Set of Three Celluloid Figures of Monks, Japanese, first half C20th
Price: £45
This is an amusing group of three Japanese celluloid figures representing young boys dressed as monks. Each wears a patterned coat with complementary trousers and boots, the coloured details carefully picked out. Their poses resemble those of the celebrated three wise monkeys ‘see no evil, hear no evil, speak no evil’ which is a humorous combination with their apparently spiritual role. Celluloid, often known as the first plastic, was used for the manufacture of accessories and collectibles from the late nineteenth century to the 1940s and can be regarded as a cheaper alternative to bone or ivory. The Japanese produced many pieces in the material, other examples of which can be seen elsewhere on this site, but this small group, probably dating to the 1930s, is a particularly charming example.
Japanese wood Netsuke of a Cobra, signed, C19th
Price: £45
A Japanese boxwood netsuke sculpture of a cobra, seated coiled with its head upraised and mouth open with the tongue protruding, the scale naturalistically rendered even to the underside where there is an incised artist’s mark. The eyes are inset with small hardstones [CHECK] which is an additional sign of the quality of the work here which would have required no small amount of skill to create such an ‘open’ composition. Netsuke were carved toggles used to attach hanging objects, usually okimono, to the sash of a kimono and became the subject of the master carver’s art, sometimes of the very highest class. They were formed from ivory or wood, as here, and usually display the holes through which the fastening cord was threaded but this is not the case here because of the nature of the composition. While there is certainly abundant artistry, the carver’s signature cannot be identified. Netsuke began to fall out of fashion in the nineteenth century as European dress gradually became more popular but a dating to this period seems reasonable.
Sylvac Vase, Harmony range, 1960s
Price: £25
A ceramic vase glazed in brown of ovoid form, the front and back with heavily modelled scrolls, densely clustered together, the sides plain, the base with very indistinct impressed marks ‘4299’ ‘SylvaC’ ‘Made in England’ and a gilt foil label. The decoration here comes from the ‘Harmony’ range produced by Sylvac in the 1960s and was used in a variety of colours on a variety of shapes. Perhaps the vase form is the most successful of these. The abstract organic design is very much in keeping with the styles of the period but retains a contemporary look even today. Many Sylvac pieces originally carried a paper label but these have most often fallen off. The design of the label here is known to have been used in the 1960s and close observation reveals the letters ‘S’ and ‘C’ within the drawing of the man wearing a top hat.
‘SylvaC’ (the name was written with a capital ‘C’ after registration of the trademark in 1938) was a trade name of Shaw and Copestake, a company formed by Mr. William Shaw and a Mr. Copestake around 1900. Mr. Copestake sold his shares to a Mr. Richard Hull after about six months of business and this partnership continued until Mr. Hull’s death in 1935. He was succeeded by his son, Mr. Richard Hull junior. In the following year, the business became a limited company. Various mergers and acquisitions followed and in the 1950s new premises were built and production expanded considerably continuing until the early 1980s when changing markets and increased competition forced the company into liquidation.
Murano blue glass star shape Bowl, 1960s
Price: £25
A small deep bowl of shaped square form with pointed edges and incurving sides, the blue glass combined with clear glass in a technique known as ‘sommerso’ (Italian ‘submerged’) whereby two or more layers of contrasting glass are created without the colours mixing together. Sommerso pieces are formed by dipping coloured glass into molten glass of a different colour before blowing the glass into the required form and the technique was developed by the Murano factory in Venice. The colour range here is typical of their work and other pieces can be found with similar and even identical designs. Dating is probably to the 1960s and the flowing organic form is charcteristic of pieces from that time.
Pair of Capodimonte ceramic Wall Hanging Plaques, boy and girl praying, Italian 1960s
Price: £25
This is a charming pair of small ceramic wall plaques, the biscuit porcelain with a slight ivory tint, with moulded designs of a boy and a girl praying, their hair and robes carefully detailed, set in velvet covered oval frames with cording at the edge which also forms the loop hangers at the top. Near identical pieces often have a paper mark at the back reading ‘Porcellane Capodimonte’ ‘Made in Italy’ surrounding a crown device with an ‘N’ above. Capodimonte porcelain was first made at Naples, Italy, in the mid eighteenth century and was often marked with an ‘N’ and a crown above. The original factory was to enjoy a relatively short life but there were many imitators in the nineteenth century and beyond to the twentieth who freely used the Capodimonte name. This pair of plaques is a very modest and fairly recent (probably dating to the 1960s) example of these ‘Capodimonte’ wares but nonetheless have a distinct appeal of their own.
Thai Akha tribe Doll, late C20th
Price: £35
This is a fine example of the dolls produced by the Akha tribe who live in Northern Thailand. The clothes are modelled on traditional Thai designs, the black cloth with brightly coloured accessories, bead work and silver metal accents, and the head, hands and feet are ceramic with painted detail. Made in the late twentieth century, presumably as tourist souvenirs, the charm of these dolls speaks for itself and would add a touch of colour and humour to any contemporary interior.
Magnifying Glass with Crown Handle, C20th
Price: £45
A large magnifying glass with silver plate trim, the handle with a ball shape terminal decorated with bead work and stylised floral designs and a crown shape finial again with beadwork, both separated by a ridged tube of ivorine. This elaborate desk item is sometimes found as part of a boxed set together with a matching paper knife. Highly useful for reading that small print it probably dates to the 1950s but retains its functionality today.
Shelley Harmony Ware Vase glazed in blue, 1930s
Price: £45
A ceramic vase of plain ovoid form, the body slightly ribbed and painted with various shades of ‘spun’ decoration in blue, the base glazed and with a transfer mark ‘Shelley England’ and the impressed numbers ‘979’ presumably denoting the model number. Shelley Potteries, situated in Staffordshire, was originally known as Wileman & Co. which had also traded under the name ‘The Foley Potteries’. The first Shelley to join the company was Joseph Ball Shelley in 1862, and it remained a Shelley family business until 1966, when it was taken over by Allied English Potteries. Josph’s son Percy employed first the designer Frederick Rhead then Walter Slater who had worked with Doulton. It was Walter Slater’s son, Eric, who initiated the ‘Harmony’ range in 1932, at first with a series of banded designs as here and then with drip ware patterns which became enormously popular. Harmony ware was produced in a wide variety of colours and this auction includes three vases which well reflect the range.
Pair of Chinese Hand Painted Eggs in Case, 1970s
Price: £25
This is an excellent example of a type of souvenir model made in China, probably in the 1970s. The pair of eggs are delicately painted with ladies in a garden scene to the front which continues to the reverse. They are displayed on small stands set on a crushed fabric base and set within a purpose built case made from wood and glass. Underneath is a label reading ‘Made in China’ with four Chinese characters ‘Zhong Guo Zhi Zao’ which translate as the same. This type of mark seems to have been used on porcelains from the 1970s allowing an approximate dating here.
Taxco Fish Brooch c1940
Price: £25
This is very delicate small silver brooch that depicts a charming and cheerful fish. It has a textured surface and the eyelashes are detailed. It is marked with a maker's monogram 'JG' or possibly 'GG' and in addition there is an "Eagle" mark '3' below the words 'Heche en Mexico', indicating a dating to the 1940s.
Silk Print of a Bird, Bianchini-Ferier, France, early C20th
Price: £25
A silk print of a bird perched on a branch of flowering acorns. The design of the bird itself employs ‘flock work’ technique where slender coloured threads are laid onto the fabric surface to produce a slightly raised effect but the remainder of the image is printed onto the silk using grisaille colouring. Similar examples are known, some depicting birds and some flowers, but all are marked at the bottm ‘Bianchini-Ferier’ ‘Made in France’.
Bianchini Ferier was a silk weaving manufacturer based in Lyons. Founded in 1888 by Francois Atuyer, Charles Bianchini and Francois Ferier, it first produced fine silk damasks mainly for the clothing industry. After gaining a silver medal at the Paris Exposition Universelle of 1889 it went on to enjoy great success and many well known artists created designs for it in the early C20th, most notably Raoul Dufy. Production continued until the early 1990s when the firm was acquired by Tissages Bauman.
This print resembles designs in the firm’s archives from the late C19th and was probably created in the early C20th. It was designed for framing and the dotted line definition of the composition can be seen at the edges. Presented now in a modern surround it provides an excellent example of the firm’s work and a reflection of the Art Nouveau style so popular when it was produced.
Two complementary opaline glass vases decorated birds, probably French C20th
Price: £55
Two complementary glass vases, one of ovoid and one of baluster form, each with the white ground colourfully decorated with near identical scenes of birds and flowers. The white ground glass seen here is termed opaline and while its production has its origins in Murano, Italy, where it was first produced in the sixteenth century, its main period of production was in France in the nineteenth century, one of the most famous places of manufacture being at Baccarat. The style here, while more ‘modern’ in appearance also suggests French manufacture but at a rather later date, perhaps to the late twentieth century with the decoration possibly being machine printed rather than hand painted. But there is still a modest attraction here and these two vases are rather more affordable than their older counterparts!
