fairings', as they are known, were ceramic figures made to be given out, sold or won as prizes at fairs, hence the name. They were a product of the late Victorian era but continued to be made until the beginning of the First World War when they fell out of fashion. Manufacture was in Germany principally by the firm Conta and Boehme who developed a mass production method that no other company could match, thereby achieving a market advantage. They exported large quantities to Britain and the United States, but their pieces have even been found in Australia along with other destinations.
The various figures were made in white glazed porcelain with coloured decoration. The compositions were sculptural and often accompanied by an inscription, as here. Many models are known. Two typical examples are 'Returning from the Ball' and 'Twelve Months after Marriage' but the most common example is represented here 'The last in bed to put out the light'. A couple are seen climbing into a covered bed at the foot of which stands a candle in a holder. These candles are usually broken off, most likely because of simple damage over the years but it has been suggested that this was done deliberately for good luck.
Some of the fairing figurines are marked, as here. The impressed number '2851' comes from the first series of figures produced by the Conta factory with numbers ranging from 2850 to 2899. The earlier examples do not have the shield mark found on most of the pieces which indicates an earlier dating here, more towards the middle of the nineteenth century.
Fairings have been collectors' items for many years now and still hold a naif charm which makes them appealing display items, with a history of their own.
Chinese Soapstone Brushwasher with flowering lotus, early C20th
Price: £95
A Chinese soapstone brush washer unusually modelled as a rounded triangular shallow basin in the form of a lotus leaf, footed and with a sprig of flowering lotus growing upwards from it with a vase behind in the form of lotus leaves. The skill of the carver is self evident and the design has been very carefully conceived, artistically employing the varied detail of the natural stone from which the piece was made. Soapstone was first used by the Chinese over three thousand years ago but began its popularity in the Ming dynasty (1368 -1644) with the height of production during the ensuing Qing dynasty (1644 – 1911) when a stone mined in the Shoushan village in northern Fujian was most commonly used. Shoushan soapstone is noted for its smooth texture, bright colours and fine grain and a wide variety of objects were carved from it. This piece is an excellent example of the genre and has survived in pristine condition to become a scholar’s object from the past which can be enjoyed and appreciated today. Production of soapstone carvings continued into the twentieth century and this is probably what we have here but almost certainly from the early years of the period.
Chinese Rice Grain Plate decorated in underglaze blue, iron red and gold, circa 1900
Price: £45
Chinese Plate of typical form with a straight flaring edge, decorated in underglaze blue with a central panel of chrysanthemum within a border of bats and a repeating geometric design, the edge with a band of diaper design and between a border of stylised scrolling floral blooms in iron red and gold with turquoise enamel highlighting. The reverse with concentric circles in underglaze blue and a 'shop mark' to the centre, the rim of the plate also with 'rice grain' decoration where the porcelain is pierced and the glaze allowed to cover the openings made. Paste and style of decoration suggest a circa date towards the end of the Qing Dynasty (1644 - 1912) probably circa 1900.
Edwardian belt buckle encrusted with marcasite stones
Price: £50
This is a beautiful and unusual belt buckle that features a grapes and grapevines motif
Iridescent art glass Vase with loop handles, possibly continental 1950s
Price: £45
A fine quality art glass vase, the broad pear shape body flaring to the neck which turns over to form two large loop form handles, the cream iridescent glaze skillfully combined with an iridescent green highlighting the inside of the neck and the handles. The quality of manufacture here is self evident but a provenance hard to determine. The flowing lines employed can reflect pieces form Czechoslovakia or Italy and the general finish some of the productions of the Orrefors factory in Sweden. Dating is equally problematic but the mid twentieth century seems a reasonable attribution.
Pair of Japanese red lacquered low stands, Taisho period
Price: £150
Pair of Japanese red lacquered low stands, Taisho period (1912-1926). The stands have a square insert on the stand with bowed supports and plain stretcher base. The upper rims are inset with abalone shell, the inset vase stands are round. With original fitted softwood carrying box with character marks on lid
Native American Zuni inlay bracelet c1980
Price: £300
This is an incredible bracelet comprising stations of onyx, mother of pearl, turquoise and coral set in the form of a wishbone, a design that is favoured by the Zuni silversmiths of New Mexico who excel at this type of inlay work. It is signed 'PD' 'Sterling Handmade' and dates to the late twentieth century. 'PD' stands for palladium which implies silver with palladium or silver coated with palladium which was used as lower cost alternative to platinum or rhodium plating.