Small frill rim glass vase, Island Studio Glass, Guernsey, late C20th
Price: £25
A small glass vase in mottled blue and deep pink, the broad ovoid body narrowing towards the neck which flares out into a frilled rim, the base with a three character moulded mark. The mark here, usually held to represent three lions, is that used by the glassworks Island Studio Glass, based in Guernsey, some of whose pieces also carry a label bearing their name. This little known studio was founded with the assistance of Michael Harris of Isle of Wight Glass and traded from 1980 to 2002. It seems to have specialised in pieces employing distinctive mottled glass, many with frill top rims as here. The mark reflects the coat of arms for Guernsey which comprises three lions or leopards and seems to have been applied to most of the pieces produced.
Taxco abalone cross over bangle c 1960
Price: £65
This is a very elegant bangle bracelet in a crossover design. It has a hinged opening so it is free sized. It is set with abalone stones and marked TL-105 950 Mexico.
Catalin bead necklace with amulet c1950
Price: £55
This is a very unusual necklace comprising large dual-coloured grey beads. These are Catalin which is an early plastic. The beads have been Simichrome tested and are not Bakelite.
The beads are strung onto silk cord and end with a silvered metal amulet. This is most likely Turkish in origin.
2 figural brooches
Price: £10
This is a lot of 2 brooches that have figural motifs - one is a putti and the other is a warrior. The warrior is marked A Miracle Creation which is a Scottish company that made costume jewellery.
Art Deco style Glass Box and Cover decorated with a dancing Ballerina, mid C20th
Price: £35
An opaque cream coloured circular glass box and cover, the bulbous body with high domed lid which is decorated with a dark grisaille dancing ballerina poised on one leg with grass below and hanging willow above within a yellow scalloped border which is repeated on the base. The style of decoration clearly suggests the 1930s and this piece probably dates to that era although there is no certain proof of this. Presumably a powder box it retains great charm and could well find a home in a contemporary setting.
Chinese provincial double spout Teapot, early C20th
Price: £55
This is a rather unusual teapot, the near spherical body with two spouts, a large angular loop handle and a rounded conical cover with a flattened ball knob, the interior with a central dividing wall and the lid with two cut outs to accommodate this, the glaze slightly off white with a fine craquelure and sketchily painted with typical lakeside scenes including pavilions, trees and rocks. Blue and white teapots with two spouts and a central interior division were made for export during the Kangxi period (1662-1722) but this example is much later, probably dating to the early twentieth century, and, to judge from the coarse decoration, made for the domestic market, but, even if utilitarian ware, there do not seem to be many parallel examples. By tradition, teapots designed with two halves were intended to promote a harmonious relationship between a husband and wife as each could enjoy their favourite type or strength of tea, although it has equally been suggested that they were rather intended for use in tea shops so that differing tastes could be catered for at the same time. A new owner might like to carry out some experiments!
Novelty ceramic celery Vase, Price Kensington, 1960s
Price: £25
A novelty ceramic vase with two mask heads, the eyebrows and moustache formed as leaves, with the wording ‘CELERY’ above, the base with transfer marks ‘PRICE KENSINGTON’ within a wreath above ‘MADE IN ENGLAND’ and the pattern number ‘3644’ written at the side.
Price & Kensington was the trademark for Price & Kensington Potteries Ltd which was formed in 1962 by the amalgamation of Price Bros. (Burslem) Ltd and Kensington Pottery Ltd which were both subsidiaries of Arthur Wood & Son (Longport) Ltd. From 1962 to 2003 Price & Kensington produced large quantities of domestic wares alongside novelties and souvenirs, but in 2003 their parent company went into administration and their brand name was eventually sold to Rayware Limited which continued to use it, eventually moving the manufacture abroad, mainly to China.
This celery vase was one of the most popular and distinctive pieces which Price & Kensington produced and examples are enthusiastically collected today.
Art Deco style crystal glass Perfume Bottle and Stopper, late C20th
Price: £35
A crystal glass perfume bottle and stopper, the angular body comprising two truncated cones, one inverted, with facetted surfaces, the shoulder flat and with a white metal screw thread collar above which fits into the white metal base of the stopper which is also angular and facetted. While Art Deco in style, this attractive perfume bottle is more likely of fairly recent manufacture dating to the late twentieth century but it is a stylish piece nevertheless and the quality of the glass enhances the detail of the design making it an elegant dressing table accessory.
Small Chinese Gilt Ground Cloisonné Bowl, C20th
Price: £35
A small bowl with a short foot and an everted rim, the gilt ground decorated in raised cloisonne enamel with prunus flowers, the base and interior finished in mottled turquoise enamel. The cloisonné technique, where glass derived enamels are inlaid between gilt metal outline designs, the so called 'cloisons' or 'partitions', was developed in China from as early as the fourteenth century and employed continuously thereafter, even until the present day. In the early twentieth century pieces were produced with a gilt ground onto which were applied raised cloisonne enamel designs, as here. The quality of the work is excellent and self evident but note in particular the shading effects in the enamels which are seen in images (3) and (4). Prunus is the emblem of Winter and the symbol of life because its blossom appears in springtime on an apparently lifeless tree. This small bowl or cup was probably intended for drinking tea or wine which explains the shape of the rim. Dating is most likely to the first half of the C20th.
Indian tribal necklace, 19th century
Price: £175
This is a very unusual and rare tribal necklace that is from India, most likely from the Rajasthan region. It features a large silver disc with a free form design, This is strung with a necklace that has thousands of garnet beads. The pendant is marked 925 which indicates that it was exported to the west.
Sold silver and enamel Panda pendant necklace c1980
Price: £40
This is a super cute pendant in the form of a panda bear playing with a beach ball.The bear is made from solid silver with a texture to resemble his fur and black enamel detail. The beach ball is also enamel and the piece is marked 'SILVER'.
Ironwood (palo fierro) carving of a seal, Mexico, second half C20th
Price: £55
The ebony like wood used here is distinctive and comes from the Olneya tesota tree, which grows in the Sonora Desert in northwest Mexico and the southwest United States. For many years used as firewood or for the production of charcoal and only carved to form tools or small toys, it began to be used for the production of small sculptures and figurines to be sold to tourists from the mid C20th onwards but these became so popular that by the end of the C20th restrictions were imposed on the supply and use of the wood causing its price to rise and the output of carvings to reduce making the existing pieces more valuable.
Carving was originally done by the Seri people, a nomadic tribe of no more than 500 who live in Mexico and then by town and city dwellers from Sonora and Baja California, who embarked on the trade after the figures became commercially popular. Seri carvings were essentially hand made whereas the mass produced pieces were created with the use of power tools.
The forms are derived from wildlife and are often abstract in style. While it may owe some elements to the use of machine tools, this carving is a fine example of the ‘ironwood’ style with its sleek lines imaginatively representing its subject. The modelling is expressive and well complemented by the patina and finish of the wood. From the above, dating is clearly to the second half of the twentieth century and perhaps more to its later years if this is an example of the ‘commercial’ pieces produced at that time.
Fine quality Japanese Cloisonne bottle form Vase with black ground, late C19th
Price: £45
A cloisonne vase of bottle form, the bulbous ovoid body rising to a tall narrow cylindrical neck, the flat base in copper metal, the black ground decorated on the body with flowers including peony and butterflies, with a stylised wave border below and a band of peony blooms on the shoulder on a brown speckle ground, and on the neck with stylised hanging floral blooms. While not necessarily at the level of some of the signed pieces produced by the Japanese craftsmen in the late nineteenth century, this vase is an excellent example of the best work produced for export. The decoration is detailed and complex and employs some of the ‘special effects’ used, including shading to the enamels and a speckle ground, created with the addition of gold filings to the enamel, both seen in the decoration to the shoulder (see image 5). No doubt intended as a cabinet piece and not necessarily one of a pair, this vase is an excellent tribute to one of the classic ‘arts of Japan’ produced towards the end of the nineteenth century.
Zuni suite of necklace and earrings, New Mexico, 1990s
Price: £95
This is a suite of earrings and necklace by the Zuni silversmiths of New Mexico. They are known for their detailed mosaic work incorporating many different types of stone. Here we have mosaics on both the earrings and the pendant with turquoise, lapis, onyx and coral stones. There are also dangling feathers attached which is again typical of Zuni design. The chain is in a basket weave pattern and marked' 925'.
Pair of Chinese Soapstone Seals in a fitted box, C20th
Price: £45
A pair of Chinese Soapstone Seals of typical elongated square form, carved at the top with stylised dragons pursuing the flaming pearl above a plinth represented by three carved lines, the bases with incised seal form characters which can be printed to show two presumably complementary four character seals, both contained in a matching fitted box. Style of carving suggests a circa date in the mid twentieth century. Truly a desk ornament for the executive who has everything!
Art Pottery Vase with Geometric Motifs, C20th
Price: £55
An Art pottery Vase of slender ovoid form, narrowing slightly towards the base and with a short everted rim, the body splash glazed in brown with raised geometric motifs
and bead work in green, the base with a blue green glaze and a repeating geometric design again in green incorporating rectangular motifs and bead work, the foot also
glazed in a blue green glaze.
The style of decoration suggests Art Nouveau designs but there are no obvious parallels. Continental manufacture seems likely, perhaps France or Germany.
Two Vallauris Lava Vases, French 1950s/1960s
Price: £150
Known for its ceramics since Roman times, the French Riviera town of Vallauris has been called the ‘city of 100 potters’. Pottery was made there continuously since the classical period with a growth in production in the late nineteenth century followed by the establishment of various well known ateliers in the twentieth and the residence of Picasso himself who is said to have produced over 3500 pieces there. These two vases are excellent and unusual examples of the rugged creations of the Vallauris workshops in the 1950s and 1960s and worthy additions to a collection of French art pottery.
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Vallauris is a tourist town of the French Riviera near Antibes taking its name form the Provencal ‘Valauria’ meaning ‘the golden valley’. It is divided into two parts: the upper town which is the old centre and the seaside district which runs from the port along the coast, towards Antibes. Deposits of clay were found there in Roman times giving the impetus for the creation of potteries which tended to concentrate on domestic wares. Production was then continuous with an infux of craftsmen from Genoa, Italy, in the sixteenth century and the development of artistic activity in the seventeenth. The advent of the railways in the late nineteenth century led to an even further expansion of production and companies were established there which achieved widespread fame and recognition notably those of Massier and Foucard-Jourdan.
After the war, Picasso, along with a group of fellow artists, settled in Vallauris and it proved to be a congenial stimulus. He began to experiment with producing ceramics in 1947 and was to continue working extensively in this field until his death in 1973 (see image 12). There were collaborations, one with the ceramicist Robert Picault and another with Suzanne and Georges Ramié, the owners of the Madoura workshop, where Picasso worked on his productions. Indeed it was at the Madoura workshop that Picasso met Jacqueline Roque, a saleswoman working there and 44 years his junior. They married in 1961 and remained together until his death in 1973, Jacqueline being the inspiration for many of the designs which Picasso created.
It would be fanciful, though, to see the influence of the famous artist on these vases although they were very much created in the tradition of Vallauris pottery with which he was so in sympathy. The town seems to have become particularly fashionable in the 1950s and 1960s and it was around that time that these vases were made. Many pieces were created in lead glazed earthenware, the overall decoration resembling the ‘lava’ glazes used in West German pottery of the same period. These two vases are similar and complementary. The bodies are concave with a short foot and a widely flaring mouth; there are loop handles at each side. The brown glaze at the base is succeeded by a blend of mottled greens and greys and topped with a vibrant red at the mouth. The interiors are glazed brown as is the base with the unglazed foot rim showing the fairly coarse clay used. Some but not all Vallauris pieces are marked and there are many unmarked examples as here. Considerable skill must have been required to produce the variety of glaze effects and the results are striking. As two matching items, these vases have considerable decorative appeal and are worthy examples of a long established tradition of ceramic production.
Framed Picture of Two Elephants signed Mary Beth Zeitz and dated 2003
Price: £25
This attractive composition was, in fact, drawn on a serviette as the label at the back indicates and can easily be seen from the material itself. Depicted are a pair of confronting elephants with colourful saddle hangings and open top howdahs. The painting is skilful and there is much detail in the representation of the fabric hangings and the sides of the howdahs. But then, this is the work of an accomplished and known artist, Mary Beth Zeitz, whose signature appears at the bottom right hand corner (see another example of her work [image 7] for comparison). Born in the C20th in Louisville, Kentucky, she was raised in Wilmington, Delaware from the age of 3 and then went on to study French at the University there following this with a spell the Universite de Montpellier while she was living in the South of France. Her work is distinguished by detailed subjects and antique-style textures which are often to be seen in her watercolours. Her paintings have found their way into several galleries and have been purchased by private and corporate collectors. The recipient of this gift was lucky then and received a decorative object of great charm and skill.
Framed needlework picture, Anemone Flower, C20th
Price: £25
A colourful and decorative needlework picture featuring a blue anemone flower surrounded by geometric patterns in shades of pink, yellow, blue, and green. This is most likely the work of an accomplished amateur and possibly follows a pattern design. Many similar compositions can be found but this one is particularly successful and well complemented by its frame which is most likely contemporary with it and probably dates to the mid to late twentieth century.
Aquatint panoramic engraving of Windsor castle, maple veneer frame, C19th
Price: £350
A ‘panorama’ view of Windsor castle, the principal buildings identified at the bottom as (i) Round Tower by Keep (ii) St George's Gate (iii) York & Lancaster Towers (iv) Victoria Tower (v) Clarence Tower (vi) Chester Tower (vii) Prince of Wales Tower (viii) Brunswick Tower 1826 (ix) Cornwall Tower (x) Sun Dial (xi) George IV Tower. The grounds are filled with people milling around, the ladies in crinolines and the gentlemen in top hats, suggesting a dating, if the scene is contemporary with its depiction, to the first half of the nineteenth century.
This is an excellent example of the Victorian static panorama view allowing a broad sweep of the subject to be represented. It was, perhaps, a deluxe souvenir, for visitors to Windsor Castle at that time. The shading effects in the printing suggest an aquatint rather than an engraving, the acid technique used allowing gradations of tone. It is possible that there was the addition of some hand colouring as well. The maple veneer frame along with gilt edging is most likely original and probably fitted with the original glass making it a fine and complementary setting for this virtuoso production.
Bakelite Ivorine Mourning Brooch, British c1930
Price: £25
This is a brooch formed from bakelite intended to mimic ivory with its off white colouring. It shows a hand holding a rose and the slightly antique style reflects the fact that this was originally a Victorian design, intended to be a mourning brooch, the material of which would have been ivory (see image 4 for examples in the British Museum). Developed in New York in 1907 and patented two years later bakelite was the first plastic made from synthetic components. By the 1920s it became a popular material for jewellery and pieces were produced for some years thereafter. Dating here is probably to the 1930s or 1940s.
Aesthetic Movement silver brooch and earrings c1890
Price: £125
This is a very rare set of a silver brooch and earrings that reflect Aesthetic Movement design, the stylistic revolution of the late 19th century which promoted decorative designs over more utilitarian or mass produced objects. One of the key elements was the influence of Japan which can be seen very clearly in the decoration of this set with its oriental inspired central design of birds and flowers.
The earrings have post and butterfly fittings and the pieces are not marked.
English silk handbag with embroidered Chinoiserie design c1950
Price: £95
This is a beautiful bag comprising a silk body that has an unusual embroidered design that depicts a Chinese lady in a field of floral designs. It is fitted with a gold tone frame and has a label 'Made In England' 'LKW', a manufacturer known for producing affordable and attractive evening wear handbags.
Pair of Beige Opaline Glass Vases, enamelled decoration, probably French late C19th
Price: £75
An elegant pair of beige glass vases of bottle form with a stepped foot, modelled collar and a tall slightly flaring neck, decorated in coloured enamels with flowering holly, the reverses plain and the top rims gilt. Opaline glass is produced by adding materials such as bone ash or lead-crystal to produce a semi opaque effect, the colour varying according to the minerals added and ranging from white through yellows, greens and blues to black. First made in Murano in the sixteenth century it was to enjoy an enormous vogue in France during the nineteenth but had also been produced in England at Bristol in the eighteenth. The delicate style of the decoration here clearly points to French work and a dating towards the end of the nineteenth century seems reasonable indeed the beginnings of the Art Nouveau can perhaps be seen here. Form, colour and decoration combine to produce a highly attractive pair of ornaments which can be enjoyed in a contemporary setting as much as they were when they were made.
Delft style garniture vase, probably Chinese C20th
Price: £20
The marks underneath this vase proudly announce production at Delft, Holland which is written below the standard apothecary bottle and the cipher ‘JT’ (from Joost Thooft, the company owner from 1876) with, in addition, a painter’s mark, which cannot be identified and a date code leeter ‘R’ for 1896. There are also some impressed letters and numbers which are hard to identify. The form and decoration is similar to that of a Chinese eighteenth century garniture vase (there should be a cover to this in addition) which is entirely consitent with original Delft pieces which copied or based themselves on Chinese models, although the shape here is exaggeratedly slender. But the mechanical craquelure glaze is totally unauthentic as is the thickly potted body and the paste of the base which is most likely Chinese and therefore yet another example of the European style pieces they made during the late twentieth century, a few example so of which can be seen elsewhere on this site. A novelty pastiche then but with the potential for the display of small flowers which it would complement rather well.