Kitsch Style Conch Shell with painted landscape decoration, C20th
Price: £45
This is a conch form shell which has elaborate painted landscape decoration to the exterior and interior, the design flowing on almost continuously and extending deep into the inside of the piece. Whether in good taste or not, the skill of the artist is evident with the detailed and colourful riverside scene continuously unfolding to the extreme interior of the shell. While painted shells are known, there are no immediate comparisons to what we have here and provenance and dating are rather a matter of guesswork. There seems to be a 1950s feel though and the work looks more English than European. A conversation piece perhaps!
Large suede pouch bag with concertina opening c1930
Price: £65
This is a wonderfully large handbag comprising a brown suede pouch with a brass opening. It is unlined.
Purple Art Glass Vase by Anthony Stern, late C20th
Price: £150
This is a strikingly bold art glass vase heavily blown with thick walls, the simple ovoid body with a small concave aperture at the top and a rounded spreading foot below. The light purple of the body is contrasted with the clear glass base and the underneath contains the incised signature of Anthony Stern. Born in Cambridge in 1944, Anthony Stern (see image 7) was initially known as a film maker working with many of the pop stars and media personalities of the 1960s and 1970s including Pink Floyd and the Rolling Stones. By 1976 he had begun to tire of this and went on to complete an MA at the Royal College of Art in Glass then becoming a highly successful glass maker whose work eventually found its way into the collections of Queen Elizabeth II, Sir Elton John, the Saudi Royal Family (Red Sea Palace), the Victoria & Albert Museum, Barclays Bank, Morgan Stanley, the Nomura Group, Sir Derek Jacobi, and the Broadfield House Glass Museum amongst others. To Stern, there was a firm link between the two disciplines once saying that ‘Glass and film are identical, they’re both translucent materials through which light passes.’ Eventually succumbing to Parkinson’s, after which he made a brief return to the world of film, Stern died in 2022. His work was mainly sculptural and often employed an imaginative use of colour effects (see image 8 showing his glass studio). The form here is much simpler and seems also to have been made in much smaller white glass examples. His pieces are signed with an etched, slightly dotted inscription bearing his name as here. The size and colour of this piece appear to make it unique and a desirable acquisition for collectors of C20th art glass or perhaps devotees of the pop culture which flourished at the time.
Rare early Czech glass brooch c1920
Price: £45
This is an early example of Czech costume jewellery that dominated the European market before the second World War. It comprises heavy brass elements with cut glass stones. An incredible find for the costume jewellery collector.
Pair of Opera Binocular Glasses in green leather Case, French, first half C20th
Price: £25
Pocket size binoculars intended for use at the opera to gain a close up view of the stage and the singers for those seated in the rather more distant seats were made in various countries from the early 1900s onwards. Some are marked, as here where ‘PARIS can be clearly seen, indicating manufacture in France. Their form is typical, the curved brass frames with a central ridged adjustment knob which causes the lenses to expand or contract in order to achieve the desired focus. This pair come with a fitted case in green leather, plush lined with gold tooling to the edges at the cover and a small engraved brass push button closure device, all features of high quality manufacture. The design of the case looks to the 1920s and probably gives an indication of the date. These would have been a luxury item at the time and, surviving in excellent condition, remain highly collectible today.
Chinese Cinnabar Lacquer Egg, C20th
Price: £55
A Chinese cinnabar lacquer egg, deeply carved with peony and prunus flowers within stylised scrolling foliage, the top and bottom with geometric form ‘shou’ medallions. The technique of lacquer carving (lacquer being the sap of a species of tree native to southern China, but also found elsewhere, which dries to a plastic which can be coloured and carved) was practised by the Chinese from the 12th Century onwards and has continued even into modern times. This egg is an example of their rather later creations but reflects techniques developed over many hundreds of years. There is symbolism here, prunus representing winter and peony spring with the ‘shou’ medallions standing for long life, so perhaps a good luck charm was intended. Dating is probably to the later twentieth century, perhaps the 1970s and if imitation is the sincerest form of flattery, copies of the model, rather inferior in quality, were produced by the well known firm, Franklin Mint.
Victorian Scottish agate brooch
Price: £65
This is a lovely brooch in excellent condition comprising a large central stone surrounded by smaller round stones, in silver gilt
1001 Arabian Nights Brooch c1930
Price: £20
This is a fun brooch that depicts a rather evil looking sorcerer. He has glass eyes and there is a large glass stone in his turban. The brooch is made from brass and would have had colourful enamel painting in its time. It also appears that originally there might have been drops from the ears.
Victorian large 9ct gold brooch set with amber c1900
Price: £200
This is a very rare brooch comprising a very large oval piece of egg yolk amber with inclusions that show fossilised organisms. This is set in a typical Victorian 9ct gold setting. It is unmarked.