Swirl design Cranberry glass Decanter and Stopper, probably Italian mid C20th
Price: £45
An unusual decanter and stopper set, the broad pear shape body narrowing towards the neck which has a curved lip at the front and a loop handle at the back and is fitted with a flattened ovoid stopper. Both pieces have moulded decoration and the handle has repeating circular indentations, the clear glass with swirling ribbon highlights in cranberry glass. While cranberry glass decanters are seen with a combination of clear and coloured glass there is no close parallel to what we have here. Similar pieces were made in England (for example Fenton glass) and by the ‘Bohemian’ workshops (Bohemian glass was made in the regions of Bohemia and Silesia, now parts of the Czech republic). There are also a few Italian pieces, some made on the island of Torcello near Venice. But none of these is exactly the same and the form of the stopper is very rarely found. The rather ‘open’ decoration with the trails of Cranberry coloured glass suggests most of all though the last of these with a dating, perhaps, to the mid C20th. While something of a mystery this remains an attractive and appealing item in particular for collectors of Cranberry glass wars.
Chinese Straw Thread Picture on Silk, framed in original box, late C20th
Price: £45
This is an attractive picture of Chinese Junks moored by a river bank with birds settled on one and seen flying away in the distance. The technique is unusual. On a silk ground, the detail of the image is rendered in fine straw threads with some of the features coloured in underneath. Great skill would have been required to work in this medium and far fewer examples exist than of the more standard silk thread images. The composition is pleasing but the clean, almost ‘modern’ lines of the picture suggest mid to late C20th work. The picture is fitted into a contemporary Chinese fabric covered box suggesting that it was it is framed in China at the same time as its production.
Silver and marcasite lizard brooch, American c1950
Price: £75
This is a very finely detailed brooch in the form of a lizard set with very small marcasite stones and green paste stones for the eyes. It is marked 'Sterling' which indicates American manufacture.
Pink pressed glass dressing table set, Libochoviche, Czech, 1950s
Price: £35
A five piece dressing table or trinket set made from press moulded pink glass and comprising a tray, a pair of candlesticks, a covered pot and a ring stand, all elaborately modelled with repeating ball borders. The designs for this set can be found in a pattern book for the Libochovice glassworks in Czecholslovakia which apparently dates to some time before 1958. The tray is pattern number 3020 and the other pieces have numbers between 3021 and 3024, there being two numbers for the covered pot which was made in different sizes. The Libochoviche factory was founded in 1912 by H. Feigl and J. Moráve and after an initial period of producing mainly utilitarian pieces turned to the creation of innovative decorative items, mostly in pressed glass for which it had perfected the techniques and in combination with professional artists of the day, maintaining a highly popular output of designs until its closure in 2006. In 1945 it became part of the Sklo Union cooperative along with other manufactures of pressed glass such as Rosice and Hermanova Hut whose work can be seen elsewhere on this site.
Queen Victoria Golden Jubilee Jug, 1887
Price: £10
1887 marked fifty years of Queen Victoria’s reign and her Golden Jubilee was commemorated by a wide variety of gift items including this jug form with transfer decoration in ‘grisaille’ colourings. The manufacturer is not known but was presumably one of the Stafforshire potteries. The form chosen, a flat circular body with a ridged face, the handle and spout with crisp modelling and a short spreading foot below, is quite unusual and does not seem to have parallels with other commemorative wares. The Queen’s head is shown in semi profile, with her titles above and an ivy wreath, symbolising everlasting life, below. On the reverse is the imperial crown.
Figure of a Bear with hoop, Konakovo Faience Factory, USSR, marked, mid C20th
Price: £45
A ceramic figure of a bear playing with a hoop on a sloping base, the bear realistically modelled with a glossy black glaze and the hoop and stand in mustard brown, the base unglazed with an irregular circular aperture and a stamped mark in dark grey (a sprig above the letters ‘3nK’) and red stamped lettering ‘Made In USSR’. The mark is for the Konakovo Faience factory which was originally situated near the town of Kuznetsovo in Tver Province when it was founded in 1809, making it one of the oldest producer of ceramics in the USSR. In 1937 at the Great World Exposition in Paris the company won the Grand Prix and several artists working it won gold medals for their work, but after the war production concentrated on mass production of earlier designs until eventually pieces were made with renewed artistic influence. This figure can be regarded as one of them and was probably made in the 1950s when the sprig mark was used for a brief period.
Art Deco style earrings with onyx and amethyst c1970
Price: £85
This is a pair of earrings that have a quintessential Art Deco design. They are set with onyx stones (not enamel), marcasites and amethysts. They are marked 925. These are not from the Art Deco period but show how popular these designs remain in the present day.
Victorian carved celluloid cross c1900
Price: £45
This is a very unusual pendant comprising a very intricate carving in celluloid plastic. This type of plastic was also called Ivorine as it was meant to simulate ivory. This was most likely cast and then hand finished. It has its original loop.
Inuit stone sculpture of a bird, signed Giyori Chakawa, late C20th
Price: £85
The simple, almost abstract, lines of this small stone sculpture carved from granite like rock suggest the work of the Inuit peoples, a widely spread but historically and culturally homogeneous group who live in the Arctic and Sub Arctic regions of Russia and Canada. Art played a major role in these communities and many small sculptures of animals and humans were produced by them, carved from ivory and bone. The use of stone dates to more recent times, placing this piece most likely towards the end of the twentieth century. The bird is carved with its head upraised and an almost expectant expression. Its wings are lightly delineated and its body blends seamlessly into the tail. The underside is carved with the makers name in deeply incised letters ‘Giyori Chakawa’, but nothing is known about him. Inuit pieces are prized today for their modernistic but timeless forms and this piece is a fine example of the genre.
Danish silver plate Photograph Holder,with repoussé decoration, 1970s/1980s
Price: £45
This is a folding silver plate photograph holder each side with a similar repoussé work scene of a traditional rustic interior with metal workers busy plying their trade. Repoussé work is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Very similar pieces carry a mark for Denmark, as here, (see image 4) but also the initials JThS, or a slight variant on this, which seem to stand for Jorgen Th Steffenson of Randers who is known to have worked in the late 1970s. While not necessarily by him, a similar dating is most likely here.
Large traditional Taxco Amethyst cross on chain c1950
Price: £175
This is a very traditional Taxco design in the form of a cross. It is set with rose cut and cabachon amethyst stones. It is marked Made in Mexico with makers mark JGD and 925. It has been paired with a complementary heavy chain that is Indian in origin.
Monochrome tubular bead necklace, Modern
Price: £95
This is a rather fabulous necklace that feature very large tubular beads that are half crystal and half onyx. They ae paired with smaller crystal beads with black inclusions. The large beads adre very unusual. It has a silver clasp.
Pair of Japanese Arita Vases decorated with Oni, late C19th
Price: £95
A pair of ceramic vases of tapering ovoid form with a galleried rim, decorated in polychrome enamels with complementary scenes of oni, or demons, one offering a drink on a cushion to a terrified attendant and the other in pursuit of a fleeing maiden whom he holds fast by her left leg, both with scrolling lotus to the reverse, the bases glazed white but not marked. Oni were a fundamental part of Japanese folklore and were often represented in art, usually with exaggerated bodies and sometimes with three eyes, as is the case with one of the demons here. There is more humour than terror in these images but the work cannot be attributed with certainty to any of the known ceramics factories and is best termed Arita from its use of a wide palette of colours. The paste of the foot rim, though, clearly indicates late nineteenth century work, presumably made for export to the West.
Orrefors Zaglo signed crystal glass Decanter, Riding Scene, mid C20th
Price: £30
This is one of the series of engraved crystal glass decanters designed and engraved by Aleek Zaglo for the Swedish glassworks Orrefors in the second half of the twentieth century. These decanters were produced in a variety of shapes and engraved mainly with sporting scenes, although there is one design which commemorates the 150th anniversary of the Stockton and Darlington Railway and is dated to 1975. Here we see a horse rider and the fence he is attempting to jump, apparently termed ‘the double oxer’, the rails being of unequal height. Zaglo’s name appears on the base along with the model number and number of the edition ‘809’, presumably implying a total production of 1000. Originally the decanter was fitted with a round stopper, also engraved with a horse. Included with this lot is a modern oval replacement.
Orrefors was founded in Sweden in 1898 by Johnan August Samuelson. It then went through a variety of ownerships and also acquired many of its rival glass companies including Kosta Boda. Orrefors became Orrefors Kosta Boda in 1990 and joined The Royal Scandinavia Group in 1997.
Powder compact with a lizard skin lid made by Patrys, France, 1950s
Price: £25
This is an elegant rectangular powder compact with many of the usual elements. The lid opens to reveal a mirror on its underside and a hinged gilt metal plate which opens itself to reveal the powder sifter and the base below which is marked ‘Patrys’ ‘Made in France’. Some examples come with a rectangular powder puff, absent here, also marked ‘Patrys’ which would have been used to dab the powder through the sifter before application. Little is known about the manufacturer, but the firm Patrys produced a wide variety of powder compacts in the 1950s and early 1960s characterised by their style and design. This example has a lizard skin lid which has survived in excellent condition and an engine turned design of horizontal lines to the underside. Doubtless less expensive than models from the rather more well known fashion houses, Patrys’ productions could well match them in quality and this example of their work is certainly a collector’s item today.
Japanese miniature wood sample Cabinet, late nineteenth century
Price: £55
A small wood cabinet with three drawers and two sliding doors, two of the drawers with marquetry inlay to the front faces both patterned and grained, the sliding doors with graining effect and the third drawer plain. Two of the drawers are signed with the same character and the underneath of the cabinet has further signature marks.
This is an example of Japanese marquetry technique known as ‘Yosegi-Zaiku’ in which intricate geometric patterns made from small pieces of wood were used to decorate the surfaces of small pieces of furniture such as jewellery cabinets or ‘kotan-su’ (kodansu). The technique originated in the town of Hakone, near to Tokyo, in the Edo period (1601/3 to 1868) but continued into the Meiji era (1868-1912) and beyond. Some of the pieces produced have an elaborate array of designs, but what we appear to have here is a sample or specimen piece showing the types of effect the craftsman could produce. This is further complicated by the fact that the top right drawer, which has no decoration at all and is not signed underneath like the other two, appears to be a later replacement with a different form of handle. But there is still some charm and no small amount of skill here. Dating is most probably to the late nineteenth century and this experimental ‘kodansu’ could easily find a place in an early twenty first century setting.
Pair of slender red glass bottle Vases, probably Joska Kristall, Germany, late C20th
Price: £85
A pair of elegantly blown vases of slender bottle form, the pear shape body rising to a long, narrow slightly concave neck with a wavy rim, the red glass with speckle effects and inset multicoloured decoration at the base. The style of the work here, in particular the red colourings and the multicoloured decoration at the base, has parallels with pieces made by the Joska Krystal glassworks at Bodenmais, Germany and similar pieces can be found with their label attached. Dating is most likely to the 1970s and it is unusual to find this form as a pair which considerably enhances their decorative appeal.
Arts and Crafts garnet and moonstone earrings c1910
Price: £55
These earrings are are wondeful quality. They are set with vibrant square cut garnets and finished with large moonstone cabachons. They are set in silver with millegrain work. They are marked 925.
White chalcedony and marcasite ring, Birmingham 1951
Price: £65
This is lovely ring with a bright white chalcedony stone surrounded with marcasites. These are set in silver with full English hallmarks for Birmingham 1951 with a makers mark 'NBS', most likely for Neal Bros.
Pair of Art Deco glass Vases with applied silver snakes, 1930s
Price: £95
This is a very unusual pair of glass vases with no obvious parallels. The shape is that of a slender beaker vase flaring out towards the base and neck. The black glass of the body has a narrow band of silvered decoration at the top and bottom and applied silver snakes are coiled around the centre, making an effective contrast. The clean lines of the pieces imply a dating to the Art Deco era and the decoration, with its reflection of Egyptian Revival, suggests manufacture in France but this is not certain. But whatever the provenance these vases are striking decorative accessories which could find a home in the most contemporary of interiors.
Cup : the Silver Wedding Anniversary of Queen Elizabeth II and Prince Philip in 1972
Price: £25
A bone china loving cup with two silver decorated lion handles made by the Paragon China works to commemorate the Silver Wedding (1947–1972) of Queen Elizabeth II and Prince Philip, Duke of Edinburgh, in 1972. The front has the royal coat of arms between a lion and a unicorn and the reverse a cipher, intertwined ‘E’ ‘P’, within a wreath below a crown and sceptres, the blue scroll work reading ‘Love and Unanimity in Married Life’. Lettering in puce at the top and sides celebrates the Royal Wedding in Westminster Abbey in 1947.
The Paragon China Company, formerly the Star China Company (see Lot XX), produced high quality gift items from 1920 to 1971, at first independently and then in alliance with other companies, finally being absorbed by Royal Doulton in 1972 who kept the ‘Paragon’ name until 1991. Commemorative wares were a speciality and this cup is a fine and typical example.
Studio Pottery Vase with Robin’s Egg Glaze marked Zambia
Price: £25
This is a stoneware vase, the pear shape body with a slender concave neck and flaring rim, covered overall with a mottled blue glaze closely imitating the Chinese ‘Robin’s Egg’ effects which extends to the interior, the foot rim unglazed and the lightly glazed base with incised marks ‘ZAMBIA’ ‘BJ’ above and (?) ‘R’ below. The stoneware body aside (and, of course the marks at the base) this vase could almost have originated in China both in respect of its shape and its glaze which almost exactly copies the Robin’s Egg colourings produced by the Chinese potters, a glaze which originated in the eighteenth century and employed the technique of blowing turquoise onto a blue glaze base to produce mottled effects. But the studio potters based England in the early to mid twentieth century often turned to their Oriental counterparts for inspiration and when studio pottery was developed in Zambia in later years, partly with the assistance of visiting European artists, it was no surprise that this influence should be repeated. Zambia now has its own tradition of studio pottery and other pieces are found marked with the country of origin just as this one is. The potters must remain largely unknown to us, despite their signature marks, but this vase shows that they are capable of producing pieces of high quality, both collectible for students of studio ceramics and decorative in their own right.
Pair of Chinese Paintings on rice paper, C19th, later framed
Price: £110
A pair of Chinese paintings on rice paper of two figures, a lady and a gentleman, in traditional court dress. She holds a fan while he holds a quiver of arrows in one hand and a bow in the other, suggesting, perhaps fancifully, a contrast between war and peace. Finely detailed, almost jewel-like, cabinet paintings of this type were made in the 18th and 19th centuries for export to Europe, from the Chinese ports and in particular Canton. The subject matter included botanical studies, commercial and domestic scenes and, as here, people depicted wearing elaborate Chinese dress. These paintings were often issued in sets or albums either to be enjoyed as connoisseurs’ items or for framing to be used as wall decoration. The detail of the brushwork here, especially seen on the robes, and the expression of the faces represents the best of work which was exported and the rice paper ground is in remarkably good condition with little or no trace of foxing. Dating is fairly certainly to the nineteenth century and perhaps to the 1840s/1860s since the style of work resembles that seen on the porcelains produced at this time. The simple frames are doubtless a twentieth century addition and allow these two miniature masterpieces to be displayed with great effect.
Early Neiger Brothers book chain necklace c1910
Price: £325
This is quite an early necklace by the Neiger brothers that features a large stylized central pendant depicting Sobekneferu or it might be conglomeration of different figures. This then has a hanging pendant with a molded glass plaque that depicts another Egyptian figure. The chain is interesting as it is a book chain style particularly popular in the Edwardian era.
Opera length mille fiore station necklace and earrings c1950 and later
Price: £45
This is a striking and very long necklace comprising stations of mille fiore glass beads and red and black glass beads with paste stones in between. It is very elegant and detailed. It is meant to wrap around the neck and then hang down to the waist although it could be also wrapped around the neck a few times. It is paired with complementary earrings that have black glass and paste stones. The necklace is not silver and most likely would have had gilding in its time. The earrings still have a gold tone. The necklace dates to the 1950s and the earrings are later, most likely 1970s.
Two similar Chinese Export Style Monteith Form Jardinieres, C20th
Price: £75
Two Chinese Export Style Jardinieres, each of deep oval form with wavy edge rims, one with rococo style handles in pink enamel and the other with lion head mask handles in iron red and mustard yellow, both similarly decorated in polychrome with insects, butterflies and flowers, the interior of the first with a floral spray and of the second with fish. Each has a slight craquelure effect to the glaze which is probably intentional and both have glazed bases with numbers applied to the biscuit foot.
The form here is a miniature version of the Chinese ‘Monteith’ first produced in the early to mid eighteenth century. The wavy rim was designed to hold the stems of glasses which were stood to cool in iced water placed in the interior. The style of the decoration is in Chinese Export taste as well, but dating here is to the C20th probably around the 1960s. Some similar examples have Chinese seal marks and one the name of a Chinese manufacturer implying that these pieces were most likely made in China but this does not assist with establishing their age. Purely decorative objects then with no intent to deceive but amusing creations in themselves and pleasing to a contemporary eye.
Art Deco bar brooch with moonstone cabochon, c1930
Price: £75
This is a very elegant bar brooch that has finely detailed silver work that exhibits both Art Deco and Islamic design. It is set with a bluish moonstone cabochon. It is marked 835 so most likely Austrian.
Victorian rolled gold and black and white agate Brooch, English c1920
Price: £50
An attractive brooch in which an agate stone of rounded rectangular octagonal form, the grey surface with clearly defined striations in grisaille and white, is framed by an elaborate rolled gold mount with a rococo style border, scrolling milled cord joining two stylised leaf shape panels at each end with round balls in gold tones in between, the bottom with a gold chain loop and a hanging drop and the reverse with a bar clasp. As with the other rolled gold and agate brooch in this sale, the design of the mount suggests the 1920s
North American Turquoise pendant necklace c1990
Price: £150
This is a very striking necklace comprising a large pendant with a modernist design set with North American turquoise, most likely from the Kingman mine. The pendant is marked 925 and has been later paired with a complementary and heavy Balinese chain which is unmarked.
Two brass bulldog paperweights, mid C20th
Price: £55
Two brass figures of bulldogs, one sitting erect and one crouching, each solid cast and expressively modelled. These small brass bulldogs are usually regarded as paperweights and appear to have been popular around the time of the second world war as an example of British stubbornness and tenacity. Some see reminiscences here of ‘John Bull’ and others the great ‘bulldog’ himself, Winston Churchill. Most likely, then, these two ‘mastiffs’ date to the 1940s and can carry out their function today just as well as they did all those years ago.
Vase with signature E.Radford and numbered 1267, mid C20th
Price: £45
A ceramic vase of broad shouldered ovoid from with a wide ribbed neck slightly flaring at the top, glazed overall in light yellow with a feint craquelure, a brown band at the top and the body boldly painted with two floral sprays in shades of brown, the base with a printed script mark ‘E.Radford’ ‘England’ ‘Hand painted’ and the impressed numbers ‘1267’.
There were, in fact, two craftsmen working in the C20th British pottery industry with the name Edward Radford, father and son. Radford senior worked for Pilkington’s Royal Lancastrian Pottery in Manchester from 1903 until his retirement in 1936, acting as their main thrower. Radford junior joined his Father in 1905, but the First World War intervened, in which he won a Military Cross for his actions at Passchendaele in 1917 and afterwards he settled in Stoke on Trent, the heart of Britain’s pottery industry. An association developed with H.J.Wood’s Alexandra Pottery in Burslem who produced a range of wares bearing his name in the 1930s, although Radford himself may have acted as more a salesman than the designer. Production continued after the war and even after Radford’s retirement in 1948. The form of mark used here implies a later dating and both the shape, indicated by the model number underneath which is found on other vases with different decoration, and the decoration itself suggest the post war era, probably in the 1950s. There is, though, a modest charm here which would blend comfortably with a modern interior.
Mdina pulled ear glass Vase, Blue Summer pattern, signed, second half C20th
Price: £55
A stoutly blown glass vase of tapering ovoid form with a narrow neck and a widely flaring rim the sides ‘pulled’ to resemble stylised ears, the base flat with an etched signature ‘Mdina’, the blue flecked glass with colourings of green and yellow.
Mdina Glass was founded in the Maltese town of Mdina in 1968 by Michael Harris and Eric Dobson. The town had no history of glass making but the venture proved to be a success. Its wares, free formed organic glassware, often in colours inspired from the sea, sand, earth and sky, proved very popular with tourists visiting Malta. This vase is one of the earlier productions made by Mdina (the format of the signature confirms this) probably dating to the 1970s and, if not designed by Michael Harris, it certainly resembles the organic forms he created and the colourings, often referred to as ‘sea and sand’ although more correctly termed ‘blue summer’, reflect this. The raised detail to the sides enhances the overall profile contributing to a piece of satisfying charm.
A Celtic or Pictish Brooch decorated with Horses, St Justin of Cornwall, circa 1980
Price: £10
A circular pewter Brooch, the decoration based on a Pictish horse engraving found on a stone in Inverurie. The three horses are shown embedded in a nest of classic Celtic lines and knots. This brooch was made by the firm St.Justin of Cornwall with Cornish Pewter. Their mark can be seen to the reverse.
Inverurie is a town in Scotland where Pictish carved stones are found in the graveyard dating from the 7th Century. The Picts were a tribe of peoples living in the East and North of Scotland. Little is known of their origins but they were called 'Picts' by the Romans because of their painted and tattooed bodies. The Inverurie horse is the inspiration for this brooch. The actual design of the three horses was created by George Bain (1881-1968) the Scottish artist and teacher, famous for chronicling Celtic Art.
St Justin of Cornwall is well known for the production of 'craft' pieces in a variety of forms and materials. This piece probably dates to the 1980s and certainly cannot be found in their current catalogue.
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Cornucopia design suite of necklace and earrings 1990s
Price: £45
This is an incredible set of necklace and earrings. The necklace has a cornucopia with one side set with diamantes and the other side is a twisting floral design set with diamantes and faux sapphires. It is made of gild metal with a polychroming effect in soft greens and peachy tones. The earrings mirror this design and are just as striking as the necklace. The origin of this set is uncertain; it could perhaps be American but it will certainly attract attention!
Victorian petite ring with coral stones c1900
Price: £45
This a lovely petite ring typically delicately formed in silver set with five dark orange coral stones. It is unmarked and dates to the late Victorian period.
Pair of Opera Binocular Glasses in green leather Case, French, first half C20th
Price: £25
Pocket size binoculars intended for use at the opera to gain a close up view of the stage and the singers for those seated in the rather more distant seats were made in various countries from the early 1900s onwards. Some are marked, as here where ‘PARIS can be clearly seen, indicating manufacture in France. Their form is typical, the curved brass frames with a central ridged adjustment knob which causes the lenses to expand or contract in order to achieve the desired focus. This pair come with a fitted case in green leather, plush lined with gold tooling to the edges at the cover and a small engraved brass push button closure device, all features of high quality manufacture. The design of the case looks to the 1920s and probably gives an indication of the date. These would have been a luxury item at the time and, surviving in excellent condition, remain highly collectible today.
Five Murano glass fish pendants
Price: £25
This is a rather random lot comprising five small Murano glass pendants. Each one has a hole in the fin so they are all ready to be worn as necklaces or to be put together as one fabulous necklace. It is all up to you! :)
Papier Mâché Tray with Millefiori Decoration, Kashmir, C20th
Price: £55
A Papier Mâché Tray of octagonal form with rounded indented corners profusely decorated in rich and detailed colourings with small floral blooms, the ‘millefiori’ (thousand flower) pattern, a central roundel and four hemisphere panels at the corners all set on an orange ground, the border with bands of floral spray and repeating geometric design in gilt, the reverse plain showing the black lacquer ground. Trays and boxes in this distinctive style were made in Kashmir in India and some carry the label for Srinagar, a city famous for traditional Kashmiri handicrafts like the Kashmir shawl, papier mâché, wood carving, carpet weaving, and jewel making, which is most likely the place where this tray was made, probably in the 1920s. It is a superb example of the type with exquisite detail in the decoration and a strikingly attractive use of colour.
Egyptian Revival souvenir bracelet c1900
Price: £95
This is very beautiful bracelet comprising very detailed cast brass station depicting Egyptian iconography. This is most likely from the Paris Worlds Fair in 1900 that showcased Egyptian modernity, antiquities, and culture. There are six stations with a wonderful Tutankhamun charm at the closure.
Marionette Figure of a Prince, probably Burmese mid C20th
Price: £45
This is a puppet figure of a man wearing elaborate dress suggestive of the royal court with billowing sleeves and a flaring skirt, the bold and striking design elaborately worked with sequins, stitching and minute bead work studded at the front with large coloured glass beads representing gems, his hands and face gilt with red and black detail, his feet clad in gilt boots and his head surmounted by a gilt and beaded conical helmet. Eight gilt strings are suspended from a double bar handle piece allowing the puppet master to operate the figure.
The style of the dress suggests Burma which has a tradition of marionette puppetry (marionettes are a specific form of puppet where the figure is controlled by strings or rods) dating back to the late eighteenth century and still popular today with visitors to the country, now called Myanmar. Termed ‘Yoke thé’, the Burmese marionette tradition allowed political commentary under the guise of of an entertainment display. The standard ‘troupe’ comprised twenty seven characters, both animal and human, and this male figure is probably the ‘King’ (‘Mintayar gyi’). Dating is probably to the mid C20th and a little earlier than the female marionette figure also included in this sale. This figure is rather more majestic as befits his regal status.
Native American turquoise bead necklace with original clasp c1960
Price: £350
This is a very rare necklace comprising perfectly graduated turquoise discs. The stones represent the many different shades of turquoise that are found in and around Arizona and New Mexico. Each bead is separated by a very small amber bead, used because amber is soft and will not scratch the turquoise. The necklace ends with a matching clasp set with a turquoise stone that perfectly complements it. It has been restrung in recent times using very strong steel wire giving it durability for many years to come.
Pair of Chinese Dalian Glass Co. Ltd Vases, second half C20th
Price: £45
Distinctively Italian in style and resembling closely pieces made by the glassworks Vetreria Barbieri, based at or near Empoli, this pair of vases was, in fact, made in China in the mid to late twentieth century by the manufacturer ‘Dalian Glass Co. Ltd’, one of many glass factories on the Dalian headland, often known as the ‘crystal coast’. Just a few pieces still carry their factory label and an example of this from another vase is shown here (see image 9) which not only identifies the maker but also the pattern design used which was called ‘snowflakes’. Dalian Glass was not blown by hand but rather made using moulds and factory production techniques. But the quality is still there, leading many of their pieces to be confused with those made at Murano and the swirl decoration varies from piece to piece. With their shaped ovoid body and crimped rim set off by the multicoloured ‘trail’ decoration on a variegated yellow ground, this pair of vases is an excellent example of the Dalian Glass factory’s work, well able to stand comparison with the originals from which they took their inspiration.
Orange Soliflore glass Vase, probably Murano, Italy late C20th
Price: £35
A slender and tall art glass vase, the squat lightly lobed and rounded base below a tall slender neck with raised twist trails flaring outwards towards the petal shaped top rim, the bottom flat with four small protruding feet, the orange glass exterior encasing a white glass interior. The form of this vase is called ‘Soliflore’ from the Latin solus (alone) and flos (flower). Originating in the Art Deco period and very much in keeping with the minimalist designs of that time, these vases were designed to hold a single flower such as a rose or a tulip. They continued to be manufactured after the war, especially in Italy at either Empoli or Murano. The high white casing, twist effects and finish of the base suggest the latter with a circa date probably in the 1980s.
Framed Oil Painting on Board of a Winter Landscape Scene, C20th
Price: £55
Clearly the work of an accomplished amateur artist, this dramatic landscape painting of a snowy winter scene shows a gabled house set by a river with reeds and trees in the foreground and craggy snow capped mountains in the background. The location is really a matter of guesswork but the building resembles some found in Holland which might indicate a Dutch setting. The grandeur of the scene is obvious with the mountainous outcrops graphically depicted. The board surface used and the style of the frame suggests a mid to late twentieth century dating but this picture would grace a room setting of any age.
Poole Pottery Studio Bowl with splash glazes, 1960s
Price: £45
A shallow bowl of flattened near inverted conical form, the surface decorated with light green splash glazes on dark green splash glaze ground surrounding a central speckled gilt glaze disc, the reverse plain with a dark cream glaze and underglaze blue marks to the centre of the foot ‘POOLE’ ‘STUDIO’ ‘england’ separated by a dolphin and a line respectively.
Both the form and some of the glaze effects here reflect much earlier Chinese ceramic pieces which is fully consistent with the ‘studio pottery’ style of this piece. Poole Pottery established an art pottery studio within their factory in 1958 which, following the Scandinavian model, produced high quality studio ceramics alongside designs for new ranges until 1966 when they were replaced by the new Delphis, Atlantis and Aegean pottery lines which began production a year later. Dating here is therefore fairly precise and this bowl is an excellent example of ‘studio’ wares produced which could often equal the work of other independent studio potteries.
Pair of silver fobs adapted as earrings, Birmingham 1904 & 1905
Price: £75
This is a wonderful way to upcycle two watchain fobs. These fobs were earned by the same person for ;perfect attendance by the Kent Education Commitee. Although they are undated the silver marks indicate the years 1904 and 1905. These have very fine quality siliver work. It bears the coat of arms for the KEC. These have been set on silver earring hooks.
Japanese Celadon Dish decorated basket of flowers, circa 1900
Price: £45
An unusual shallow dish of lobed and fluted circular form, the rich celadon glaze decorated in underglaze blue and overglaze enamels with a basket of flowering lotus, the design slightly off centre, the reverse with a blue transfer mark representing fungus (a plant traditionally symbolising long life).
Celadon glazed wares with enamel decoration in fairly muted colours are a familiar product amongst the ceramics produced by Japanese potters at the end of the nineteenth century but examples of this type of dish are rather less commonly found. The basket of flowers is a regular decorative feature of Chinese ceramics, but given here a slightly different interpretation with the depiction of lotus, the emblem of summer. The mark probably imitates Chinese ‘commendation’ marks inscribed within the foot rim, another nod on the part of the Japanese potters towards their Chinese counterparts.
Maud Frizon Handbag c2000
Price: £150
This is a lovely calfskin shoulder bag inspired by the well known shoe designer Maud Frizon. It has multiple interior compartments and a flap over front with stud detail. The zip pulls are tiny shoes with her initials MF and her name also appears on the label inside. Maud Frizon began designing and making shoes in 1969 and her innovative and hand crafted designs were an immediate success. Bridgette Bardot was a regular customer and it was said of her shoes that they 'are to footwear what Dom Perignon is to champagne'. Frizon founded her company with her husband Luigi De Marco and they worked together for thirty years before selling the business to Helene Wajnblum-Liu and her husband in 1999. The new owners broadened the range to include handbags and expanded the chain of Frizon boutiques to include Paris, Lyon, New York, Beijing and Hong Kong where they are still to be found today.
Chinese blue ground Vase decorated Prunus, late C20th
Price: £25
A Chinese ceramic vase of ovoid form with a flaring neck, the blue enamel ground decorated with flowering prunus branches in grisaille and green, the base with the numbers ‘31’ in iron red. Flowering prunus or plum blossom is one of the most iconic designs used in the decoration of porcelain, occurring from the late seventeenth century onwards. This vase is a rather more modest version of the pattern and most likely dates to the late twentieth century. The paste of the foot is coarse and the painting perfunctory, not even wholly Eastern in appearance and similar pieces are sometimes catalogued as French. But the explanation most likely lies in production further afield in China from the main porcelain factories at Jingdezhen and perhaps the source was Macau where poorer and more European influenced pieces were being made in the last years of the twentieth century. But, if not the work of Chinese potters at their best, this vase still has a naif charm to be enjoyed today.
Large ironwood (palo fierro) carving of a duck and baby, Mexico, second half C20th
Price: £75
The ebony like wood used here is distinctive and comes from the Olneya tesota tree, which grows in the Sonora Desert in northwest Mexico and the southwest United States. For many years used as firewood or for the production of charcoal and only carved to form tools or small toys, it began to be used for the production of small sculptures and figurines to be sold to tourists from the mid C20th onwards but these became so popular that by the end of the C20th restrictions were imposed on the supply and use of the wood causing its price to rise and the output of carvings to reduce making the existing pieces more valuable.
Carving was originally done by the Seri people, a nomadic tribe of no more than 500 who live in Mexico and then by town and city dwellers from Sonora and Baja California, who embarked on the trade after the figures became commercially popular. Seri carvings were essentially hand made whereas the mass produced pieces were created with the use of power tools.
The forms are derived from the wildlife to be found in Mexico and are often abstract in style. While it may owe some elements to the use of machine tools, this carving is a fine example of the ‘ironwood’ style and is, in fact, an unusual composition with the mother and baby duck carved in one piece. The modelling is expressive and well complemented by the patina and finish of the wood. From the above, dating is clearly to the second half of the twentieth century and perhaps more to its later years if this is an example of the ‘commercial’ pieces produced at that time.
Six engravings of Pigs published by Rogerson and Tuxford, second half C19th
Price: £30
A set of six engravings of pigs, all by Edward Hacker (1812-1905) after various artists and issued by Rogerson and Tuxford from the 1860s to the 1870s. It was the custom of gentleman farmers to commission pictures of their ‘prize’ livestock which were then issued as prints, sometimes in agricultural magazines and sometimes as wall decoration for the farmhouse. Edward Hacker was a celebrated engraver who specialised in sporting and animal prints and Rogerson and Tuxford were well known for publishing animal prints. Doubtless many more examples were issued in addition to the six here, but they are typical of the output and the genre in general and are collected by enthusiasts today.
We see (1) ‘Dorset Infants’ (1877) after Edward Corbet (1823-1899) a British artist who specialised in sporting scenes and portraits of animals (2) ‘The Cup Pen of Pigs’ (1874) artist anonymous (3) ‘A Prize Boar’ (1860) after William Henry Davis, a British artist many of whose works were commissioned horse and livestock portraits (4) ‘Prize Pigs’ (1868) after Edward Corbet (5) ‘Prize Pigs’ (1861) after John Vine (1808-1867) a watercolourist whose work included animal studies (6) ‘Improved Dorset Pigs’ (1866) after Edward Corbet.
Persian Marquetry Khatam Kari Desk Set, second half C20th
Price: £55
This marquetry desk set is a typical example of a range of similar pieces made by Persian Craftsmen in the second half of the twentieth century. The low rectangular wood base has curved corners and a bowed front in which is set a drawer. The centre has a slightly raised panel with two removable brass loop handles. To the rear of this are two pen holders and behind two upright panels forming a letter rack. Even the pens, which can be fitted with removable biro refills, have marquetry decoration, which is unusual. The base is plain with four short feet.
The intricate marquetry decoration used here, with its repeating star form pattern, is called ‘Khatam’ work. Khatam is the capital of Khatam County in Iran and is the centre for craftsmen working in this technique. Khatam is a Persian version of marquetry in which the surface of wooden articles is decorated with small pieces of wood, bone and metal formed into precisely-cut geometric shapes. The process is time consuming involving the cutting of the shapes and gluing them in place, followed by smoothing, oiling and polishing. In Persian, the work is known as ‘Khatam kari’, ‘the art of crafting Khatam ware’.
These desk sets occur in a wide variety of forms. The drawer is less commonly found and decorated pen holders are, as said above, most unusual. These sets seem to have been made from the 1950s onwards. The use of a ‘biro’ pen indicates a dating from the 1960s onwards and perhaps this example is a bit later than that, but the workmanship speaks for itself and the piece has survived in excellent condition with minimal damage, providing a truly elegant ‘desk tidy’ for the contemporary study!
Art Deco Catalin Bakelite necklace, American c1930
Price: £125
This is a fabulous necklace comprising very large mustard coloured catalin beads in tubular, ovoid and globular shapes. Catalin is a form of plastic that is comtemporary with Bakelite. They are very similar as they are both composed of phenol and formeldehyde. The main difference is that Catalin was poured a poured liquid and Bakelite was moulded from a granular powder. Catalin is a brand name developed and trademarked in 1927 by the American Catalin Corporation of New York City, when the patent on Bakelite expired that year. It was used in a variety of applications, including costume jewellery, until the end of the second world war when it became too expensive, as every piece had to be individually cast and polished. Catalin jewellery is often incorrectly referred to as bakelite but has a distinction all of its own and this necklace is prime example of the fashion designs produced in the 1930s.
Doulton Lambeth Ewer, marked, late C19th
Price: £55
A small ewer, the body of bulbous near globular form above a short ridged spreading foot below a flaring conical neck ridged at the shoulder with a small shaped spout opposite a loop handle, the modelled decoration with bead edged circular panels of stylised flower heads separated by bead edged bars on a geometric ground of small repeating triangular devices, the neck with repeating stylised leaves and fleur de lis, all glazed in shades of brown and blue, the base unglazed with an impressed mark for Doulton Lambeth above ‘ENGLAND’ and the pattern number ‘2866’. Ewers in this form and decoration were made by Doulton at various times. The mark here allows fairly precise dating since the word ‘England’ became mandatory in 1892 and after 1902, when the Royal Warrant was issued, Doulton became ‘Royal Doulton’. The Doulton Lambeth works specialised in the production of stoneware art pottery achieving great distinction for their work in the later years of the nineteenth century. This ewer is an excellent example of their work in miniature and would be a valuable addition to a collection Doulton wares specifically or nineteenth century British art pottery in general.
Three Indian gouache paintings depicting Krishna and Radha, framed, first half C20th
Price: £150
Three Indian gouache paintings, one depicting Krishna and the other two depicting Krishna and Radha, all with lady attendants in stylised landscape scenes within elaborate floral borders. The Hindu God, Krishna, and his beloved consort, Radha, were often portrayed in Indian paintings from the early to mid C20th. The relationship between them was complex. Radha was acknowledged as the Supreme Goddess and Krishna was held to achieve fulfilment only by devotional service from her. Devotees would worship her in order to attain Krishna through her and this may be intended in some of the compositions here. This triptych probably derives from a larger set but stands on its own as an excellent and atmospheric example of Indian art. Dating is probably to the early to mid C20th but the frames are later.
Avon Brand vintage wood telephone Money Boxes, 1950s/1960s
Price: £20
These are two items of nostalgia from the 1950s/1960s acting as money boxes for the cost of a telephone call. Presumably they were placed next to the telephone as a hint to a guest user to make a contribution to the cost of a call when using the host’s telephone! Each has a roundel with a slightly saucy young lady with an image of a telephone next to it. There is a slot at the top and a removable panel to the rear to give access to the coins stored inside. Each has a label at the back ‘Avon Brand’ one with ‘Seal of Quality’ and the other with ‘Made in England’. The format of the telephone dates these boxes to the late 1950s or early 1960s which is entirely consistent with their general style. Nothing is known about the ‘Avon Brand’ (who were lucky not to get involved in a trademark dispute with the more famous user of the name…) but there are many other similar pieces with their label, some with the image of a town and its name written on the base. Perfect items for devotees of ‘kitsch’!
Pair of oval dishes with handles decorated lady in crinoline dress, English mid C20th
Price: £25
A pair of oval ceramic dishes with openwork handles at each end, the white glaze with transfer pattern decoration of a lady wearing crinoline dress seated by a table in a garden with a thatched cottage in the background and opposite to her a spray of flowers, the reverse glazed and with raised numbers ‘754’ above a ‘V’ and a stamped mark ‘ENGLAND’ ’10-59’. While there is no maker’s mark here, this seems to have been a popular design and was made by at least four other manufacturers who did mark their pieces: Grindley, Durham, Portland Pottery and Barker Brothers. All these are dated to the 1930s which seems reasonable for this pair too : not the finest of English ceramics but with an appeal of their own.
North American turquoise ring c1990
Price: £75
This is lovely ring with a good size cabachon turquoise stone set it silver. It appears to be North American turquoise but it could possibly be from the central Chinese province of Hubei, another source of high quality turquoise stones. Unmarked, it has a modern design with a halo effect and the bead work detail is typical of North American work.
Garnet cluster earrings c1990
Price: £85
These are very vivid pair of earring that are set with beautiful garnets in both oval and round facetted stones. They are unmarked but test as 925 silver. They are Indian in origin.
Pair of Art Deco style Wall Pocket Vases, Poole Pottery, mid C20th
Price: £55
A pair of wall pocket vases of urn form with scrolling handles, a crimped base and a scalloped top, the backs flat with one pierced hole for hanging, kiln spur marks and impressed marks ‘POOLE ENGLAND’ ‘879’ and a stamped mark ‘C 54’, both glazed in shades of cream and brown. Poole Pottery began production in 1873 and continued into and throughout the twentieth century, suffering vicissitudes and even periods of liquidation in more recent years but still continuing production to this day. The design of these wall pockets has an Art Deco feel and may have been originally created in the 1930s but was still being made into the 1950s. The two colour or ‘twintone’ decoration was also first produced in the 1930s and the form of the marks here, where the just the factory name appears without the ubiquitous dolphin, may well indicate a pre war rather than post war dating. The impressed numbers indicate the model number and the stamped mark the colour scheme. Pairs of these wall pockets in good condition are not often found and the particular colour range here, which is rather pleasing, is unusual. Desirable items, then for collectors of Poole Pottery but also with a general decorative appeal.
Classic black crocodile handbag 1940s
Price: £75
This is a very classic style bag in a square shape typical of the period. It is lined with black leather and is in excellent condition. The handle has been restored to it's original beauty and is ready for daily use. All you need are some white gloves and you are ready for anything!
Majolica plate signed Mancinelli, Deruta, Italy, C20th
Price: £75
A tin glazed majolica earthenware plate with a slightly lobed edge, vividly decorated with floral sprays to the centre within a repeating arrow shape border, the rim with stylised lotus leaves and round dots, the reverse glazed white with handwritten marks to the centre ‘Mancinelli, Deruta, Italy’ ‘p.2/25’ ‘graffito e dipinto a mano’ and the footrim pierced for hanging . Italian majolica wares date back to as far as the fourteenth century and Deruta in Umbria was one of the centres of its production. The Mancinelli family have been one of the most important Deruta based manufacturers of this ware from the nineteenth century onwards and combined with other potteries in the region to establish the ‘Societa Anonima Maioliche Deruta’ in 1910. They continue to produce Majolica pieces today, painted by hand as the markings to the reverse often indicate. This dish is an excellent example of their more recent work and probably dates to the second half of the twentieth century. The bold design is an attractive contemporary reworking of an antique tradition.
Fairing Figurine – A Mouse A Mouse, German, late C19th
Price: £25
Fairing Figurine "A Mouse A Mouse". 'Fairings', as they are known, were ceramic figures made to be given out, sold or won as prizes at fairs, hence the name. They were a product of the late Victorian era but continued to be made until the beginning of the First World War when they fell out of fashion. Manufacture was in Germany principally by the firm Conta and Boehme who developed a mass production method that no other company could match, thereby achieving a market advantage. They exported large quantities to Britain and the United States, but their pieces have even been found in Australia along with other destinations.
The various figures were made in white glazed porcelain with coloured decoration. The compositions were sculptural and often accompanied by an inscription, as here. Many models are known. Two typical examples are 'Returning from the Ball' and 'Twelve Months after Marriage'. Here we have a composition entitled “A Mouse A Mouse!”, which shows a couple, the wife raising herself from the bedclothes while her husband crawls on the floor, having knocked over a chamber pot in the process. Notably absent is the mouse itself…
Some of the fairing figurines are marked, as here. The impressed number '1886', which would be a series number, is combined with the impressed shield mark found on Conta and Boehme pieces from the late C19th. The paste of the foot is consistent with this and the slightly ‘brassy’ look to the gilding (compare Lot 5) complements this as well. It has been suggested that this particular model type is, in fact, a modern reproduction and there are other versions of the design which do indeed look contemporary but this is unlikely to be the case here and we most likely have an amusing and period example of the genre.